Stroke ending (typography)
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typography Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing ( leading), ...
(specifically
Typeface anatomy Typeface anatomy describes the graphic elements that make up letters in a typeface. Strokes The ''strokes'' are the components of a letterform. Strokes may be ''straight'', as in , or ''curved'', as in . If straight, they may be ''horizontal, ...
), a stroke can end in a number of ways. Examples include: * The serif, including: ** The regular serif ** The bracketed serif ** The half-serif * The terminal, which is any stroke that does ''not'' end in a serif ** The , a tapered or curved end ** The , an extended or decorative flourish that replaces a serif or terminal on a letter ** The (or teardrop), as found in
Caslon Caslon is the name given to serif typefaces designed by William Caslon I (c. 1692–1766) in London, or inspired by his work. Caslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal ty ...
,
Galliard The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance f ...
, and
Baskerville Baskerville is a serif typeface designed in the 1750s by John Baskerville (1706–1775) in Birmingham, England, and cut into metal by punchcutter John Handy. Baskerville is classified as a transitional typeface, intended as a refinement of what ...
** The , as found in
Bodoni Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas o ...
and Clarendon ** The , a sharp spur, as found in
Perpetua Perpetua and Felicity ( la, Perpetua et Felicitas) were Christian martyrs of the 3rd century. Vibia Perpetua was a recently married, well-educated noblewoman, said to have been 22 years old at the time of her death, and mother of an infant son s ...
, Pontifex, and Ignatius. Also defined as the triangular ''serifs'' on the straight lines of capitals like E, F and Z. ** Hooked ** Pear-shaped


References

{{typography-stub Typography