Synchronisms No. 6
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''Synchronisms'' is a series of twelve
musical composition Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called ...
s for solo or ensemble live instruments and pre-recorded tape composed by
Mario Davidovsky Mario Davidovsky (March 4, 1934 – August 23, 2019) was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions ca ...
at the
Columbia-Princeton Electronic Music Center The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. It was founded in the 1950s as the Columbia-Princeton Electronic Music Center. Location The CMC is hou ...
, the first dating from 1963. Davidovsky explains that, "One of the central ideas of these pieces is the search to find ways of embedding both the acoustic and the electronic into a single, coherent musical and aesthetic space."Grimshaw, Jeremy (2005). "Mario Davidovsky", ''All Music Guide to Classical Music: The Definitive Guide to Classical Music'', p.341-2. Woodstra, Chris; Brennan, Gerald; and Schrott, Allen; eds. . The series, "is characterized by the interaction of virtuoso musicians with a counterpoint of electronically generated sounds covering a broad tonal and
timbral In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical ...
spectrum." Davidovsky describes the goals of his series: "In those works, I try to keep, on the one hand, as much as possible of what is characteristic of the electronic instrument edium and, on the other, what is characteristic of the live performer. At the same time, each extends the other." In the series Davidovsky attempts, "exact coordination only in short passages of intricate
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
; elsewhere, in more extended passages in which one component clearly accompanied the other, 'an element of chance leeway_in_the_synchronization".html" ;"title="tempo rubato">leeway in the synchronization"">tempo rubato">leeway in the synchronization"is introduced'".Taruskin, Richard (2009). ''Music in the Late Twentieth Century: The Oxford History of Western Music'', p.212. . uotes Davidovsky./ref> The works are as follows: # Flute (1963) # Flute, clarinet, violin, cello (1963) # Cello (1964) # Chorus (1967) # Percussion quintet (1969) # Piano and electronic sound (1970) # Orchestra (1973) # Wind quintet (1974) # Violin (1988) # Guitar (1992) # Bass (2005) # Clarinet (2006)


Performance History

''Synchronisms No's. 3, 6, 9, 11, and 12'' were played at the Davidovsky Memorial Concert (2020) in Yellow Barn, Vermont


No. 6

''Synchronisms No. 6'', for
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
and electronic sound (1970), was awarded the
Pulitzer Prize for Music The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted i ...
in
1971 * The year 1971 had three partial solar eclipses ( February 25, July 22 and August 20) and two total lunar eclipses (February 10, and August 6). The world population increased by 2.1% this year, the highest increase in history. Events Ja ...
. Published by E. B. Marks, it was premiered August 19, 1970 at the Berkshire Music Festival. No. 6 was written for pianist Robert Miller (of The Group for Contemporary Music). The Pulitzer jury found that the piece, "shows mastery of a new medium and its imaginative use in combination with the solo pianoforte." Violinist
Mari Kimura (; born 1962) is a Japanese violinist and composer best known for her use of subharmonics, which, achieved through special bowing techniques, allow pitches below the instrument's normal range. She is credited with "introducing" the use of viol ...
, who studied with Davidovsky, cites ''Synchronisms No. 6'' as prompting her initial interest in electronic music.


Recordings

*Boston Musica Viva - ''Boston Musica Viva Plays Schwanter, Ives and Others'' (1987) o. 3ref name="All"/> *Aleck Karis - ''Secret Geometry'' (1996) o. 6ref name="All"/> *Jennifer Frautschi - ''Solovision'' (2003) o. 9ref name="All"/> *Davidovsky - ''Flashbacks'' (2000) o. 10ref name="All"/> *David Bowlin - ''Bird As Prophet'' (2019) o. 9*Michael Nicolas - ''Transitions'' (2016) o. 3


See also

*''
Désintégrations ''Désintégrations'', for 17 musical instruments and computer generated tape (1982–83) is a musical composition of spectral music by Tristan Murail, commissioned for IRCAM, Paris. The piece is more discontinuous than Murail's earlier composit ...
'' *
Synchronicity Synchronicity (german: Synchronizität) is a concept first introduced by analytical psychologist Carl G. Jung "to describe circumstances that appear meaningfully related yet lack a causal connection." In contemporary research, synchronicity ...
*
Synchronization Synchronization is the coordination of events to operate a system in unison. For example, the conductor of an orchestra keeps the orchestra synchronized or ''in time''. Systems that operate with all parts in synchrony are said to be synchronou ...


Further reading

*Gryč, Stephen Michael (1978). "Stratification and Synthesis in Mario Davidovsky's ''Synchronism No. 6'', ''ITO'' 4/4: 8-39. M.M. thesis, University of Michigan.Berry, David Carson (2004). ''A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices'', p.280. .


References


External links

*Susser, Peter Matthew.
Attack, Sustain and Decay: An Analysis of 'Synchronisms No. 3 for Cello and Electronic Sounds' by Mario Davidovsky
, ''Music.Columbia.edu''. 1963 compositions Cycles (music) Electronic compositions Pulitzer Prize for Music-winning works {{classical-composition-stub