Jewish-American princess stereotype

Stereotypes of Jews are generalized representations of Jews, often caricatured and of a prejudiced and antisemitic nature.

Common objects, phrases and traditions which are used to emphasize or ridicule Jewishness include bagels, the complaining and guilt-inflicting Jewish mother, often along with a meek and nerdy nice Jewish boy, and the spoiled and materialistic Jewish-American princess.

Stereotype by type

Physical features

In caricatures and cartoons, Ashkenazi Jews are usually depicted as having large hook-noses and dark beady eyes with drooping eyelids. Exaggerated or grotesque Jewish facial features were a staple theme in Nazi propaganda and, less frequently, in Soviet propaganda. The ''Star Wars'' character Watto, introduced in '' The Phantom Menace'' (1999), has been likened to traditional antisemitic caricatures.

Nose

The idea of the large or aquiline "Jewish nose" remains one of the most prevalent and defining features to characterize someone as a Jew. This widespread stereotype can be traced back to the 13th century, according to art historian Sara Lipton. While the depiction of the hooked-nose originated in the 13th century, it had an uprooting in European imagery many centuries later. The earliest record of anti-Jewish caricature is a detailed doodle depicted in the upper margin of the Exchequer Receipt Roll (English royal tax record) in 1233. It shows three demented-looking Jews inside a castle as well as a Jew in the middle of the castle with a large nose. The satirical antisemitic 1893 book ''The Operated Jew'' revolves around a plot of cosmetic surgery as a "cure" for Jewishness.

Hair

In European culture, prior to the 20th century, red hair was commonly identified as the distinguishing negative Jewish trait.''The Jewish Persona in the European Imagination: A Case of Russian Literature'', By Leonid Livak, (Stanford University Press 2010). This stereotype probably originated because red hair is a recessive trait that tends to find higher expression in highly endogamous populations, such as in Jewish communities where Jews were forbidden to marry outsiders. Red hair was especially closely linked with Judas Iscariot, who was commonly shown with red hair to identify him as Jewish. During the Spanish Inquisition, all those with red hair were identified as Jewish. In Italy, red hair was associated with Italian Jews.''Judas's Red Hair and The Jews'', ''Journal of Jewish Art (9)'', 31–46, 1982, Melinnkoff R.M Writers from Shakespeare to Dickens would identify Jewish characters by giving them red hair. In Medieval European lore, "Red Jews" were a semi-fictional group of red-haired Jews, although this tale has obscure origins.

In part due to their Middle Eastern ethnic origins, Jews tend to be portrayed as swarthy and hairy, sometimes associated with a curly hair texture known as a " Jewfro".

Hands

During the Nazi-era propaganda campaign against Jews, there were repeated mentions of Jews being able to be identified by their use of hands while speaking, "the Jew moves his hands when he talks". This has evolved into modern stereotypes of Jews, much like others in Europe, namely Italians speaking with their hands. While both are stereotypes of both Jews and Italians, many Jews accept that this is a fundamentally true observation. Jews are well known for speaking with their hands, as the use of hands is consistent in Jewish prayer, especially males praying due to use of the Tefillin, requires the use of constant hand movements.

Behavioral

Communication

A common stereotype is that the Jews answer a question with a question. It is used in Jewish humor and in ordinary literature when it is required to paint a character as a "typical Jew".

Greed

Jews have often been stereotyped as greedy and miserly. This originates in the Middle Ages when the Church forbade Christians to lend money while charging interest (a practice called usury, although the word later took on the meaning of charging excessive interest). Jews were legally restricted to occupations usually barred to Christians and thus many went into money-lending. This led to, through the Middle Ages and the Renaissance, the association of Jews with greedy practices.

Publications like '' The Protocols of the Elders of Zion'' and literature such as William Shakespeare's '' The Merchant of Venice'' and Charles Dickens's ''Oliver Twist'' reinforced the stereotype of the crooked Jew. Dickens later expressed regret for his portrayal of Fagin in the novel, and toned down references to his Jewishness. Furthermore, the character of Mr. Riah in his later novel ''Our Mutual Friend'' is a kindly Jewish creditor, and may have been created as an apology for Fagin. Lesser references in ''Arabian Nights'', '' The Three Musketeers'', and even ''Hans Brinker'' are examples of the prevalence of this negative perception.
Some, such as Paul Volcker, suggest that the stereotype has decreased in prevalence in the United States. A telephone poll of 1,747 American adults conducted by the Anti-Defamation League in 2009 found that 18% believed that "Jews have too much power in the business world", 13% that "Jews are more willing than others to use shady practices to get what they want", and 12% that "Jews are not just as honest as other businesspeople".

Jewish frugality, thriftiness, and greed are among the typical themes in jokes about Jews, even by Jews themselves.

Stereotypical characters

Belle juive

La belle juive (French, "the beautiful Jewess") was a 19th-century literary stereotype. A figure that is often associated with having and causing sexual lust, temptation and sin. Her personality traits could be portrayed either positively or negatively. The typical appearance of the belle juive included long, thick, dark hair, large dark eyes, an olive skin tone, and a languid

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