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Persian Calligraphy
Persian calligraphy or Iranian calligraphy ( fa, ), is the calligraphy of the Persian language. It is one of the most revered arts throughout the history of Iran. History History of Nasta'liq After the Muslim conquest of Persia, introduction of Islam in the 7th century, Persians adapted the Arabic alphabet to Persian language, Persian and developed the contemporary Persian alphabet. The Arabic alphabet has 28 characters. An additional four letters were added by Iranians, which resulted in the 32 letters currently present in the Persian alphabet. Around one thousand years ago, Ibn Muqlah ( fa, ) and his brother created six genres of Iranian calligraphy, namely "Mohaqiq", "Reyhan", "Sols", "Naskh", "Toqi" and "Reqa". These genres were common for four centuries in Persia. In the 7th century (Hijri calendar), Hassan Farsi Kateb combined the "Naskh" and "Reqah" styles and invented a new genre of Persian calligraphy named "Ta'liq (script), Ta'liq". In the 14th century, Mir Ali Tabr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Iranian Calligraphists
The Society of Iranian Calligraphists is an Iranian organization for professionals in the field of calligraphy. It was established in 1951. Instagram Official Page The Instagram Official pagestarted in 15 November 2019. This page promotes Calligraphery arts of masters. External links Official website (English version) Islamic calligraphy Cultural organisations based in Iran Professional associations based in Iran {{Iran-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Calligraphy
Persian calligraphy or Iranian calligraphy ( fa, ), is the calligraphy of the Persian language. It is one of the most revered arts throughout the history of Iran. History History of Nasta'liq After the Muslim conquest of Persia, introduction of Islam in the 7th century, Persians adapted the Arabic alphabet to Persian language, Persian and developed the contemporary Persian alphabet. The Arabic alphabet has 28 characters. An additional four letters were added by Iranians, which resulted in the 32 letters currently present in the Persian alphabet. Around one thousand years ago, Ibn Muqlah ( fa, ) and his brother created six genres of Iranian calligraphy, namely "Mohaqiq", "Reyhan", "Sols", "Naskh", "Toqi" and "Reqa". These genres were common for four centuries in Persia. In the 7th century (Hijri calendar), Hassan Farsi Kateb combined the "Naskh" and "Reqah" styles and invented a new genre of Persian calligraphy named "Ta'liq (script), Ta'liq". In the 14th century, Mir Ali Tabr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Persian Calligraphers
Old time Persian calligraphers *Ahmad Shamlou *Ahmad al-Suhrawardi *Alaeddin Tabrizi * Baysunghur Mirza *Ibn Muqla *Jafar Tabrizi (Baysonqori) * Marjan Kateb Islami *Mir Ali Tabrizi *Mir Emad Hassani *Mirza Qolam-Reza (Khosh-nevis Bashi) *Sultan Ali Mashhadi *Yaqut al-Musta'simi * Zeinolabedin Mahallati Contemporary Iranian calligraphers * Ali Adjalli (b. 1939) (alternative: Ghorbanali Ajali) *Golnaz Fathi Golnaz Fathi (born 1972) is an Iranian contemporary artist noted for her artwork in the hurufiyya tradition. Life and career She was born in Tehran and studied graphic design at Islamic Azad University, receiving a BA in 1995. She went on to s ... * Qorban Ali Ajali Vaseq {{Islamic calligraphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gholam Hossein Amirkhani
Gholam Hossein Amirkhani (استاد غلامحسین امیرخانی) is a Persian calligrapher, born in 1939 in Taleghan, Iran. He is the chief of Iran calligraphers council, which established in 1950. He became a member of the Iran Calligraphers Association in 1965 and was named as the master of Iranian calligraphy in 1979. In 2014, he held his first solo exhibition in 15 years, showing his latest works in Tehran's Sareban Gallery. In 2017 he was awarded Legion of Honor The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon .... References Iranian calligraphers Living people 1939 births People from Alborz Province Recipients of the Order of Culture and Art Iranian Science and Culture Hall of Fame recipients in Visual Arts Recipients of the Legion of Honour {{Iran-artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mishkín-Qalam
Mírzá Ḥusayn-i-Isfahání (surnamed Mis͟hkín-Qalam () meaning "jet-black pen"; 18261912) was a prominent Baháʼí and one of the nineteen Apostles of Baháʼu'lláh, as well as a famous calligrapher of 19th-century Persia. He is the author of a calligraphic rendering of the Greatest Name, used by Baháʼís around the world. Background Mishkín-Qalam was born in Shíráz but was a resident of Isfahán, which is where he first heard of the Baháʼí Faith. A few years later he travelled to Baghdad and learned in more detail from Zaynu'l-Muqarrabín and Nabíl-i-Aʻzam, but was not confirmed until he later travelled to Adrianople and met Baháʼu'lláh. Before becoming a Baháʼí, he was a Súfí of the Ni'matu'lláhí order. Imprisonment Mishkín-Qalam was sent by Baháʼu'lláh to Constantinople (Istanbul), where he began attracting people through his art and vigorously teaching the Baháʼí Faith. The Persian ambassador began to complain to the Sultan's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mírzá ʻAbbás Núrí
Mírzá ʻAbbás-i-Núrí ( fa, ميرزا عباس نوري, d. 1839), more commonly known as Mírzá Buzurg, was the father of Baháʼu'lláh, the founder of the Baháʼí Faith. Mírzá Buzurg was a nobleman from the Persian province of Núr, and worked for a time in the service of Fatḥ-ʻAlí S͟háh. Mírzá Buzurg was the son of Mírzá Riḍá-Qulí Big, son of Mírzá ʻAbbás, son of Ḥájí Muḥammad-Riḍá Big, son of Áqá Muhammad-ʻAli, son of Áqá Fak͟hr, son of S͟hahríyár-Ḥasan. He had four wives and three concubines, and at least 15 children. Service to the state He served as vizier (Minister) to Imám-Virdi Mírzá, the twelfth son of the Persian Qajar King, Fath Ali Shah, who was the ''Ilkhani (tribal chief of the clans) of the Qajar tribe. Mírzá Burzurg was later appointed governor of Borujerd and Lorestan. Family Mírzá Buzurg's first marriage was arranged by his father, Riḍa-Quli Big, to a relative of the family, named K͟han-Nanih, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Ali Tabrizi
Mir Ali Tabrizi ( fa, ) was a distinguished Iranian calligrapher of the 14th century, to whom the invention of Nas-Taliq calligraphy style is attributed. Early life He lived in the 14th century. Historians have not been able to unveil details of Mir Ali's life yet. It is known that he lived in Tabriz and was a poet as well as an adept calligrapher (see Dehkhoda dictionary). Nas-Taliq calligraphy He is known as father of Nas-Taliq, the most popular style of Persian calligraphy. He was thus titled "Qodwat al-Kottab" (literally 'the chief of the scribes'). He invented this beautiful calligraphy style by means of combining two older styles together (Naskh and Taliq). Nas-Taliq is a light and elegant cursive script as other types of Islamic calligraphy. In contrast to other Islamic scripts, the Nas-Taliq has characters that appear to swing from the upper right to the lower left of each word as if suspended by an imaginary line. It featured elongated horizontal strokes and exaggera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nasta'liq Script
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nastaliq'' developed in Iran from '' naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended '' naskh''". Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it developed gradually among scribes in Shiraz. Moreover, according to her studies ''nastaliq'' has its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parviz Tanavoli
Parviz Tanavoli (born 1937) is an Iranian sculptor, painter, educator, and art historian. He is a pioneer within the Saqqakhaneh school, a neo-traditionalist art movement. Tanavoli has been one of the most expensive Iranian artists in sales. Tanavoli series of sculpture work are displayed in prestigious museums and public places, such as the British Museum, Metropolitan Museum of Art, Hamline University, Aga Khan Museum, and as public art in the city of Vancouver. Additionally Tanavoli has written extensively on this history of Persian art and Persian crafts. Since 1989, Tanavoli holds dual nationality and has lived and worked both in Tehran, and Horseshoe Bay in West Vancouver, British Columbia. Early life and education Parviz Tanavoli was born 24 March 1937 in Tehran. In 1952, he started his education at the Tehran School of Fine Arts (now part of the University of Tehran). He continued his studies in Italy at the Academy of Fine Arts in Carrara (Italian: Accademia di Belle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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