Désintégrations
   HOME
*





Désintégrations
''Désintégrations'', for 17 musical instruments and computer generated tape (1982–83) is a musical composition of spectral music by Tristan Murail, commissioned for IRCAM, Paris. The piece is more discontinuous than Murail's earlier composition ''Gondwana'', owing in part to the use of dramatic silences throughout and particularly in the 6th section.Anderson, Julian (2003). "Liner notes", p.7, ''Tristan Murail: Gondwana; Désintégrations; Time and Again.'' Naïve. According to Julian Anderson, Curtis Roads has said that "three compositions produced in the 1980s stand as good examples of compositional manipulation of analysis data: ''Mortuos Plango, Vivos Voco'' (1981) by Jonathan Harvey, ''Désintegrations'' (1983, Salabert Trajectoires) by Tristan Murail, and ''Digital Moonscapes'' (1985, CBS/Sony) by Wendy Carlos."Roads, Curtis (1996). ''The Computer Music Tutorial'', p.146. . The piece has been recorded by the Ensemble l'Itinéraire The ''Ensemble l’Itinéraire'' is ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Tristan Murail
Tristan Murail (born 11 March 1947) is a French composer associated with the "spectral" technique of composition. Among his compositions is the large orchestral work ''Gondwana''. Early life and studies Murail was born in Le Havre, France. His father, Gérard Murail, is a poet and his mother, Marie-Thérèse Barrois, a journalist. One of his brothers, Lorris Murail, and his younger sister Elvire Murail, a.k.a. Moka, are also writers, and his younger sister Marie-Aude Murail is a French children's writer. Following his university studies in Arabic and economics, Murail attended the Paris Conservatory, where he studied composition with Olivier Messiaen Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', from 1967 to 1972. He taught computer music and composition at IRCAM in Paris from 1991 to 1997. While there, he assisted in the development of Patchwork composition software. In 1973 he was a founding member of the ''Ensemble l'Itinéraire''. From 1997 until 2010, he was a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Gondwana (Murail)
''Gondwana'' (1980) is a defining musical composition of spectral musicStaines, Joes (2010). ''The Rough Guide to Classical Music'', p.372. . "The ''locus classicus'' of early spectral music". for large orchestra composed by Tristan Murail using simulated synthesis to create a harmonic interpolation between an orchestrally synthesized chord derived from a simulated bell sound ( inharmonic) and a chord derived from a trombone sound (harmonic).Fineberg, Joshua (2000)''Spectral Music: History and Techniques'' p.69. (Overseas Publishers Association, published by license under the Harwood Academic Publishers imprint, ©2000) OCLC: 48862556. . This process is meant to evoke the shifting of continents and thus the piece is named after the former supercontinent Gondwana. The piece uses interpolation to make a smooth transformation on all musical parameters including spectral profile, envelope, and instrumental attacks. The bell sounds were created through a Frequency Modulation (FM) synthe ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Synchronisms (Davidovsky)
''Synchronisms'' is a series of twelve musical compositions for solo or ensemble live instruments and pre-recorded tape composed by Mario Davidovsky at the Columbia-Princeton Electronic Music Center, the first dating from 1963. Davidovsky explains that, "One of the central ideas of these pieces is the search to find ways of embedding both the acoustic and the electronic into a single, coherent musical and aesthetic space."Grimshaw, Jeremy (2005). "Mario Davidovsky", ''All Music Guide to Classical Music: The Definitive Guide to Classical Music'', p.341-2. Woodstra, Chris; Brennan, Gerald; and Schrott, Allen; eds. . The series, "is characterized by the interaction of virtuoso musicians with a counterpoint of electronically generated sounds covering a broad tonal and timbral spectrum." Davidovsky describes the goals of his series: "In those works, I try to keep, on the one hand, as much as possible of what is characteristic of the electronic instrument edium and, on the other, what i ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Spectral Music
Spectral music uses the acoustic properties of sound – or sound spectra – as a basis for composition. Definition Defined in technical language, spectral music is an acoustic musical practice where compositional decisions are often informed by sonographic representations and mathematical analysis of sound spectra, or by mathematically generated spectra. The spectral approach focuses on manipulating the spectral features, interconnecting them, and transforming them. In this formulation, computer-based sound analysis and representations of audio signals are treated as being analogous to a timbral representation of sound. The (acoustic-composition) spectral approach originated in France in the early 1970s, and techniques were developed, and later refined, primarily at IRCAM, Paris, with the Ensemble l'Itinéraire, by composers such as Gérard Grisey and Tristan Murail. Hugues Dufourt is commonly credited for introducing the term ''musique spectrale'' (spectral music) in an ar ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Jonathan Harvey (composer)
Jonathan Dean Harvey (3 May 1939 – 4 December 2012)"Jonathan Harvey"
was a British composer. He held teaching positions at universities and music conservatories in Europe and the USA.


Life

Harvey was born in , and studied at , eventually obtaining a PhD ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Chamber Music Compositions
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is inse ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ensemble L'Itinéraire
The ''Ensemble l’Itinéraire'' is one of the main European ensembles dedicated to the performance of contemporary music, known in particular for its performances of spectral music works. Spectral music alters “timbres by assembling orchestral masses.” Based in Paris, the ensemble was founded in January 1973 by Michaël Lévinas, Tristan Murail, Hugues Dufourt, Gérard Grisey and Roger Tessier. Michael Levinas is the son of the philosopher Emmanuel Levinas. Many of the composers studied at IRCAM.Griffiths, p. 310. Since its creation, it has collaborated with many composers and created hundreds of art pieces. References Bibliography * Badiou, Alain. ''Logics of Worlds''. Trans. Alberto Toscano Alberto Toscano (born 1 January 1977) is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's ''The Century'' and ''Logics of Worlds''. He served as both editor .... London: Continuum, 2009. *Griffith ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Wendy Carlos
Wendy Carlos (born Walter Carlos, November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she helped in the development of the Moog synthesizer, Robert Moog's first commercially available keyboard instrument. Carlos came to prominence with ''Switched-On Bach'' (1968), an album of music by Johann Sebastian Bach performed on a Moog synthesizer, which helped popularize its use in the 1970s and won her three Grammy Awards. Its commercial success led to several more albums, including further synthesized classical music adaptations, and experimental and ambient music. She composed the score to two Stanley Kubrick films – ''A Cloc ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Digital Moonscapes
''Digital Moonscapes'' (1984) is an album by Wendy Carlos. "Written for orchestra (or orchestra replica), it is inspired by several astronomical subjects."Digital Moonscapes
, ''WendyCarlos.com''.
A symphony is simulated using Digital Synth's GDS (General Development System) and Synergy Digital Synthesizers (see: ). These used and complex FM/ ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Curtis Roads
Curtis Roads (born May 9, 1951) is an American composer, author and computer programmer. He composes electronic and electroacoustic music, specializing in granular and pulsar synthesis. Career and music Born in Cleveland, Ohio, Roads studied composition at the California Institute of the Arts and the University of California San Diego. He is former chair and current vice chair of the Media Arts and Technology Program at the University of California, Santa Barbara.MAT: Faculty and Researchers
", ''Mat.UCSB.edu''.
He has previously taught at the "Federico II",