The Double Canon (Raoul Dufy in Memoriam) is a short composition for string quartet by Igor Stravinsky, composed in 1959. It lasts only about a minute and a quarter in performance.

History

Although it is a memorial piece for the painter

Raoul Dufy Raoul Dufy (; 3 June 1877 – 23 March 1953) was a French Fauvist painter. He developed a colorful, decorative style that became fashionable for designs of ceramics and textile as well as decorative schemes for public buildings. He is noted ...

, who had died on 23 March 1953, the Double Canon is not a personal tribute, for the two men had never met. The work originated as a duet for flute and clarinet, composed in Venice in September 1959 as a souvenir piece in response to a request for an autograph. Later expanded for string quartet, it had its first performance at a Stravinsky festival in New York, either on 20 December 1959, or else on 10 January 1960 in a concert also featuring the premiere of the ''

Movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

'' for piano and orchestra.

Analysis

The Double Canon is exceptional in Stravinsky's

twelve-tone The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ...

compositions in that it uses transposed forms of the

row Row or ROW may refer to: Exercise *Rowing, or a form of aquatic movement using oars *Row (weight-lifting), a form of weight-lifting exercise Math *Row vector, a 1 × ''n'' matrix in linear algebra. *Row (database), a single, implicitly structured ...

. Stravinsky's habitual practice was to use only untransposed row forms. The first five notes of Stravinsky's series for the Double Canon are equivalent to the five-note set of ''In Memoriam Dylan Thomas'', and also are closely related to sets used in '' Agon'', '' Epitaphium'', and '' A Sermon, a Narrative and a Prayer''. It is representative of the earliest phase of Stravinsky's serial practice, when he had not yet developed the technique of hexachordal rotation that characterizes his music written from the ''Movements'' onward.

References

Sources * * * * *

History

Analysis

References

Further reading