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Atana
Atana or AThana (अठाण / अठाणा) is a raga (musical scale) in Carnatic music (South Indian classical music). It is a ''Janya'' raga (derived scale), whose '' Melakarta'' raga (parent, also known as ''janaka'') is '' Sankarabharanam'', 29th raga, commonly known as Shankarabharanam in the Melakarta system. Sometimes pronounced aDaaNaa (अडाणा). There is a Hindusthani raaga named अडाणा, which is totally different. Atana is very common in drama music. The note structures include, "Sadja, Chatusruti Rishabha, Suddha Madhyama, Pancama, Chatusruti Dhaivata, Kaisiki Nishada and as a rare feature, Kakali Nishada in descent." It is considered to be a very catchy raga that gives a stage flavor for a musician when everything is going dull in a concert. It stimulates the audience by its qualities of ''Veeram'' (courage).''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana Its structure (ascending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanga Padhumai
''Thanga Padhumai'' () is a 1959 Indian Tamil language film starring Sivaji Ganesan and Padmini. The film was co-written and directed by A. S. A. Samy, produced by M. Somasundaram under Jupiter Pictures, and musical score by Viswanathan–Ramamoorthy. ''Thanga Pathumai'' proved to be a hit in its re-release, and won National Film Award for Best Feature Film in Tamil for the year 1959. Plot Manivannan is a physician, but a simpleton. Selvi, daughter of a rich trader of Uraiyur was modelled on Kannagi as the personification of female virtues. The emeralds in the eyes of Kannagi Devi statue at Uraiyur are precious and attract the princess Raja Vadana of the neighbouring kingdom. To get the gems, the commander Balakumaran and Raja Vadana send their dancer Maya Mohini to dance at the Uraiyur festival. Maya Mohini captures the eye of Manivannan much to the fury of his wife and father in law. She is insulted and sent away during the dance, and earns the pity of Manivannan who leaves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratha Kanneer
''Ratha Kanneer'' () is a 1954 Indian Tamil-language drama film directed by Krishnan–Panju, and written by Tiruvarur K. Thangaraj. Based on Thangaraj's play of the same name, the film stars M. R. Radha, Sriranjani and S. S. Rajendran, with Chandrababu, M. N. Rajam and S. R. Janaki in supporting roles. It revolves around a returned-from-abroad, westernised rich man who shows arrogance and contempt towards anything part of Indian culture and anyone below his social standards. The film was produced by Perumal Mudaliar of National Pictures, and had Radha reprising his role from the play. Cinematography was handled by R. R. Chandran and editing by Panju under the alias S. Panjabi. The score was composed by Viswanathan–Ramamoorthy and the songs by C. S. Jayaraman, with lyrics by Mahakavi Bharathiyaar, Bharathidasan, Udumalai Narayana Kavi and Ku. Sa. Krishnamurthy. ''Ratha Kanneer'' was released on 25 October 1954, during the week of Diwali. The film became a critical and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhadrachala Ramadasu
Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a saint-poet and a composer of Carnatic music. He is a famous ''Vaggeyakara'' (classical composer) from the Telugu classical era. He was born in the village of Nelakondapalli in Khammam district, and orphaned as a teenager. He spent his later years in Bhadrachalam and 12 years in solitary confinement at the Golconda prison during the Qutb Shahi-rule. Different mythical stories about his life circulate in the Telugu tradition. He is renowned for constructing the famous Sita Ramachandraswamy Temple and pilgrimage center on the banks of river Godavari at Bhadrachalam. His devotional ''kirtana'' lyrics to Rama illustrate the classical Pallavi, Anupallavi and Caranam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarabharanam (raga)
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Maaṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to ''Bilaval'' in the Hindustani music system. The Western equivalent is the major Scale (music), scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th rāga in the 5th '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nallan Chakravartula Krishnamacharyulu
Nallan Chakravartula Krishnamacharyulu (1924–2006) was a scholar, musician, teacher and exponent of the art of hari katha. He belongs to the lineage of Saint Tyagaraja. He was a first generation disciple of Sriman Parupalli Krishnaiyyah pantulu. Being a top grade artist, his reach went above and beyond being a violinist and a musician. He was also a pandit in Sanskrit and Telugu literature who wrote and composed numerous Kritis, yaksha ganas, poems and harikathas. He was awarded the Vaggeyakara award by the Madras music academy in 2005. Compositions Notes and references See also *List of Carnatic composers List of composers of Carnatic music, a subgenre of Indian classical music. Chronologically they can be grouped into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Trinity Era and Modern Era. Composers are listed here based on this classif ... References A Tribute to Sri Nallan Chakravartula Krishnamacharyulu * Thyagaraja Geyartha Kunchika {{DEFAULT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mysore Sadasiva Rao
Mysore Sadashiva Rao (Mysore ; ) or Sadasiva Rao was a notable Indian vocalist and composer of Carnatic music. He was a member of the court of the king of Mysore, Krishnaraja Wodeyar III. Biography Very little is known about Sadashiva Rao's early days. He was born in a Marathi-speaking Deshastha Brahmin family which had settled in modern-day Andhra Pradesh. It is believed that he was employed as a clerk in his early career before he travelled to Walajahpet near Madras where he ended up training under Venkataramana Bhagavatar, a pupil of Tyagaraja (1767–1847), one of the Trinity of Carnatic Music. It is also said that Rao once met Tyagaraja when the composer travelled to Walajahpet on a pilgrimage and briefly stayed with his disciple. Sadashiva Rao travelled with two brothers, the merchants Kopparam Chinnamuni Swamy Setty and Padda Muniswamy, to Mysore, brought Sadashiva Rao to Mysore. By the time he was 30, Rao had found a place in the Mysore Wodeyar durbar. The royal patron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayachamaraja Wodeyar Bahadur
Jayachamarajendra Wadiyar (18 July 1919 – 23 September 1974) was the 25th Maharaja of Mysore from 1940 to 1950, who later served as the governor of Mysore and Madras states. Early life Jayachamarajendra Wadiyar was born on 18 July 1919 at Mysore Palace as the only son and the last child of Yuvaraja Kanteerava Narasimharaja Wadiyar and Yuvarani Kempu Cheluvajamanni. He had three elder sisters, ''viz''., Rani Vijaya Devi, Sujayakantha Devi, and Jayachamundi Devi. Jayachamarajendra Wadiyar graduated from Maharaja's College, Mysore, in 1938, earning five awards and gold medals. He was married the same year, on 15 May 1938, to Maharani Satya Prema Kumari at Mysore Palace. He toured Europe during 1939, visiting many associations in London and became acquainted with many artists and scholars. He ascended the throne of the Kingdom of Mysore on 8 September 1940 after the demise of his uncle Maharaja Krishnaraja Wodeyar IV. He married Maharani Tripura Sundari Ammani on 6 May 1942. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the earliest known Indian musician to compose songs called ''sankirtanas'' in praise of the Venkateswara, a form of Vishnu. The musical form of the keertana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. Annamacharya is remembered for his saintly life, and is honoured as a great devotee of Vishnu by devotees and saintly singers. Jackson (1999), p. 265. He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha (Grandfather of Telugu song-writing). Personal life Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papanasam Sivan
Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema as well as Tamil cinema in the 1930s and 1940s. Sivan was also known as Tamil Thyaagaraja. Using Classical South Indian as a base, Sivan created compositions popularised by M. K. Thyagaraja Bhagavathar, D. K. Pattammal, and M. S. Subbulakshmi. In 1962, he was awarded the Sangeet Natak Akademi Fellowship conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Life Sivan's early years were spent in the Travancore area of Kerala. He was born at Polagam village in the district of Thanjavur, which was home to the musical trinity of Carnatic music. His given name was Ramaiya. In 1897, when he was 7, his father died. His mother Yogambal, along with her sons, left Thanjavur and moved to Travancore (now Thiruva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swathi Thirunal
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soolamangalam Rajalakshmi
Soolamangalam Jayalakshmi ( ta, சூலமங்கலம் ஜெயலட்சுமி) and Soolamangalam Rajalakshmi ( ta, சூலமங்கலம் ராஜலட்சுமி), popularly known as Soolamangalam Sisters ( ta, சூலமங்கலம் சகோதரிகள்) were Carnatic music sister-pair vocalists and musicians known for their devotional songs in Tamil. They were early singers in the trend of duo singing in Carnatic music, which started in the 1950s, with performers like Radha Jayalakshmi, and later continued by Bombay Sisters, Ranjani-Gayatri, Mambalam Sisters, Bangalore Sisters and Priya Sisters. The Soolamangalam Sisters are best known for singing the Kanda Shasti Kavasam, a hymn on the Hindu god Muruga. Early life and background Born in Soolamangalam, a village with musical heritage in Thanjavur district of Tamil Nadu, of Karnam Ramaswmai Ayyar and Janaki Ammal, the sisters had their training in music from K. G. Murthi of Soola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
