Ratha Kanneer
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''Ratha Kanneer'' () is a 1954 Indian
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia ** Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, na ...
-language
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super- ...
directed by
Krishnan–Panju R. Krishnan (1909–1997) and S. Panju (1915–1984), collectively referred to as Krishnan–Panju, were Indian film directors. The duo directed more than 50 films in South Indian languages and in Hindi. Early life R. Krishnan was born on 18 ...
, and written by Tiruvarur K. Thangaraj. Based on Thangaraj's play of the same name, the film stars
M. R. Radha Madras Rajagopalan Radhakrishnan (14 April 1907 – 17 September 1979) was an Indian actor and politician active in Tamil plays and films. He was given the title "Nadigavel" (spearhead of acting) by Periyar E. V. Ramasamy. He mostly play ...
, Sriranjani and S. S. Rajendran, with
Chandrababu Joseph Panimayadas Chandrababu Rodriguez (1927–1974) was an Indian actor, comedian, director, singer and dancer, whose Chaplinesque-style on-screen movements and singing style made him popular from the late 1940s to the early 1970s. He had ...
,
M. N. Rajam ( ; ; pl. ; ; 1512, from Middle French , literally "my lord") is an honorific title that was used to refer to or address the eldest living brother of the king in the French royal court. It has now become the customary French title of res ...
and S. R. Janaki in supporting roles. It revolves around a returned-from-abroad, westernised rich man who shows arrogance and contempt towards anything part of
Indian culture Indian culture is the heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies that originated in or are associated with the ethno-linguistically diverse India. The term ...
and anyone below his social standards. The film was produced by Perumal Mudaliar of National Pictures, and had Radha reprising his role from the play. Cinematography was handled by R. R. Chandran and editing by Panju under the alias S. Panjabi. The score was composed by
Viswanathan–Ramamoorthy Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy wo ...
and the songs by
C. S. Jayaraman Chidambaram Sundaram Jayaraman or C. S. Jayaraman (Tamil: சி. எஸ். ஜெயராமன்) (January 6, 1917 – January 29, 1995) was a noted actor, music director and a successful playback singer, whose numerous songs were feat ...
, with lyrics by Mahakavi Bharathiyaar,
Bharathidasan Bharathidasan Birth name: K. Subburathinam, the person's given name: Subburathinam, father's given name: Kanagasabai. (K. Subburathinam by the prevalent patronymic initials as prefix naming system in Tamil Nadu and it is Subburathinam Kanag ...
,
Udumalai Narayana Kavi [https://idhatri.com/udumalai-narayana-kavi/ Udumalai Narayana KavUdumalai Narayana Kavi Udumalai Narayana Kavi (25 September 1899 – 23 May 1981) was an Indian poet and lyricist known for his work in Tamil films. Early life Udumalai Narayana w ...
and Ku. Sa. Krishnamurthy. ''Ratha Kanneer'' was released on 25 October 1954, during the week of
Diwali Diwali (), Dewali, Divali, or Deepavali ( IAST: ''dīpāvalī''), also known as the Festival of Lights, related to Jain Diwali, Bandi Chhor Divas, Tihar, Swanti, Sohrai, and Bandna, is a religious celebration in Indian religions. It is ...
. The film became a critical and commercial success, and Radha became a much sought-after artiste in Tamil cinema.


Plot

Mohanasundaram is a philanderer, chain-smoker and drunkard. He does not respect elders, or people below his social standards. He is ruthless and even beats his own mother. Immediately after his return to India, he is married to Chandra, a cultured, well-mannered, conservative Indian village girl. But he develops an affair with Kantha, a prostitute. His best friend Balu tries to advise him and mend his ways but Mohan turns a deaf ear. Mohan even failed to attend his own mother's post-death formalities as he wanted to attend the birthday function of Kantha's mother. Mohan loses his mind over Kantha, even surrenders all his riches to her and also loses every loved one in his life. When he loses the last of his riches and close ones, he gets struck down by
leprosy Leprosy, also known as Hansen's disease (HD), is a long-term infection by the bacteria '' Mycobacterium leprae'' or '' Mycobacterium lepromatosis''. Infection can lead to damage of the nerves, respiratory tract, skin, and eyes. This nerve d ...
. His life then turns upside down. With no money left for the treatment of his disease, he is totally ignored and despised by Kantha and her associates. She even locks him up in a room and treats him like an untouchable. In a few days, Kantha throws him out of her house and Mohan loses his eyesight soon after. As a poor leper, Mohan wanders the streets to beg for food. In this last stage of his life, he learns the value of life itself and how to respect others. He feels remorseful for the way he treated his wife, mother and everyone else around him. He meets Chandra, his wife, who now lives a scarce life. Both do not recognise each other, as he is blind and she gets to see only his disfigured, leprosy-stricken face. He also meets his old best friend, Balu. The trio finally recognise each other. Mohan also learns through Balu about Kantha's death in an air crash. Mohan divorces Chandra and marries her off to Balu, in the hope that Chandra can now only be loved and cared for by a better man than Mohan himself. As a last request he asks for a leper's statue to be risen in his likeness, as a threatening example to philanderers like himself. Some time after Mohan's death, a statue of him is erected per his request, and Balu breaks into a song about righteousness and values of life.


Cast

*
M. R. Radha Madras Rajagopalan Radhakrishnan (14 April 1907 – 17 September 1979) was an Indian actor and politician active in Tamil plays and films. He was given the title "Nadigavel" (spearhead of acting) by Periyar E. V. Ramasamy. He mostly play ...
as Mohanasundaram * Sriranjani as Chandra * S. S. Rajendran as Balu *
Chandrababu Joseph Panimayadas Chandrababu Rodriguez (1927–1974) was an Indian actor, comedian, director, singer and dancer, whose Chaplinesque-style on-screen movements and singing style made him popular from the late 1940s to the early 1970s. He had ...
as the pimp *
M. N. Rajam ( ; ; pl. ; ; 1512, from Middle French , literally "my lord") is an honorific title that was used to refer to or address the eldest living brother of the king in the French royal court. It has now become the customary French title of res ...
as Kantha *S. R. Janaki as Mohanasundaram's mother ;Dance * Kusalakumari *
Sayee–Subbulakshmi Sayee and Subbulakshmi, popularly known as Sayee–Subbulakshmi, were two Indian female Bharatanatyam dancers who performed on stage in South Indian and Hindi films. They were a ''twin dance'' duo and were popular during the 1950s and 60s. They w ...


Production


Development

''Ratha Kanneer'' was a stage play written by Tiruvarur K. Thangaraj. The play was first staged on 14 January 1949 in
Tiruchirappalli Tiruchirappalli () ( formerly Trichinopoly in English), also called Tiruchi or Trichy, is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with be ...
, and was a success wherever it was staged, elevating its lead actor
M. R. Radha Madras Rajagopalan Radhakrishnan (14 April 1907 – 17 September 1979) was an Indian actor and politician active in Tamil plays and films. He was given the title "Nadigavel" (spearhead of acting) by Periyar E. V. Ramasamy. He mostly play ...
to an icon in the field of Tamil theatre. The play was staged not only in South India but also in places like Malaya (now Singapore and Malaysia), Burma (now Myanmar) and Ceylon (now Sri Lanka) where it met with equal success. The director duo
Krishnan–Panju R. Krishnan (1909–1997) and S. Panju (1915–1984), collectively referred to as Krishnan–Panju, were Indian film directors. The duo directed more than 50 films in South Indian languages and in Hindi. Early life R. Krishnan was born on 18 ...
decided to adapt the play into a feature film. The film adaptation was produced by Perumal Mudaliar under National Pictures. Cinematography was handled by R. R. Chandran and editing by Panju under the alias S. Panjabi.


Casting and filming

Though many film producers of the period hesitated to cast Radha in their films because of his caustic attitude, Mudaliar decided he should reprise his role from the play. Radha agreed to join the film after his conditions were met, one of which was him acting only at night after he acted in stage plays during the day. The film marked the comeback of Radha to cinema after a long absence.
M. N. Rajam ( ; ; pl. ; ; 1512, from Middle French , literally "my lord") is an honorific title that was used to refer to or address the eldest living brother of the king in the French royal court. It has now become the customary French title of res ...
was selected to portray the vamp Kantha, and had to put weight to portray the character. According to Rajam, no actress was willing to portray Kantha, but she agreed after she was approached by Krishnan–Panju. Rajam was hesitant to enact the scene where she had to kick Mohanasundaram (Radha's character) down from the staircase; she later relented after being requested by Krishnan. While filming the climax where Mohan is seen joining his wife Chandra's ( Sriranjani) hands to his friend Balu's ( S. S. Rajendran), the directors were hesitant, believing that if the scene was featured in the film, people would not accept it and the scene would cause controversy. Radha threatened not to act further if the scene was not filmed, and shooting stopped for a few months. Eventually, the climax was filmed at the behest of Radha. Though during filming a remuneration was fixed for Radha, by the time filming ended he charged three times the agreed upon remuneration; his overall pay was . The final length of the film was .


Themes and influences

According to C. S. Lakshmi, ''Ratha Kanneer'' was built on a framework of purity and impurity. The title of the film meaning "Tears of Blood" refers to the tears of the wife who is pure. In Marja Evelyn Mogk's edited volume ''Different Bodies:Essays on Disability in Film and Television'', Joyojeet Paal wrote that the film pairs "western debauchery with consequent traditional punitive reprisal in form of physical disfigurement" and also noted that the storyline of the film bears resemblance to
Samba Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Havi ...
, son of the Hindu god
Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is on ...
. Writer Perumal Murugan feels the views of Mohan actually reflect those of E. V. Ramasamy, of whom Thangaraj was a follower. Researcher and ethnographer Preeti Mudliar compared ''
Andha Naal ''Andha Naal'' ( en, italic=yes, That Day, ) is a 1954 Indian Tamil-language mystery- thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made ...
'' (1954) to ''Ratha Kanneer'' because in both films, "the sin of foreignness is eutralisedby a chaste Tamil woman, the virtuous wife".


Soundtrack

The soundtrack was composed by
C. S. Jayaraman Chidambaram Sundaram Jayaraman or C. S. Jayaraman (Tamil: சி. எஸ். ஜெயராமன்) (January 6, 1917 – January 29, 1995) was a noted actor, music director and a successful playback singer, whose numerous songs were feat ...
while the background music by
Viswanathan–Ramamoorthy Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy wo ...
. Lyrics were written by Mahakavi Bharathiyaar,
Bharathidasan Bharathidasan Birth name: K. Subburathinam, the person's given name: Subburathinam, father's given name: Kanagasabai. (K. Subburathinam by the prevalent patronymic initials as prefix naming system in Tamil Nadu and it is Subburathinam Kanag ...
,
Udumalai Narayana Kavi [https://idhatri.com/udumalai-narayana-kavi/ Udumalai Narayana KavUdumalai Narayana Kavi Udumalai Narayana Kavi (25 September 1899 – 23 May 1981) was an Indian poet and lyricist known for his work in Tamil films. Early life Udumalai Narayana w ...
and Ku. Sa. Krishnamurthy. The song "Kadhavai Saathadi" is set in the
Carnatic raga Carnatic raga refers to '' ragas'' used in Carnatic music. A Carnatic raga has several components - primordial sound (''nāda''), tonal system ('' swara''), pitch ('' śruti''), scale, ornaments ('' gamaka'') and important tones. Origins and hi ...
known as
Atana Atana or AThana (अठाण / अठाणा) is a raga (musical scale) in Carnatic music (South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Sankarabharan ...
. The songs "Kutram Purindhavan" and "Aalai Aalai" attained popularity.


Release and reception

''Ratha Kanneer'' was released on 25 October 1954, during the week of
Diwali Diwali (), Dewali, Divali, or Deepavali ( IAST: ''dīpāvalī''), also known as the Festival of Lights, related to Jain Diwali, Bandi Chhor Divas, Tihar, Swanti, Sohrai, and Bandna, is a religious celebration in Indian religions. It is ...
. The film emerged a critical and commercial success, with particular praise towards Radha's performance, and ran for over 100 days in theatres.


Other versions

The play inspired an adaptation in Telugu starring Nagabhushanam, and later the Tamil film was dubbed into Telugu. After Radha's death, his eldest son Vasu played the protagonist in the play till his death, and at present donning the character is Radha's other son Ravi. In 2002, whenever the play was staged with Ravi starring, the plot was amended to show the protagonist suffering from
HIV/AIDS Human immunodeficiency virus infection and acquired immunodeficiency syndrome (HIV/AIDS) is a spectrum of conditions caused by infection with the human immunodeficiency virus (HIV), a retrovirus. Following initial infection an individual ...
. Kannada actor
Upendra Upendra (Devanagari: उपेन्द्र) is an Indian masculine given name. The meaning of the Sanskrit word ' is "younger brother of Indra" and refers to either Krishna or Vishnu, who as a son of Aditi (or in the Vamana avatar) was born subs ...
who saw the film and adapted the play in Kannada for the current trend, he appeared in the lead role. Upendra, however, clarified that the Kannada version was not a remake. The film, titled ''
Raktha Kanneeru ''Raktha Kanneeru'' () is a 2003 Indian Kannada-language film directed by Sadhu Kokila, starring Upendra and Ramya Krishna. The film was produced by Munirathna and was later dubbed in Telugu. The screenplay and dialogues of the film were writ ...
,'' was directed by
Sadhu Kokila Sahaya Sheelan Shadrach (born 24 March 1966) known by his screen name Sadhu Kokila, is an Indian musician, actor, comedian, film director and producer, and an occasional screenwriter and lyricist who works in Kannada cinema. He began his care ...
. The film was released in 2003 and became a success. In August 2014, Vasu's son Sathish announced his intention to make another modern film version of the story, but those plans were cancelled due to his death in May 2015.


Legacy

After the success of the film, Radha became a much sought-after artiste in Tamil cinema. In July 2007, S. R. Ashok Kumar of ''
The Hindu ''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It began as a weekly in 1878 and became a daily in 1889. It is one of the Indian newspapers of record and the sec ...
'' asked eight Tamil film directors to list their all-time favourite Tamil films; Mahendran and
Balu Mahendra Balanathan Benjamin Mahendran (19 May 1939 13 February 2014), commonly known as Balu Mahendra, was a Sri Lankan-born Indian cinematographer, director, screenwriter and film editor who worked predominantly in Tamil cinema. Widely regarded as ...
named ''Ratha Kanneer'' as one of their favourite films in Tamil. Mahendran said: "''Ratha Kaneer'', has progressive ideas and great acting by M.R.Radha". Actor
Sivakumar Palaniswamy, better known by his stage name Sivakumar (born 27 October 1941), is an Indian visual artist and former actor who has portrayed a wide range of leading and supporting roles onscreen in Tamil cinema and television. He made his acti ...
stated that "You can't reproduce movies like '' Parasakthi'', ''
Pasamalar ''Pasamalar'' () is a 1961 Indian Tamil-language drama film directed by A. Bhimsingh. The film stars Sivaji Ganesan, Gemini Ganesan and Savitri Ganesan, with K. A. Thangavelu M. N. Nambiar and M. N. Rajam in supporting roles. It revolves ar ...
'', '' Devadas'', ''Veerapandiya Kattabomman'' or ''Ratha Kanneer'' ..By remaking such films, you are lowering yourself, while it enhances the original artists’ image."


References


Bibliography

* * *


External links

* {{Krishnan–Panju 1950s Tamil-language films 1954 drama films 1954 films Films directed by Krishnan–Panju Films scored by Viswanathan–Ramamoorthy Indian black-and-white films Films scored by C. S. Jayaraman Indian drama films Indian films based on plays