|
Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux (Saône-et-Loire), where he spent his youth. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait
Self-portraits are Portrait painting, portraits artists make of themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurélien Lugné-Poe
:''see also Aurélien (given name), for individuals with the masculine given name. ''Aurélien'' is a novel by Louis Aragon Louis Aragon (; 3 October 1897 – 24 December 1982) was a French poet who was one of the leading voices of the Surrealism, surrealist movement in France. He co-founded with André Breton and Philippe Soupault the surrealist review ''Littératur ..., the fourth of the ''Le Monde réel'' cycle. It was ranked 51st in Le Monde's 100 Books of the Century, ''Le Monde'''s 100 Books of the Century. Plot ''Aurélien'' explores the moral quandaries and aesthetic diversions of its titular bourgeois hero. Through the lens of its protagonist, a forty-something who has never quite recovered from his experiences in the First World War, Aragon's novel depicts a forgotten and wayward inter-war generation, devoid of any definite identity. The action unfolds against a backdrop of the famous Roaring Twenties (complete with cameos from Picasso and the Dadaists in Pigalle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (movement)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maeterlinck
Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949), also known as Count/Comte Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who was Flemish but wrote in French. He was awarded the Nobel Prize in Literature in 1911 "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations". The main themes in his work are death and the meaning of life. He was a leading member of the group La Jeune Belgique, and his plays form an important part of the Symbolist movement. In later life, Maeterlinck faced credible accusations of plagiarism. Biography Early life Maeterlinck was born in Ghent, Belgium, to a wealthy, French-speaking family. His mother, Mathilde Colette Franç ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ranson
Paul-Élie Ranson (; 29 March 1861 – 20 February 1909) was a French painter and writer associated with Les Nabis. Biography He was born in Limoges. His mother died in childbirth, so he was raised and educated by his grandparents and his father, , a politician who served two terms as Mayor of Limoges. He received his first drawing lessons from his grandfather, Jean-Jacques Maquart, and was enrolled at the École des Beaux-Arts Appliqués à l'Industrie in 1877. In 1884, he married his first cousin, Marie-France Rousseau, and studied for a time at the École Nationale Supérieure des Arts Décoratifs before transferring to the Académie Julian, where he studied with Tony Robert-Fleury from 1886 to 1891. In 1888, he became one of the five founding members of "Les Nabis", a group that played a large role in the transition from Impressionism to the various styles of Modern art. His fellow founders were Paul Sérusier, Henri-Gabriel Ibels, Pierre Bonnard, and Maurice Deni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Sérusier
Paul Sérusier (; 9 November 1864 – 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism. Education Sérusier was born in Paris. He studied at the Académie Julian and was a monitor there in the mid-1880s. In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin. While at the Pont-Aven artist's colony he painted a picture that became known as '' The Talisman'', under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction. He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Sérusier, along with Paul Gauguin, named the group. Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group. In 1892 Sérusier met and befr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Léon Gérôme
Jean-Léon Gérôme (; 11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as Academic painting, academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his works includes historical paintings, Greek mythology, Orientalism, portraits, and other subjects. He is considered among the most important painters from the academic period and was, with Ernest Meissonier, Meissonier and Cabanel, one of "the three most successful artists of the Second French Empire, Second Empire". He was also a teacher with a long List of pupils of Jean-Léon Gérôme, list of students, including Mary Cassatt, Thomas Eakins, and Osman Hamdi Bey, among others. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. It was here that Gérôme first received instruction in drawing during his youth in school. He was instructed by local artist and teacher Claude-Basile Cariage, under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts architecture, Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest is the in Paris, now located on the city's Rive Gauche, left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement of Paris, 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists and architects in Europe. Fine art, Beaux-Arts style was modeled on classical "Classical antiquity, antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Robert-Fleury
Tony Robert-Fleury (1 September 18378 December 1911) was a French painter, known primarily for historical scenes. He was also a prominent art teacher, with many famous artists among his students. Biography He was born just outside Paris, and studied under his father Joseph-Nicolas Robert-Fleury and under Paul Delaroche and Léon Cogniet at the École des Beaux-Arts (School of Fine Arts) in Paris. His first painting at the Salon de Paris, in 1866, was a large historical canvas, titled ''Varsovie, Scène de l'Insurrection Polonaise'', recalling the events of 8 April 1861 in Warsaw, when Russian troops quenched riots by force. In the following year, his "Old Women in the Place Navone, Rome" was purchased by the Musée du Luxembourg. In 1870, he painted a canvas of ''Le Dernier Jour de Corinthe'' (''Last Day of Corinth''), which depicted the last day before the Roman legions looted and burned the ancient Greek city, according to Livy. This painting was also purchased by the Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William-Adolphe Bouguereau
William-Adolphe Bouguereau (; 30 November 1825 – 19 August 1905) was a French Academic art, academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of Classicism, classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionism, Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are Lost artworks, still unknown. Life and career Formative years William-Adolphe Bouguereau was born in La Rochelle, France, on 30 November 1825, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
