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Culture Club
Culture Club
are an English band that was formed in 1981. The band comprised Boy George
Boy George
(lead vocals), Roy Hay (guitar and keyboards), Mikey Craig (bass guitar) and Jon Moss
Jon Moss
(drums and percussion). They are considered one of the most representative and influential groups of the 1980s.[1] Culture Club
Culture Club
sold more than 50 million albums and 100 million singles (including Boy George
Boy George
solo) records worldwide,[2] including 7 million-records awards RIAA certificate in the United States.[3] The band had several international hits with songs such as "Do You Really Want to Hurt Me", "Time (Clock of the Heart)", "Church of the Poison Mind", "Karma Chameleon", "Victims", "It's a Miracle", "The War Song", "Move Away", and "I Just Wanna Be Loved". Boy George's androgynous style of dressing caught the attention of the public and the media. The group, supporters of the synth pop genre, made numerous forays into reggae and showed a strong propensity for the subgenre of ballads. Their second album, Colour by Numbers, sold more than 10 million copies worldwide. It appeared on Rolling Stone
Rolling Stone
magazine's list of the 100 Best Albums of the 1980s and is also included in the book 1001 Albums You Must Hear Before You Die. Ten of their singles reached the US Top 40, where they are associated with the Second British Invasion of British new wave groups that became popular in the US due to the cable music channel MTV. Culture Club's music combines British new wave and American soul with Jamaican reggae and also other styles such as calypso, salsa and country.[4][5] In 1984, Culture Club
Culture Club
won Brit Awards
Brit Awards
for Best British Group, Best British Single ("Karma Chameleon"), and the Grammy Award
Grammy Award
for Best New Artist.[6] They were nominated the same year for the Grammy Award
Grammy Award
for Pop Vocal by Group or Duo but the English rock band The Police
The Police
won the award. The band were also nominated for a Canadian Juno Award
Juno Award
for International Album of the Year. In January 1985, Culture Club
Culture Club
were nominated for an American Music Award
American Music Award
for Favorite Pop/Rock Band/Duo/Group Video Artist, and in September 1985, they were nominated for two MTV
MTV
Video Music Awards for Best Special
Special
Effects and Best Art Direction for their video "It's a Miracle". In 1987, they received another nomination for an American Music Award for Favorite Pop/Rock Band/Duo/Group Video Artist[7] In the UK they amassed twelve Top 40 hit singles between 1982 and 1999, including the number ones "Do You Really Want To Hurt Me" and "Karma Chameleon", the latter being the biggest selling single of 1983, and topped the US Billboard Hot 100
Billboard Hot 100
in 1984. "Time (Clock of the Heart)" is included on the Rock and Roll Hall of Fame's list of 500 songs that shaped rock and roll.

Contents

1 History

1.1 Formation and Kissing to Be Clever: 1981–1983 1.2 Colour by Numbers: 1983–1984 1.3 Waking Up with the House on Fire, From Luxury to Heartache
From Luxury to Heartache
and decline: 1984–1986 1.4 Tribes: 2014–2017 1.5 Reunions

1.5.1 1989 1.5.2 1998–2000, 2002 1.5.3 2006–2007 1.5.4 2011 1.5.5 2014–present

2 Awards, nominations, honours

2.1 American Music Awards 2.2 BRIT Awards 2.3 Grammy Awards 2.4 Ivor Novello Awards 2.5 Juno Awards 2.6 Q Awards 2.7 Rockbjornen 2.8 Rock and Roll Hall of Fame

3 Music 4 Members 5 Other Members 6 Discography 7 See also 8 References

8.1 Bibliography 8.2 Songbooks

9 External links

History[edit] Formation and Kissing to Be Clever: 1981–1983[edit] In 1981, Blitz Club regular Boy George
Boy George
occasionally sang with the group Bow Wow Wow
Bow Wow Wow
under the stage name Lieutenant Lush. After his tenure with the group ended, George decided to start his own band and enlisted bassist Mikey Craig, drummer Jon Moss, and finally guitarist Roy Hay. Realising they had an Irish gay man as the lead singer, a black Briton on bass, a blond Englishman on guitar and keyboards, and a Jewish drummer, they eventually decided to call themselves Culture Club. The group recorded demos, which were paid for by EMI
EMI
Records, but the label was unimpressed and decided not to sign the group. Virgin Records heard the demos and signed the group in the UK, releasing their albums in Europe, while Epic Records
Epic Records
released their albums in the United States and much of the rest of the world since Virgin did not have a US presence at the time. George began sporting a look inspired by Siouxsie Sioux
Siouxsie Sioux
with "heavy make-up and swaggy hair".[8] The band released two singles in May and June 1982, "White Boy" and "I'm Afraid of Me", though both failed to chart.[9] In August the single "Mystery Boy" was released in Japan.[citation needed] In September of that year, the group released their third single, "Do You Really Want to Hurt Me", a reggae-influenced number, which became one of their biggest hits.[9] The song went to No. 1 in the UK in late 1982 and became an international smash, peaking at No. 1 in over a dozen countries (No. 2 in the US), this track sold up to 6.5 million copies worldwide. The band's 1982 debut on Top of the Pops
Top of the Pops
created tabloid headlines, which focused on George's androgynous style of dress and sexual ambiguity. Magazines began to feature George prominently on their covers. Pete Burns, lead singer of the new wave band Dead or Alive, would later claim he was the first to wear braids, big hats, and colourful costumes, but George would cut back with a sharp-tongued remark, "It's not who did it first, it's who did it better." The band's debut album, Kissing to Be Clever
Kissing to Be Clever
(UK No. 5, US No. 14) was released in October 1982, and the follow-up single, "Time (Clock of the Heart)", became another Top 10 hit in the US (Number 2) and UK (Number 3). "I'll Tumble 4 Ya" also became a Top Ten hit in the US (Number 9) and in Canada. This gave Culture Club
Culture Club
the distinction of being the first group since The Beatles
The Beatles
to have three Top Ten hits in America from a debut album.[citation needed] Kissing to Be Clever sold over 1.5 million copies in the US, being certified platinum, and sold another 3 million worldwide at the time of its release.[citation needed] Colour by Numbers: 1983–1984[edit] The band's second album, Colour by Numbers
Colour by Numbers
(UK No. 1, US No. 2), was released in 1983. The first single, "Church of the Poison Mind", featuring backing vocalist Helen Terry, reached the UK and US Top 10. The second single, "Karma Chameleon", gave the band their biggest hit, peaking at No. 1 in the UK (the band's second chart-topper there), where it became the best selling single of 1983 and has sold 1.5 million copies there to date.[10] It also peaked at No. 1 in the US for three consecutive weeks, and would ultimately hit No. 1 in 30 countries, thus becoming one of the top twenty best-selling singles of the 1980s sold up 7 million copies worldwide, with one of the most iconic images of Boy George
Boy George
on the cover shot by photographer David Levine. The album Colour by Numbers
Colour by Numbers
would spawn more hits including "Miss Me Blind" (#5 US), "It's a Miracle" (#4 UK, No. 13 US), and "Victims" (#3 UK), and sold four million copies in the US and another five million worldwide at its time of release. The album gave Culture Club
Culture Club
the distinction of being the first group in music history to have an album certified diamond in Canada (for sales of one million copies in that country). The band also won the 1984 Brit Award
Brit Award
for Best Group and the Grammy Award
Grammy Award
for Best New Artist, where George gave a speech via satellite stating, "Thanks America, you've got style, you've got taste, and you know a good drag queen when you see one." The group's back-up singer, Helen Terry, began work on her solo album, for which George and Hay wrote the song "Love Lies Lost". The pair also wrote "Passing Friend" for the Beach Boys' album. Culture Club wrote two songs for the soundtrack to the movie Electric Dreams. George and Hay wrote "The Dream" and "Love Is Love", with the latter being released as a single in Canada and Japan, the E.P "Love is Love" became a major hit in Japan. George also collaborated on the song "Electric Dreams", sung by P. P. Arnold. The song was written with Phil Pickett (former member of the 1970s band Sailor) who had also co-written "Karma Chameleon" and frequently played keyboards for the group. Despite Culture Club's commercial success, there were significant pressures within the band. George was using drugs with money from his new-found fame. George and Moss were also romantically involved with each other, which was unknown to the public and the media at the time. Their relationship lasted for over four years and was often turbulent, with alleged physical and verbal abuse. Their constant arguments and the pressure to hide the relationship from the public started to take its toll on the band. Waking Up with the House on Fire, From Luxury to Heartache
From Luxury to Heartache
and decline: 1984–1986[edit] In 1984, the group released their third album,sold up 2.8 million copies worldwide Waking Up with the House on Fire
Waking Up with the House on Fire
(UK No. 2, US No. 26). Although Platinum in both the UK and the US, it was a commercial and critical disappointment compared to their first two albums. The album contained the hit single "The War Song", which reached No. 2 in the UK, and Top 20 in the US. Other singles like "Mistake No. 3" (US No. 33) and "The Medal Song" (UK No. 32) would become modest hits. George later stated he felt the album experienced a lukewarm reception because of half-hearted material he felt they released due to pressure from Virgin and Epic to have a quick follow-up to Colour by Numbers.[citation needed] According to him, the band had just come off an exhausting world tour in 1984, and as a result the fatigue ended up coming off on the album.[citation needed] At the end of 1984, Boy George
Boy George
was recruited by Bob Geldof
Bob Geldof
to join the Band Aid recording, consisting of mostly internationally known UK and Irish recording stars. George was in New York City for an appearance on Late Night with David Letterman
Late Night with David Letterman
when Geldof called him, but managed to catch the final Concorde
Concorde
of the day to London
London
and was the last singer to record a lead vocal track for the song "Do They Know It's Christmas?". The song would become the biggest selling single of all-time in the UK and a huge international hit, raising millions for famine victims in several African nations, particularly Ethiopia. Due to all the heartache from the break-up of his relationship with Moss, and all the ensuing tension with rest of the band, George turned to (something then very much out of character for George) relief in drugs. Consequently he soon developed a self-destructive drug addiction, which quickly, in merely four months, escalating from marijuana to heroin. So by this time, 1986 George had become seriously addicted. And without Moss by his side, his zest for the band was greatly diminished.[citation needed] The recording of their fourth studio album, 1986's From Luxury to Heartache
From Luxury to Heartache
(UK No. 10, US No. 32) dragged on for so long that producer Arif Mardin
Arif Mardin
had to abandon the sessions due to prior commitments and leave it to engineer Lew Hahn to record the final vocals.[citation needed] Songs like "Gusto Blusto" and "Reasons" took days for the addicted singer to finish.[citation needed] Nevertheless, the first single "Move Away" became a hit, peaking at UK No. 7 and US No. 12[citation needed]. But by the time of the release of the second single "God Thank You Woman", news of George's drug addiction began to circulate in British and American tabloids (but denied by the singer), and the second single failed to achieve the same level of success.[citation needed] George and Moss also no longer wanted to be around each other due to the constant relationship battles, and coupled with George's addiction, a forthcoming American tour had to be cancelled.[citation needed] From Luxury to Heartache
From Luxury to Heartache
began to fade from the charts as well and the album ultimately sold one million copies worldwide, far fewer than their previous albums.[citation needed] By the summer of 1986, George finally admitted that he was indeed addicted to drugs.[citation needed] In July of that year, he was arrested by the British police for possession of heroin. The band broke up and George pursued a solo career, having several European hits and a couple of US Top 40 hits, though George would continue to struggle with his drug addiction for several years.[citation needed] Tribes: 2014–2017[edit] Culture Club's latest (and unreleased) album Tribes will feature tracks such as the single "More than Silence" and unreleased tracks such as "Different Man" and "Human Zoo". The band has been working on the album for three years but still remains unreleased without an expected release date. Mikey, Roy and Jon claim that George is in control and the album will be released "when he is ready". In April 2017, a petition called "The Release of Tribes" was set up for fans to sign in order for a quicker album release (if it is released at all) 50,000 fans are encouraged to sign. The album has now been shelved. [11][1] Reunions[edit] 1989[edit] The band first tried to reunite in 1989, after many requests from Tony Gordon, the group's former manager and Boy George's manager at that time. George agreed to try some songs with the band again, resulting in recording sessions and producing more than a dozen songs that are still unreleased to this day. George, however, was more excited about his future projects like his record label, More Protein, and his new acid house project Jesus Loves You. The proposed reunion ended up being cancelled. 1998–2000, 2002[edit] In 1998, George and Moss put their differences aside and the band reunited to do a reunion tour, kicking off with a performance on VH1 Storytellers.[12] George said about the reunion, "Culture Club's reunion couldn't have come at a better time for rock", adding that, "It's a nostalgia trip, there's no way of avoiding that."[12] The tour was a major success. Greatest Moments, a compilation album based around the Storytellers performance, was released, and went platinum in UK. It included new songs such as "I Just Wanna Be Loved", which hit UK No. 4.[13][14] However, their new-found success was short-lived and their fifth studio album, Don't Mind If I Do, released in 1999, peaked at No. 64 in the UK.[15] It included minor UK hits in "Your Kisses Are Charity" (UK No. 25) and "Cold Shoulder" (UK No. 43).[15] The band went on to tour, then reunited again for a 20th anniversary concert in 2002 at the Royal Albert Hall
Royal Albert Hall
in London.[16] This performance was released on DVD the following year.[16] Culture Club then became inactive again, largely due to George's successful DJ career. 2006–2007[edit] In 2006, original members of Culture Club
Culture Club
Craig and Moss tried to launch a new tour with another lead singer, as George and Hay had declined to tour. Early that year, the band's record company placed an ad for a lead singer to "...take part in a 2007 World Tour and TV Series." The new singer, Sam Butcher was selected because of his own personality, "not a Boy George
Boy George
lookalike." After watching a video on MySpace, George described the singer who replaced him as "terrible" and "dreadful". George said: "I wanted to like it but I couldn't. They're my songs, they're my heart, they're my life."[17] A proposed tour for December 2006 in the UK did not take place. In 2007, Moss stated that the project was shelved.[citation needed] 2011[edit] In late 2011, Boy George
Boy George
was part of a three-man Culture Club
Culture Club
band that performed two live concerts, in Dubai and Sydney, the latter being a New Year's Eve concert, although Moss did not appear due to a back injury.[18] 2014–present[edit] In 2014, the band reformed and announced a tour and a new album. A new picture of the four members was also posted on the band's official website, along with the list of the 11 UK concert dates. Alison Moyet was to have been a special guest on the concerts. The band travelled to Spain for a two-week recording session. 18 new tracks were completed for a new album produced by Youth (who had previously worked with Paul McCartney, The Verve, and Embrace among others). The new album, entitled Tribes, was scheduled for release in early 2015 on the band's own label Different Man Music (via Kobalt Label Services). At the end of that year the album still hadn't materialised. On 19 July 2014, the band were among the line-up for a two-hour concert in Edinburgh Castle, ahead of the opening ceremony of the Commonwealth Games in Glasgow. Hay did not perform with the band because he was in recovery after having knee surgery. The band played two songs, "Do You Really Want To Hurt Me" and "Karma Chameleon". In mid-November 2014, two days before the start of their 21-date US and UK tour, Culture Club
Culture Club
announced they had to cancel the tour due to George suffering from a serious throat condition. The cancelled tour would have represented the full original line-up's first tour in 12 years.[19][20] The tour was eventually rescheduled and started 17 July 2015, near Vancouver, British Columbia. A television documentary, Boy George and Culture Club: Karma to Calamity, aired on BBC Four
BBC Four
on 6 March 2015. The programme documented the band's reunion in 2014 and the making of their new album in Spain, up to the announcement to cancel the tour.[21] Based on the popularity of 2015's mini-tour, Culture Club's original members launched a 40-city summer tour in 2016. Beginning in Australia, going to Japan, and criss crossing the USA, the band played to enthusiastic audiences of both new and longtime fans who remembered their start 35 years earlier. Awards, nominations, honours[edit] American Music Awards[edit]

Year Nominated work Category Result Notes

1985 Culture Club Favorite Pop/Rock Band/Duo/Group Nominated

1987 Nominated

BRIT Awards[edit]

Year Nominated work Category Result Notes

1983 Culture Club Best British Breakthrough Act Won

1984 Culture Club Best British Group Won

"Karma Chameleon" Best British Single Won

Grammy Awards[edit]

Year Nominated work Category Result Notes

1984 Culture Club Best New Artist Won

"Do You Really Want to Hurt Me" Best Pop Performance by a Duo or Group Nominated

Ivor Novello Awards[edit]

Year Nominee/work Award Result

1983 "Do You Really Want to Hurt Me" Best Selling A-Side Nominated

1984 "Karma Chameleon" Best Pop Song Won

Best Selling A-Side Won

Most Performed Work Nominated

International Hit of the Year Nominated

Juno Awards[edit]

Year Nominated work Category Result Notes

1984 Colour by Numbers International Album of the Year Nominated

Q Awards[edit]

Year Nominee/work Award Result

2006 "Karma Chameleon" Q Classic Song Award Won

2014 Culture Club Q Idol Won

Rockbjornen[edit]

Year Nominee/work Award Result

1983 Colour by Numbers Best Foreign Album Won

Rock and Roll Hall of Fame[edit]

Year Nominated work Category Result Notes

1999 Time (Clock of the Heart) 500 songs that shaped rock and roll Won #107

Music[edit] Culture Club's sound combines British new wave and American soul with Jamaican reggae and also other styles as calypso, salsa or country.[4][5][22][23][24][25] Philadelphia Daily News
Philadelphia Daily News
described Culture Club
Culture Club
as a hot new rock act, while William K Knoedelseder Jr from Los Angeles Times
Los Angeles Times
said about the group, " Boy George
Boy George
of Culture Club, a rock group MTV
MTV
helped make popular", adding that, "There's some debate in the record industry about MTV's ability to directly increase record sales across the board but there's no doubt that the channel has been responsible for exposing such rock artists as Def Leppard, Duran Duran and Men at Work to a national audience..."[26][27] In the 1980s, Boy George
Boy George
said about the music style of his band Culture Club, "We play rock 'n' roll and I love rock 'n' roll music but I don't like the lifestyle. I don't like people tipping beer over their heads.... I just hate rock 'n' roll in that way. It's disgusting and boring. I look at what we're doing as very intelligent."[28] Stephen Holden, music critic for The New York Times, said in his article Rock: British Culture Club, that " Culture Club
Culture Club
blends soul, rock, funk, reggae and salsa into a music that programmatically reconciles white, black and Latin styles", adding that, "Mr. O'Dowd made the group's best songs – the Motown-flavoured Do You Really Want to Hurt Me and the Latin-inflected dance tune I'll Tumble 4 Ya – shine like jewels."[29] Star-News
Star-News
considered Culture Club
Culture Club
as a 'new rock' band of the 1980s; the newspaper said, "Now you see the more rhythm-oriented, 'new rock of the 80s,' like Culture Club
Culture Club
and the Eurythmics, fitting in more easily with urban contemporary formats."[30] Stephen Thomas Erlewine, senior editor for AllMusic, described specifically Culture Club
Culture Club
as a new wave band and generically as the most successful pop/rock group in America and England during the 1980s, adding that, "By 1986, the group had broken up, leaving behind several singles that rank as classics of the new wave era."[31] The music of Culture Club
Culture Club
is described by George as, "The aim is to be creatively fluid to make everything we do a little different. We want to be a bridge between white rock and black soul", adding that, "I want Culture Club
Culture Club
to represent all peoples and minorities".[32][33] The band was part of the second British rock
British rock
invasion of the 1980s in the United States, as R. Serge Denisoff and William L. Schurk said in their book Tarnished gold: the record industry revisited, "Here comes the rock and roll of 1984. The invaders were a mixed bunch led by Culture Club, whose sound has been described as 'recycled Smokey Robinson' or 'torchy American schmaltz and classic Motown'", adding that, "Boy George's drag-queen appearance made the group a natural for the visual demands of cable television".[34][35] In her book Magazines for children: a guide for parents, teachers, and librarians, author Selma K. Richardson said that Culture Club's music is soft rock that contains, "enough soul and new wave elements to cover almost all audiences".[36] Members[edit]

Boy George
Boy George
– lead vocals Roy Hay – guitar, sitar, electric sitar, keyboards, synthesizer, piano, backing vocals Mikey Craig – bass guitar, keytar, piano, backing vocals Jon Moss
Jon Moss
– drums, percussion, electronic drums, steel drum, congas, backing vocals

Other Members[edit]

Helen Terry – backing vocals (session & touring only)

Discography[edit] Main article: Culture Club
Culture Club
discography

Kissing to Be Clever
Kissing to Be Clever
(1982) Colour by Numbers
Colour by Numbers
(1983) Waking Up with the House on Fire
Waking Up with the House on Fire
(1984) From Luxury to Heartache
From Luxury to Heartache
(1986) Don't Mind If I Do (1999) Tribes (2018)

See also[edit]

Book: Culture Club

References[edit]

^ Roll over, Beatles - Smiths top the pops, theguardian.com, retrieved on 7 January 2017 ^ Reformed chart toppers Culture Club
Culture Club
will tour Australia in June, but will it be their final tour?. news.com.au. Retrieved 7 January 2017 ^ RIAA, Gold & Platinum Culture Club, retrieved on 7 January 2017± ^ a b Blackwell, Earl (1986). Earl Blackwell's celebrity register. Times Pub. Group. p. 56. ISBN 978-0-9615476-0-8. Retrieved 18 May 2010.  ^ a b Blackwell, Earl (1990). Earl Blackwell's celebrity register. Times Publishing Group. p. 48. Retrieved 18 May 2010. George O'Dowd 14 June 1962, he emerged from London
London
working class roots to become the lead singer of the video and rock and roll phenomenon Culture Club
Culture Club
whose sound combines Jamaican reggae with American soul and British New Wave  ^ "Culture Club: BRITs Profile". Brits.co.uk. Retrieved 30 October 2012 ^ "Grammy Awards: Best New Artist". Rock on the Net. Retrieved 30 October 2012 ^ Wright, Spencer (30 June 2016). "They really did want to hurt me! Boy George". dailymail.co.uk. Retrieved 2 september.  Check date values in: access-date= (help) ^ a b Cohen, Scott (1984). Boy George. Berkley Books. p. 76. ISBN 978-0-425-07639-2. Retrieved 28 October 2010.  ^ UK Official Charts Company (Top Selling Singles of All-Time) ^ https://www.pledgemusic.com/projects/cultureclub ^ a b Catlin, Roger (12 August 1998). " Culture Club
Culture Club
Reunites, but It May Be Just Nostalgic Fling". Los Angeles Times. Retrieved 15 November 2010.  ^ " Culture Club
Culture Club
Reunion Bus Is Rolling To Blossom Boy George
Boy George
Back with the Original Band". Akron Beacon Journal. 9 August 1998. Retrieved 18 December 2010. A new two-CD set features music from the Storytellers special and a greatest hits CD that includes the new single and soon-to-be hit I Just Wanna Be Loved  ^ " Cher
Cher
leads the way to pop chart history". The Herald. Glasgow. 26 October 1998. Retrieved 18 December 2010. The Irish band U2 went straight in at number three with a song recorded in 1987, "The Sweetest Thing", previously a B-side to their hit "Where The Streets Have No Name". And Culture Club
Culture Club
returned with their first single since reforming, "I Just Wanna Be Loved" at number four, ahead of the only truly nineties act in the top five, Alanis Morissette, with Thank U  ^ a b Warwick, Neil; Kutner, Jon; Brown, Tony (2004). The complete book of the British charts: singles & albums. Omnibus Press. p. 282. ISBN 978-1-84449-058-5. Retrieved 24 December 2010.  ^ a b Indiana University (2004). The Video librarian, Volume 19. Randy Pitman. p. 70. Retrieved 20 January 2011. Filmed live at London's Royal Albert Hall, this 2002 concert finds Culture Club
Culture Club
celebrating its 20th anniversary with an infectious and expansive grandeur, all the while basking in the love of adoring fans  ^ " Boy George
Boy George
slams new club singer". BBC News. 12 October 2006. Retrieved 15 August 2011.  ^ "Moss misses Culture Club's new dawn". Shape of the 80s ^ boygeorgeuk.com > News > "CULTURE CLUB TOUR CANCELLED" ^ theguardian.com > Article " Culture Club
Culture Club
cancel first tour for 12 years" published on 14 November 2014 ^ BBC Four
BBC Four
(Culture Club) ^ Rowlinson, John. "New Romantics". Ministry of Rock. Retrieved 6 September 2010.  ^ Bishop, Pete (5 January 1985). "Culture Club's House on Fire' Is Lightweight Fare". The Pittsburgh Press. Retrieved 18 September 2010.  ^ "Pop/Rock: Culture Club
Culture Club
At The Tower". Philadelphia Inquirer. 1 September 1983. Retrieved 17 September 2010.  ^ Indiana University (1984). Newsweek, Volume 103, Issues 1–9. Newsweek. Retrieved 18 September 2010.  ^ "Rocked By Scandal, Ripley Music Hall Rolls Up & Dies". Philadelphia Daily News. 27 June 1984. Retrieved 18 September 2010.  ^ Knoedelseder Jr., William K. (26 August 1984). " MTV
MTV
Turning Video Rock into Gold". Los Angeles Times. Retrieved 18 September 2010.  ^ "A Musician Who Speaks His Mind". Philadelphia Inquirer. 25 March 1984. Retrieved 18 September 2010.  ^ Holden, Stephen (6 December 1982). "Rock: British Culture Club". The New York Times. Retrieved 18 September 2010.  ^ "Music". Star News. 12 August 1984. Retrieved 12 September 2010.  ^ Erlewine, Stephen Thomas. " Culture Club
Culture Club
Biography". Starpulse.com. All Media Guide LLC. Retrieved 18 May 2010.  ^ Moley, Raymond; Muir, Malcolm; Phillips, Joseph Becker; Smith, Rex; Williamson, Samuel Thurston (1983). Newsweek, Volume 101, Issues 18–26. Newsweek. Retrieved 18 September 2010.  ^ David, Maria (1984). Boy George
Boy George
and Culture Club. Greenwich House. p. 1. Retrieved 19 September 2010. A collection of photographs of the rock band, Culture Club, is accompanied by a brief discussion of the group's musical career  ^ Music Week (4 March 2006). "British invaders set for hard work in US; the latest wave of UK artists keen to make their marks on North America need determination to succeed". Goliath. The Gale Group. Retrieved 18 May 2010.  ^ Denisoff, R. Serge; Schurk, William L. (1986). Tarnished gold: the record industry revisited. Transaction Publishers. p. 149. ISBN 978-0-88738-618-3. Retrieved 18 September 2010.  ^ Richardson, Selma K. (1983). Magazines for children: a guide for parents, teachers, and librarians, Volume 7. American Library Association. p. 57. ISBN 978-0-8389-0392-6. Retrieved 18 September 2010. 

NME 2017 boygeorgeuk.com.com 35. iPetitions.com [2] "The release of Tribes" 5 April 2017 Bibliography[edit]

Blackwell, Earl (1986). Earl Blackwell's celebrity register. Times Pub. Group. ISBN 978-0-9615476-0-8.  Blackwell, Earl (1990). Earl Blackwell's celebrity register. Times Publishing Group.  Cohen, Scott (1984). Boy George. Berkley Books. ISBN 978-0-425-07639-2.  David, Maria (1984). Boy George
Boy George
and Culture Club. American Library Association.  Denisoff, R. Serge; Schurk, William L. (1986). Tarnished gold: the record industry revisited. Transaction Publishers. ISBN 978-0-88738-618-3.  Indiana University (1984). Newsweek, Volume 103, Issues 1–9. Newsweek.  Moley, Raymond; Muir, Malcolm; Phillips, Joseph Becker; Smith, Rex; Williamson, Samuel Thurston (1983). Newsweek, Volume 101, Issues 18–26. Newsweek.  Richardson, Selma K. (1983). Magazines for children: a guide for parents, teachers, and librarians, Volume 7. American Library Association. ISBN 978-0-8389-0392-6.  Warwick, Neil; Kutner, Jon; Brown, Tony (2004). The complete book of the British charts: singles & albums. Omnibus Press. ISBN 978-1-84449-058-5. 

Songbooks[edit]

Kissing to Be Clever
Kissing to Be Clever
(including "Time (Clock of the Heart)" – 1982), London
London
& Suffolk, West Central Printing Co. Ltd., distr. Music Sales Ltd. Colour by Numbers
Colour by Numbers
(1983), London
London
& Suffolk, West Central Printing Co. Ltd., distr. Music Sales Ltd. Waking Up with the House on Fire
Waking Up with the House on Fire
(1984), London
London
& Suffolk, West Central Printing Co. Ltd., distr. Music Sales Ltd. From Luxury to Heartache
From Luxury to Heartache
(1986), Virgin Music
Virgin Music
(Publishers) Ltd., distr. IMP-International Music Publications, Essex, England Culture Club
Culture Club
(10 of their best songs – 1987), Virgin Music (Publishers) Ltd., distr. IMP-International Music Publications, Essex, England

N.B.: Each of the first four songbooks includes a detailed official biography, which is each time updated: this way, such songbooks, corresponding to the band's first four albums, chronicle the early official biography of Culture Club, from 1982 to 1986. External links[edit]

Wikimedia Commons has media related to Culture Club.

Official website Culture Club
Culture Club
at AllMusic Culture Club
Culture Club
VH1 artist page Culture Club
Culture Club
MTV
MTV
artist page Culture Club
Culture Club
Billboard artist page Culture Club
Culture Club
Rolling Stone
Rolling Stone
artist page

Awards and achievements

Preceded by Men at Work Grammy Award
Grammy Award
for Best New Artist 1984 Succeeded by Cyndi Lauper

v t e

Culture Club

Boy George Roy Hay Mikey Craig Jon Moss

Albums

Kissing to Be Clever Colour by Numbers Waking Up with the House on Fire From Luxury to Heartache Don't Mind If I Do

Compilation albums

This Time – The First Four Years Collect – 12" Mixes Plus At Worst... The Best of Boy George
Boy George
and Culture Club Greatest Moments – VH1 Storytellers
VH1 Storytellers
Live Culture Club
Culture Club
(Box set) Greatest Hits

Singles

"Do You Really Want to Hurt Me" "Time (Clock of the Heart)" "I'll Tumble 4 Ya" "Church of the Poison Mind" "Karma Chameleon" "Victims" "Miss Me Blind" "It's a Miracle" "The War Song" "Don't Go Down That Street" "Move Away" "I Just Wanna Be Loved" "Starman"

Related articles

Discography Boy George
Boy George
discography Helen Terry

Book Category

v t e

Grammy Award
Grammy Award
for Best New Artist

Bobby Darin
Bobby Darin
(1960) Bob Newhart
Bob Newhart
(1961) Peter Nero
Peter Nero
(1962) Robert Goulet
Robert Goulet
(1963) The Swingle Singers
The Swingle Singers
(1964) The Beatles
The Beatles
(1965) Tom Jones (1966) No award given (1967) Bobbie Gentry
Bobbie Gentry
(1968) José Feliciano
José Feliciano
(1969) Crosby, Stills & Nash (1970) The Carpenters
The Carpenters
(1971) Carly Simon
Carly Simon
(1972) America (1973) Bette Midler
Bette Midler
(1974) Marvin Hamlisch
Marvin Hamlisch
(1975) Natalie Cole
Natalie Cole
(1976) Starland Vocal Band
Starland Vocal Band
(1977) Debby Boone (1978) A Taste of Honey (1979) Rickie Lee Jones
Rickie Lee Jones
(1980) Christopher Cross
Christopher Cross
(1981) Sheena Easton
Sheena Easton
(1982) Men at Work
Men at Work
(1983) Culture Club
Culture Club
(1984) Cyndi Lauper
Cyndi Lauper
(1985) Sade (1986) Bruce Hornsby
Bruce Hornsby
and the Range (1987) Jody Watley
Jody Watley
(1988) Tracy Chapman
Tracy Chapman
(1989) Milli Vanilli
Milli Vanilli
(1990; withdrawn) Mariah Carey
Mariah Carey
(1991) Marc Cohn
Marc Cohn
(1992) Arrested Development (1993) Toni Braxton
Toni Braxton
(1994) Sheryl Crow
Sheryl Crow
(1995) Hootie & the Blowfish (1996) LeAnn Rimes
LeAnn Rimes
(1997) Paula Cole
Paula Cole
(1998) Lauryn Hill
Lauryn Hill
(1999) Christina Aguilera
Christina Aguilera
(2000) Shelby Lynne
Shelby Lynne
(2001) Alicia Keys
Alicia Keys
(2002) Norah Jones
Norah Jones
(2003) Evanescence (2004) Maroon 5
Maroon 5
(2005) John Legend
John Legend
(2006) Carrie Underwood
Carrie Underwood
(2007) Amy Winehouse
Amy Winehouse
(2008) Adele
Adele
(2009) Zac Brown Band
Zac Brown Band
(2010) Esperanza Spalding
Esperanza Spalding
(2011) Bon Iver
Bon Iver
(2012) Fun (2013) Macklemore & Ryan Lewis (2014) Sam Smith (2015) Meghan Trainor
Meghan Trainor
(2016) Chance the Rapper
Chance the Rapper
(2017) Alessia Cara
Alessia Cara
(2018)

v t e

Best-selling singles by year in the United Kingdom

1952–1969

1952: "Auf Wiederseh'n Sweetheart" – Vera Lynn
Vera Lynn
(UK) 1953: "I Believe" – Frankie Laine 1954: "Secret Love" – Doris Day 1955: "Rose Marie" – Slim Whitman 1956: "I'll Be Home" – Pat Boone 1957: "Diana" – Paul Anka 1958: "Jailhouse Rock" – Elvis Presley 1959: "Living Doll" – Cliff Richard
Cliff Richard
(UK) 1960: "It's Now or Never" – Elvis Presley 1961: "Wooden Heart" – Elvis Presley 1962: "I Remember You" – Frank Ifield (UK) 1963: "She Loves You" – The Beatles
The Beatles
(UK) 1964: "Can't Buy Me Love" – The Beatles
The Beatles
(UK) 1965: "Tears" – Ken Dodd
Ken Dodd
(UK) 1966: "Green, Green Grass of Home" – Tom Jones (UK) 1967: "Release Me" – Engelbert Humperdinck (UK) 1968: "Hey Jude" – The Beatles
The Beatles
(UK) 1969: "Sugar, Sugar" – The Archies

1970–1989

1970: "The Wonder of You" – Elvis Presley 1971: "My Sweet Lord" – George Harrison
George Harrison
(UK) 1972: "Amazing Grace" – The Royal Scots Dragoon Guards
Royal Scots Dragoon Guards
Band (UK) 1973: "Tie a Yellow Ribbon Round the Ole Oak Tree" – Tony Orlando and Dawn 1974: "Tiger Feet" – Mud (UK) 1975: "Bye Bye Baby" – Bay City Rollers
Bay City Rollers
(UK) 1976: "Save Your Kisses for Me" – Brotherhood of Man
Brotherhood of Man
(UK) 1977: "Mull of Kintyre" / "Girls' School" – Wings (UK) 1978: "Rivers of Babylon" / "Brown Girl in the Ring" – Boney M. 1979: "Bright Eyes" – Art Garfunkel 1980: "Don't Stand So Close to Me" – The Police
The Police
(UK) 1981: "Don't You Want Me" – The Human League
The Human League
(UK) 1982: "Come On Eileen" – Dexys Midnight Runners
Dexys Midnight Runners
(UK) 1983: "Karma Chameleon" – Culture Club
Culture Club
(UK) 1984: "Do They Know It's Christmas?" – Band Aid (UK) 1985: "The Power of Love" – Jennifer Rush 1986: "Don't Leave Me This Way" – The Communards (UK) 1987: "Never Gonna Give You Up" – Rick Astley
Rick Astley
(UK) 1988: "Mistletoe and Wine" – Cliff Richard
Cliff Richard
(UK) 1989: "Ride on Time" – Black Box

1990–2009

1990: "Unchained Melody" – The Righteous Brothers 1991: "(Everything I Do) I Do It for You" – Bryan Adams 1992: "I Will Always Love You" – Whitney Houston 1993: "I'd Do Anything for Love (But I Won't Do That)" – Meat Loaf 1994: "Love Is All Around" – Wet Wet Wet
Wet Wet Wet
(UK) 1995: "Unchained Melody" – Robson & Jerome (UK) 1996: "Killing Me Softly" – Fugees 1997: "Something About the Way You Look Tonight" / "Candle in the Wind 1997" – Elton John
Elton John
(UK) 1998: "Believe" – Cher 1999: "...Baby One More Time" – Britney Spears 2000: "Can We Fix It?" – Bob the Builder
Bob the Builder
(UK) 2001: "It Wasn't Me" – Shaggy featuring Rikrok
Rikrok
(UK) 2002: "Anything Is Possible" / "Evergreen" – Will Young
Will Young
(UK) 2003: "Where Is the Love?" – The Black Eyed Peas 2004: "Do They Know It's Christmas?" – Band Aid 20 (UK) 2005: "Is This the Way to Amarillo" – Tony Christie
Tony Christie
featuring Peter Kay (UK) 2006: "Crazy" – Gnarls Barkley 2007: "Bleeding Love" – Leona Lewis
Leona Lewis
(UK) 2008: "Hallelujah" – Alexandra Burke
Alexandra Burke
(UK) 2009: "Poker Face" – Lady Gaga

2010–present

2010: "Love the Way You Lie" – Eminem
Eminem
featuring Rihanna 2011: "Someone Like You" – Adele
Adele
(UK) 2012: "Somebody That I Used to Know" – Gotye
Gotye
featuring Kimbra 2013: "Blurred Lines" – Robin Thicke
Robin Thicke
featuring T.I.
T.I.
& Pharrell Williams 2014: "Happy" – Pharrell Williams 2015: "Uptown Funk" – Mark Ronson
Mark Ronson
(UK) featuring Bruno Mars 2016: "One Dance" – Drake featuring Wizkid and Kyla (UK) 2017: "Shape of You" - Ed Sheeran
Ed Sheeran
(UK)

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