Samantabhadri (Sanskrit; Devanagari: समन्तभद्री ;

IAST The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during ...

: samantabhadrī, ) is a

dakini A ḍākinī ( sa, डाकिनी; ; mn, хандарма; ; alternatively 荼枳尼, ; 荼吉尼, ; or 吒枳尼, ; Japanese: 荼枳尼 / 吒枳尼 / 荼吉尼, ''dakini'') is a type of female spirit, goddess, or demon in Hinduism and Bud ...

and female

Buddha Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was ...

from the

Vajrayana Vajrayāna ( sa, वज्रयान, "thunderbolt vehicle", "diamond vehicle", or "indestructible vehicle"), along with Mantrayāna, Guhyamantrayāna, Tantrayāna, Secret Mantra, Tantric Buddhism, and Esoteric Buddhism, are names referring t ...

Buddhist tradition. She is the consort and female counterpart of

Samantabhadra Samantabhadra (Lit. "All Good", or "Always Auspicious") may refer to: * Samantabhadra (Bodhisattva), a bodhisattva in Mahayana Buddhism associated with practice and meditation * ''Samantabhadra'' (Tibetan: ''Kuntu Zangpo''), the name of a Buddha, ...

, known amongst some Tibetan Buddhists as the 'Primordial Buddha'. Samantabhadri herself is known as the 'primordial Mother Buddha'. Samantabhadri is the dharmakaya dakini aspect of the Trikaya, or three bodies of a

. As such, Samantabhadri represents the aspect of Buddhahood in whom delusion and conceptual thought have never arisen. As font or wellspring of the aspects of the divine feminine she may be understood as the 'Great Mother'. Seen differently, Samantabhadri is an aspect of

Prajnaparamita A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala Prajñāpāramitā ( sa, प्रज्ञापारमिता) means "the Perfection of Wisdom" or "Transcendental Knowledge" in Mahāyāna and Theravāda B ...

. Samantabhadri is a figure found primarily in the

Nyingma Nyingma (literally 'old school') is the oldest of the four major schools of Tibetan Buddhism. It is also often referred to as ''Ngangyur'' (, ), "order of the ancient translations". The Nyingma school is founded on the first lineages and transl ...

or 'Old Translation' school of Tibetan Buddhism. A figure that is nearly equivalent to Samantabhadri in the 'New Translation' or Sarma schools is Vajradhatu-ishvari; she is dark blue and her consort is

Vajradhara Vajradhara (Sanskrit: वज्रधर. (Also, the name of Indra, because 'Vajra' means diamond, as well as the thunderbolt, anything hard more generally) Tibetan: རྡོ་རྗེ་འཆང། rdo rje 'chang (Dorje Chang); zh, t=金剛 ...

. Samantabhadri is the expression of a concept essentially inexpressible in word or symbol, the ultimate voidness nature of mind. This aspect of the

is beyond

gender Gender is the range of characteristics pertaining to femininity and masculinity and differentiating between them. Depending on the context, this may include sex-based social structures (i.e. gender roles) and gender identity. Most cultures u ...

, form or expression. According to Simmer Brown the power of the dakini in all her forms is based on the fact that all

meditation Meditation is a practice in which an individual uses a technique – such as mindfulness, or focusing the mind on a particular object, thought, or activity – to train attention and awareness, and achieve a mentally clear and emotionally cal ...

practices ultimately point to the Samantabhadri dakini. In her

iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...

, Samantabhadri is white, the primary symbol of the wisdom aspect of mind - in contrast to her consort who is sky blue, representing limitlessness and formlessness. Like her consort she appears 'naked' (Sanskrit: digambara) and unadorned, representing the essential nature of mind. Samantabhadri is usually shown in yab-yum union with her consort but she is sometimes shown alone, seated in '

lotus posture Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha ...

' (also known as

mahamudra Mahāmudrā (Sanskrit: महामुद्रा, , contraction of ) literally means "great seal" or "great imprint" and refers to the fact that "all phenomena inevitably are stamped by the fact of wisdom and emptiness inseparable". Mahāmudr ...

) with her hands in meditation posture in her lap. Yeshe Tsogyal was known as an emanation of Samantabhadri, according to Judith Simmer-Brown in her subtlest form Yeshe Tsogyal was known as "expanse of mahāsukha Küntusangmo amantabhadrī the all-good queen".

Literature

One of the Nineteen Tantras which is the Seventeen Tantras of Dzogchen Upadeshavarga with additions is entitled 'Samantabhadri's Tantra of the Blazing Sun of the Brilliant Expanse' ().Source

(accessed: Sunday April 11, 2010)

Literature

References

See also