Ángel Ferrant
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Ángel Ferrant
Ángel Ferrant Vázquez (1 December 1890 – 23 July 1961) was an avant-garde Spanish sculptor associated with surrealism and kinetic art. Biography and works Son of the painter Alejandro Ferrant, he studied sculpture at the Escuela de Artes y Oficios in Madrid, the Real Academia de Bellas Artes de San Fernando, and at sculptor Aniceto Marinas’ studio. His first works fit into the academic realism of the new century and have hints of an aesthetic trend called tremendismo which uses realism to shock. The most outstanding one is ''La cuesta de la vida'' (Museo del Prado) for which he won the second medal at the Exposición Nacional de Bellas Artes in 1910. In 1913 he travelled to Paris where he came into contact with futurism and although he wasn't a futurist in the strict sense, the influence of Marinetti, with whom he had an epistolary relationship, contributed to the evolution of his sculpture. When he obtained the position of sculpture and casting teacher, he was assigne ...
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Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ...
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Alianza De Intelectuales Antifascistas
The Alliance of Antifascist Intellectuals for the Defense of Culture (''Alianza de Intelectuales Antifascistas para la Defensa de la Cultura'') was a civil organization created on July 30, 1936, after the Spanish Civil War began. It had its initial headquarters in Madrid and moved to Valencia, accompanying the government of the Second Spanish Republic. History The origins of the organization dates back to 1935, during the I Congress of Antifascist Writers and the creation of the AIEDC (International Association of Writers in Defense of Culture), with the assistance of several Spanish delegates. The Alliance of Anti-Fascist Intellectuals for the Defense of Culture was organized as an athenaeum, with various committees or divisions for subject areas. In addition to general cultural and sociopolitical activity, manifestos, talks and appeals were made against the rise of fascism represented by Franco's revolted army. Other groups converged in the Alliance, such as the Union of Prol ...
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Real Academia De Bellas Artes De San Fernando Alumni
Real may refer to: Currencies * Argentine real * Brazilian real (R$) * Central American Republic real * Mexican real * Portuguese real * Spanish real * Spanish colonial real Nature and science * Reality, the state of things as they exist, rather than as they may appear or may be thought to be * Real numbers, the set of rational and irrational numbers (and opposed to imaginary numbers) * The Real, an aspect of human psychic structure Sports Africa * Real Republicans FC (Accra), Ghana * Real Republicans F.C. (Sierra Leone) Central and South America * Club Real Potosí, Bolivia * Municipal Real Mamoré, Bolivia *Associação Esportiva Real, Brazil *Real Noroeste Capixaba Futebol Clube, Brazil * C.D. Real Sociedad, Honduras * Real C.D. España, Honduras *Real Maya, Honduras *Real Club España, Mexico *Real Saltillo Soccer, Mexico * Real Sociedad de Zacatecas, Mexico *Real Estelí Baloncesto, Nicaragua * Real Estelí F.C., Nicaragua *Real Madriz, Nicaragua *Real Garcilaso, Peru Po ...
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Spanish Male Sculptors
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Mathias Goeritz
Werner Mathias Goeritz Brunner (4 April 1915, Danzig, German Empire – 4 August 1990, Mexico City) was a Mexican painter and sculptor of German people, German origin. After spending much of the 1940s in North Africa and Spain, he and his wife, photographer Marianne Gast, immigrated to Mexico in 1949. Early life and education Mathias Goeritz was born in Danzig, German Empire (now Gdańsk, Poland) in 1915 and spent his childhood in Berlin. He began studying philosophy and the history of art at Berlin's Friedrich-Wilhelm-Universität, now known as the Humboldt University of Berlin, in 1934.''Mathias Goeritz 1915-1990: El Eco: Bilder, Skulpturen, Modelle'', ed. Christian Schneegass (Berlin: Akademie der Künste, 1992), 465. He received a doctorate in art history from this institution in 1940. His doctoral dissertation on the nineteenth-century German painter Ferdinand von Rayski was published as ''Ferdinand Von Rayski und die Kunst des Neunzehnten Jahrhunderts''. During the course ...
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Teatro Albéniz
Teatro Albéniz is a theatre in Madrid, Spain. Located in the Centro district at No. 11 Calle de la Paz, it opened in the 1940s. It initially featured opera and ballet, and later also zarzuela. It had a seating capacity of 1,000 seats in 1945. After various legal problems, Teatro Albéniz closed in 2009 but after a long legal battle led by lawyers Beltrán Gambier and Eva Aladro from “Plataforma Salvar el Teatro Albéniz” (Save Albéniz Theatre Platform), the 17 of November 2022 it reopened its doors after a careful renovation by UMusic Hotels, with the premiere of the musical production “Company”, of Stephen Sondheim and directed by Antonio Banderas José Antonio Domínguez Bandera (born 10 August 1960), known professionally as Antonio Banderas, is a Spanish actor. Known for his work in films of several genres, he has received numerous accolades, including a Cannes Film Festival Award .... The building also holds a hotel. References {{Coord, 40, 24, 55, N, ...
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Museo Nacional Centro De Arte Reina Sofía
The ''Museo Nacional Centro de Arte Reina Sofía'' ("Queen Sofía National Museum Art Centre"; MNCARS) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the and the Museo Thyssen-Bornemisza). The museum is mainly dedicated to Spanish art. Highlights of the museum include collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. The most famous masterpiece in the museum is Picasso's 1937 painting '' Guernica''. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. In 2021, due to the COVID-19 pandemic restrict ...
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Pedro Muguruza
Pedro Muguruza Otaño (1893–1952) was a Spanish architect and Falangist politician. Biography Born in Madrid on 25 May 1893, his family came from Elgoibar (Gipuzkoa). He earned an architecture degree from the School of Architecture of Madrid in 1916, where he met other future notable architects such as Secundino Zuazo, Leopoldo Torres Balbás or Luis Gutiérrez Soto. He gained a reputation as an exceptional draughtsman when he studied at the School of Architecture. A sports enthusiast, he played goalkeeper for Atlético de Madrid. In 1917, soon after graduating, Muguruza started to work as lecturer at the School of Architecture thanks to a proposal by Ricardo Velázquez Bosco, and, in March 1920, he finally obtained a Chair of "Projects of Architectural and Ornamental Details". He married Mercedes Peironcely y Puig de la Bellacasa in 1921. They had no issue. Among the projects he authored in the 1920s: the France Station in Barcelona (1923), the Palacio de la Prensa i ...
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Rogier Van Der Weyden
Rogier van der Weyden (; 1399 or 140018 June 1464), initially known as Roger de le Pasture (), was an Early Netherlandish painting, early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign aristocrats. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Netherlandish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influe ...
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The Descent From The Cross (van Der Weyden)
''The Descent from the Cross'' (or ''Deposition of Christ'', or ''Descent of Christ from the Cross'', or in Flemish ''Kruisafneming'') is a panel painting by the Flemish artist Rogier van der Weyden created , now in the , Madrid. The crucified Christ is lowered from the cross, his lifeless body held by Joseph of Arimathea and Nicodemus. The date is estimated based on the work's style, and because the artist acquired wealth and renown around this time, most likely from the prestige this masterwork brought him. It was painted early in his career, shortly after he completed his apprenticeship with Robert Campin and shows the older painter's influence, most notable in the hard sculpted surfaces, realistic facial features and vivid primary colours, mostly reds, whites and blues. The work was a self-conscious attempt by van der Weyden to create a masterpiece that would establish an international reputation. Van der Weyden positioned Christ's body in the T-shape of a crossbow to ref ...
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