Double Canon (Stravinsky)
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Double Canon (Stravinsky)
The Double Canon (Raoul Dufy in Memoriam) is a short composition for string quartet by Igor Stravinsky, composed in 1959. It lasts only about a minute and a quarter in performance. History Although it is a memorial piece for the painter Raoul Dufy, who had died on 23 March 1953, the Double Canon is not a personal tribute, for the two men had never met. The work originated as a duet for flute and clarinet, composed in Venice in September 1959 as a souvenir piece in response to a request for an autograph. Later expanded for string quartet, it had its first performance at a Stravinsky festival in New York, either on 20 December 1959, or else on 10 January 1960 in a concert also featuring the premiere of the ''Movements'' for piano and orchestra. Analysis The Double Canon is exceptional in Stravinsky's twelve-tone compositions in that it uses transposed forms of the row Row or ROW may refer to: Exercise *Rowing, or a form of aquatic movement using oars *Row (weight-lifting), a f ...
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Jurij Blixen & Stravinskij
Jurij is a given name. Notable people with the name include: *Jurij Alschitz (born 1947), theatre director, theatre and acting theorist who has lived in Berlin since 1992 * Jurij Brězan (1916–2006), Sorbian writer *Jurij Cherednikov (born 1964), Ukrainian-American author and software engineer *Jurij Dalmatin (1547–1589), Slovene Lutheran minister, writer and translator * Jurij Fedynskyj (born 1975), Ukrainian-American folk singer, kobzar and bandurist * Jurij Gering, politician in Slovenia during the first half of the 16th century when it was under the Holy Roman Empire *Jurij Japelj, also known in German as Georg Japel (1744–1807), Slovene Jesuit priest, translator and philologist * Jurij Ambrož Kappus, politician of the 18th century in Slovenia, when the country was under the Holy Roman Empire *Jurij Koch (born 1936), Sorbian writer * Jurij Korenjak, Slovenian slalom canoeist who competed in the early 2000s *Jurij Lopatynsky (born 1906), Ukrainian activist, soldier, colonel ...
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A Sermon, A Narrative And A Prayer
''A Sermon, a Narrative and a Prayer'' is a cantata for alto and tenor singers, a narrator, chorus, and orchestra by Igor Stravinsky, composed in 1960–61. It belongs to the composer’s Serialism, serial period, and lasts a little over a quarter of an hour in performance. History Stravinsky began work on ''A Sermon, a Narrative and a Prayer'' in Hollywood in 1960, and finished it on 31 January 1961. The score is dedicated to the Swiss conductor Paul Sacher, who commissioned it—the third movement bears an additional dedication: "In memoriam the Reverend James McLane (†1960)". It was published later in the same year, and the work's first performance was given by the Basler Kammerorchester, conducted by the dedicatee, on 23 February 1962 in Basel. Analysis According to a note sent by the composer to Paul Sacher on 7 August 1961, Stravinsky regarded this cantata as a New Testament, New-Testament counterpart to ''Threni (Stravinsky), Threni'', composed three years earlier to an ...
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Compositions For String Quartet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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1959 Compositions
Events January * January 1 - Cuba: Fulgencio Batista flees Havana when the forces of Fidel Castro advance. * January 2 - Lunar probe Luna 1 was the first man-made object to attain escape velocity from Earth. It reached the vicinity of Earth's Moon, and was also the first spacecraft to be placed in heliocentric orbit. * January 3 ** The three southernmost atolls of the Maldive Islands, Maldive archipelago (Addu Atoll, Huvadhu Atoll and Fuvahmulah island) United Suvadive Republic, declare independence. ** Alaska is admitted as the 49th U.S. state. * January 4 ** In Cuba, rebel troops led by Che Guevara and Camilo Cienfuegos enter the city of Havana. ** Léopoldville riots: At least 49 people are killed during clashes between the police and participants of a meeting of the ABAKO Party in Kinshasa, Léopoldville in the Belgian Congo. * January 6 ** Fidel Castro arrives in Havana. ** The International Maritime Organization is inaugurated. * January 7 – The United States reco ...
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Compositions By Igor Stravinsky
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ...
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Stephen Walsh (writer)
Stephen Walsh (born 6 June 1942) is a British journalist, broadcaster, musicologist, and classical music biographer. He is the author of biographies of Stravinsky, Mussorgsky, and Debussy, as well as books on Schumann, Bartók, and the music of Stravinsky. As of 2021, he is an emeritus professor of Cardiff University. Biography Walsh was born in Chipping Norton, Oxfordshire in 1942. He was educated at Kingston Grammar School, St. Paul's School, London, and Gonville and Caius College, Cambridge where he read English. He worked as a music critic for ''The Times'', ''Financial Times'', and the ''Daily Telegraph'', and as a frequent broadcaster for the BBC on classical music topics. From 1966 to 1985, he was deputy music critic of ''The Observer'', overlapping with a senior lectureship at Cardiff University from 1976. He later held a chair at the university. He retired from Cardiff in 2013, since when he has continued his career as a freelance author and biographer. Walsh is best k ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ...
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Music Analysis (journal)
''Music Analysis'' is a peer-reviewed academic journal specializing in music theory and analysis. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the Society for Music Analysis." Its website describes ''Music Analysis'' as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by Theodor W. Adorno and Heinrich Schenker. The journal's first editor-in-chief was Jonathan Dunsby Jonathan Mark Dunsby (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his research in musical analysis. ...
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Hexachord
In music, a hexachord (also hexachordon) is a six-note series, as exhibited in a scale (hexatonic or hexad) or tone row. The term was adopted in this sense during the Middle Ages and adapted in the 20th century in Milton Babbitt's serial theory. The word is taken from the gr, ἑξάχορδος, compounded from ἕξ (''hex'', six) and χορδή (''chordē'', string f the lyre whence "note"), and was also the term used in music theory up to the 18th century for the interval of a sixth ("hexachord major" being the major sixth and "hexachord minor" the minor sixth). Middle Ages The hexachord as a mnemonic device was first described by Guido of Arezzo, in his ''Epistola de ignoto cantu''. In each hexachord, all adjacent pitches are a whole tone apart, except for the middle two, which are separated by a semitone. These six pitches are named ''ut'', ''re'', ''mi'', ''fa'', ''sol'', and ''la'', with the semitone between ''mi'' and ''fa''. These six names are derived from the fir ...
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Epitaphium (Stravinsky)
"Epitaphium" is a short chamber-music composition by Igor Stravinsky, for flute, clarinet, and harp. The score was composed in 1959 and is inscribed in German, "Für das Grabmal des Prinzen Max Egon zu Fürstenberg" (For the tombstone of Prince (1896–1959)). A performance last for less than two minutes. History Stravinsky had been the honoured guest of Prince Max Egon zu Fürstenberg, patron of the Donaueschinger Musiktage, during the 1957 and 1958 festivals. When the prince died in April 1959, Stravinsky was asked to write a short composition in his memory. The result was "Epitaphium", which received its premiere on 17 October 1959, on one of that year's three concerts, each of which included a newly composed musical tribute to the prince. The other two pieces were by Pierre Boulez (''Tombeau'', for soprano and instrumental ensemble, which later became the final movement of ''Pli selon pli'') and Wolfgang Fortner (''Parergon zu den Impromptus'', for soprano and orchestra).) ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ...
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