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Arsenio Rodríguez
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; 31 August 1911 – 30 December 1970)Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana, v. 4 p. 45 et seq. was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles. In the 1940s and 1950s Rodríguez established the ''conjunto'' format and contributed to the development of the son montuno, the basic template of modern-day salsa. He claimed to be the true creator of the mambo and was an important as well as a prolific composer who wrote nearly two hundred songs. Despite being blind since the age of seven, Rodríguez quickly managed to become one of Cuba's foremost ''treseros''. Nonetheless, his first hit, "Bruca maniguá" by Orquesta Casino de la Playa, came as a songwriter in 1937. For the following two years, Rodríguez worked as composer and guest guitarist for the Casino de la Playa, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güira De Macurijes
Pedro Betancourt, sometimes shortened as Betancourt, is a municipality and town in the Matanzas Province of Cuba. It is located in the center of the province, west of Jagüey Grande and east of Unión de Reyes, Cuba, Unión de Reyes. It was founded in 1833. History Its original name was Corral Falso de Macurijes. Pedro Betancourt's name comes from a famous Spanish-Cuban patriot, Pedro Betancourt Dávalos, Pedro Estanislao Betancourt Dávalos, who was one of the Major-General in Cuban War of Independence, the independence war, waged by the Cuban natives against the Spanish Empire, Spanish Crown. Geography The municipality was historically divided into the barrios of Cabecera Norte, Cabecera Sur (both constituting the town), Ciego, Linche, Navajas, Platanal, Punta Brava, Torriente and Tramojos. Nowadays it counts the town itself and 7 popular councils (''consejos populares'', i.e. villages): The main town of Betancourt and the villages of Bolondrón, Camilo, Güira de Macurijes, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America Sony Corporation of America (SONAM, also known as SCA), is the American arm of the Japanese conglomerate Sony Group Corporation SONAM, headquartered in New York City, manages the company's US-based businesses. Sony's principal U.S. business ..., the North American division of Japanese Conglomerate (company), conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop music, pop, Rhythm and blues, R&B, rock music, rock, and hip hop music, hip hop. History Beginnings Epic Records was launched in 1953 by the Columbia Records unit of CBS, for the purpose of marketing jazz, pop music, pop, and European classical music, classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pneumonia
Pneumonia is an inflammatory condition of the lung primarily affecting the small air sacs known as alveoli. Symptoms typically include some combination of productive or dry cough, chest pain, fever, and difficulty breathing. The severity of the condition is variable. Pneumonia is usually caused by infection with viruses or bacteria, and less commonly by other microorganisms. Identifying the responsible pathogen can be difficult. Diagnosis is often based on symptoms and physical examination. Chest X-rays, blood tests, and culture of the sputum may help confirm the diagnosis. The disease may be classified by where it was acquired, such as community- or hospital-acquired or healthcare-associated pneumonia. Risk factors for pneumonia include cystic fibrosis, chronic obstructive pulmonary disease (COPD), sickle cell disease, asthma, diabetes, heart failure, a history of smoking, a poor ability to cough (such as following a stroke), and a weak immune system. Vaccines to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orquesta Casino De La Playa
Orquesta Casino de la Playa, founded in 1937 in Havana, Cuba, was a band that bridged Cuban popular music and the sound of American Jazz Big Bands. It was led by tres player Arsenio Rodríguez, and launched the career of many important musicians in Cuban music. The group took its name from the name of the casino where they worked. In 1948, it relocated to Mexico City. History In the middle of 1937, RCA Victor made a variety of recordings in Havana with more than 20 groups with different formats. The Orquesta Casino de la Playa recorded six numbers, and among this songs they performed a version of Arsenio Rodríguez' "Bruca maniguá". With this recording, they began their growth in and outside of Cuba. Between 1937 and 1939, the band recorded over 60 songs and made several tours all along América. In 1941, the director of the orchestra Anselmo Sacasas and the singer Miguelito Valdés abandoned the band and traveled to the United States to develop their own projects. Sacasas w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruca Maniguá
"Bruca maniguá" is an afro-son composed by Arsenio Rodríguez in 1937. It was first recorded by Orquesta Casino de la Playa featuring Miguelito Valdés on vocals in June 1937. Ever since it has become a Cuban son standard, with famous versions by Abelardo Barroso, Sierra Maestra, Buena Vista Social Club and Ibrahim Ferrer. The song, which has been called "a landmark in the development of Cuban popular music" by Ned Sublette, was Arsenio Rodríguez's first hit and an example of his Afro-Cuban style of son within the afrocubanismo movement. History Both the lyrics and the music of the song were written in 1937 by Arsenio Rodríguez, who at the time was 25 years old and the ''de facto'' musical director of the Septeto Bellamar, which he had joined in 1934. The popularity of the group made him become acquainted with important musicians such as Antonio Arcaño and Miguelito Valdés. The latter was the singer of the famous big band Orquesta Casino de la Playa and in June 1937, Valdés ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa (music)
Salsa music is a style of Latin American music. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno, with elements of mambo, Latin jazz, bomba, plena and guaracha. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. The first self-identified salsa bands were predominantly assembled by Cuban and Puerto Rican musicians in New York City in the '70s. The music style was based on the late son montuno of Arsenio Rodríguez, Conjunto Chappottín and Roberto Faz. These musicians included Celia Cruz, Willie Colón , Rubén Blades, Johnny Pacheco, Machito and Héctor Lavoe. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Montuno
Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although ''son montuno'' ("mountain sound") had previously referred to the ''sones'' played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing ''septeto'' ensemble into the ''conjunto'' format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba. Background Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and '' tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Music
Music of African heritage in Cuba derives from the musical traditions of the many ethnic groups from different parts of West Africa that were brought to Cuba as slaves between the 16th and 19th centuries. Members of some of these groups formed their own ethnic associations or '' cabildos'', in which cultural traditions were conserved, including musical ones. Music of African heritage, along with considerable Iberian (Spanish) musical elements, forms the fulcrum of Cuban music. Much of this music is associated with traditional African religion Lucumi, Palo, and othersand preserves the languages formerly used in the African homelands. The music is passed on by oral tradition and is often performed in private gatherings difficult for outsiders to access. Lacking melodic instruments, the music instead features polyrhythmic percussion, voice (call-and-response), and dance. As with other musically renowned New World nations such as the United States, Brazil and Jamaica, Cuban music repre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
