Dame Julie Andrews

Dame Julie Andrews (born Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author. She has garnered numerous accolades throughout her career spanning over seven decades, including an Academy Award, a British Academy Film Award, two Primetime Emmy Awards, three Grammy Awards and six Golden Globe Awards. She has also received three Tony Award nominations. Andrews was made a Disney Legend in 1991, and has been honoured with an Honorary Golden Lion, the Screen Actors Guild Life Achievement Award in 2007, and the AFI Life Achievement Award in 2022. In 2000, Andrews was made a dame by Queen Elizabeth II for services to the performing arts.

Andrews, a child actress and singer, appeared in the West End in 1948 and made her Broadway debut in '' The Boy Friend'' (1954). Billed as "Britain's youngest prima donna", she rose to prominence starring in Broadway musicals such as ''My Fair Lady'' (1956) playing Eliza Doolittle and ''Camelot'' (1960) playing Queen Guinevere. On 31 March 1957, Andrews starred in the premiere of Rodgers and Hammerstein's written-for-television musical ''Cinderella'', a live, colour CBS network broadcast seen by over 100 million viewers. Andrews made her feature film debut in Walt Disney's ''Mary Poppins'' (1964) and won the Academy Award for Best Actress for her performance in the title role. The following year she starred in the musical film ''The Sound of Music'' (1965), playing Maria von Trapp and won the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical.

Between 1964 and 1986, Andrews starred in various films working with directors including her husband Blake Edwards, George Roy Hill, and Alfred Hitchcock. Films she starred in include ''The Americanization of Emily'' (1964), ''Hawaii'' (1966), ''Torn Curtain'' (1966), ''Thoroughly Modern Millie'' (1967), '' Star!'' (1968), ''The Tamarind Seed'' (1974), '' 10'' (1979), '' S.O.B.'' (1981), ''Victor/Victoria'' (1982), ''That's Life!'' (1986), and ''Duet for One'' (1986). After 1986 her workload decreased, appearing in two films in 1991 and not again until 2000. After the turn of the new millennium, however, her career had a revival. She gained a younger following starring in ''The Princess Diaries'' (2001), '' The Princess Diaries 2: Royal Engagement'' (2004) as well as '' Eloise at the Plaza'', and '' Eloise at Christmastime'' (both 2003). She also lent her voice for the English dub of the Italian animated film ''The Singing Princess'' (1949, her first venture into voice-over work), the ''Shrek'' franchise and the ''Despicable Me'' franchise (2010–present).

Andrews is also known for her collaborations with Carol Burnett including the specials, ''Julie and Carol at Carnegie Hall'' (1962), which received a Primetime Emmy Award for Outstanding Variety Special nomination, as well as '' Julie and Carol at Lincoln Center'' (1971), and '' Julie and Carol: Together Again'' (1989). She starred in her own variety special ''The Julie Andrews Hour'' (1973) for which she received the Primetime Emmy Award for Outstanding Variety Musical Series. In 2017 she co-created and hosted a children's educational show titled ''Julie's Greenroom'', for which she received two Daytime Emmy Award nominations. Beginning in 2020, Andrews voiced the narrator Lady Whistledown in the Netflix series ''Bridgerton''. She has also worked hosting performance shows such as ''Great Performances'' and narrating the 2004 Emmy-winning series ''Broadway: The American Musical''.

In 2002, Andrews was ranked No. 59 in the BBC's poll of the 100 Greatest Britons. In 2003, she revisited her first Broadway success, this time as a stage director, with a revival of '' The Boy Friend''. Apart from her musical career, she is also an author of children's books and has published two autobiographies, '' Home: A Memoir of My Early Years'' (2008) and ''Home Work: A Memoir of My Hollywood Years'' (2019).

Early life

Julia Elizabeth Wells was born on 1 October 1935 in Walton-on-Thames, Surrey, England. Her mother, Barbara Ward Wells (née Morris; 25 July, 1910–1984) was born in Chertsey and married Edward Charles "Ted" Wells (1908–1990), a teacher of metalwork and woodwork, in 1932. Andrews was conceived as a result of an affair her mother had with a family friend. Andrews discovered her true parentage from her mother in 1950, although it was not publicly disclosed until her 2008 autobiography.

With the outbreak of World War II, her parents went their separate ways and were soon divorced. Each remarried: Barbara to Ted Andrews, in 1943, and Ted Wells in 1944 to Winifred Maud (Hyde) Birkhead, a war widow and former hairstylist at a war work factory that employed them both in Hinchley Wood, Surrey.Windeler (1970), pp 20–21 Wells assisted with evacuating children to Surrey during the Blitz, while Andrews's mother joined her husband in entertaining the troops through the Entertainments National Service Association. Andrews lived briefly with Wells and her brother, John in Surrey. In 1940, Wells sent her to live with her mother and stepfather, who Wells thought would be better able to provide for his talented daughter's artistic training. According to Andrews's 2008 autobiography ''Home'', while Andrews had been used to calling her stepfather "Uncle Ted", her mother suggested it would be more appropriate to refer to her stepfather as "Pop", while her father remained "Dad" or "Daddy" to her, a change which she disliked. The Andrews family was "very poor" and "lived in a bad slum area of London" at the time, stating that the war "was a very black period in my life". According to Andrews, her stepfather was violent and an alcoholic. He twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews fitting a lock on her door.

As the stage career of her mother and stepfather improved, they were able to afford better surroundings, first to Beckenham and then, as the war ended, back to the Andrews's hometown of Hersham. The family took up residence at the Old Meuse, in West Grove, Hersham, a house (now demolished) where Andrews's maternal grandmother had served as a maid. Andrews's stepfather sponsored lessons for her, first at the independent arts educational school Cone-Ripman School ( ArtsEd) in London, and thereafter with concert soprano and voice instructor Madame Lilian Stiles-Allen. Andrews said of Stiles-Allen, "She had an enormous influence on me", adding, "She was my third mother – I've got more mothers and fathers than anyone in the world". In her memoir ''Julie Andrews – My Star Pupil'', Stiles-Allen records, "The range, accuracy and tone of Julie's voice amazed me ... she had possessed the rare gift of absolute pitch", though Andrews herself refutes this in her 2008 autobiography ''Home''.Windeler (1970), pp. 22–23 According to Andrews, "Madame was sure that I could do Mozart and Rossini, but, to be honest, I never was". Of her own voice, she says, "I had a very pure, white, thin voice, a four-octave range – dogs would come from miles around." After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.

Career

1940s

Beginning in 1945, and for the next two years, Andrews performed spontaneously and unbilled on stage with her parents. "Then came the day when I was told I must go to bed in the afternoon because I was going to be allowed to sing with Mummy and Pop in the evening", Andrews explained. During her initial shows, Andrews stood on a beer crate to sing into the microphone, performing a solo or a duet with her stepfather, while her mother played piano. She later stated that "it must have been ghastly, but it seemed to go down all right".Windeler (1970), pp 23–24 Fellow child entertainer Petula Clark, three years her senior, recalled touring around the UK by train to sing for the troops alongside Andrews; they slept in the luggage racks. Clark later said "It was fun—and not a lot of kids were having fun".

Andrews had her career breakthrough when her stepfather introduced her to managing director Val Parnell, whose Moss Empires controlled prominent performance venues in London. At age 12, Andrews made her professional solo debut at the London Hippodrome, singing the difficult aria "Je suis Titania" from ''Mignon'' as part of a musical revue, called "Starlight Roof", on 22 October 1947. She played at the Hippodrome for one year. Of her role in "Starlight Roof," Andrews recalled: "There was this wonderful American person and comedian, Wally Boag, who made balloon animals. He would say, 'Is there any little girl or boy in the audience who would like one of these?' And I would rush up onstage and say, 'I'd like one, please.' And then he would chat to me and I'd tell him I sang ... I was fortunate in that I absolutely stopped the show cold. I mean, the audience went crazy".

On 1 November 1948, a thirteen-year-old Andrews became the youngest solo performer ever to be seen in a Royal Variety Performance before King George VI and Queen Elizabeth at the London Palladium. Andrews performed alongside singer Danny Kaye, dancers the Nicholas Brothers, and the comedy team George and Bert Bernard.Spindle, p. 3

1950s

Andrews subsequently followed her parents into radio and television.Windeler (1970), pp 26–27. She performed in musical interludes of the BBC Light Programme comedy show ''Up the Pole'' and was a cast member in ''Educating Archie'', from 1950 to 1952. She reportedly made her television début on the BBC programme ''RadiOlympia Showtime'' on 8 October 1949. Andrews appeared on West End theatre at the London Casino, where she played one year each as Princess Badroulbadour in ''Aladdin'' and the egg in ''Humpty Dumpty''. Andrews also appeared on provincial stages in ''Jack and the Beanstalk'' and ''Little Red Riding Hood'', as well as starring as the lead role in ''Cinderella''. In 1952, she voiced Princess Zeila in the English dub of the Italian animated movie ''La Rosa di Bagdad'' (renamed ''The Singing Princess''), in her first film and first venture into voice-over work.
On 30 September 1954, the eve of her 19th birthday, Andrews made her Broadway debut as Polly Browne in the London musical '' The Boy Friend''. Andrews was recommended to director Vida Hope for the part by actress Hattie Jacques, whom Andrews regards as a "catalyst" for her career. Eve Benda recognised her special talent and predicted her stardom. Andrews was anxious about moving to New York; at the time, she was both breadwinner and caretaker for her family, and took the part upon her father's encouragement. She stated that at the time, she had "no idea" how to research a role or study a script, and cites Cy Feuer's direction as being "phenomenal". ''The Boy Friend'' became a hit, with Andrews receiving praise; critics called her the stand-out of the show.Spindle, pp. 4–5.

In 1955, Andrews signed to appear with Bing Crosby in the television film, '' High Tor''. It filmed in November 1955 in Los Angeles and was Andrews's first screen project, which she described as "daunting". ''High Tor'' was televised the following March before a live audience for the ''Ford Star Jubilee'', receiving lukewarm reviews.Windeler, pp. 41–42. Near the end of her one-year run with ''The Boy Friend'', Andrews was approached to audition to Alan Jay Lerner and Frederick Loewe for the role of Eliza Doolittle in ''My Fair Lady''. She was offered the part during her third reading. She later wrote that she felt she could "be Eliza, could find and understand her" if only someone were to "gently unravel the knotted ... string inside my stomach".

During rehearsals, director Moss Hart spent forty-eight consecutive hours solely with Andrews, where they "hammered through each scene"; Andrews later stated that "the good man had stripped erfeelings bare  ..moulded, kneaded, and helped erbecome the character of Eliza . nd madeher part of ersoul." Andrews referred it as the best acting lesson she had ever received, later cementing the role with her "own touches and flourishes" and continuing to work on the character throughout her two-year run. On 15 March 1956, ''My Fair Lady'' opened on Broadway at the Mark Hellinger Theatre. The play was a huge success with both the audience and critics, though soon after opening she learned she needed to tone down her learned cockney accent so that the American audience could understand her, a change which was reversed at the West End performance a year later. Andrews describes her performances as Eliza as "the great learning period" of her life.

Richard Rodgers was so impressed with Andrews's talent that concurrent with her run in ''My Fair Lady'' she was featured in the Rodgers and Hammerstein television musical ''Cinderella'', which was written especially for her. ''Cinderella'' was broadcast live on CBS on 31 March 1957 under the musical direction of Alfredo Antonini and had an estimated 107 million viewers. The show was broadcast live in colour from CBS Studio 72, at Broadway and 81st Street in New York: CBS' only East Coast colour studio. Andrews was nominated for an Emmy Award for her role. She described the performance as "incredibly hard" and stated it took her "years to realise the enormity" of the production. In 1957, Andrews released her debut solo album, ''The Lass with the Delicate Air'', which harked back to her British music hall days."The Lass with the Delicate Air"
. Allmusic.com. Retrieved 26 June 2015 The album includes performances of English folk songs as well as the World War II anthem, " London Pride", a patriotic song written by Noël Coward in 1941 during the Blitz, which Andrews herself had survived.

Between 1956 and 1962, Andrews guest-starred on ''The Ed Sullivan Show'' (15 July 1956), and also appeared on ''The Dinah Shore Chevy Show'', ''What's My Line?'', ''The Jack Benny Program'', ''The Bell Telephone Hour'', and ''The Garry Moore Show''. In June 1962, Andrews co-starred in ''Julie and Carol at Carnegie Hall'', a CBS special with Carol Burnett. In 1960, Lerner and Loewe again cast her in a period musical as Queen Guinevere in ''Camelot'', along with Richard Burton (as King Arthur) and newcomer Robert Goulet. Andrews called the work "monumental" due to the heavy set costuming and detailed literary themes. Camelot premiered at the Majestic Theatre to "adequate" reviews, which Andrews credited to off-set production issues and comparisons to ''My Fair Lady''. The musical was substantially revised both before and during the show's Broadway run.

1960s

Casting for the film adaptation of ''My Fair Lady'' began in 1962; Jay Lerner hoped for Andrews to reprise her role, but Warner Brothers studio head Jack Warner decided Andrews lacked sufficient name recognition; the part was played by the established film actress Audrey Hepburn, with the bulk of the singing dubbed by Marni Nixon. As Warner later recalled that the decision was made for financial purposes, stating that "In my business, I have to know who brings people and their money to a cinema box office. Audrey Hepburn had never made a financial flop." Andrews later reflected that she understood her experience on Broadway "was within a very small pond" but wished she had been able to record her performance for posterity.

In 1963, Andrews began work in the titular role of Disney's musical film ''Mary Poppins''. Walt Disney had seen her performance in ''Camelot'' and subsequently offered her the role; Andrews initially declined because of pregnancy, returning to London to give birth, but Disney firmly insisted, saying, "We'll wait for you."''Mary Poppins'' 40th Anniversary Edition DVD. After the birth of her daughter, she received a call from P. L. Travers, author of the ''Mary Poppins'' book series, who told her, "Well, you're much too pretty of course. But you've got the nose for it." Disney rented a house in Toluca Lake, Los Angeles for her family to reside in during production. Andrews relied largely on instinct for her portrayal, conceptualising her background and giving the character a "particular walk" and a turned-out stance to suit her ladylike sensibility. Andrews referred to production as "unrelenting" given the physical exertion and technical details, saying that she "could not have asked" for a better introduction to film.

''Mary Poppins'' became the biggest box-office draw in Disney history. ''Variety'' lauded Andrews's performance as a "signal triumph ... she performs as easily as she sings, displaying a fresh type of beauty." The film was nominated for thirteen Academy Awards and won five, including the Academy Award for Best Actress for Andrews's performance. She also received the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, while Andrews and her co-stars won the 1965 Grammy Award for Best Album for Children. As a measure of "sweet revenge," as ''Poppins'' songwriter Richard M. Sherman put it, Andrews closed her acceptance speech at the Golden Globes by saying, "And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the first place, Mr. Jack Warner." ''My Fair Lady'' was in direct competition for the awards.

Andrews starred opposite James Garner in the comedy-drama war film ''The Americanization of Emily'' (1964). Andrews took the role partly to avoid typecasting as a nanny. Bosley Crowther of ''The New York Times'' called Andrews "irresistible".. with a brush of sentiment" in both her comedic and emotional scenes. Andrews was nominated for the BAFTA Award for Best British Actress in a Leading Role. Andrews later described it as her favourite film, a sentiment shared by her co-star Garner. Andrews starred in ''The Sound of Music'' (1965), which was the highest-grossing film of its year. Andrews later said she was "ashamed" to admit that she thought the musical "rather saccharine" before being cast. Rehearsals took place in London before filming commenced in Salzburg, Austria in 1964. Filming was rather slow; due to weather conditions in Salzburg, the cast were "lucky" if they got a single shot's worth of scenes.

Andrews stated she relied on lyrics to anchor her to the film's songs and utilised vocal interpretation to "convey" Maria's character by " angingonto words and the images they conjured". Andrews wrote that her senses were "suffused" with Austria, saying that the music "still" and "always lives in her soul". The film received mixed reviews, though critics highlighted Andrews's performance; Crowther again praised her for her "air of radiant vigour ... plain-Jane wholesomeness and her ability to make her dialogue as vivid ... as she makes her songs." For her performance as Maria von Trapp, Andrews won her second Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. She was nominated a second time for the Academy Award for Best Actress and the BAFTA Award for Best British Actress in a Leading Role. Andrews later wrote that the "gift" and "privilege" of portraying her first three film roles would have been "enough to satisfy" her for a lifetime."

After completing ''The Sound of Music'', Andrews appeared as a guest star on the NBC-TV variety series ''The Andy Williams Show''. She followed this television appearance with an Emmy Award-winning special, ''The Julie Andrews Show'', which featured Gene Kelly and the New Christy Minstrels as guests. It aired on NBC-TV in November 1965. In 1966, Andrews starred in ''Hawaii'', the highest-grossing film of its year. Also in 1966, she starred opposite Paul Newman in ''Torn Curtain'', which was directed by Alfred Hitchcock and shot at Universal Studios Hollywood. Hitchcock gave Newman and Andrews relative free rein in dialogue during production. She credits the director with teaching her extensively about lenses and camera-work. During a press interview, she "made the mistake" of expressing her unhappiness with her performance and subsequently received a "terse" letter from Hitchcock, which Andrews later cited as an "important lesson". The film received mixed reviews upon release.

The following year, Andrews played the titular character in ''Thoroughly Modern Millie'' (1967). Andrews described work on the film as a "pleasant distraction" for "allowing her to be something of a clown", as her stepfather died shortly before filming. The film was a box office success; critics described Andrews as "very much the leading lady" and "absolutely darling" as well as "deliciously spirited and dry." The film was nominated for seven Academy Awards, and Andrews scored a Golden Globe nomination for her performance. At the time, ''Thoroughly Modern Millie'' and ''Torn Curtain'' were the biggest and second-biggest hits in Universal Pictures history, respectively.
Andrews next appeared in two of Hollywood's most expensive flops: '' Star!'' (1968), a biopic of Gertrude Lawrence; and ''Darling Lili'' (1970), co-starring Rock Hudson and directed by her second husband, Blake Edwards. Andrews "went through her usual period of insecurity" during the production of ''Star!'', intensely analysing her choices for the character. Choreographer Michael Kidd worked closely with Andrews during the complicated musical numbers, which Andrews regarded as physically and mentally gruelling, coupled with her divorce from her first husband, Tony Walton. The ''New York Times'' singled out the film as "not one of ndrewss best", while ''Variety'' wrote her "carefully built-up" performance "sagged" with "overdone hoydenishness". Despite reviews, her performance was once again nominated for Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. Andrews regards her friendships with Kidd and director Robert Wise as her "greatest gifts" from the film.

Edwards pitched the concept of ''Darling Lili'' to Andrews two years prior to the start of production in 1968. She prerecorded original songs for the film with Henry Mancini and Johnny Mercer. Andrews cited ''Darling Lilis tepid reviews as being caused by studio marketing and postproduction issues. While the film was a commercial bomb, the ''New York Times'' praised Andrews's performance, calling her an "unmitigated delight" and "perfect centerpiece" of the film, praising "her coolness and precision as a comedienne and a singer". She was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, while the film won both the Golden Globe and Academy Awards for Best Original Song. Of these films, Andrews later wrote that "nonstop success in a career is impossible  ..but nobody sets out to make a failure, either."

1970s

Andrews was the first choice to play the English witch Eglantine Price in Disney's ''Bedknobs and Broomsticks'' (1971); Angela Lansbury was cast. Andrews continued working in television. In 1969, she shared the spotlight with singer Harry Belafonte for an NBC-TV special, ''An Evening with Julie Andrews and Harry Belafonte''. In 1971, she appeared as a guest for the Grand Opening Special of Walt Disney World, and that same year she and Carol Burnett headlined a CBS special, ''Julie and Carol At Lincoln Center''. In 1972–73, Andrews starred in her own television variety series, ''The Julie Andrews Hour'', on the ABC network. The show won seven Emmy Awards but was cancelled after one season.

Between 1973 and 1975, Andrews continued her association with ABC by headlining five variety specials for the network. She guest-starred on ''The Muppet Show'' in 1977, and the following year, she appeared again with the Muppets on a CBS television variety special. The programme, ''Julie Andrews: One Step Into Spring'', aired in March 1978, to mixed reviews and mediocre ratings. She made only two other films in the 1970s, ''The Tamarind Seed'' (1974) and '' 10'' (1979), both successful at the box office and by critics' reviews. In February 1980, Andrews headlined "Because We Care", a CBS-TV special with 30 major stars raising funds for Cambodian Famine victims through Operation California (now Operation USA, on whose Board she serves). Later that year, she starred in '' Little Miss Marker'' as " English rose" Amanda Worthington (a label she had first been given in the 1960s). In Blake Edwards' '' S.O.B.'' (1981), she played Sally Miles, a character who agrees to "show my boobies" in a scene in the film-within-a-film.

1980s

A dual role of Victoria Grant and Count Victor Grezhinski in the film ''Victor/Victoria'' (1982), reunited her with Garner once again. Her performance earned her a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, as well as a nomination for the 1982 Academy Award for Best Actress, her third Oscar nomination.''Julie Andrews: A Life Of Achievements''
. CBS News. 26 January 2007. Retrieved 29 January 2007. In 1983, Andrews was chosen as the Hasty Pudding Woman of the Year by the Harvard University Theatrical Society. That year, she co-starred with Burt Reynolds in ''The Man Who Loved Women''. Her next two films were ''That's Life!'' and ''Duet for One'' (both 1986), which earned her Golden Globe nominations. In December 1987, Andrews starred in an ABC Christmas special, ''Julie Andrews: The Sound Of Christmas'', which went on to win five Emmy Awards. Two years later, she was reunited for the third time with Carol Burnett for a variety special which aired on ABC in December 1989.

1990s

In 1991, Andrews made her television dramatic debut in the ABC made-for-TV film, '' Our Sons'', co-starring Ann-Margret. Andrews was named a Disney Legend within the year. In the summer of 1992, Andrews starred in her first television sitcom; the short-lived ''Julie'' aired on ABC for only seven episodes and co-starred James Farentino. In December, 1992 she hosted the NBC holiday special, ''Christmas In Washington''. Having played a Cockney flower seller in ''My Fair Lady'', Andrews had an orangey-salmon pink rose named after her at London's Chelsea Flower Show in 1992. Stating she was "ever so flattered", portions of the sales of the "Julie Andrews Rose" were donated to charity. In 1993, she starred in a limited run at the Manhattan Theatre Club in the American premiere of Stephen Sondheim's revue, ''Putting It Together''. Between 1994 and 1995, Andrews recorded two solo albums – the first saluted the music of Richard Rodgers and the second paid tribute to the words of Alan Jay Lerner. In 1995, she starred in the stage musical version of ''Victor/Victoria''. It was her first appearance in a Broadway show in 35 years. Opening on Broadway on 25 October 1995 at the Marquis Theatre, it later went on the road for a world tour. When she was the only Tony Award nominee for the production, she declined the nomination saying that she could not accept because she felt the entire production was snubbed.

A botched vocal surgery in 1997 led to the loss of Andrews' singing voice, occasioning her refusal to sing on camera for several years. Despite this, Andrews kept busy with many projects. In 1998, she appeared in a stage production of ''Dr. Dolittle'' in London. As recounted on the Julie Andrews website, she performed the voice of Polynesia the parrot and "recorded some 700 sentences and sounds, which were placed on a computer chip that sat in the mechanical bird's mouth. In the song 'Talk to the Animals,' Polynesia the parrot even sings." The next year Andrews was reunited with James Garner for the CBS made-for-TV film, ''One Special Night'', which aired in November 1999.

2000s

In the 2000 New Year Honours List, Andrews was made a Dame Commander of the Order of the British Empire (DBE) for services to the performing arts and received the award from Queen Elizabeth II at Buckingham Palace. In 2002, Andrews was among the guests at the Queen's Golden Jubilee Hollywood party held at the Beverly Wilshire Hotel. She also appears at No.59 on the 2002 poll of the "100 Greatest Britons" sponsored by the BBC
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