Église Sainte-Croix, Kaysersberg
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Église Sainte-Croix, Kaysersberg
The Église de l′Invention de la Sainte-Croix (″Church of the Discovery of the Holy Cross″) or, colloquially, Église Sainte-Croix (″Holy Cross Church″) is the mostly medieval parish church of the small town of Kaysersberg, in the Haut-Rhin department of France. The church is situated on the Romanesque Road of Alsace thanks to its ornate sandstone portal from ca. 1230–1235; it is classified as a Monument historique by the French Ministry of Culture since 1932. The Holy Cross Church was built in the first half of the 13th century, then expanded and modified in the 15th century, and finally partially modified again in the first half of the 19th century, when the steeple was crowned with its characteristic dome. The church is filled with notable artworks, all of which are classified as Monuments historiques. Chief among them are the large wooden polychrome altarpiece of the Passion of Jesus, a 1518 work by the Colmar master Hans Bongart, with painted 1621 wings by an ...
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Kaysersberg
Kaysersberg (; ; ) is a historical town and former commune in Alsace in northeastern France. The name is German for ''Emperor's Mountain''. The high fortress that dominates the town serves as a reminder of both its strategic importance and its warlike past. Kaysersberg lies in the canton of Sainte-Marie-aux-Mines, which itself is a subdivision of the Colmar-Ribeauvillé arrondissement. It was a separate commune until 1 January 2016, when it was merged into the new commune of Kaysersberg Vignoble together with nearby Kientzheim and Sigolsheim, and remains its seat. The town was first mentioned in 1227, when Frederick II, Holy Roman Emperor purchased the castle and gave orders to refortify it. During the Middle Ages, Kaysersberg, a member of the Décapole, prospered. In 1648, the city became a part of France, although most inhabitants continued to speak German. From 1871 to 1918 and (again from 1940 to 1944) Kaysersberg belonged to Germany. In 2017 Kaysersberg was voted the ...
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French Ministry Of Culture
The Ministry of Culture () is the ministry (government department), ministry of the Government of France in charge of List of museums in France, national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been Rachida Dati since 11 January 2024. History Deriving from the Italian Renaissance, Italian and Duchy of Burgundy, Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linke ...
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Monuments Historiques Of Haut-Rhin
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. The '' Palgrave Encyclopedia of Cultural Heritage and Conflict'' gives the next definition of monument:Monuments result from social practices of construction or conservation of material artifacts through which the ideology of their promoters is manifested. The concept of the modern monument emerged with the development of capital and the nation-state in the fifteenth century when the ruling classes began to build and conserve what were termed monument ...
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Churches In Haut-Rhin
Church may refer to: Religion * Church (building), a place/building for Christian religious activities and praying * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church, a former electoral ward of Kensington and Chelsea London Borough Council that existed from 1964 to 2002 * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota * Church, Michigan, ghost town Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre, volume, and construction throughout the keyboard Compass (music), compass. Most organs have many ranks of pipes of differing pitch, timbre, and volume that the player can employ singly or in combination through the use of controls called Organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and most have a Pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division (group of stops). The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, ...
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Burial Of Jesus
The burial of Jesus refers to the entombment of the body of Jesus after his crucifixion before the eve of the sabbath. This event is described in the New Testament. According to the canonical gospel narratives, he was placed in a tomb by a councillor of the Sanhedrin named Joseph of Arimathea; according to Acts , he was laid in a tomb by "the council as a whole". In art, it is often called the Entombment of Christ. Biblical accounts The earliest reference to a burial of Jesus is in a letter of Paul. Writing to the Corinthians around the year AD 54, he refers to the account he had received of the death and resurrection of Jesus ("and that he was buried, and that he was raised on the third day according to the Scriptures"). The four canonical gospels, likely written between 66 and 95, conclude with an extended narrative of Jesus's arrest, trial, crucifixion, entombment, and resurrection.Powell, Mark A. ''Introducing the New Testament''. Baker Academic, 2009. They narrat ...
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Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Crucifixion of Jesus, Jesus was crucified, his Descent from the Cross, body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ in art, Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Mary (mother of Jesus), Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but s ...
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Tilia
''Tilia'' is a genus of about 30 species of trees or bushes, native throughout most of the temperateness, temperate Northern Hemisphere. The tree is known as linden for the European species, and basswood for North American species. In Great Britain and Ireland they are commonly called lime trees, although they are not related to the citrus Lime (fruit), lime. The genus occurs in Europe and eastern North America, but the greatest species diversity is found in Asia. Under the Cronquist system, Cronquist classification system, this genus was placed in the family Tiliaceae, but genetic research summarised by the Angiosperm Phylogeny Group has resulted in the incorporation of this genus, and of most of the previous family, into the Malvaceae. ''Tilia'' is the only known ectomycorrhizal genus in the family Malvaceae. Studies of ectomycorrhizal relations of ''Tilia'' species indicate a wide range of fungal symbionts and a preference toward Ascomycota fungal partners. Description ''T ...
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Rood
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem '' The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" i ...
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Colmar
Colmar (; ; or ) is a city and commune in the Haut-Rhin department and Alsace region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks and its museums, among which is the Unterlinden Museum, which houses the '' Isenheim Altarpiece''. Colmar is located on the Alsatian Wine Route and considers itself to be the capital of Alsatian wine ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''Historisches Lexikon der deutschen Länder'', 7th editi ...
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Passion Of Jesus
The Passion (from Latin , "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week. The ''Passion'' may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trials before the Sanhedrin and before Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Latin form ''passio''. Narratives according to the four canonical gospels A ...
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Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ...
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