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Slaughter On Tenth Avenue
''Slaughter on Tenth Avenue'' is a ballet with music by Richard Rodgers and choreography by George Balanchine. It occurs near the end of Rodgers and Hart's 1936 Broadway musical comedy '' On Your Toes''. ''Slaughter'' is the story of a hoofer who falls in love with a dance hall girl who is then shot and killed by her jealous boyfriend. The hoofer then shoots the boyfriend. The ballet is integrated into the plot of the musical by the device of having two gangsters watching it from box seats in the theatre in which it is staged. They have orders to shoot the leading dancer (played by Ray Bolger in the original production). The dancer, who has been warned just in time, evades them by suddenly dancing at full speed even after the ballet actually ends, and finally two police officers enter and arrest the gangsters. ''Slaughter on Tenth Avenue'' was danced by Ray Bolger and Tamara Geva in the original stage production of ''On Your Toes'', and by Eddie Albert and Vera Zorina in the fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as '' Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and '' The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1964 In Music
This is a list of notable events in music that took place in the year 1964. Specific locations * 1964 in British music * 1964 in Norwegian music Specific genres *1964 in country music * 1964 in jazz Events *January 1 – ''Top of the Pops'' is broadcast for the first time, on BBC television in the U.K. *January 3 – Footage of the Beatles performing a concert in Bournemouth, England is shown on '' The Jack Paar Show''. *January 10 – '' Introducing... The Beatles'', the first album by The Beatles to be released in the United States, comes out on Chicago's Vee-Jay Records, preceding Capitol Records' release of ''Meet the Beatles!'', scheduled for January 20. *January 13 – Bob Dylan's '' The Times They Are a-Changin''' is released on Columbia Records. *January 15 – Vee Jay Records files a lawsuit against Capitol Records and Swan Records over manufacturing and distribution rights to Beatles albums. On April 9, Capitol Records is granted an injunction restraining Vee Jay Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ventures
The Ventures are an American instrumental rock band formed in Tacoma, Washington, in 1958, by Don Wilson and Bob Bogle. The band, which was a quartet for most of its existence, helped to popularize the electric guitar across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially Big in Japan (phrase), revered in Japan, where they toured regularly. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, later bass), Nokie Edwards (initially bass, later lead guitar), and Mel Taylor (drums). Their first wide-release single, "Walk, Don't Run (instrumental), Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums Billboard 200, charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anita O'Day
Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough", slang for money. Early career Anita Belle Colton (who later took the surname "O'Day") was born to Irish parents, James and Gladys M. (née Gill) Colton in Kansas City, Missouri, and raised in Chicago, Illinois, during the Great Depression. Colton took the first chance to leave her unhappy home when, at age 14, she became a contestant in the popular Walk-a-thons as a dancer. She toured with the Walk-a-thons circuits for two years, occasionally bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who's Afraid Of Virginia Woolf? (album)
''Who's Afraid of Virginia Woolf?'' is a 1964 studio album by organist Jimmy Smith, released on the Verve label. Smith is accompanied by a big band with arrangements by Oliver Nelson and Claus Ogerman. Reception AllMusic reviewer Michael G. Nastos, only gave the album 2½ stars stating that: The album was however, Smith's third highest charting album, spending 31 weeks and charting as high as number 16 on the US Billboard 200 charts. Track listing # "Slaughter on Tenth Avenue" ( Richard Rodgers) – 7:06 # "Who's Afraid of Virginia Woolf?, Pt. 1" ( Don Kirkpatrick, Keith Knox) – 4:29 # "Who's Afraid of Virginia Woolf?, Pt. 2" (Kirkpatrick, Knox) – 5:00 # "John Brown's Body" (Traditional) – 5:18 # "Wives and Lovers" ( Burt Bacharach, Hal David) – 3:17 # "Women of the World" (Riziero Ortolani) – 5:47 # "Bluesette" (Toots Thielemans) – 3:40 ''Recorded on January 20 (#1), 21 (#2-3) and January 27 (#4-7), 1964.'' Personnel Musicians * Jimmy Smith – organ * Oliver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album ''The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are ''More Blues and the Abstract Truth'' and '' Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Smith (musician)
James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on ''Billboard'' magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years There is confusion about Smith's birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Cole (musician)
Edwin LeMar "Buddy" Cole (December 15, 1916 – November 5, 1964), was a jazz pianist, organist, orchestra leader, and composer. He played behind a number of pop singers, including Rosemary Clooney and Bing Crosby. Biography Cole was born in Irving, Illinois, on December 15, 1916 and the family moved to California when he was two. One of his two sisters - Bertie - played for silent movies and Buddy would watch as a little boy. At the age of ten, he deputised on the theater piano for someone who had not turned up. He started his musical career in the theater playing between movies and his first keyboard job was as theater organist at Los Angeles' Figueroa Theater. He was recruited to be part of Gil Evans's band at the age of 19. In Hollywood in the second half of the 1930s Cole played in dance bands, including those led by Alvino Rey and Frankie Trumbauer. He married Yvonne King, member of the King Sisters, in 1940 and they had two daughters, Christine and Cathleen. They divorc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Wright (organist)
George Wright (August 28, 1920 in Orland, California – May 10, 1998 in Glendale, California) was an American musician, possibly the most famous virtuoso of the theatre organ of the modern era. Wright was best known for his virtuoso performances on the huge Wurlitzer theater pipe organs at the famed Fox Theater on Market Street in San Francisco and the ornate Paramount Theaters in both New York City and Oakland. In the early1940s he was an active performer on radio, first on the west coast; in 1944 he was transferred to New York City by NBC, and played numerous radio shows from 1944-1951. In 1948 he was hired as solo organist at the Paramount Theatre in Times Square. He left New York in 1951. The early 50s brought fame via his iconic recordings on HIFI Records, using the 5-manual Wurlitzer originally from the Paradise Theatre, Chicago, installed in the home of HIFI owner Richard Vaughn. The 60s brought more fame through his recordings (primarily on the DOT label) on the orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Dance Orchestra
The BBC Big Band, originally known as the BBC Radio Big Band is a British big band, previously run under the auspices of the British Broadcasting Corporation (BBC). The band broadcasts exclusively on BBC Radio, particularly on BBC Radio 2's long-running series '' Big Band Special''. It consists of professional musicians and is directed by a number of conductors. These include arranger and composer Barry Forgie, who has been the band's Musical Director since 1977, American jazz trombonist Jiggs Whigham, and guest musical directors. History The BBC Big Band’s origins lie in the earliest days of the BBC when the BBC Dance Orchestra was formed in 1928 under the leadership of Jack Payne before Henry Hall took over in 1932. Benny Carter was hired as the arranger from 1935 to 1938. In the 1950s, the format and purpose of the Dance Orchestra was changed and modernised, and it became a big band with strings in the Billy May style, known as the BBC Showband, under the leadership of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
