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¡Viva! Vaughan
''¡Viva! Vaughan'' is a 1965 studio album by Sarah Vaughan, orchestrated and conducted by Frank Foster, and produced by Quincy Jones. Reception The Allmusic review by Ken Dryden awarded ''¡Viva! Vaughan'' three and a half stars and said "Vaughan is in great voice throughout the date and the material is generally first-rate, except for the bland "Night Song"...Unfortunately, the bossa nova selections ("The Boy From Ipanema" and "Quiet Nights") are burdened with pedestrian string arrangements that date the music as much as the generally uninspired Latin percussion. It's likely that this lack of focus confused the record-buying public as to what type of music this was and caused it to be overlooked." Track listing Personnel * Sarah Vaughan – vocals * Jerome Richardson – flute * Wayne Andre – trombone * Dick Hixson – bass trombone * Bernard Eichen – violin * Barry Galbraith – guitar * Bob James – piano * Willie Bobo – pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Vaughan
Sarah Lois Vaughan (, March 27, 1924 – April 3, 1990) was an American jazz singer and pianist. Nicknamed "Sassy" and "List of nicknames of jazz musicians, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea For Two (song)
"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre- Broadway run of the musical '' No, No, Nanette''. When the show finally hit Broadway on September 16, 1925, Nanette was played by Louise Groody, and her duet with Barker of "Tea for Two" was a hit. The song went on to become the biggest success of Youmans's career. Background Youmans had written the basic melody idea of "Tea for Two" while he was in the navy during World War I, and he used it later on as an introductory passage for a song called "Who's Who with You?". While in Chicago, Youmans developed the idea into "a song that the hero could sing to the heroine" for the musical ''No, No, Nanette''. Soon after, he played his composition for Irving Caesar and insisted he write the lyrics then and there. Caesar quickly jotted down a mock-up lyric, fully intending to revise it later on. Youmans, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Rose
Vincent Rose ''(né'' Vincenzo Cacioppo; 13 June 1880 Palermo, Italy – 20 May 1944 Rockville Centre, New York) was an Italian-born American violinist, pianist, composer, and bandleader. Career Rose holds one of the longest histories as a band leader. He achieved much popularity with his Montmartre Orchestra in the 1920s, and recorded with the group for RCA. The same personnel later recorded for the Columbia label as the Hollywood Orchestra. After leaving California, he settled in New York, but continued to record as "Vincent Rose and His Orchestra" for various labels throughout the 1930s. Rose was a prolific songwriter, having published well over 200 songs. His hits included: :* 1920 "Whispering" :* 1921 "Avalon", with lyrics by Al Jolson and B.G. DeSylva, a big hit for Jolson. :* 1923 "Linger Awhile" :* 1940 "Blueberry Hill" In 1921, the estate of Giovanni Ricordi and the music publishing firm he founded, Casa Ricordi — the publisher of Puccini's operas — sued all p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jolson
Al Jolson (born Asa Yoelson, ; May 26, 1886 – October 23, 1950) was a Lithuanian-born American singer, comedian, actor, and vaudevillian. Self-billed as "The World's Greatest Entertainer," Jolson was one of the United States' most famous and highest-paid stars of the 1920s, as well as the first openly Jewish man to become an entertainment star in the United States. He was known for his "shamelessly sentimental, melodramatic approach" towards performing, along with popularizing many of the songs he sang. According to music historian Larry Stempel, "No one had heard anything quite like it before on Broadway." Stephen Banfield wrote that Jolson's style was "arguably the single most important factor in defining the modern musical." Jolson has been referred to by modern critics as "the king of blackface performers". Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi fraternity. His father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. Aloysius was of multiracial ancestry, with his father being born in the West Indies and his mother being born in either England or Scotland. His father was Dr. James M. Fenwick, a Black physician who emigrated to the United States in 1865. In 1889, Aloysius legally changed his surname from Fenwick to De Sylva to pass as for white, more specifically, someone from Portugal. Buddy's father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the dau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalon (Al Jolson Song)
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals ''Sinbad (1918 musical), Sinbad'' and ''Bombo (musical), Bombo.'' Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later. A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their The Famous 1938 Carnegie Hall Jazz Concert, famous 1938 Carnegie Hall concert. The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others. The tune's opening melody resembles a part of Giacomo Puccini's aria ''E lucevan le stelle'', from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
