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Sub-Saharan African Music Traditions
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression. African dances are largely participatory: there are traditionally no barriers between dancers and onlookers except with regard to spiritual, religious and initiation dances. Even ritual dances often have a time when spectators participate. Dances help people work, mature, praise or criticize members of the community, celebrate festivals and funerals, compete, recite history, proverbs and poetry and encounter gods. They inculcate social patterns and values. Many dances are performed by only males or females. Dances are often segregated by gender, reinforcing g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Native African Dance At Dakawa,Morogoro,Tanzania
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Mali
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka (from c. 1230 to c. 1600). Mande people (Bambara, Mandinka, Soninke) make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%). Salif Keita, a noble-born Malian who became a singer, brought Mande-based Afro-pop to the world, adopting traditional garb and styles. The kora players Sidiki Diabaté and Toumani Diabaté have also achieved some international prominence, as have the late Songhai/Fula guitarist Ali Farka Touré and his successors Afel Bocoum and Vieux Farka Touré, the Tuareg band Tinariwen, the duo Amadou et Mariam and Oumou Sangare. Mory Kanté saw major mainstream success with techno-influenced Mande music. While internationally Malian popular music has been known more for its male artists, there are some exceptions: Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Chad
Chad is an ethnically diverse Central African country. Each of its regions has its own unique varieties of music and dance. The Fulani people, for example, use single-reeded flutes, while the ancient griot tradition uses five-string kinde and various kinds of horns, and the Tibesti region uses lutes and fiddles. Musical ensembles playing horns and trumpets such as the long royal trumpets known as " waza" or "kakaki" are used in coronations and other upper-class ceremonies throughout both Chad and Sudan. The national anthem of Chad is "La Tchadienne," written in 1960 by Paul Villard and Louis Gidrol with help from Gidrol's student group. Popular music Following independence, Chad, like most other African countries, quickly began producing some popular music, primarily in a style similar to the soukous music of the Democratic Republic of the Congo. Styles of Chadian popular music include sai, which used rhythms from the southern part of Chad—this style was popularized by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sao Tome And Principe
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cape Verde
Cape Verde is known internationally for '' morna'', a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. ''Funaná'', ''Coladeira'', '' Batuque'' and '' Cabo love'' are other musical forms. Language In the contrary of Cape Verdean literature, the music of Cape Verde is performed in Cape Verdean Creole and not in Portuguese. Therefore, the music, in Cape Verde, is considered to be creolophone and not lusophone. Songs composed in Portuguese do exist (for instance, ''“Mar eterno”'' from Eugénio Tavares, ''“Ponta do Sol”'' from António Caldeira Marques, ''“Separação”'' from Palmeirinho) but are extremely scarce. History Cape Verde is an island archipelago that was uninhabited until the Portuguese arrived in 1462. The sailors brought with them African slaves, and the islands' population became mixed with elements of both races. Climate conditions made the islands inhospitable, and the Portuguese governments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Republic Of The Congo
The Republic of the Congo is an African nation with close musical ties to its neighbor, the Democratic Republic of the Congo. The Democratic Republic of the Congo's homegrown pop music, soukous, is popular across the border, and musicians from both countries have fluidly travelled throughout the region playing similarly styled music, including Nino Malapet and Jean Serge Essous. Brazzaville had a major music scene until unrest in the late 1990s, and produced popular bands like Extra Musica and Bantous de la Capitale that played an integral role in the development of soukous and other styles of Congolese popular musi The Hip-Hop group " Bisso na bisso, Bisso na Bisso" also hails from Congo-Brazzaville. National music The national anthem of the Republic of the Congo is '. It was adopted upon independence in 1959, replaced in 1969 by ' but reinstated in 1991. The words were written by Jacques Tondra and Georges Kibanghi, the music was composed by Jean Royer and Joseph Spadilièr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Gabon
Gabon's music includes several folk styles and pop. Gabonese pop artist Patience Dabany, who now lives in the US, produces albums recorded in Los Angeles with a distinctively Gabonese element; they are popular throughout Francophone Africa. Other musicians include guitarists Georges Oyendze, La Rose Mbadou and Sylvain Avara, and the singer Oliver N'Goma. Imported rock and hip hop from the US and UK are popular in Gabon, as are rumba, makossa and soukous. National music The national anthem of Gabon is "La Concorde", written and composed by Georges Aleka Damas and adopted in 1960 upon independence. Traditional music Gabon's population, estimated at 1,640,286, of whom 42% are minors (July 2013 est.), include four major Bantu groupings; the Fang, the Punu, the Nzebi and the Obamba. Gabon, to the French ethnographer Barabe, "is to Africa what Tibet is to Asia, the spiritual center of religious initiations", due to the sacred music of the Bwiti, the dominant religious doctrine o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cameroon
The music of the Cameroon includes diverse traditional and modern musical genres. The best-known contemporary genre is makossa, a popular style that has gained fans across Africa, and its related dance craze bikutsi. The pirogue sailors of Douala are known for a kind of singing called ngoso which has evolved into a kind of modern music accompanied by zanza, balafon, and various percussion instruments. Traditional music The ethnicities of Cameroon include an estimated 250 distinct ethnic groups in five regional-cultural divisions. An estimated 38% of the population are Western highlanders–Semi-Bantu or grassfielders including the Bamileke, Bamum, and many smaller Tikar groups in the northwest. 12% are coastal tropical forest peoples, including the Bassa, Duala, and many smaller groups in the southwest. The southern tropical forest peoples (18%) include the Beti-Pahuin and their sub-groups the Bulu and Fang, the Maka and Njem, as well as, the Baka pygmies. In the semi-a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Nigeria
The music of Nigeria includes many kinds of folk and popular music, styles of folk music are related to the multitudes of ethnic groups in the country, each with their own techniques, instruments, and songs. Little is known about the country's music history prior to European contact, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The country's most internationally renowned genres are Indigenous, Apala, Ogene, Fuji, Jùjú, Afrobeat, Afrobeats, Igbo Highlife, Afro-juju, Waka, Igbo rap, Gospel, Yo-pop. Although Nigeria have over 250 ethnic groups but the largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is almost always functional; in other words, it is performed to mark a ritual such as the wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Benin
Benin has played an important role in the African music scene, producing one of the biggest stars to come out of the continent in Angélique Kidjo. Post-independence, the country was home to a vibrant and innovative music scene, where native folk music combined with Ghanaian highlife, French cabaret, American rock, funk and soul, and Congolese rumba. It also has a rich variety of ethnomusicological traditions. National music The national anthem of Benin, adopted upon independence in 1960, is "L'Aube Nouvelle" (The New Dawn) by Gilbert Jean Dagnon. The Gangbe brass band is an internationally prominent Beninese ensemble. Traditional music The majority of Benin’s 9.32 million people live in the south. The population includes about 42 ethnic groups overall. These include coastal populations of Yoruba in the southeast, who migrated from what is now Nigeria in the 12th century, the Fon in the south central area around Abomey, Mina, Xueda and Aja who came from what is now Togo. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Togo
The music of Togo has produced a number of internationally known popular entertainers including Bella Bellow, Akofah Akussah, Afia Mala, Itadi Bonney, Wellborn, King Mensah and Jimi Hope. National music The Togolese national anthem is ''Salut à toi, pays de nos aïeux'' (Land of our forefathers), written by Alex Casimir-Dosseh. From 1979 to 1992 it was replaced by an anthem composed by the party of the Rally of the Togolese People. French is the official and commercial language of Togo. Traditional music Togo's southern plain is its most populous area, where the capital, Lomé, is situated on the Gulf of Guinea but, like its neighbours, Ghana and Benin, its territory extends hundreds of kilometres northward, passing through a central hill region into the northern savanna that borders Burkina Faso. Its population of over 6 million people, which is 65% rural and agrarian, is composed of about 21 ethnic groups. Approximately 51% of the population has indigenous beliefs, 29% i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ghana
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent. The best known modern genre originating in Ghana is Highlife. So many years, Highlife was the preferred music genre until the introduction of Hiplife and many others. Traditional music The traditional musicology of Ghana may be divided geographically between the open and vast savanna country of northern Ghana inhabited by Ghanaians of Gur and Mande speaking groups; and the fertile, forested southern coastal areas, inhabited by Ghanaians speaking Kwa languages such as Akan. *The northern musical traditions belong to the wider Sahelian musical traditions. It features a mix of melodic composition on stringed instruments such as the ''kologo'' lute and the '' gonjey'' fiddle, wind instruments such as flutes and horns, and voice; with polyrhythms clapped or played on the talking drum, gourd drums or ''brekete'' bass drums. The tradition of gyil m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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