The tres (

Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Can ...

for ''three'') is a three-

course Course may refer to: Directions or navigation * Course (navigation), the path of travel * Course (orienteering), a series of control points visited by orienteers during a competition, marked with red/white flags in the terrain, and corresponding ...

chordophone String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the s ...

of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the

cuatro Cuatro is Spanish (and other Romance languages) for the number four. Cuatro may also refer to: * Cuatro (instrument), name for two distinct Latin American instruments, one from Puerto Rico (see Cuatro) and the other from Venezuela (see Cuatro) ...

. The tres developed in the second half of the 19th century in the eastern region of

Guantánamo Guantánamo (, , ) is a municipality and city in southeast Cuba and capital of Guantánamo Province. Guantánamo is served by the Caimanera port near the site of a U.S. naval base. The area produces sugarcane and cotton wool. These are traditi ...

, where it was used to play

changüí ''Changüí'' is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. ''Ch ...

, a precursor of

son cubano Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are t ...

. Its exact origins are not known, but it is assumed to have developed from the 19th century Spanish guitar, which it resembles in shape, as well as the

laúd Laúd ( es, "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double c ...

and

bandola The bandola is one of many varieties of small pear-shape chordophones found in Venezuela and Colombia. They are related to the bandurria and mandolin. Traditional varieties Instruments known as ''bandola'' include: *Bandola llanera: tra ...

, two instruments used in

punto cubano Punto guajiro or ''punto cubano'' – or simply ''punto'' – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, and consolidated as a genre in the 18th ...

since at least the 18th century. Tres playing revolves around the ''

guajeo A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a ...

'', an ''

ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...

'' pattern found in many Afro-Cuban music styles. Tres players are commonly known as ''treseros'' (in Cuba) or ''tresistas'' (in Puerto Rico).

Cuba

History

By most accounts, the tres was first used in several related

Afro-Cuban Afro-Cubans or Black Cubans are Cubans of West African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba thought to emanate from this community and the combining of native African and other cultural el ...

musical genres originating in eastern Cuba: the nengón, kiribá,

and

son A son is a male offspring; a boy or a man in relation to his parents. The female counterpart is a daughter. From a biological perspective, a son constitutes a first degree relative. Social issues In pre-industrial societies and some curren ...

, all of which developed during the 19th century. Benjamin Lapidus states: "The tres holds a position of great importance not only in changüí, but in the musical culture of Cuba as a whole." One theory holds that initially, a

guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected string ...

, tiple or

, was used in the son. They were eventually replaced by a new native-born instrument, a fusion of all three, called the tres. Helio Orovio writes that, in 1892, Nené Manfugás brought the tres from

Baracoa Baracoa, whose full original name is: ''Nuestra Señora de la Asunción de Baracoa'' (“Our Lady of the Assumption of Baracoa”), is a municipality and city in Guantánamo Province near the eastern tip of Cuba. It was visited by Admiral Christop ...

, its place of origin, to

Santiago de Cuba Santiago de Cuba is the second-largest city in Cuba and the capital city of Santiago de Cuba Province. It lies in the southeastern area of the island, some southeast of the Cuban capital of Havana. The municipality extends over , and contains ...

. According to Sindo Garay, the tres itself originated in Baracoa. In 1927,

Eduardo Sánchez de Fuentes Eduardo Sánchez de Fuentes (3 April 1874, in Havana – 7 September 1944) was a Cuban composer, and an author of books on the history of Cuban folk music. The outstanding habanera ''Tú'', written when he was sixteen, was his best-known com ...

mentioned Nené Manfugás as the first tres player from Santiago de Cuba. However, he described the tres as having originated in "time immemorial" among Afro-Cubans, while bearing a strong resemblance to the Spanish guitar and the

bandurria The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies. Instrument development Prior to the 18th century, the bandurria had a round ...

. According to writer Alejo Carpentier, the tres descended from the

(itself a derivative of the Spanish bandurria), which lost two courses over time. According to journalist Lino Dou, the tres was virtually unknown in western Cuba until 1895, when it was bought from Oriente by the '' mambises''. Similarly, Fernando Ortiz stated that the wars between Spain and Cuba (

Ten Years' War The Ten Years' War ( es, Guerra de los Diez Años; 1868–1878), also known as the Great War () and the War of '68, was part of Cuba's fight for independence from Spain. The uprising was led by Cuban-born planters and other wealthy natives. O ...

and

Cuban War of Independence The Cuban War of Independence (), fought from 1895 to 1898, was the last of three liberation wars that Cuba fought against Spain, the other two being the Ten Years' War (1868–1878) and the Little War (1879–1880). The final three months ...

) gave rise to the differentiation between the Spanish guitar and the Cuban tres, the latter becoming a symbol of the creole nation. Ortiz asserted that the tres most likely originated during pre-colonial Cuba, before gaining widespread popularity in the late 19th century. The origins of the tres and other Cuban instruments are discussed in depth by Ortiz in his seminal work ''Los instrumentos de la música afrocubana'', published between 1952 and 1955. As the son cubano grew in popularity in the 1920s, so did the tres. By the 1930s, there were several rising stars of the tres, including Eliseo Silveira, Carlos Godínez,

Arsenio Rodríguez Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August 1911 – 30 December 1970)Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana, v. 4 p. 45 et seq. was a Cuban musician, composer and bandleade ...

and

Niño Rivera Andrés Echevarría Callava (April 18, 1919 – January 27, 1996), better known as Niño Rivera, was a renowned Cuban tres player, songwriter and arranger. Early in his career he played with the Sexteto Boloña and Sexteto Bolero, before forming h ...

. In the 1950s, Arsenio left Cuba and his sound was continued by Ramón Cisneros "Liviano" and Arturo Harvey "Alambre Dulce" in the

Conjunto Chappottín Conjunto Chappottín, also known as Chappottín y sus Estrellas, is a Cuban son conjunto from Havana. It was founded in 1950 by trumpeter Félix Chappottín, pianist Lilí Martínez, singer Miguelito Cuní and other members of Arsenio Rodrígu ...

. Other important ''treseros'' of the 1950s such as Senén Suárez and Juanito Márquez began making recordings with electric treses. In the United States, the tres was sometimes featured in

salsa Salsa most often refers to: * Salsa (Mexican cuisine), a variety of sauces used as condiments * Salsa music, a popular style of Latin American music * Salsa (dance), a Latin dance associated with Salsa music Salsa or SALSA may also refer to: A ...

ensembles, especially in the 1970s, when players such as Nelson González,

Charlie Rodríguez Charles Anthony Rodríguez-Colón (born August 26, 1954) is a New York City-born Puerto Rican politician affiliated with the New Progressive Party (NPP). He served as the eleventh president of the Senate of Puerto Rico from 1997 until 2000. E ...

and Harry Viggiano made numerous recordings for

Fania Records Fania Records is a New York–based record label founded by Dominican-born composer and bandleader Johnny Pacheco and his Brooklyn-born Italian-American ex-New York City Police Officer turned lawyer Jerry Masucci in 1964. The label took its nam ...

. Traditional tres playing has been promoted in Cuba since the first recordings by Grupo Changüí de Guantánamo in the 1980s, featuring Chito Latamblé, as well as the albums by

Isaac Oviedo Isaac Oviedo (July 6, 1902 – June 16, 1992) was a Cuban tres player, singer and songwriter. He was the founder and leader of the Septeto Matancero for over 50 years, and the author of many famous ''sones'' such as "Engancha carretero". Througho ...

and his son Papi Oviedo. In 2010, ''tresero''

Pancho Amat Francisco Amat Rodríguez (born April 22, 1950), better known as Pancho Amat, is a Cuban musician specialized in the tres. In 1971, he became a founding member of Manguaré, which would become one of the leading ensembles within the nueva trova mo ...

won the highest accolade awarded to musicians in Cuba, the ''Premio Nacional de Música''.

Description and variants

The Cuban tres is significantly smaller than the Spanish guitar, with a scale length between and . It has three courses (groups) of two strings each for a total of six strings. From the low pitch to the highest, the principal tuning is in one of two variants in C Major, either: G4 G3, C4 C4, E4 E4 (top course in unisons), or more traditionally: G4 G3, C4 C4, E3 E4 (top course in octaves). Note that when the octave tuning is used, the order of the octaves in the first course is the reverse of the order in the third course (''low-high'' versus ''high-low''). Today many ''treseros'' tune the whole instrument a step higher (in D major): A4 A3, D4 D4, F#4 F#4 or A4 A3, D4 D4, F#3 F#4. A musician who plays the Cuban tres is called a ''tresero'', although the term ''tresista'' has also been used in Cuba in the past. There are variants of the instrument in

Puerto Rico Puerto Rico (; abbreviated PR; tnq, Boriken, ''Borinquen''), officially the Commonwealth of Puerto Rico ( es, link=yes, Estado Libre Asociado de Puerto Rico, lit=Free Associated State of Puerto Rico), is a Caribbean island and unincorporated ...

and the

Dominican Republic The Dominican Republic ( ; es, República Dominicana, ) is a country located on the island of Hispaniola in the Greater Antilles archipelago of the Caribbean region. It occupies the eastern five-eighths of the island, which it shares with ...

. Cuban

trova ''Trova'' is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as ''trovadores'' who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by ...

singer, songwriter and guitarist

Compay Segundo Máximo Francisco Repilado Muñoz Telles (18 November 1907 – 13 July 2003), known professionally as "Compay Segundo", was a Cuban trova guitarist, singer and composer. Biography Compay (meaning '' compadre'') Segundo, so called because he ...

invented a variant of the tres and the Spanish guitar known as armónico. Eliades Ochoa plays another variant he calls the ''guitarra tres'', which is a Spanish guitar with two extra strings tuned like a tres.

Guajeos

The typical tres ostinato is the

. It emerged in Cuba in the 19th century in the musical genres nengón, kiribá,

, and

. The tres playing technique of changüí, and to a lesser extent nengón, has influenced contemporary son musicians, most notably pianist Lilí Martínez and ''tresero''

, both of whom learned the style from Chito Latamblé. Both nengón and kiribá are included in the repertoire of changüí ensembles. For example, the debut album of Grupo Changüí de Guantánamo opens with "Nengón".

Nengón

Benjamin Lapidus presents evidence of the "linear view of the son's development from nengón to kiribá and other regional styles, to changüí, and ultimately to son." The nengón has a limited harmonic range, where the tonic and dominant are accentuated, and the tres is usually placed in the traditional octave tuning (G4 G3, C4 C4, E3 E4). As a genre, nengón consists of variations of a single song, "Para ti nengón". The following nengón guajeo is an embellishment of the rhythmic figure known as tresillo. Nengon guajeo

Kiribá

Closely related to nengón, the kiribá style emerged in the

region of eastern Cuba. Like nengón, kiribá is genre that is based on the song or refrain "Kiribá, kiribá". Because of this, Cuban musicologists such as Olavo Alén Rodríguez prefer to categorise kiribá as a style within changüí. Nonetheless, kiribá has a distinct ''guajeo'' and might predate changüí. Kiriba Ensemble

Changüí

When playing changüí, the tres is again usually given the traditional octave tuning. The following changüí tres guajeo consists of all offbeats.

Son

According to Kevin Moore "there are two types of pure son tres guajeos: generic and song-specific. Song-specific guajeos are usually based on the song's melody, while the generic type involves simply arpeggiating triads." The rhythmic pattern of the following "generic" guajeo is used in many songs. Note that the first measure consists of all offbeats. The figure can begin in the first measure, or the second measure, depending upon the structure of the song. Generic 3-2 guajeo

Solos

Tres solos were first constructed by grouping guajeo variations together, a melodic/rhythmic approach relying on subtle variation and repetition, that maintains a "groove" for dancers. According to Lapidus, tres solos in changüí typically sound "melodic/rhythmic ideas twice before moving on. This technique allows the soloist to set up a series of expectations for the listener, which are alternately satisfied, circumvented, frustrated, or inverted. The practice has its analogue in what Paul Berliner labels 'a community of ideas,' as motives from these sequences are frequently returned to throughout the course of any given solo." By the mid twentieth century, tres solos began incorporating the rhythmic "vocabulary" of quinto, the lead drum of

rumba The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. ...

. The counter-metric emphasis of quinto-based phrases break free from the confines of the guajeo, which is normally "locked" to the clave cycle. Thus, quinto-based solos are capable of creating long cycles of tension—release spanning many measures.

Puerto Rico

The Puerto Rican tres is an adaptation of Cuban tres with nine strings instead of six. Although nine-string treses are documented in Cuba since at least 1913, investigators agree that the creation of the instrument was probably caused by the 1929 visit of

to Puerto Rico during a tour by the Septeto Matancero. Inspired by Oviedo, guitarist Guillero "Piliche" Ayala ordered the construction of a similar instrument for which the body of a

was used. As a result, the Puerto Rican tres is shaped like a Puerto Rican cuatro, with cut-outs, unlike the Cuban variety, which has a guitar-like shape. By 1934, the Puerto Rican cuatro had reached New York and nowadays most Puerto Rican tres players specialize in their national adaptation of the instrument, a notable exception being Nelson González. The Puerto Rican tres has nine strings in three courses and is tuned G4 G3 G4, C4 C4 C4, E4 E3 E4. Players of the Puerto Rican tres are called ''tresistas''.

Notable players

The following are some of the most influential performers of the Cuban tres. * Efraín Amador *

Félix Cárdenas Félix Rafael Cárdenas Ravalo (born November 24, 1973 in Encino, Santander) is a Colombian former road bicycle racer, who competed both as an amateur and as a professional between 1995 and 2014. He previously rode for UCI Professional Continen ...

* Juan de la Cruz "Cotó" Antomarchi * Carlos Godínez * Nelson González * Chito Latamblé * Nené Manfugás ( es) * Juanito Márquez *

* Papi Oviedo * Efraín Ríos *

* Eliseo Silveira * Panchito Solares * Senén Suárez ( es) * Victor Trias Notable performers of the Puerto Rican tres include: * Guillermo "Piliche" Ayala * Mario Hernández * Luis "Lija" Ortiz * Biriquín Rivera * Máximo Torres