Death of a Naturalist
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''Death of a Naturalist'' (1966) is a collection of poems written by
Seamus Heaney Seamus Justin Heaney (; 13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.
, who received the 1995
Nobel Prize in Literature ) , image = Nobel Prize.png , caption = , awarded_for = Outstanding contributions in literature , presenter = Swedish Academy , holder = Annie Ernaux (2022) , location = Stockholm, Sweden , year = 1901 , ...
. The collection was Heaney's first major published volume, and includes ideas that he had presented at meetings of The Belfast Group. ''Death of a Naturalist'' won the
Cholmondeley Award The Cholmondeley Awards () are annual awards for poetry given by the Society of Authors in the United Kingdom. Awards honour distinguished poets, from a fund endowed by the Dowager Marchioness of Cholmondeley in 1966. Since 1991 the award has be ...
, the Gregory Award, the Somerset Maugham Award, and the Geoffrey Faber Memorial Prize. The work consists of 34 short poems and is largely concerned with childhood experiences and the formulation of adult identities, family relationships, and rural life. The collection begins with one of Heaney's best-known poems, "Digging", and includes the acclaimed "Death of a Naturalist" and "Mid-Term Break". In 2022, ''Death of a Naturalist'' was included on the " Big Jubilee Read" list of 70 books by
Commonwealth A commonwealth is a traditional English term for a political community founded for the common good. Historically, it has been synonymous with "republic". The noun "commonwealth", meaning "public welfare, general good or advantage", dates from the ...
authors, selected to celebrate the
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.


Poems

"Death of a Naturalist", the collection's second poem, details the exploits of a young boy collecting frogspawn from a flax-dam. The narrator remembers everything he saw and felt at those times. He then remembers his teacher telling him all about frogs in a section that speaks volumes about childhood innocence. Finally, we hear about a trip to the flax-dam that went wrong. He feels threatened by the frogs and flees. His interest in nature has gone – this is the death of a "naturalist" suggested in the poem's title. The poem makes extensive use of
onomatopoeia Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''m ...
and a
simile A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors c ...
that compares the behaviour of the
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to warfare ("Some sat poised like mud grenades") amongst other techniques. "Mid-Term Break" is a reflection on the death of Heaney's younger brother, Christopher, while Heaney was at school.Heaney, Seamus: "Mid-Term Break"
/ref> He describes his parents' different ways of displaying grief, visitors paying their respects, and his encounter of his brother's corpse in its coffin the next morning. The poem focuses on concrete particulars of Heaney's experience and "captures a boy's unfolding consciousness of death." The final line ("A four foot box, a foot for every year.") emphasizes death's finality. "Digging" is one of Heaney's most-read poems. It addresses themes of time and history and the cyclical nature of the two through the narrators characterization of his father digging in the bog on their family farm. He admires his father's skill and relationship to the spade, but states that he will dig with his pen instead. This is significant as it demonstrates Heaney's ownership of his occupation as a poet and names his pen as his primary and most powerful tool. While excavating the mental bog of his mind by writing, Heaney believes he can gain a better understanding of the history living in the land around him, and a better understanding of himself. "Personal Helicon" is the final poem in Heaney's first collection. Helicon refers to the mountain in Greek mythology which is dedicated to the Greek God Apollo, who is the God of poetry. On the mountain live nine muses, each of whom represent a poetic inspiration. In Heaney's Helicon is a well which indicates that his inspiration comes from within the earth rather than above it. This theme resonates across his work in the poem "Digging" or in the later Bog Poems. He also states that he rhymes "to see myself", echoing the common theme found in the poem "Digging" that he uses poetry to understand the depths of the well and his reflection within it. Throughout the poem, Heaney walks the reader through each stage of his life up until the point he wrote Personal Helicon. He expresses to the reader how he loses sight of the outside inspirations he sought after as a child, and instead looks to himself. This can be seen when he states, "To stare, big-eyed Narcissus into some spring is beneath all adult dignity". In this quote he parallels himself to Narcissus, a hunter in Greek Mythology who is cursed to fall in love with his own reflection by the goddess Nemesis after he shuns Echo, an Oread nymph. The reader can see that for a short time after his college experience, Heaney relies on only himself for inspiration. Eventually he realizes his mistake, and unlike Narcissus, is able to bring himself back to reality.


Reception

''Death of a Naturalist'' was received with mostly positive reviews and helped Heaney gain recognition on an international scale. Several of the poems had been published previously in pamphlets like "Eleven Poems" (1965) and gained attention with reviews in the ''Belfast Telegraph'', ''Death of a Naturalist'' received over 30 noteworthy reviews in Ireland, England and the United States. Fellow poets
Michael Longley Michael Longley, (born 27 July 1939, Belfast, Northern Ireland), is an Anglo-Irish poet. Life and career One of twin boys, Michael Longley was born in Belfast, Northern Ireland, to English parents, Longley was educated at the Royal Belfast A ...
and Brendan Kennelly also praised Heaney's work. Critics generally remarked on Heaney's skilful use of metaphor and language as well as his attention to detail and rural imagery. Some reviewers found the volume a bit superfluous, John Unterecker of ''
The New York Times Book Review ''The New York Times Book Review'' (''NYTBR'') is a weekly paper-magazine supplement to the Sunday edition of ''The New York Times'' in which current non-fiction and fiction books are reviewed. It is one of the most influential and widely rea ...
'' stated that he found some poems possessed "a wit that is sometimes heavy-handed".


Contents

* Digging * Death of a Naturalist * The Barn * An Advancement of Learning * Blackberry-Picking * Churning Day * The Early Purges * Follower * Ancestral Photograph * Mid-Term Break * Dawn Shoot * At a Potato Digging * For the Commander of the 'Eliza' * The Diviner * Turkeys Observed * Cow in Calf * Trout * Waterfall * Docker * Poor Women in a City Church * Gravities * Twice Shy * Valediction * Lovers on Aran * Poem * Honeymoon Flight * Scaffolding * Storm on the Island * Synge on Aran * Saint Francis and the Birds * In Small Townlands * The Folk Singers * The Play Way * Personal Helicon


External links

Death of a Naturalist at
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Further reading

* Allen, Michael, Ed. ''Seamus Heaney.'' Basingstoke : Macmillan, 1997. * Cañadas, Ivan. "Working Nation(s): Seamus Heaney's 'Digging' and the Work Ethic in Post-Colonial and Minority Writing." ''EESE: Erfurt Electronic Studies in English'' (2010).Cañadas, Ivan. "Working Nation(s)
/ref> * Corcoran, Neil. ''The Poetry of Seamus Heaney: a Critical Study.'' London: Faber, 1998. * Foster, John Wilson. ''The Achievement of Seamus Heaney''. Dublin: The Lilliput Press, 1995. * Garratt, Robert F., Ed., ''Critical Essays on Seamus Heaney.'' New York: G.K. Hall, 1995. * Heaney, Seamus. ''New Selected Poems, 1966-1987.'' London & Boston: Faber and Faber, 1990. * Heaney, Seamus. ''Seamus Heaney in Conversation with Karl Miller.'' London: Between The Lines, 2000. * Mathias, Roland. "Death of a Naturalist", in ''The Art of Seamus Heaney'', Ed. Tony Curtis, 3rd edn. Bridgen, Wales: Seren Books, 1994. pp. 11–25. * Morrison, Blake. ''Seamus Heaney.'' London & New York: Methuen, 1982. * Murphy, Andrew. ''Seamus Heaney.'' Plymouth: Northcote House / British Council, 1996.


See also

* ''
Seamus Heaney Collected Poems ''Collected Poems'' is a spoken-word recording of the Nobel Prize-winning poet Seamus Heaney reading his own work. It was released by RTÉ to mark his 70th birthday, which occurred on 13 April 2009. The fifteen-CD box set, boxed set * * * * ...
''


References

{{Irish poetry 1966 poetry books Irish poetry collections Poetry by Seamus Heaney Faber and Faber books