Cholamandal Artists' Village
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Cholamandal Artists' Village is an artists' commune in
Chennai Chennai (, ), formerly known as Madras ( the official name until 1996), is the capital city of Tamil Nadu, the southernmost Indian state. The largest city of the state in area and population, Chennai is located on the Coromandel Coast of th ...
,
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
. Established in 1966, it is the largest artists' commune in India. The community is located in the southern coastal neighborhood of
Injambakkam Injambakkam is a locality in the south of Chennai in the Indian state of Tamil Nadu. Being a part of the Walajabad block of the district, its panchayat is part of Walajabad panchayat union. Injambakkam is located along the ECR. Demographics ...
. Its artists are credited for the Madras Movement of Art (1950s–1980s), which brought
modernism Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
to art in
South India South India, also known as Dakshina Bharata or Peninsular India, consists of the peninsular southern part of India. It encompasses the Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana, as well as the union territ ...
. Their work is widely recognized as some of the best art produced in postwar India and is shown regularly in galleries across the country. Several Cholamandal artists have also shown in Europe, the United States and South America. The community has over 20 resident painters and sculptors, who live as a community and pool their skills. They run the Artists Handicrafts Association, a cooperative which manages the village and sale of works through the permanent exhibition at the complex, which includes paintings, sketches, terra-cotta/stone/metal sculptures, batiks and handicrafts etc., making the village a self-supporting entity. The community was founded by K. C. S. Paniker, the principal of the Madras School of Arts, along with his students and a few artists associated with the college. It used the `art-meets-craft' approach where artists made handicrafts for a living as they pursued their art. By the 1970s, the village became self-sufficient and grew into one of the most important meeting places for international artists in India. Today, it is one of the few artist-driven movements in India. Four decades on, it is one of the few artists' colonies in the world to survive successfully and its foundation remains one of the "10 biggest art moments" in India.


History

Most of the original founding creative artists, painters and sculptors were students and artists associated with the
Government School of Arts and Crafts, Chennai The Government College of Fine Arts (initially known as the Madras School of Art) in Chennai is the oldest art institution in India. The institution was established in 1850 by surgeon Alexander Hunter as a private art school. In 1852, after be ...
(Madras School of Arts), where K.C.S. Paniker, noted metaphysical and abstract painter, was principal 1957 to 1967. These artists desired to form a congenial space for practising their art; 38 of them got together and formed the 'Artists Handicrafts Association' (AHA) in 1963 initially to sell the works of artists. Gradually, the artists started working together, producing handicrafts in their spare time. They were among the first in the country to produce
batik Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of the resist with a spouted tool called a ''ca ...
fabric; proceeds of their first batik exhibition went into buying the of land in 1966, which was to make up the village. By now K.C.S. Paniker had retired and founded the artists commune in April 1966. The community was named after the
Chola dynasty The Chola dynasty was a Tamil thalassocratic empire of southern India and one of the longest-ruling dynasties in the history of the world. The earliest datable references to the Chola are from inscriptions dated to the 3rd century BCE ...
, which is known to have encouraged arts and ruled the region, 9-13th century CE — called ''Cholamandalam'' in
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...
, which literally translated as ''the realm of the Cholas''. Chola also lends its name to the
Coromandel Coast The Coromandel Coast is the southeastern coastal region of the Indian subcontinent, bounded by the Utkal Plains to the north, the Bay of Bengal to the east, the Kaveri delta to the south, and the Eastern Ghats to the west, extending over an ...
of
Bay of Bengal The Bay of Bengal is the northeastern part of the Indian Ocean, bounded on the west and northwest by India, on the north by Bangladesh, and on the east by Myanmar and the Andaman and Nicobar Islands of India. Its southern limit is a line betwee ...
, which is a short walk from the village. Paniker was "worried that his students might deviate from art due to financial compulsions". In the same year six artists moved into live and work on their own land. In the 60s, while they could hardly sell their paintings, avant garde wood and leather work, batik, ceramics and metal craft, they found a good market. This sustained them, while the local buyers were familiarized to modernism, which their art represented. Electricity was provided in 1968 and till 1972 the mud road ended at Muttukadu. The village was on a lonely, bumpy road, now known as the
East Coast Road East Coast Road (ECR), combination of SH-49, NH-332A, NH-32, officially known as Mutthamizh Arignar Kalaignar Road, is a two-lane highway (now being partially upgraded to four-lane way from Chennai to Mamallapuram) in Tamil Nadu, India, built ...
highway to
Mahabalipuram Mamallapuram, also known as Mahabalipuram, is a town in Chengalpattu district in the southeastern Indian state of Tamil Nadu, best known for the UNESCO World Heritage Site of 7th- and 8th-century Hindu Group of Monuments at Mahabalipuram. It is o ...
, from Adyar. Over the years, the community built its houses, studios, exhibition gallery, theatre, workshop and kitchen, which it jointly owned along with all the infrastructure of the village. It nurtured artists such as J. Sultan Ali, K. M. Gopal S. Kanniappan, K. Ramanujam, M. Reddeppa Naidu, S. P. Jayakar, K. R. Harie, P. S. Nandan, Akkitham Narayanan,
Namboothiri The Nambudiri (), also transliterated as Nampoothiri, Nambūdiri, Namboodiri, Nampoothiri, and Nampūtiri, are a Malayali Brahmin caste, native to what is now the state of Kerala, India, where they constituted part of the traditional feudal el ...
, Paris Viswanathan, D. Venkatapathy, Haridasan, S. Nanda Gopal, S. G. Vasudev, K. Jayapala Panicker, Gopinath, Senathipathy,
M. V. Devan Madathil Vasudevan, popularly identified as M. V. Devan (15 January 1928 – 29 April 2014), was an Indian Painting, painter, sculptor, writer, art critic and orator. Besides his artistic works, he was also known for his architectural design ...
and Richard Jesudas. Soon they formed a cooperative to look after the village and built a gallery, which displayed and sold their works; 20% of their sales went to the ‘Cholamandal Artists Handicrafts Association’, which used the funds for village upkeep. In time the cooperative became self-sufficient and held exhibitions of their work in major cities of India. K. C. S. Paniker died in 1977. By this time the module had proven sustainable. Over the years, work done by the artists at the village, initiated a period in south Indian art called the 'Madras Movement', which brought modernism to
south India South India, also known as Dakshina Bharata or Peninsular India, consists of the peninsular southern part of India. It encompasses the Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, and Telangana, as well as the union territ ...
n art. The Progressive Painters’ Association (P.P.A.), one of the oldest art associations in India founded by Paniker in Chennai in 1944; it was inactive for many year after Paniker's death. The association was revived in 2006 and a new committee formed. It is now being carried forward by artists at the village and an annually elected general council of members administers Cholamandal. The village continues to produce artists of great talent such as S. Ravi Shankar, A. Selveraj an
Shailesh B.O.
amongst many others.


Cholamandal Centre for Contemporary Art

During his last days Paniker had offered his oeuvre to the Madras government on the condition that a separate gallery be created for his work. When no response came from the government, the Trivandrum Art Gallery took up the offer and now houses an important collection of Paniker's work. The artists at the village wanted a place to display the work of the Madras Movement, thus idea of the art museum took place. The artists raised money from the private sector to fund a museum in the village, which would house a permanent collection of artworks representative of the Madras Movement. While the initial design was made by a visiting Dutch couple, the design for the art centre was made by architects
Sheila Sri Prakash Sheila Sri Prakash (born 6 July 1955) is an architect and urban designer of Indian origin. She is the founder of Shilpa Architects and is the first woman in India to have started and operated her own architectural practice. Biography Early li ...
of Shilpa Architects and
M. V. Devan Madathil Vasudevan, popularly identified as M. V. Devan (15 January 1928 – 29 April 2014), was an Indian Painting, painter, sculptor, writer, art critic and orator. Besides his artistic works, he was also known for his architectural design ...
. As the project gathered momentum help came in from artists and corporates alike. After three and half years of construction the building was finished — thus started a long search for works that exemplified the Madras Movement, which flourished between the early 50s and the 80s. Eventually about 60 per cent of the works were donated by senior artists and the rest were given on extended loan by art collectors around the country. The Cholamandal Centre for Contemporary Art opened on 1 February 2009. It has a 'Museum of the Madras Movement', which display works of prominent artists of the movement (apart from that of Paniker) including J. Sultan Ali, K. M. Gopal, M. Senathipathi, A. P. Santhanaraj
P.S. Nandhan
S. G. Vasudev, K.V. Haridasan,
Thota Tharani Thota Tharani is an Indian film art director and production designer who has predominantly worked in Tamil, Telugu, and Malayalam cinema and Bollywood. As of 2013, he has won two National Film Awards, two Filmfare Awards South and four Tamil ...
, sculptor S. Nandagopal. The centre has two commercial galleries, 'Labernum' and 'Indigo', that can be rented free of commission charge, an art book store, and a craft shop. It is surrounded by tree-shaded sands which sport an international sculpture garden, displaying sculptures made by visiting artists from across India and the world through the decades.


Facilities

Today, the village houses art galleries, museums, and an open-air theatre for dance and theatre performances. The original Artists Handicrafts Association is still in charge of the colony, and Paniker's son, sculptor S. Nandagopal, is the secretary of the village. Out of the original 40 artists, many are no more, and some have moved out, only 21 remain today. Cholamandal does not accept new members, though it has at least a dozen artists living or working there at any time, plus many artists-in-residence are at work. The village is open daily from 10am to 5pm. It is 10-minute walking distance from the Golden Beach. Local transport is easily available, and the Chennai International Airport is the nearest airport.


Further reading

* ''Artists of Cholamandal Artists' Village Madras'', Artists' Handicrafts Association of Cholamandal Artists Village. Published s.n., 1979. * ''Two decades of Cholamandal Artists' Village'', Cholamandal Artists' Village (Adyār, India). Publisher s.n., 1987. * Josef James, 2004, ''Cholamandal: An Artist's Village'', Oxford University Press. .


References


External links


Cholamandal Artists' Village, Official website

Shilpa Architects, Official website of the architecture firm

The new face of Cholamandal Artist’s Village
{{DEFAULTSORT:Cholamandal Artists Village Tourist attractions in Chennai Cultural centres in Chennai Artist cooperatives Indian artist groups and collectives 1966 establishments in Madras State Cooperatives in India Artist colonies Arts organizations established in 1966 Tamil culture by region