Trio for Violin, Horn and Piano (Ligeti)
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The Trio for Violin, Horn and Piano by
György Ligeti György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" ...
was completed in 1982. The piece was a turning point in Ligeti’s career. Ligeti had composed little since he completed his opera, ''
Le Grand Macabre ''Le Grand Macabre'' (1974–1977, revised version 1996) is the only opera by Hungarian composer György Ligeti. The opera has two acts, and its libretto—based on the 1934 play ''La balade du grand macabre'' by Michel de Ghelderode—was wri ...
,'' in 1977, having only finished a few smaller pieces, like ''Hungarian Rock (chaconne)'' and ''Passacaglia ungherese'' for harpsichord. Influenced by sources as diverse as sub-Saharan African drumming, the music of
Conlon Nancarrow Samuel Conlon Nancarrow (; October 27, 1912 – August 10, 1997) was an American- Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his ''Studies for Player Piano'', being one of the first ...
, and the piano music of Chopin and
Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
, the Trio is considered to be the watershed moment that opened up his "third way," a style that Ligeti claimed to be neither modern nor postmodern. Ligeti wrote the Trio at the suggestion of pianist Eckart Besch as a companion to
Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
'
Horn Trio Horn trio can mean a work written for three horns or horns as well as one for horn and two other instruments. In the latter category, an important genre is the trio for horn, violin and piano. Although there are a few earlier examples, the tradition ...
, one of the few other examples in the genre, which is why the Ligeti Trio is marked ''Hommage à Brahms''. Ligeti recalled his reaction to the suggestion: " soon as he pronounced the word 'horn' somewhere inside my head I heard the sound of a horn as if coming from a distant forest in a fairy tale, just as in a poem by
Eichendorff Joseph Freiherr von Eichendorff (10 March 178826 November 1857) was a German poet, novelist, playwright, literary critic, translator, and anthologist. Eichendorff was one of the major writers and critics of Romanticism.Cf. J. A. Cuddon: '' ...
."


Analysis

The Trio is in four movements: A performance of the piece lasts about 21 minutes. The composition explores the use of major and minor harmonies as free sonorities without following established patterns of
common practice In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolutio ...
tonality. In addition, it explores the natural just intonation of the upper partials available on the horn, asymmetric Bulgarian rhythms in the second movement, and the Ligeti ''
lament A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner in which participants lament about somethin ...
o'' motif in the fourth movement. The first three movements are each in a
ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples includ ...
– a notable look back towards traditional forms. The final movement is an example of a
passacaglia The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The ter ...
using as its ground bass a similar theme as that of the opening movement. It has been pointed out that the opening theme of the first movement is reminiscent of the opening theme of
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
's Piano Sonata No. 26, "Les Adieux".Richard Steinitz, ''György Ligeti: Music of the Imagination'' (Boston: Northeastern University Press, 2003): 255–56. .


See also

* Trio for horn, violin, and piano (Banks) *
Trio for horn, violin, and piano (Berkeley) The Trio for horn, violin, and piano, Op. 44, is a chamber music work by the English composer Lennox Berkeley. It was composed in the early 1950s and was premiered in March 1954 in London. A performance takes about 15 minutes. History The Horn Tr ...
* Horn Trio (Holbrooke) - An early 20th Century work inspired by the Brahms Horn Trio.


References


Further reading

* Bae, Jae-hyi (배재희). 2009. "리게티의 후기음악에서의 리듬구조 연구" hythmic Structure in the Late Music of György Ligeti ''Ihwa eum'ag nonjib/Ewha Music Journal'' 13, no. 2:113–37. * Delaplace, Joseph. 2004. "Le jeu de la mémoire et de l'invention dans le Trio pour cor, violon et piano de György Ligeti". ''Musurgia: Analyse et pratique musicales'' 11, no. 3 (Musique et pouvoir): 73–99. * Dibelius, Ulrich. 1984. "Ligetis Horntrio". ''Melos'' 46, no. 1:44–61. * Diederichs-Lafite, Marion (ed.). 1993. "Tag des Musikgesprächs". ''Österreichische Musikzeitschrift'' 48, no. 12 (December): 621–39. * Josel, Seth F. 2006. "Vertikaler und horizontaler Raum: Tonhöhen- und Intervallbeziehungen im dritten Satz ''Alla marcia'' von György Ligetis Horntrio". ''MusikTexte: Zeitschrift für Neue Musik'', no. 111:61–63. * Taylor, Stephen A. 2004. "Passacaglia and Lament in Ligeti's Recent Music". ''Tijdschrift voor muziektheorie'' 9, no. 1 (February): 1–11. * Thelander, Kristin. 1999. "György Ligeti's Trio". ''The Horn Call: Journal of the International Horn Society'' 30, no. 1 (November): 43–46.


External links


Listening


Recording
Horn Trio: Andantino con tenerezza – Helen Kim, violin; Robert Patterson, horn; Adam Bowles, pian
Luna Nova New Music EnsembleRecording
Horn Trio: Vivacissimo molto ritmico – Helen Kim, violin; Robert Patterson, horn; Adam Bowles, pian
Luna Nova New Music EnsembleRecording
Horn Trio: Alla Marcia – Helen Kim, violin; Robert Patterson, horn; Adam Bowles, pian
Luna Nova New Music EnsembleRecording
Horn Trio: Lamento Adagio – Helen Kim, violin; Robert Patterson, horn; Adam Bowles, pian
Luna Nova New Music Ensemble
{{Authority control Compositions by György Ligeti Ligeti Ligeti 1982 compositions