Christ in Judgment
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Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the
Western Christian Western Christianity is one of two sub-divisions of Christianity (Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic ...
image of
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious ...
seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from
Early Christian art Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, id ...
, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
world, the image developed slightly differently into the half-length
Christ Pantocrator In Christian iconography, Christ Pantocrator ( grc-gre, Χριστὸς Παντοκράτωρ) is a specific depiction of Christ. ''Pantocrator'' or ''Pantokrator'', literally ''ruler of all'', but usually translated as "Almighty" or "all-po ...
, "Christ, Ruler of All", a usually unaccompanied figure, and the
Deesis In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a boo ...
, where a full-length enthroned Christ is entreated by
Mary Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also calle ...
and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.


Development

From the latter part of the fourth century, a still beardless Christ begins to be depicted seated on a throne on a
dais A dais or daïs ( or , American English also but sometimes considered nonstandard)dais
in the Random House Dictionary< ...
, often with his feet on a low stool and usually flanked by Saints
Peter Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a sur ...
and
Paul Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) * Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Chri ...
, and in a larger composition the other apostles. The central group of the
Sarcophagus of Junius Bassus The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359. It has been described as "probably the single most famous piece of early Christian relief sculpture." The sarcopha ...
of 359 (
Vatican Vatican may refer to: Vatican City, the city-state ruled by the pope in Rome, including St. Peter's Basilica, Sistine Chapel, Vatican Museum The Holy See * The Holy See, the governing body of the Catholic Church and sovereign entity recognized ...
) is the earliest example with a clear date. In some cases Christ hands a scroll to St Peter on his right, imitating a gesture often made by Emperors handing an Imperial decree or letter of appointment to an official, as in ivory consular
diptych A diptych (; from the Greek δίπτυχον, ''di'' "two" + '' ptychē'' "fold") is any object with two flat plates which form a pair, often attached by hinge. For example, the standard notebook and school exercise book of the ancient world w ...
s, on the
Arch of Constantine The Arch of Constantine ( it, Arco di Costantino) is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of Milv ...
, and the
Missorium of Theodosius I The Missorium of Theodosius I is a large ceremonial silver dish preserved in the Real Academia de la Historia, in Madrid, Spain. It was probably made in Constantinople for the tenth anniversary (decennalia) in 388 AD of the reign of the Emperor ...
. This depiction is known as the ''Traditio legis'' ("handing over the law"), or ''Christ the lawgiver'' – "the apostles are indeed officials, to whom the whole world is entrusted" wrote Saint
John Chrysostom John Chrysostom (; gr, Ἰωάννης ὁ Χρυσόστομος; 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his preaching and public speaking, his denunciation of ...
. This depiction tends to merge into one of "Christ the teacher", which also derives from classical images of bearded philosophers. Other Imperial depictions of Christ, standing as a triumphing general, or seated on a ball representing the world, or with different companions, are found in the next centuries. By the seventh century the Byzantine Christ Pantocrator holding a book representing the
Gospel Gospel originally meant the Christian message (" the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words a ...
s and raising his right hand has become essentially fixed in the form it retains in
Eastern Orthodoxy Eastern Orthodoxy, also known as Eastern Orthodox Christianity, is one of the three main branches of Chalcedonian Christianity, alongside Catholicism and Protestantism. Like the Pentarchy of the first millennium, the mainstream (or "canonical") ...
today. "Christ Triumphant" had a separate future development, usually standing, often with both hands raised high. The Pantocrator figure first became half-length because large versions filled the semi-dome of the
apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. ...
of many, if not most, decorated churches. A full-length figure would need to be greatly reduced for the head to make maximum impact from a distance (because of the flattening at the top of the semi-dome). The gesture Christ makes has become one of blessing, but is originally an
orator An orator, or oratist, is a public speaker, especially one who is eloquent or skilled. Etymology Recorded in English c. 1374, with a meaning of "one who pleads or argues for a cause", from Anglo-French ''oratour'', Old French ''orateur'' (14th ...
s gesture of his right to speak. The ''Deesis'' became standard at the centre of the
templon A templon (from Greek τέμπλον meaning "temple", plural ''templa'') is a feature of Byzantine churches consisting of a barrier separating the nave from the sanctuary near the altar. The solid templon first appeared in Christian churches aro ...
beam in
Orthodox Orthodox, Orthodoxy, or Orthodoxism may refer to: Religion * Orthodoxy, adherence to accepted norms, more specifically adherence to creeds, especially within Christianity and Judaism, but also less commonly in non-Abrahamic religions like Neo-pa ...
churches and the templon's successor, the iconostasis, and is also found as a panel
icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most ...
. Generally the Pantocrator has no visible throne, but the earlier Deesis does, and at least a single-step dais. The Deesis continues to appear in Western art, but not as often or in such an invariable composition as in the East. In the West the image showed a full-length enthroned Christ, often in a
mandorla A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in tr ...
or other geometrical frame, surrounded by the symbols of the Four Evangelists, representing the vision of Chapters 4 and 5 of the
Book of Revelation The Book of Revelation is the final book of the New Testament (and consequently the final book of the Christian Bible). Its title is derived from the first word of the Koine Greek text: , meaning "unveiling" or "revelation". The Book of ...
. In the Romanesque period the twenty-four elders of the Apocalypse are often seen. Christ also holds a book and makes the blessing gesture, no doubt under Byzantine influence. In both, Christ's head is surrounded by a crossed
halo Halo, halos or haloes usually refer to: * Halo (optical phenomenon) * Halo (religious iconography), a ring of light around the image of a head HALO, halo, halos or haloes may also refer to: Arts and entertainment Video games * ''Halo'' (franch ...
. In Early Medieval Western art the image was very often given a full page in
illuminated Illuminated may refer to: * "Illuminated" (song), by Hurts * Illuminated Film Company, a British animation house * ''Illuminated'', alternative title of Black Sheep (Nat & Alex Wolff album) * Illuminated manuscript See also * Illuminate (disambi ...
Gospel Book A Gospel Book, Evangelion, or Book of the Gospels (Greek: , ''Evangélion'') is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament – normally all four – centering on the life of Jesus of Nazareth ...
s, and in metalwork or ivory on their covers, and it remained very common as a large-scale fresco in the semi-dome of the apse in Romanesque churches, and carved in the tympanum of church portals. This "seems to have been almost the only theme of
apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. ...
-pictures" in Carolingian and
Ottonian The Ottonian dynasty (german: Ottonen) was a Saxon dynasty of German monarchs (919–1024), named after three of its kings and Holy Roman Emperors named Otto, especially its first Emperor Otto I. It is also known as the Saxon dynasty after the ...
churches, all of which are now lost, although many examples from the period survive in illuminated manuscripts. From the Romanesque period, the image in the West often began to revert to the earliest, more crowded conception, and
archangel Archangels () are the second lowest rank of angel in the hierarchy of angels. The word ''archangel'' itself is usually associated with the Abrahamic religions, but beings that are very similar to archangels are found in a number of other relig ...
s, apostles and saints, now often all facing inwards towards Christ, appear, as well as the beasts emblematic of the Evangelists and the twenty-four elders. This development paralleled the movement towards a more "realistic" depiction of the "heavenly court" seen in the increasingly popular subjects of the
Maestà Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Se ...
(the enthroned Virgin and Child) and the Coronation of the Virgin by Christ. A Christ in Majesty became standard carved in the tympanum of a decorated
Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...
church portal, by now surrounded by a large number of much smaller figures around the
archivolt An archivolt (or voussure) is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the ...
s. In painting, the
Ghent Altarpiece The ''Adoration of the Mystic Lamb'', also called the ''Ghent Altarpiece'' ( nl, De aanbidding van het Lam Gods), is a large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420 ...
is the culmination of the Gothic image, although a minority of art historians believe that in this case it is God the Father, not Christ, who is shown in majesty.


Christ in Judgement

A variant figure, or the same figure in a different context termed Christ in Judgement, depicting Christ as judge, became common in
Last Judgement The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
s, often painted on the west (rear) wall of churches. Here an enthroned Christ, from the 13th century usually with robes pulled aside above the waist to reveal the wounds of the Passion (a motif taken from images of the
Doubting Thomas A doubting Thomas is a skeptic who refuses to believe without direct personal experience — a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to ...
) sits high in a complex composition, with sinners being dragged down by devils to Hell on the right and the righteous on the left (at Christ's right-hand side) rising up to Heaven. Generally Christ still looks straight forward at the viewer, but has no book; he often gestures with his hands to direct the damned downwards, and the saved up.Emile Mâle, ''The Gothic Image: Religious Art in France of the Thirteenth Century'', p 365-76, English trans of 3rd edn, 1913, Collins, London (and many other editions) From the
High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...
the subject was more loosely treated; Christ and his court take to the clouds, and are distributed with an eye to a harmonious and "natural" composition rather than the serried ranks of old. From the late Renaissance and through the Baroque, it often forms the upper part of a picture depicting events on earth in the lower register, and as stricter perspective replaces the hieratic scaling of the Middle Ages, Christ becomes literally diminished. Such depictions tend not to be described as "Christ in Majesty", although they are the linear development of the earlier image; the main subject has become the human events in the foreground, such as the martyrdom of a saint, to which Christ is now a rather distant witness.


Gallery

Santa Costanza. Mosaic del S. VII “Traditio Legis” adjusted.JPG,
Roman mosaic A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the ...
with a ''traditio Legis'' scene, from the basilica
Santa Costanza Santa Costanza is a 4th-century church in Rome, Italy, on the Via Nomentana, which runs north-east out of the city. It is a round building with well preserved original layout and mosaics. It has been built adjacent to a horseshoe-shaped church, n ...
, Rome, 4th century Bildhuggarkonst, Junius Bassus sarkofag, Nordisk familjebok.png, Old reproduction of the Sarcophagus of Junius Bassus, with a ''Traditio Legis'' 9818 - Milano - Sant'Ambrogio - Sarcofago di Stilicone - Foto Giovanni Dall'Orto 25-Apr-2007.jpg, Detail of 4th century sarcophagus,
Basilica of Sant'Ambrogio The Basilica of Sant'Ambrogio (official name: ''Basilica romana minore collegiata abbaziale prepositurale di Sant'Ambrogio'') is a church in the center of Milan, northern Italy. History One of the most ancient churches in Milan, it was built by ...
in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
Lucca.San Frediana02.JPG, 13th century byzantinesque mosaic on the facade of the Basilica of San Frediano, Lucca Meister aus Tahull 001.jpg, Christ in Majesty, in a mandorla and surrounded by the tetramorph, Romanesque fresco, apse of Sant Climent de Taüll, Catalonia, 1123. Stift Innichen, Skulptur über dem Südportal.JPG, Christ in Majesty with the symbols of the Evangelists, stone relief, south portal, Benedictine monastery at Innichen, South Tyrol Vezelay Tympan11.jpg, Christ in Judgement, Vézelay, Bourgogne Conques - Abbatiale Sainte-Foy - Tympan 3.jpg, Christ in Judgement, Abbey Sainte-Foy, Conques, Aveyron Chartres2006 092.jpg, Portal (architecture), Portal of Chartres Cathedral Bern Muenster Portal.jpg, The minster at Bern, with Christ in Majesty surrounded by the apostles in the archivolt, and a Last Judgement in the tympanum Fra Angelico 009.jpg, ''The Last Judgment (Angelico), The Last Judgement'' by Fra Angelico, 1425–1431 Evangeliarium - évangéliaire dit de Charlemagne ou de Godescalc - Jésus-Christ - BNF Gallica.jpg, Christ in Majesty from Godescalc Evangelistary Amiatinus Maiestas Domini.jpg, Maiestas Domini page from Codex Amiatinus (fol. 796v), Firenze, Biblioteca Medicea Laurenziana Majestatis, Dopfunten i Löderups kyrka, Skåne; förm. 1100-talets tredje fjärdedel.jpg, Baptismal font, Font by the Scandinavian Master Majestatis, most of whose identifiable work is of the subject Ávila, Cathedral of the Saviour 055.jpg, Crucifix with Christ in Majesty; anonymous; 12 th century Westminster Cathedral tympanum.jpg, The tympanum at Westminster Cathedral showing Christ in Majesty with the Virgin Mary and Saints; a mosaic by Robert Anning Bell after drawings by John Francis Bentley, 1916 Christ in Glory tapestry by Graham Sutherland in Coventry Cathedral.jpg, Christ in Glory depicted on a large tapestry in Coventry Cathedral, designed by Graham Sutherland and completed in 1962 Peintures murales Jaleyrac 2.jpg, Christ in Glory in Jaleyrac Niguliste kirik 16.jpg, The exterior of a chapel attached to the St. Nicholas Church, Tallinn (cf Sol Invictus)


Notes


See also

*Christ the King *Session of Christ


References

*Gertrud Schiller, Schiller, Gertrud, ''Iconography of Christian Art'', Vol. II, 1972 (English trans from German), Lund Humphries, London,


External links

* *
Christ in Majesty(Getty Museum,); Christ in Majesty, manuscript illumination, German, (Hildesheim), about 1170s
chancel painting, St Mary's Church, Kempley, Gloucestershire c.1120
Christ in Majesty: illumination in the Aberdeen Bestiary, late twelfth century
Includes photos of the Deesis in the Hagia Sophia. {{DEFAULTSORT:Christ In Majesty Iconography of Jesus Byzantine art Christ the King Christian terminology Early Christian art