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Ángel María De Rosa Municipal Museum Of Art
The Ángel María de Rosa Municipal Museum of Art (MUMA) is an art museum in Junín, Buenos Aires, Junín, a city in the north of Buenos Aires Province, Argentina. Overview The original Municipal Museum of Fine Arts resulted from a 1943 gift to the city by a prominent local sculptor, Ángel María de Rosa, of the bulk of his own works, as well as of the variety of art he had collected in Europe, over the course of numerous travels. The museum was officially commissioned on April 3, 1944, though it lacked its own facilities. Initially maintained by de Rosa and a fellow sculptor, Juan Donato Comuni, the museum relocated to a series of temporary locations. Comuni, however, died in 1962, and de Rosa, in 1970. The municipality ultimately granted the museum the former central market building as its permanent home, in 1978. Built in 1907 and refurbished for its new use, the Ángel María de Rosa Municipal Museum of Art was inaugurated on May 25, 1978. Maintaining 5 exhibit halls and 900 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pío Collivadino
Pío Collivadino (August 20, 1869August 26, 1945) was an Argentine painter of the Post-Impressionist school. Life and work Pío Collivadino was born in Buenos Aires, in 1869. He studied drawing at the Italian Argentine cultural society, the ''Societá Nazionale de Buenos Aires'', and in 1889, he traveled to Rome, where in 1891 he was accepted into the Accademia di San Luca, the National Academy of Fine Arts. There, he was mentored by Cesare Mariani, and collaborated in decorative frescoes in the Constitutional Court of Italy.Parker, William Belmont. ''Argentines of Today''. New York: The Hispanic Society of America, 1920. He returned to Argentina in 1896 and became known for his romanticistbr>lithographs Colllivadino attended three international festivals in Venice, from 1903 to 1907, where his ''La hora del reposo'' (''Workday Break'', 1903), also known as ''La hora del almuerzo'' (''Lunch break time'') earned a gold medal. He was also at the 1904 Louisiana Purchase Expositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In 1907
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Argentina
Art is a diverse range of cultural activity centered around ''works'' utilizing creative or imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogelio Yrurtia
Rogelio Yrurtia (December 6, 1879 – March 4, 1950) was a renowned Argentine sculptor of the Realist school. Life and work Born in Buenos Aires, Argentina to Basque immigrants in 1879, Rogelio Yrurtia enrolled in the local Society for the Promotion of Fine Arts in 1899. A talented student, he quickly earned a scholarship on which he traveled to Paris. There, he attended the prestigious Académie Julien, where he was apprenticed under Jules-Felix Coutan. Securing his first exhibition at the National Society of French Artists in 1903, he obtained a Grand Prize at the 1904 Louisiana Purchase Exposition in St. Louis, Missouri. Yrurtia returned to Buenos Aires in 1905, where he presented a number of exhibitions and, in 1907, was commissioned to create a monument to 1820s-era Argentine statesman Manuel Dorrego. Relocating to Barcelona, Spain, his work earned him a Grand Prize at the 1911 International Arts Exposition there. Upon his return to Buenos Aires in 1916, Yrurtia was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Seoane
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermenegildo Sábat
Hermenegildo Sábat (23 June 1933 – 2 October 2018) was an Argentine-Uruguayan caricaturist. Life and work Early career in journalism Hermenegildo Sábat was born in the oceanfront Pocitos section of Montevideo, Uruguay, in 1933. Named after a grandparent who had been a noted local artist in his day, Hermenegildo was known as "Menchi," from early childhood. Montevideo's leading news daily, ''El País'', first published a drawing of his - a portrait of Uruguay national football team forward Juan Schiaffino - when the young artist was but 15 years old. Sábat's first work experience in journalism began in 1955 as a graphist in ''Acción'', returning to ''El País'', in 1957. His career prospered in ''El País'', and Sábat became an editor at the daily, as well as contributing work as a staff correspondent, photographer and illustrator. His byline was featured in other Uruguayan periodicals in subsequent years, such as ''Marcha'', ''Lunes'' and ''Reporte'', and he freelanced as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Pujía
Antonio Pujía (11 June 1929 – 26 May 2018) was an Argentinian sculptor. Through his artwork he always both honoured women and also denounced the world's horrors of famine and war. Personal life Antonio Pujía was born in Polia, a small town in Calabria, southern Italy, on June 11, 1929. In May 1937 he emigrated with his mother and older sister Carmela to Argentina, where his father Vittorio (who had traveled when Antonio was only two years old) was expecting them. Since his early childhood (and because his difficulty with the Spanish language) he began to draw elements of reality that will attract his attention by the novelty meant for. Upon graduation, the teacher guides students in their future education and tells Pujía that he should follow Fine Arts. He has a son from his first marriage: Vittorio Pujia, a musician who lives in France. In 1960 he joined for love Susana Nicolai (a Psychologist and Ceramist) his lifelong partner, with whom he has two children: Lino Pujía (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alejandro Christophersen
Alejandro Christophersen (1866–1946) was an Argentine architect and artist who designed many important buildings in the city of Buenos Aires, including the renowned Anchorena Palace. Biography Christophersen was born in Cádiz, Spain in 1866, the son of the Norwegian diplomat Otto Thorvald Alexander Christophersen, Consul to Spain. He studied architecture in Belgium and art in Paris. In 1888 he arrived in Argentina, and settled in Buenos Aires, during his career as an architect he gave the port city many of its most important buildings. He was a professor at the School of Architecture of the Faculty of Natural and Exact Sciences at the University of Buenos Aires, he is considered to be one of the central figures of eclectic architecture in Argentina, where he was one of the founder members of the Central Society of Architects. His earlier works were influenced by French Second Empire architecture, though his later projects were Rationalist. Christophersen was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junín, Buenos Aires
Junín () is a city in the province of Buenos Aires, Argentina, and administrative seat of the '' partido'' of Junín. It has a population of 85,420 () and is located west of the city of Buenos Aires. It is mostly known for being the hometown of former first lady of Argentina Eva Perón. History Inhabited by the native Charrúa folks, the stead's strategic location on the Salado River made it of interest to Spanish Viceroy Juan José de Vértiz y Salcedo, who established an outpost there in the 1790s as part of a line of defense against raids by displaced natives. The location became known as ''El Potroso''. El Potroso was restrengthened by a fort by way of an 1826 decree by President Bernardino Rivadavia, and on December 27, 1827, the citadel was established under the command of a veteran of the Argentine War of Independence, Bernardino Escribano, as ''Fuerte de la Federación''. The advent of Buenos Aires Province Governor Juan Manuel de Rosas led to Escribano's 1829 de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Berni
Delesio Antonio Berni (14 May 1905 – 13 October 1981) was an Argentine figurative artist. He is associated with the movement known as ''Nuevo Realismo'' ("New Realism"), an Argentine extension of social realism. His work, including a series of ''Juanito Laguna'' collages depicting poverty and the effects of industrialization in Buenos Aires, has been exhibited around the world. Biography Early life Berni was born in the city of Rosario, Santa Fe, Rosario on 14 May 1905. His mother, Margarita Picco, was the Argentine daughter of Italians. His father Napoleon, an immigration, immigrant tailor from Italy, died in the World War I, first World War. In 1914 Berni became the apprentice of Catalonia, Catalan craftsman N. Bruxadera at the ''Buxadera and Co.'' stained glass company. He later studied painting at the ''Rosario Catalá'' Center, where he was described as a child prodigy. In 1920 seventeen of his oil paintings were exhibited at the Salon Mari. On 4 November 1923, his Impre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolfo Bellocq
Adolfo Bellocq (1899–1972) was an influential Argentine artist known for his lithographs. Born in Buenos Aires, Bellocq was self-taught in the art of xylography and engraving Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass ar .... He was appointed Director of the Lithography Workshop at Buenos Aires' renowned Ernesto de la Cárcova Fine Arts School, in 1928. Soon earning his first awards for in his evocative work portraying harsh working conditions then prevailing in Buenos Aires' southside slaughterhouses, Bellocq parlayed this accomplishment into the first Argentine Lithography Exposition, in 1931. Contributing to Buenos Aires' premier art periodical at the time, ''Claridád'', he began working closely with a number of the magazine's other contributors, forming what became know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
