Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer of music, with over 900 songs and 43 Broadway musicals, leaving a legacy as one of the most significant composers of 20th century American music. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music.
Rodgers was the first person to win what are considered the top entertainment awards in television, recording, movies and Broadway — an Emmy, a Grammy, an Oscar, and a Tony Award — now known collectively as an EGOT. In addition, he was awarded a Pulitzer Prize, making him only one of two people to receive each award (Marvin Hamlisch is the other).
Born into a prosperous German Jewish family in Arverne, Queens, New York City, Rodgers was the son of Mamie (Levy) and Dr. William Abrahams Rodgers, a prominent physician who had changed the family name from Abrahams. Richard began playing the piano at age six. He attended P.S. 10, Townsend Harris Hall and DeWitt Clinton High School. Rodgers spent his early teenage summers in Camp Wigwam (Waterford, Maine) where he composed some of his first songs.
Rodgers, Lorenz Hart, and later collaborator Oscar Hammerstein II all attended Columbia University. At Columbia, Rodgers joined the Pi Lambda Phi fraternity. In 1921, Rodgers shifted his studies to the Institute of Musical Art (now the Juilliard School). Rodgers was influenced by composers such as Victor Herbert and Jerome Kern, as well as by the operettas his parents took him to see on Broadway when he was a child.
In 1919, Richard met Lorenz Hart, thanks to Phillip Leavitt, a friend of Richard's older brother. Rodgers and Hart struggled for years in the field of musical comedy, writing several amateur shows. They made their professional debut with the song "Any Old Place With You", featured in the 1919 Broadway musical comedy A Lonely Romeo. Their first professional production was the 1920 Poor Little Ritz Girl, which also had music by Sigmund Romberg. Their next professional show, The Melody Man, did not premiere until 1924.
When he was just out of college Rodgers worked as musical director for Lew Fields. Among the stars he accompanied were Nora Bayes and Fred Allen. Rodgers was considering quitting show business altogether to sell children's underwear, when he and Hart finally broke through in 1925. They wrote the songs for a benefit show presented by the prestigious Theatre Guild, called The Garrick Gaieties, and the critics found the show fresh and delightful. Only meant to run one day, the Guild knew they had a success and allowed it to re-open later. The show's biggest hit — the song that Rodgers believed "made" Rodgers and Hart — was "Manhattan". The two were now a Broadway songwriting force.
Throughout the rest of the decade, the duo wrote several hit shows for both Broadway and London, including Dearest Enemy (1925), The Girl Friend (1926), Peggy-Ann (1926), A Connecticut Yankee (1927), and Present Arms (1928). Their 1920s shows produced standards such as "Here in My Arms", "Mountain Greenery", "Blue Room", "My Heart Stood Still" and "You Took Advantage of Me".
With the Depression in full swing during the first half of the 1930s, the team sought greener pastures in Hollywood. The hardworking Rodgers later regretted these relatively fallow years, but he and Hart did write some classic songs and film scores while out west, including Love Me Tonight (1932) (directed by Rouben Mamoulian, who would later direct Rodgers's Oklahoma! on Broadway), which introduced three standards: "Lover", "Mimi", and "Isn't It Romantic?". Rodgers also wrote a melody for which Hart wrote three consecutive lyrics which either were cut, not recorded or not a hit. The fourth lyric resulted in one of their most famous songs, "Blue Moon". Other film work includes the scores to The Phantom President (1932), starring George M. Cohan, Hallelujah, I'm a Bum (1933), starring Al Jolson, and, in a quick return after having left Hollywood, Mississippi (1935), starring Bing Crosby and W.C. Fields.
In 1935, they returned to Broadway and wrote an almost unbroken string of hit shows that ended only with Hart's death in 1943. Among the most notable are Jumbo (1935), On Your Toes (1936, which included the ballet "Slaughter on Tenth Avenue", choreographed by George Balanchine), Babes in Arms (1937), I Married an Angel (1938), The Boys from Syracuse (1938), Pal Joey (1940), and their last original work, By Jupiter (1942). Rodgers also contributed to the book on several of these shows.
Many of the songs from these shows are still sung and remembered, including "The Most Beautiful Girl in the World", "My Romance", "Little Girl Blue", "I'll Tell the Man in the Street", "There's a Small Hotel", "Where or When", "My Funny Valentine", "The Lady Is a Tramp", "Falling in Love with Love", "Bewitched, Bothered and Bewildered", and "Wait till You See Her".
His partnership with Hart began having problems because of the lyricist's unreliability and declining health, Rodgers began working with Oscar Hammerstein II, with whom he had previously written songs (before ever working with Lorenz Hart). Their first musical, the groundbreaking hit Oklahoma! (1943), marked the beginning of the most successful partnership in American musical theatre history. Their work revolutionized the form. What was once a collection of songs, dances and comic turns held together by a tenuous plot became an integrated masterpiece.
The team went on to create four more hits that are among the most popular of all musicals. Each was made into a successful film: Carousel (1945), South Pacific (1949, winner of the 1950 Pulitzer Prize for Drama), The King and I (1951), and The Sound of Music (1959). Other shows include the minor hit, Flower Drum Song (1958), as well as relative failures Allegro (1947), Me and Juliet (1953) and Pipe Dream (1955). They also wrote the score to the film State Fair (1945) (which was remade in 1962 with Pat Boone), and a special TV musical of Cinderella (1957).
Their collaboration produced many well-known songs, including "Oh, What a Beautiful Mornin'", "People Will Say We're in Love", "Oklahoma!" (which also became the state song of Oklahoma), "If I Loved You", "You'll Never Walk Alone", "It Might as Well Be Spring", "Some Enchanted Evening", "Getting to Know You", "My Favorite Things", "The Sound of Music", "Sixteen Going on Seventeen", "Climb Ev'ry Mountain", "Do-Re-Mi", and "Edelweiss", Hammerstein's last song.
Much of Rodgers's work with both Hart and Hammerstein was orchestrated by Robert Russell Bennett. Rodgers composed twelve themes, which Bennett used in preparing the orchestra score for the 26-episode World War II television documentary Victory at Sea (1952–53). This NBC production pioneered the "compilation documentary"—programming based on pre-existing footage — and was eventually broadcast in dozens of countries. The melody of the popular song "No Other Love" was later taken from the Victory at Sea theme entitled "Beneath the Southern Cross". Rodgers won an Emmy for the music for the ABC documentary Winston Churchill: The Valiant Years, scored by Eddie Sauter, Hershy Kay, and Robert Emmett Dolan. Rodgers composed the theme music, "March of the Clowns", for the 1963–64 television series The Greatest Show on Earth, which ran for 30 episodes. He also contributed the main-title theme for the 1963–64 historical anthology television series The Great Adventure.
In 1950, Rodgers and Hammerstein received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York." Rodgers, Hammerstein, and Joshua Logan won the Pulitzer Prize for Drama for South Pacific. Rodgers and Hammerstein had won a special Pulitzer Prize in 1944 for Oklahoma!.
After Hammerstein's death in 1960, Rodgers wrote both words and music for his first new Broadway project No Strings (1962, which earned two Tony Awards). The show was a minor hit and featured the song, "The Sweetest Sounds".
Rodgers also wrote both the words and music for two new songs used in the film version of The Sound of Music. (Other songs in that film were from Rodgers and Hammerstein.)
In 1990, the 46th Street Theatre was renamed "The Richard Rodgers Theatre" in his memory. In 1999, Rodgers and Hart were each commemorated on United States postage stamps. In 2002, the centennial year of Rodgers's birth was celebrated worldwide with books, retrospectives, performances, new recordings of his music, and a Broadway revival of Oklahoma!. The BBC Proms that year devoted an entire evening to Rodgers's music, including a concert performance of Oklahoma!
Several American schools are named after Richard Rodgers.
Alec Wilder wrote the following about Rodgers:
"Of all the writers whose songs are considered and examined in this book, those of Rodgers show the highest degree of consistent excellence, inventiveness, and sophistication...[A]fter spending weeks playing his songs, I am more than impressed and respectful: I am astonished."
Along with the Academy of Arts and Letters, Rodgers also started and endowed an award for non-established musical theater composers to produce new productions either by way of full productions or staged readings. It is the only award for which the Academy of Arts and Letters accepts applications and is presented every year. Below are the previous winners of the award:
|2018||Gun and Powder||Ross Baum|
|2017||What I Learned from People||Will Aronson|
|2016||Living in Cairo||Patrick Lazour|
|Costs of Living||Timothy Huang|
|2014||Witness Uganda||Matthew Gould|
|2013||Natasha, Pierre & The Great Comet of 1812||Dave Malloy|
|The Kid Who Would Be Pope||Tom Megan|
|2012||Witness Uganda||Matthew Gould|
|2010||Buddy’s Tavern||Raymond De Felitta|
|Alison Louise Hubbard|
|Rocket Science||Patricia Cotter|
|2009||Cheer Wars||Karlan Judd|
|Rosa Parks||Scott Ethier|
|2008||Alive at Ten||Kirsten A. Guenther|
|Ryan Scott Oliver|
|See Rock City and Other Destinations||Brad Alexander|
|2007||Calvin Berger||Barry Wyner|
|Main-Travelled Roads||Dave Hudson|
|2006||Grey Gardens||Scott Frankel|
|True Fans||Chris Miller|
|Yellow Wood||Michelle Elliott|
|Dust & Dreams: Celebrating Sandburg||David Hudson|
|2004||To Paint the Earth||Daniel Frederick Levin|
|The Tutor||Andrew Gerle|
|2003||The Devil in the Flesh||Jeffrey Lunden|
|Once Upon a Time in New Jersey||Susan DiLallo|
|Stephen A. Weiner|
|The Tutor||Andrew Gerle|
|2002||The Fabulist||David Spencer|
|The Tutor||Andrew Gerle|
|2001||Heading East||Leon Ko|
|The Spitfire Grill||Fred Alley|
|2000||Bat Boy||Kaythe Farley|
|The Bubbly Black Girl Sheds Her Chameleon Skin||Kirsten Childs|
|Suburb||Robert S. Cohen|
|1999||Bat Boy||Kaythe Farley|
|Blood on the Dining Room Floor||Jonathan Sheffer|
|The Bubbly Black Girl Sheds Her Chameleon Skin||Kirsten Childs|
|Dream True: My Life with Vernon Dexter||Ricky Ian Gordon|
|The Singing||Lenora Champagne|
|1998||Little Women||Alison Hubbard|
|1997||The Ballad of Little Jo||Mike Reid|
|Barrio Babies||Fernand Rivas|
|The Hidden Sky||Kate Chisholm|
|The Princess & the Blac||Andy Chuckerman|
|1994||Doll (not produced)||Scott Frankel|
|The Gig||Douglas Cohen|
|The Sweet Revenge of…||Mark Campbell|
|1993||Allos Makar||Scott Frankel|
|Avenue X||John Jiler|
|Christina Alberta’s||Polly Pen|
|They Shoot Horses…||Nagle Jackson|
|1992||Avenue X||John Jiler|
|The Molly Maquires||Sid Cherry|
|1991||Opal||Robert N. Lindsey|
|The Times||Joe Keenan|
|1990||Down the Stream||Michael Goldenberg|
|Swamp Gas and Shallow Feelings||Randy Buck|
|Jack E. Williams|
|1989||Juan Darien||Elliot Goldenthal|
|1988||Lucky Stiff||Lynn Ahrens|
|Sheila Levine is Dead...||Michael Devon|
|1987||Henry and Ellen||Michael John LaChiusa|
|Lucky Stiff||Lynn Ahrens|
|No Way to Treat A Lady||Douglas J. Cohen|
|1986||Break/Agnes/Eulogy||Michael John LaChiusa|
|1982||Portrait of Jennie||Enid Futterman|
|1981||Child of the Sun||Damien Leake|
|1980||Nine (not produced)||Maro Fratti|
Rosemary Clooney recorded a version of "Falling in Love with Love" by Rodgers, using a swing style. After the recording session Richard Rodgers told her pointedly that it should be sung as a waltz. The 1961 doo-wop arrangement of the Rodgers and Hart song "Blue Moon" by The Marcels so incensed Rodgers that he took out full page newspaper ads urging people not to buy it. His efforts were unsuccessful as it reached #1 on the charts. After Doris Day recorded "I Have Dreamed" in 1961, he wrote to her and her arranger, James Harbert, that theirs was the most beautiful rendition of his song he had ever heard.
After Peggy Lee recorded her version of "Lover", a Rodgers song with a dramatically different arrangement from that originally conceived by him, Rodgers said, "I don't know why Peggy picked on me, she could have fucked up Silent Night". Mary Martin said that Richard Rodgers composed songs for her for South Pacific, knowing she had a small vocal range, and the songs generally made her look her best. She also said that Rodgers and Hammerstein listened to all her suggestions and she worked extremely well with them. Both Rodgers and Hammerstein wanted Doris Day for the lead in the film version of South Pacific and she reportedly wanted the part. They discussed it with her, but after her manager/husband Martin Melcher would not budge on his demand for a high salary for her, the role went to Mitzi Gaynor.
In 1930, Rodgers married Dorothy Belle Feiner (1909–92). Their daughter, Mary (1931–2014), was the composer of Once Upon a Mattress and an author of children's books. The Rodgerses later lost a daughter at birth. Another daughter, Linda (1935–2015), also had a brief career as a songwriter. Mary's son and Richard Rodgers's grandson, Adam Guettel (b. 1964), also a musical theatre composer, won Tony Awards for Best Score and Best Orchestrations for The Light in the Piazza in 2005. Peter Melnick (b. 1958), Linda Rodgers's son, is the composer of Adrift In Macao, which debuted at the Philadelphia Theatre Company in 2005 and was produced Off-Broadway in 2007.