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NASTAʿLīQ (Persian : نستعلیق, from نسخ Naskh and تعلیق Taʿlīq) is one of the main calligraphic hands used in writing the Persian script , and traditionally the predominant style in Persian calligraphy
Persian calligraphy
. It was developed in Iran
Iran
in the 14th and 15th centuries. It is sometimes used to write Arabic-language text (where it is known as Taʿliq or Persian and is mainly used for titles and headings), but its use has always been more popular in the Persian, Turkic and Urdu
Urdu
sphere of influence. Nastaʿlīq has extensively been (and still is) practised in Iran
Iran
, Pakistan
Pakistan
, India
India
, Afghanistan
Afghanistan
and other countries for written poetry and as a form of art.

A less elaborate version of Nastaʿlīq serves as the preferred style for writing in Kashmiri , Punjabi and Urdu
Urdu
, and it is often used alongside Naskh for Pashto . In Persian it is used for poetry only. Nastaʿlīq was historically used for writing Ottoman Turkish , where it was known as TâLIK (not to be confused with a totally different Persian style, also called taʿlīq ; to distinguish the two, Ottomans referred to the latter as taʿlīq-i qadim, "old taʿlīq").

Nastaʿlīq is the core script of the post- Sassanid
Sassanid
Persian writing tradition, and is equally important in the areas under its cultural influence. The languages of Iran
Iran
(Western Persian, Azeri, Balochi, Kurdi, Luri, etc.), Afghanistan
Afghanistan
(Dari, Pashto, Uzbek, Turkmen, etc.), Pakistan
Pakistan
(Punjabi, Urdu, Kashmiri, Saraiki, etc.), and the Turkic Uyghur language
Uyghur language
of the Chinese province of Xinjiang
Xinjiang
, rely on Nastaʿlīq. Under the name taʿliq (lit. “suspending ”), it was also beloved by Ottoman calligraphers who developed the Diwani (divanî) and Ruqah (rık’a) styles from it.

Nastaʿlīq is amongst the most fluid calligraphy styles for the Arabic alphabet
Arabic alphabet
. It has short verticals with no serifs, and long horizontal strokes. It is written using a piece of trimmed reed with a tip of 5–10 mm (0.2–0.4 in), called qalam ("pen", in Arabic
Arabic
and Persian قلم), and carbon ink, named davat. The nib of a qalam can be split in the middle to facilitate ink absorption.

Two important forms of Nastaʿlīq panels are Chalipa and Siah-Mashq . A Chalipa ("cross", in Persian) panel usually consists of four diagonal hemistiches (half-lines) of poetry, clearly signifying a moral, ethical or poetic concept. Siah- Mashq ("black drill") panels, however, communicate via composition and form, rather than content. In Siah-Mashq, repeating a few letters or words (sometimes even one) virtually inks the whole panel. The content is thus of less significance and not clearly accessible.

CONTENTS

* 1 History * 2 Notable Nastaʿlīq calligraphers * 3 Etiquette

* 4 Nastaʿlīq typesetting

* 4.1 Nastaʿlīq electronic publishing and DTP

* 5 Shikasta Nastaʿlīq
Shikasta Nastaʿlīq

* 5.1 Gallery

* 6 See also * 7 References * 8 Further reading * 9 External links

HISTORY

Persian Chalipa panel, Mir Emad . In print: بودم به تو عمری و ترا سیر ندیدم از وصل تو هرگز به مرادی نرسیدم از بهر تو بیگانه شدم از همه خویشان وحشی صفت از خلق به یکبار بریدم

After the Islamic conquest of Persia
Islamic conquest of Persia
, the Iranian Persian people adopted the Perso-Arabic script
Perso-Arabic script
, and the art of Persian calligraphy flourished in Iran
Iran
as territories of the former Persian empire. Apparently, Mir Ali Tabrizi (14th century) developed Nastaʿlīq by combining two existing scripts of Nasḫ and Taʿlīq. Hence, it was originally called Nasḫ-Taʿlīq. Another theory holds that the name Nastaʿlīq means "that which abrogated (naskh) Taʿlīq".

Nastaʿlīq thrived, and many prominent calligraphers contributed to its splendor and beauty. It is believed that Nastaʿlīq reached its highest elegance in Mir Emad 's works. The current practice of Nastaʿlīq is, however, heavily based on Mirza Reza Kalhor 's technique. Kalhor modified and adapted Nastaʿlīq to be easily used with printing machines, which in turn helped wide dissemination of his transcripts. He also devised methods for teaching Nastaʿlīq and specified clear proportional rules for it, which many could follow.

The Mughal Empire
Mughal Empire
used Persian as the court language during their rule over South Asia
South Asia
. During this time, Nastaʿlīq came into widespread use in South Asia
South Asia
. The influence continues to this day. In Pakistan, almost everything in Urdu
Urdu
is written in the script, constituting the greatest part of Nastaʿlīq usage in the world. The situation of Nastaʿlīq in Bangladesh
Bangladesh
used to be the same as in Pakistan
Pakistan
until 1971, when Urdu
Urdu
ceased to remain an official language. Today, only a few people use this form of writing in Bangladesh
Bangladesh
.

Nastaʿlīq is a descendant of Nasḫ and Taʿlīq. Shikasta Nastaʿlīq (literally "broken Nastaʿlīq") style is a development of Nastaʿlīq.

NOTABLE NASTAʿLīQ CALLIGRAPHERS

Example showing «خط نستعلیق» (Nastaʿlīq script) written in Nastaʿlīq.

* Mir Ali Tabrizi * Mir Emad * Mirza Buzurg-i-Nuri * Mishkín- Qalam
Qalam
* Mirza Mohammad Reza Kalhor

And others, including Mirza Jafar Tabrizi, Abdul Rashid Deilami, Sultan Ali Mashadi, Mir Ali Heravi, Emad Ul-Kottab, Mirza Gholam Reza Esfehani, Emadol Kotab, Yaghoot Mostasami, and Darvish Abdol Majid Taleghani.

And among contemporary artists: Hassan Mirkhani, Hossein Mirkhani, Abbas Akhavein and Qolam-Hossein Amirkhani, Ali Akbar Kaveh, Kaboli.

ETIQUETTE

Islamic calligraphy
Islamic calligraphy
was originally used to adorn Islamic religious texts, specifically the Qur\'an , as pictorial ornaments were prohibited in Islam
Islam
. Therefore, a sense of sacredness always hovered in the background of calligraphy.

A Nastaʿlīq disciple was supposed to qualify himself spiritually for being a calligrapher, besides learning how to prepare qalam, ink, paper and, more importantly, master Nastaʿlīq. For instance see Adab al-Mashq, a manual of penmanship attributed to Mir Emad .

*

Folio of Poetry From the Divan of Sultan Husayn Mirza, ca. 1490. Brooklyn Museum
Brooklyn Museum
. *

Quatrain on the Virtue of Patience by Muhammad Muhsin Lahuri of the Mughal Empire
Mughal Empire
. *

Spousal Advice by Abdallah Lahuri of the Mughal Empire
Mughal Empire
.

NASTAʿLīQ TYPESETTING

An example of the Nastaʿlīq script
Nastaʿlīq script
used for writing Urdu
Urdu

Nastaʿlīq Typography first started with attempts to develop a metallic type for the script, but all such efforts failed. Fort William College developed a Nastaʿlīq Type, which was not close enough to Nastaʿlīq and hence was never used other than by the college library to publish its own books. The State of Hyderabad Dakan (now in India) also attempted to develop a Nastaʿlīq Typewriter but this attempt failed miserably and the file was closed with the phrase “Preparation of Nastaʿlīq on commercial basis is impossible”. Basically, in order to develop such a metal type, thousands of pieces would be required.

Modern Nastaʿlīq typography began with the invention of Noori Nastaleeq which was first created as a digital font in 1981 through the collaboration of Mirza Ahmad Jamil TI (as Calligrapher) and Monotype Imaging
Monotype Imaging
(formerly Monotype Corp text-decoration: none">Nastaʿlīq support, through Microsoft's " Urdu
Urdu
Typesetting" font.

NASTAʿLīQ ELECTRONIC PUBLISHING AND DTP

In 1994, InPage Urdu, which is a fully functional page layout software for Windows akin to Quark XPress , was developed for Pakistan's newspaper industry. This was done by an Indian software company – Concept Software Pvt Ltd – led by Rarendra Pratap Singh and Vijay Krishan Gupta, with the input and help of Firoz Hashmi expert in calligraphy text-decoration: none">Nastaʿlīq fonts which were created by Syed Manzar Hasan Zaidi. They licensed and improved the Noori Nastaliq font from Monotype at that time. This font, with its vast ligature base of over 20,000, is still used in current versions of the software for Windows. As of 2009 InPage has become Unicode based, supporting more languages, and the Faiz Lahori Nastaliq font with Kasheeda developed by Syed Manzar Hasan Zaidi, Axis SoftMedia Pvt. Ltd., has been added to it along with compatibility with OpenType Unicode fonts. Nastaliq Kashish has been made for the first time in the history of Nastaʿlīq Typography.

InPage has been widely marketed and sold in the UK, India
India
and elsewhere since 1994, and is utilized in the majority of UK schools and local authorities where Urdu
Urdu
is a main language of pupils and constituents. InPage is also reported to be in use on millions of PCs in India, Pakistan
Pakistan
and other countries of the world.

Nowadays, nearly all Urdu
Urdu
newspapers, magazines, journals, and periodicals are composed on computers via various Urdu
Urdu
software programmes, the most widespread of which is the InPage Desktop Publishing package.

SHIKASTA NASTAʿLīQ

Shekasteh or Shekasteh NASTAʿLīQ (Persian : شکسته‌نستعلیق‎‎; "cursive Nastaʿlīq", or literally "broken Nastaʿlīq") style is a successor of Nastaʿlīq.

GALLERY

*

A line of poetry by the Iranian poet Omar Khayyam
Omar Khayyam
in Shikasta Nastaʿlīq. In print: این قافلهٔ عُمر عجب میگذرد *

A ruba\'i of Omar Khayyam
Omar Khayyam
in Shikasta Nastaʿlīq. In print: گویند کسان بهشت با حور خوش است من میگویم که آب انگور خوش است این نقد بگیر و دست از آن نسیه بدار کاواز دهل شنیدن از دور خوش است *

Nastaʿlīq *

Fath Ali Shah Qajar
Fath Ali Shah Qajar
's order in Shikasta Nastaliq script, January 1831

SEE ALSO

* Islamic calligraphy
Islamic calligraphy
* Persian calligraphy
Persian calligraphy
* Shahmukhi script
Shahmukhi script
* Shekaste-Nasta\'liq * Urdu
Urdu
alphabet * Modi , another "broken" script

REFERENCES

* ^ The Cambridge History of Islam. By P. M. Holt, et al., Cambridge University Press, 1977, ISBN 0-521-29138-0 , p. 723. * ^ Hamed, Payman. "Famous Calligraphers - Persian Calligraphy- All about Persian Calligraphy". www.persiancalligraphy.org. * ^ ""The Scripts"". * ^ "Famous Calligraphers". Persian Calligraphy. Retrieved 12 January 2012. * ^ Nastaliq Script – Persian Calligraphy
Calligraphy
Archived September 28, 2010, at the Wayback Machine
Wayback Machine
. * ^ Khurshiq, Iqbal. "زندگی آگے بڑھنے کا نام اور جمود موت ہے: نوری نستعلیق کی ایجاد سے خط نستعلیق کی دائمی حفاظت ہوگئی". Express. Retrieved 24 November 2013. * ^ ":مائیکروسافٹ ڈا ٔون لوڈ مرکزWindows". Microsoft.com. Retrieved 2011-12-18. * ^ "The evolving Story of Locale Support, part 9: Nastaleeq vs. Nastaliq? Either way, Windows 8 has got it!". MSDN Blogs. Retrieved 2013-03-24.

FURTHER READING

* Habib-ollah Feza'eli, Ta'lim-e Khatt, Tehran: Sorush, 1977 (in Persian) * Sheila Blair, Islamic Calligraphy, Edinburgh: Edinburgh University Press, 2005. * H.R. Ghelichkhānī, The Oldest Inscriptions written in the Nast‘alīq Calligraphic Hand, Quarterly Naqd-O-Taḥqīq, ISSN 2454-2563 , Editor: S. Naqi Abbas (Kaify), Volume 1, Issue IV, pp. 48–54, Oct-Nov-Dec. 2015, New Delhi (in Persian)

EXTERNAL LINKS

Wikimedia Commons has media related to NASTALIQ .

* Rumicode: Online Service For Nastaʿlīq Calligraphy * Nastaliq Online: Online Service For Nastaʿlīq Calligraphy * Download Nastaʿlīq Unicode Font by the Supreme Council of ICT Iran * Download IPA for Urdu
Urdu
and Roman Urdu
Urdu
for Mobile and Internet Users * Iranian Calligraphers Association * Center for Research in Urdu
Urdu
Language
Language
Processing – Download Urdu Fonts * Free True Type font covering basic Nastaʿlīq. * Nastaʿlīq Writer for

.