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London Hippodrome
The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. ''Hippodrome'' is an archaic word referring to places that host horse races and other forms of equestrian entertainment. History Hippodrome The London Hippodrome was opened in 1900. It was designed by Frank Matcham for Moss Empires chaired by Edward Moss and built for £250,000 as a hippodrome for circus and variety performances. The venue gave its first show on 15 January 1900, a music hall revue entitled "Giddy Ostend" with Little Tich. The conductor was Georges Jacobi. Entry to the venue was through a bar, dressed as a ship's saloon. The performance space featured both a proscenium stage and an arena that sank into a 230 ft, 100,000 gallon water tank (about 400 tons, when full) for aquatic spectacles. The tank featured eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charing Cross Road
Charing Cross Road is a street in central London running immediately north of St Martin-in-the-Fields to St Giles Circus (the intersection with Oxford Street) and then becomes Tottenham Court Road. It leads from the north in the direction of Charing Cross at the south side of Trafalgar Square. It connects via St Martin's Place and the motorised east side of the square. History Charing Cross road was originally two narrow streets in the West End, Crown Street and Castle Street. The development of Regent Street (parallel to the west) in the mid-18th century coincided with not only the building up of great fields west of the area but also Westminster Bridge which was built as central London and the wider estuary's second bridge after more than a century of pressure, in 1750. These pressures therefore congested the north–south axis of the inner West End almost as much as the relieved London Bridge area. Specifically a major increase in traffic occurred around Piccadilly Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrels' Gallery
A minstrels' gallery is a form of balcony, often inside the great hall of a castle or manor house, and used to allow musicians (originally minstrels) to perform, sometimes discreetly hidden from the guests below. Notable examples *A rare example of a minstrels' gallery in a sacred setting can be found in Exeter Cathedral. It is not clear why the term "musicians' gallery" has not been used here, as minstrels were always secular performers and would therefore have been forbidden from performing in a liturgical context. *A fine example of a minstrels' gallery can also be seen in the Great Hall of Durham Castle, University College, Durham, which was once used for entertainment by the Prince Bishops and is now occasionally used during College Feasts. * A restored oak minstrels' gallery is visible in Desmond Hall and Castle Desmond Hall and Castle, also called Desmond Castle and Banqueting Hall or Newcastle West Medieval Complex and Desmond Hall, are a set of medieval buildings and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivor Novello
Ivor Novello (born David Ivor Davies; 15 January 1893 – 6 March 1951) was a Welsh actor, dramatist, singer and composer who became one of the most popular British entertainers of the first half of the 20th century. He was born into a musical family, and his first successes were as a songwriter. His first big hit was " Keep the Home Fires Burning" (1914), which was enormously popular during the First World War. His 1917 show, ''Theodore & Co'', was a wartime hit. After the war, Novello contributed numbers to several successful musical comedies and was eventually commissioned to write the scores of complete shows. He wrote his musicals in the style of operetta and often composed his music to the libretti of Christopher Hassall. In the 1920s he turned to acting, first in British films and then on stage, with considerable success in both. He starred in two silent films directed by Alfred Hitchcock, '' The Lodger'' and ''Downhill'' (both 1927). On stage, he played the title charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hit The Deck (musical)
''Hit the Deck'' is a musical with music by Vincent Youmans, lyrics by Clifford Grey and Leo Robin and book by Herbert Fields. It was based on the 1922 play ''Shore Leave'' by Hubert Osborne. The title refers to a nautical slang term that means to prepare for action (general) or to drop to a prone position on the ground (as a defensive response to hostile fire). The original production was staged at the Belasco Theatre on Broadway, opening on April 25, 1927, and running for 352 performances. Charles King played Bilge and Louise Groody played Loulou. The show's co-producers were Youmans and Lew Fields, and Lew Fields co-directed with Alexander Leftwich. The production ran for 352 performances. The first London production opened at the Hippodrome on July 3, 1927 and ran for 277 performances. It starred Stanley Holloway. In ''The Manchester Guardian'', Ivor Brown praised Holloway for a singing style "which coaxes the ear rather than clubbing the head." Songs ;Act I *Join the Navy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Five O'Clock Girl
''The Five O'Clock Girl'' is a musical with a book by Guy Bolton and Fred Thompson, music by Harry Ruby, and lyrics by Bert Kalmar. It focuses on wealthy Beekman Place playboy Gerald Brooks and impoverished shopgirl Patricia Brown, who become acquainted with each other via a series of anonymous five o'clock phone conversations. The original Broadway production opened at the 44th Street Theatre on October 10, 1927. On April 16, 1928, it transferred to the Shubert Theatre, where it completed its total run of 280 performances on June 2. Directed by John Harwood and choreographed by Jack Haskell, it starred Oscar Shaw as Gerald Brooks, Mary Eaton as Patricia Brown, Pert Kelton as Susan Snow, and Danny Dare as Ronnie Webb. Costume design was by Charles LeMaire, and Norman Bel Geddes was the scenic designer. A West End production opened at the London Hippodrome on March 21, 1929. The musical was staged at the Goodspeed Opera House in East Haddam, Connecticut and the Walnut Street Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Comedy
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Dixieland Jazz Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by tromb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert De Courville
Albert Pierre de Courville (26 March 1887 – 15 March 1960) (born in Croydon, England) was a writer and director of theatrical revues, many of which featured the actress and singer Shirley Kellogg, whom he married in June 1913. Career In about 1907 he began work in London as a journalist with the ''Evening News''. A good reporter, he was soon earning as much as £20 a week, but thought there were more possibilities, and money, in the theatre. He joined forces with London impresario Sir Edward Moss and staged revues at the London Hippodrome. In the 1930s he turned to making films. His two most famous films, both featuring Jessie Matthews were ''There Goes the Bride (1932 film), There Goes the Bride'' (1932) and ''The Midshipmaid'' (1932). He also directed ''The Wrecker (1929 film), The Wrecker'', an adaptation of Arnold Ridley’s play of the same name, and ''Seven Sinners (1936 film), Seven Sinners'' (1936). Personal life In June 1913, he married actress and singer Shirle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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