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Çifteli
The çifteli (also çiftelia, qifteli, Albanian language, Albanian for "doubled" or "double stringed") is a plucked string instrument, with only two strings, played mainly by the Albanians of northern and central Albania, southern Montenegro and parts of North Macedonia and Kosovo. The çifteli is frequently used by Albanians in weddings and at concerts, as well as by musicians such as Nikollë Nikprelaj. It is also used to accompany Albanian Epic poetry, epics and Ballad, ballads. Construction Çifteli vary in size, but are most often tuned to B3 and E4 (comparable to the top two strings of a guitar, which is classically tuned as "E2 A2 D3 G3 B3 E4"). Usually the lower string is played as a Drone (music), drone, with the melody played on the higher string. The çifteli is a fretted instrument, but unlike most, it is not fretted in a chromatic scale (one fret per semitone), but rather in a diatonic scale, with seven notes to the octave. The çifteli is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutar
The ''dutar'' (also ''Dotara, dotar''; ; ; ; ; ; ; ) is a traditional Iranian long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian language, Persian word for "two strings", دوتار ''do tār'' (< دو ''do'' "two",تار ''tār'' "string"), although the Herati dutar of Afghanistan has fourteen strings. Dutar is very popular in Tajikistan and Khorasan province, Khorasan province of Iran. When played, the strings are usually plucked by the Uyghur people, Uyghurs of Western China and strummed and plucked by the Tājik people, Tajiks, Turkmen people, Turkmen, Uzbeks. Related instruments include the Kazakhstan, Kazakh dombra. The dutar is also an important instrument among the Kurds of Khorasan, tork of Khorasan amongst whom Haj Qorban Soleimani, Haj Ghorban Soleimani of Quchan was a noted virtuoso. In Kurdish languages, tork one who plays the dutar is known as a (bakhshi) similar to Turkmen language, Turkmen , while in Azerbaijani lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šargija
thumb The ''šargija'' ( sh-Latn-Cyrl, šargija, шаргија; ), anglicized as ''shargia'', is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Albania, Kosovo and North Macedonia. The instrument is part of a larger family of instruments which includes the Balkan ''tambura'' and the '' saz'' (or ''tambura saz''), ''tamburica'', and the ''tambouras''. History The instrument was studied by musicologists in the 20th century. Their studies have been characterized as speculative and nationalistic. More recently, an American researcher, Richard March, concluded that the tambura arrived in the Balkans with Turkish people in the 1500s. It was adopted by people living in the Balkans, including "urban Muslim Slavs" and "Bosnia Christians." It also arrived in Croatia with laborers. Today the ''šargija'' is played by Albanians, Bosniaks, Serbs and Croats. The ''sharki'' is used by the Gheg Albanians in n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the string (music), strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck (music), neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Kanun (instrument), Qanún/kanun, autoharp, kantele, gusli, kannel (instrument), kannel, kankles, kokles, koto (musical instrument), koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, Iraq, India, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 BC shows tanbur players. Playing the tanbur was common at least ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kosovo
Kosovo, officially the Republic of Kosovo, is a landlocked country in Southeast Europe with International recognition of Kosovo, partial diplomatic recognition. It is bordered by Albania to the southwest, Montenegro to the west, Serbia to the north and east, and North Macedonia to the southeast. It covers an area of and has a population of approximately 1.6 million. Kosovo has a varied terrain, with high plains along with rolling hills and List of mountains in Kosovo, mountains, some of which have an altitude over . Its climate is mainly Continental climate, continental with some Mediterranean climate, Mediterranean and Alpine climate, alpine influences. Kosovo's capital and List of cities and towns in Kosovo#List, most populous city is Pristina; other major cities and urban areas include Prizren, Ferizaj, Gjilan and Peja. Kosovo formed the core territory of the Dardani, an ancient Paleo-Balkanic languages, Paleo-Balkanic people attested in classical sources from the 4th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setar
A setar (, ) (lit: "Three String (music), Strings") is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half Octave, octaves. Originally a three stringed instrument, a fourth string was added by Mushtaq Ali Shah by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century AD A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the Tar (string instrument), tar, both in Musical tuning, tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzouras
The ''tzouras'' (), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. Similar musical instruments in Turkish culture are generally referred to as ''Bağlama''. The six-string model has the same arrangement of strings tuned to the same pitches as the six-string (''trichordo'') bouzouki. There are three pairs of strings, tuned to D3D4–A3A3–D4D4 or D4D3–A3A3–D4D4. The strings are made of steel. Physically, the tzouras resembles the bouzouki, with a similar neck and head, but stands out due to its notably smaller body, resulting in a distinct tonal quality. Notable players * Saro Tribastone *Mikal Cronin See also * Baglamas *Greek musical instruments *Greek music *Pandura *Cretan lyra The Cretan lyra () is a pear-shaped three-stringed Greece, Greek Violin, a traditional Greek musical instruments, musical instrument, central to the traditional music of Crete and oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonal Music
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls "between the keys" of a piano tuned in equal temperament. Terminology Microtone ''Microtonal music'' can refer to any music containing microtones. The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy Mann in order to avoid the misnomer " quarter tone" when speaking of the srutis of Indian music. Prior to this time the term "quarter tone" was used, confusingly, not only for an interval actually half the size of a semitone, but also for all intervals (considerably) smaller than a semitone. It may have been even slightly earlier, perhaps as early as 1895, that the Mexican composer Julián Carrillo, writing in Spanish or Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory a diatonic scale is a heptatonic scale, heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other. The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B. Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are designed so that the white-key notes form a diatonic scale, though transpositions of this diatonic scale require one or more black keys. A diaton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
