Estonian literature

Estonian literature ( et, eesti kirjandus) is literature written in the Estonian language (c. 1,100,000 speakers) The domination of Estonia after the Northern Crusades, from the 13th century to 1918 by Germany, Sweden, and Russia resulted in few early written literary works in the Estonian language. The oldest records of written Estonian date from the 13th century. ''Originates Livoniae'' in Chronicle of Henry of Livonia contains Estonian place names, words and fragments of sentences. The '' Liber Census Daniae'' (1241) contains Estonian place and family names.The Development of Written Estonian by George Kurman
The earliest extant samples of connected Estonian are the so-called Kullamaa prayers dating from 1524 and 1528. The first known printed book is a bilingual German-Estonian translation of the Lutheran catechism by S.Wanradt and J. Koell (1535). For the use of priests an Estonian grammar was printed in German in 1637. The New Testament was translated into southern Estonian in 1686 (northern Estonian, 1715). The two dialects were united by Anton Thor Helle in a form based on northern Estonian. Writings in Estonian became more significant in the 19th century during the Estophile Enlightenment Period (1750–1840).

The cultural stratum of Estonian was originally characterised by a largely lyrical form of folk poetry based on syllabic quantity. Apart from a few albeit remarkable exceptions, this archaic form has not been much employed in later times. The most outstanding achievements in this field are the national epic ''Kalevipoeg'' (Son of Kalev), written by Friedrich Reinhold Kreutzwald (1803–1882); Gustav Suits's ballad ''Lapse sünd'' (Birth of a Child); Villem Grünthal-Ridala's (1885–1942) poem ''Toomas ja Mai'' (Toomas and Mai) and three poems by August Annist (1899–1972). At a professional level, traditional folk song reached its new heyday during the last quarter of the 20th century, primarily thanks to the work of composer Veljo Tormis.

In modern times Jaan Kross and Jaan Kaplinski remain Estonia's best known and most translated writers.

History of Estonian literature

Folklore

As opposed to the recent nature of written literature, the oral tradition, found in collections of Estonian folklore, tells of the ancient pre-Northern Crusades period of independence. The first fragmentary records of Estonian folk poetry, dating from the 13th century, can be found in the Chronicle of Henry of Livonia; in the late 18th century Johann Gottfried von Herder published examples of Estonian folk songs in his anthology ''Volkslieder'' (1807). Jakob Hurt (1839–1907) was the first to start systematically collecting Estonian folklore in the second half of the 19th century, planning a multi-volume series on Estonian folklore, called '' Monumenta Estoniae Antiquae''. Hurt coined the phrase which to this day shapes the mentality of the nation of one million people: ''If we cannot be great in number, then we must be great in spirit''.

Baltic Germans

Chronicles and theatrical performances by the Baltic German nobility formed the basis for local Baltic German literature which, despite the barriers of status and language, affected Estonian literature. The earliest example of Estonian language poetry dates back to 1637, a poem written by Reiner Brockmann (1609–1647), teacher of Greek at the Tallinn Gymnasium.
Otto Wilhelm Masing (1763–1832) was the first literate who had a thorough mastery of the Estonian language. He published an Estonian-language alphabet book called '' ABD ehk Luggemise-Ramat Lastele'' in 1795.Spotted Mother Tongue
– '' Vaba Eesti Sõna''

Kristjan Jaak Peterson

''Cannot the tongue of this land''

''In the fire of incantation''

''Rising up to the heavens''

''Seek for eternity?''

:::''Kristjan Jaak Peterson''

Those lines have been interpreted as a claim to reestablish the birthright of the Estonian language. Kristjan Jaak Peterson (1801–1822) is considered the founder of modern Estonian poetry. He gathered his Estonian poems into two small books but never saw them published: this only occurred a hundred years after his death (although three German poems were published posthumously in 1823). One of Peterson's projects was fulfilled in his lifetime, the German version of Kristfrid Ganander's ''Mythologia Fennica'', a dictionary of Finnish mythological words and names (the Swedish original was published in 1789). Peterson's translation of Ganander's dictionary found many readers in Estonia and abroad, becoming an important source of national ideology and inspiration for early Estonian literature. Its dominating influence extended through the first decades of the 20th century.

''Kalevipoeg''

The outstanding achievements in folklore imitate the epics: the national epic ''Kalevipoeg'' was compiled by doctors of Estonian origin: Friedrich Robert Faehlmann began the epic and it was finished by Friedrich Reinhold Kreutzwald. The romantic ideology of the 19th century laid down the requirements for a national literature. The idea of an epic was the product of a humanist circle called the Learned Estonian Society (Gelehrte Estnische Gesellschaft), where Faehlmann had presented his paper in 1839 on a mythical hero called Kalewipoeg (Son of Kalew). After Faehlmann's death in 1850 the society handed the manuscripts over to Kreutzwald. The first edition of ''Kalevipoeg'' (1857–61) was bilingual, the German text being presented side by side with the Estonian original. A popular Estonian edition in a single volume followed in 1862.

Lydia Koidula (1843–1886) was the initiator of a tradition of Estonian patriotic and women's poetry during the era.

Late 19th early 20th century

In the late 19th-century a poet emerged who profoundly affected Estonian poetry as a whole – Juhan Liiv (1864–1913). During the last decade of the 19th century, a contemporary of Liiv's, Eduard Vilde (1865–1933), gave a realistic direction to Estonian prose.

With the formation of the group Noor-Eesti (Young Estonia) in 1905, led by the poet Gustav Suits (1883–1956), the linguist and poet Villem Grünthal-Ridala (1885–1942) and the reformer of the Estonian language Johannes Aavik (1880–1973), Estonian literature gained a new intellectual impetus. The most prominent prose writer of the time, still widely read today, was Oskar Luts (1887–1953). Another significant author was Jaan Oks (1884–1918).The poetry of Ernst Enno (1875–1934) gained popularity much later.

The rationality of the Young Estonians was counterbalanced by the group of writers from the Siuru movement, established in 1917. The central and peripheral poets of Siuru were: August Gailit (1891–1960), Friedebert Tuglas

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