The Info List - Carroll Baker

Carroll Baker
Carroll Baker
(born May 28, 1931) is a retired American actress of film, stage, and television. Throughout the 1950s and 1960s, Baker's range of roles from naive ingénues to brash and flamboyant women established her as both a serious dramatic actress and a pin-up. After studying under Lee Strasberg
Lee Strasberg
at the Actors Studio, Baker began performing on Broadway in 1954, where she was recruited by director Elia Kazan
Elia Kazan
to play the lead in the film of Tennessee Williams's Baby Doll (1956). Her role in the film as a sexually repressed Southern bride earned her BAFTA
and Academy Award
Academy Award
nominations for Best Actress, as well as a Golden Globe
Golden Globe
award for Most Promising Newcomer that year. Her other early film roles included in George Stevens' Giant (1956), playing the love interest of James Dean, and in the romantic comedy But Not for Me (1959). In 1961, Baker appeared in the controversial independent film Something Wild, directed by her then-husband Jack Garfein, playing a traumatized rape victim. She went on to star in several critically acclaimed Westerns throughout the 1960s, such as The Big Country
The Big Country
(1958), How the West Was Won (1962), and Cheyenne Autumn (1964). In the mid-1960s, as a contract player for Paramount Pictures, Baker became a sex symbol after appearing as a hedonistic widow in The Carpetbaggers (1964). The film's producer, Joseph E. Levine, cast her in the potboiler Sylvia before giving her the role of Jean Harlow
Jean Harlow
in the biopic Harlow (1965). Despite significant prepublicity, Harlow was a critical failure, and Baker relocated to Italy in 1966 amid a legal dispute over her contract with Paramount and Levine's overseeing of her career. In Europe, she spent the next 10 years starring in hard-edged Italian thriller and horror films, including Umberto Lenzi's Paranoia (1969) and Knife of Ice (1972), before re-emerging for American audiences as a character actress in the Andy Warhol-produced dark comedy Bad (1977). Baker appeared in supporting roles in several acclaimed dramas in the 1980s, including the true-crime drama Star 80
Star 80
(1983) as the mother of murder victim Dorothy Stratten, and the racial drama Native Son (1986), based on the novel by Richard Wright. In 1987, she had a supporting part in Ironweed (1987). Through the 1990s, Baker had guest roles on several television series such as Murder, She Wrote; L.A. Law, and Roswell. She also had supporting parts in several big-budget films, such as Kindergarten Cop
Kindergarten Cop
(1990), and the David Fincher-directed thriller The Game (1997). She formally retired from acting in 2002. In addition to acting, Baker is also the author of three books, two autobiographical works, and a novel.


1 Early life 2 Career

2.1 1952–1957: Early work and critical success 2.2 1958–1963: Contract disputes and independent films 2.3 1964–1966: Sex symbol
Sex symbol
roles 2.4 1967–1975: European films 2.5 1976–1987: Return to American films; theater 2.6 1988–2003: Later roles and retirement

3 Writing 4 Personal life 5 Legacy 6 Filmography and credits 7 Publications 8 Accolades

8.1 Awards 8.2 Nominations 8.3 Honors

9 See also 10 Notes 11 References 12 Works cited 13 External links

Early life[edit] Carroll Baker
Carroll Baker
was born and raised in Johnstown, Pennsylvania, in a Roman Catholic
Roman Catholic
family, the daughter of Edith Gertrude (née Duffy) and William Watson Baker, a traveling salesman.[2] She is of Polish descent,[3] which has given rise to a rumor that her birth name was Karolina Piekarski.[a] However, this currently cannot be substantiated by known records.[b] Baker's parents separated when she was eight years old, and she moved with her mother and younger sister, Virginia, to Turtle Creek, Pennsylvania.[5] According to Baker, her mother struggled as a single parent, and the family was poor for much of her upbringing.[6] Baker attended Greensburg Salem High School in Greensburg, Pennsylvania, where she was a debate team member and active in the marching band and school musicals.[7] At 18, she moved with her family to St. Petersburg, Florida, where she attended St. Petersburg College (then St. Pete Junior College).[5] After her first year in college, Baker began working as a magician's assistant on the vaudeville circuit[8] and joined a dance company, working as a professional dancer.[5] In 1949, Baker won the title of Miss Florida Fruits and Vegetables.[9][10] In 1951, Baker moved to New York City, where she rented a dirt-floor basement apartment in Queens. She worked as a nightclub dancer and also took stint jobs as a chorus girl in traveling vaudeville shows, which took her to Windsor, Detroit, and New Jersey.[11] In 1952, Baker enrolled at the Actors Studio
Actors Studio
and studied under Lee Strasberg.[2] There, she was a classmate of Mike Nichols, Rod Steiger, Shelley Winters, and Marilyn Monroe; she also became a close friend of James Dean
James Dean
for the rest of his life.[12][13] Career[edit] 1952–1957: Early work and critical success[edit] After appearing in television commercials for Winston cigarettes and Coca-Cola,[14] Baker was featured in an episode of Monodrama Theater performing a monodramatic piece, which was broadcast in 1952 on the DuMont Network.[15] The following year, she made her film debut with a small walk-on part in the musical Easy to Love (1953). This led to her landing roles in two Broadway productions: Roger MacDougall's Escapade in the fall of 1953, and Robert Anderson's All Summer Long, opposite Ed Begley, which ran from September to mid-November 1954.[16] In 1955, she screen tested and auditioned for the lead role in Picnic, but lost the part to Kim Novak.[17] She was also considered for the lead in Rebel Without a Cause
Rebel Without a Cause
(1955) after James Dean
James Dean
recommended her for the part to director Nicholas Ray, which she turned down.[18]

Baker (far right) on the set of Giant with Sal Mineo
Sal Mineo
and Elizabeth Taylor

Baker's first major screen role was the supporting part of Luz Benedict II in Giant (1956), opposite Elizabeth Taylor, Rock Hudson, and James Dean, in his final role. According to Baker, she had been offered numerous leading parts in feature films before that point, but chose to debut in a supporting role in Giant because she was "insecure" and "wanted to start out a little less 'profile.'"[13] Giant was largely filmed in the small town of Marfa, Texas, in 1955;[19] Baker recalled her experience on set, saying that James Dean and she were both enamored of Rock Hudson
Rock Hudson
and Elizabeth Taylor
Elizabeth Taylor
while filming.[20]

Baker in a publicity photo for Baby Doll
Baby Doll
by Peter Basch, 1956

Simultaneously, Baker was cast as the title character in Elia Kazan's Baby Doll
Baby Doll
(1956),[21] a role initially intended for Marilyn Monroe.[22] Tennessee Williams, who had written and developed the screenplay based on two of his one-act plays, wanted Baker to play the part after seeing her perform a scene from his script at the Actors Studio; likewise, Kazan had been impressed by her performance in All Summer Long on Broadway the year prior.[23] Shot in Benoit, Mississippi, directly after Baker had completed Giant, her role in the film as a sexually repressed teenaged bride to a failed middle-aged cotton gin owner brought Baker overnight fame and a level of notoriety even before the film's release.[24] In the fall of 1956, artist Robert Everheart, under contract with Warner Bros., constructed a 135-foot-tall (41 m) billboard in Times Square
Times Square
promoting the film, depicting the now-iconic image of a scantily clad Baker lying in a crib sucking her thumb.[25] The controversial advertising campaign for the film caused a pre-emptive backlash from religious groups, and on December 16, 1956, Cardinal Francis Spellman
Francis Spellman
of St. Patrick's Cathedral denounced the film and advised his parish against seeing it. A formal condemnation by the Roman Catholic
Roman Catholic
National Legion of Decency ensued, which considered it "grievously offensive to Christian and traditional standards of morality and decency."[12][26][27] In spite of this, Baby Doll
Baby Doll
opened to strong box-office receipts, grossing $51,232 in its first week at the Victoria Theater.[28] In support of Baker, Marilyn Monroe
Marilyn Monroe
appeared at the film's premiere, working as an usherette to help bolster ticket sales, the proceeds of which were donated to the Actors Studio.[22][29] Baker received immense critical praise for her performance. Variety said that her performance "captures all the animal charm, the naivete, the vanity, contempt and rising passion of Baby Doll,"[30] while Bosley Crowther of The New York Times
The New York Times
praised Baker's ability to exhibit "a piteously flimsy little twist of juvenile greed, inhibitions, physical yearnings, common crudities and conceits".[31] Baby Doll
Baby Doll
established Baker as an A-list actress and would remain the film for which she is best remembered.[32] She was nominated for an Academy Award
Academy Award
for Best Actress for her performance, a Golden Globe
Golden Globe
for Best Actress, and won a Golden Globe
Golden Globe
for Most Promising Newcomer, which she shared with Jayne Mansfield
Jayne Mansfield
and Natalie Wood. The performance also earned her a Film Achievement Award from Look, as well as the title "Woman of the Year" in 1957 from Harvard University's Hasty Pudding Club.[33] She appeared on the cover of Life Magazine in June 1956.[34] 1958–1963: Contract disputes and independent films[edit]

Baker with Gregory Peck
Gregory Peck
in The Big Country
The Big Country

After the success of Baby Doll, Baker was subsequently offered parts in The Brothers Karamazov (1958), Too Much, Too Soon
Too Much, Too Soon
(1958), and The Devil's Disciple (1959).[35] She refused to make Too Much Too Soon, so Warner Bros.
Warner Bros.
put her on suspension, which prevented her from starring in The Brothers Karamazov (1958) at MGM.[36] Baker was also chosen by MGM for the lead in Cat on a Hot Tin Roof (1958) and by Twentieth Century Fox for The Three Faces of Eve (1957), but her contract with Warner Bros.
Warner Bros.
again prevented her from accepting the roles.[12][37] Tensions between Baker and the studio escalated further when she went against their wishes by appearing in Arms and the Man
Arms and the Man
on stage.[38] Baker commented on the effect of the system on her career, saying: "I came in at the end of the big studio system. I still had a slave contract and they were willing to put you in almost anything they had."[39]

Baker on the set of Something Wild (1961); the controversial depiction of her as a suicidal rape victim was credited with nearly ending her career.[37][40]

After her suspension with Warner Bros.
Warner Bros.
was lifted, Baker appeared in William Wyler's Western epic The Big Country
The Big Country
(1958).[41] The film was well received by critics, though the shoot was described as "problematic": Baker was four months pregnant at the time and had to wear restraining garments, and director Wyler reportedly had her on the verge of tears after forcing her to repeat the same take over 60 times, only to use the first one.[42] She followed The Big Country with lead roles in two romances, portraying a nun in The Miracle (1959) co-starring Roger Moore, and in But Not for Me (1959), a comedy with Clark Gable. The New York Times
The New York Times
praised Baker's performance in But Not for Me, saying: "Miss Baker, being a young lady who not only has looks but also can act, makes you understand why Mr. Gable would like to cheat a little bit on Father Time."[43] She disliked The Miracle so much that she bought out her contract with Warner Bros., putting her in considerable debt. But Not for Me was made at Paramount.[44] Baker went on to make the experimental film Something Wild (1961), directed by her then-husband Jack Garfein. In this independent production, she plays a young college student from the Bronx who is raped one night in St. James Park, and later held captive by a Manhattan mechanic (Ralph Meeker) who witnessed her subsequent suicide attempt. In preparation for her role, Baker lived alone in a boarding house in New York's Lower East Side, and gained employment as a department-store salesgirl; her method approach to the role was profiled in Life in 1960.[45] Critical reaction to the film was largely negative,[40] though Film Quarterly cited it as "the most interesting American film of its quarter," and the most underrated film of 1961.[46] However, its controversial depiction of rape led to critical backlash and public criticism, and the film has been credited by historians as nearly halting Baker's career.[37] The same year, she portrayed Gwen Harold in Bridge to the Sun
Bridge to the Sun
(1961), a production by MGM based on the 1957 best-selling autobiography of a Tennessee-born woman who married a Japanese diplomat (portrayed by James Shigeta) and became one of the few Americans to live in Japan during World War II. While only a modest success at the box office,[37] the film was well received by critics and was America's entry at the Venice International Film Festival. After this, Baker appeared in the independent British-German film Station Six-Sahara
Station Six-Sahara
(1962) as a woman who provokes tensions at an oil station in the Sahara Desert, as well as the blockbuster Western epic How the West Was Won (1962), opposite Debbie Reynolds
Debbie Reynolds
and former co-stars Gregory Peck
Gregory Peck
and Karl Malden.[47] In addition to film acting, Baker also found time to appear again on Broadway, starring in the 1962 production of Garson Kanin's Come on Strong in the fall of that year.[16] In 1963, Baker relocated permanently with then-husband Jack Garfein and their two children to Los Angeles, where she based herself for the next several years.[48] She traveled to Kenya
to film Mister Moses (1965), where publicized rumors spread that she and co-star Robert Mitchum
Robert Mitchum
were having an affair, which they both vehemently denied.[12] Another story, now considered apocryphal, had it that a Maasai chief in Kenya
offered 150 cows, 200 goats, sheep, and $750 for her hand in marriage.[49] She subsequently appeared with Maasai warriors on the cover of Life's July 1964 issue. 1964–1966: Sex symbol
Sex symbol

Baker with Nanomba Morton in Cheyenne Autumn
Cheyenne Autumn

Baker portrayed a pacifist Quaker
schoolteacher in John Ford's Cheyenne Autumn
Cheyenne Autumn
(1964), and received critical acclaim for the role.[50] She then had a supporting role as Saint Veronica
Saint Veronica
in George Stevens' The Greatest Story Ever Told
The Greatest Story Ever Told
(1965), and portrayed a cynical, alcoholic movie star in The Carpetbaggers (1964), which brought her a second wave of notoriety in spite of the film's lackluster reviews.[51] The New York Times
The New York Times
called the film "a sickly sour distillation" of the source novel, but said Baker's performance "brought some color and a sandpaper personality as the sex-loaded widow."[51] The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000,[52] and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine.

Baker in test makeup for her role as Jean Harlow, as she appeared on the cover of the Saturday Evening Post, 1963

Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, and she appeared posing in the December 1964 issue of Playboy.[53] She was subsequently cast by Levine in the title roles of two 1965 potboilers— Sylvia, as an ex-prostitute and con artist, and as Jean Harlow
Jean Harlow
in Harlow. Baker appeared on the cover of the Saturday Evening Post
Saturday Evening Post
on their November 2, 1963, issue dressed as Harlow, promoting the film's upcoming production.[54] In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses and appeared in advertisements for the company.[55][56] Baker likened this era of her career to "being a beauty contest winner [as opposed to] an actress."[57] Despite much prepublicity, Harlow received a lukewarm response from critics: Variety referred to Baker's portrayal of Harlow as "a fairly reasonable facsimile, although she lacks the electric fire of the original."[58] Relations between Baker and Levine soured; in a 1965 interview, Baker sardonically commented: "I'll say this about Joe Levine: I admire his taste in leading ladies," which led the press to suspect a rift between the actress and producer.[59] Baker sued Levine over her contract with Paramount Pictures
Paramount Pictures
in 1966,[60] and was ultimately fired by Paramount and had her paychecks from Harlow frozen amid the contentious legal dispute; this left Baker hundreds of thousands of dollars in debt (however, she was eventually awarded $1 million in compensation).[10] In an interview with Rex Reed in his book People Are Crazy Here (1974), Baker revealed that she had felt pressure in both her working relationship with Levine, and her domestic life with her husband, the latter of whom she said wanted to maintain an expensive lifestyle: "We'd been very poor when we started out at the Actors Studio
Actors Studio
in New York," she told Reed. "I was under contract to Joe Levine, who was going around giving me diamonds and behaving like he owned me. I never slept with him or anything, but everyone thought I was his mistress." In the spring of 1966, Baker returned to theatre, performing in a production of Anna Christie
Anna Christie
at the Huntington Hartford Theater
in Los Angeles. The production was directed by Garfein.[61] The production was heralded as the "theatre event of the week" in Los Angeles, though its reception was middling.[62] Cecil Smith of The Los Angeles Times wrote of the production: "The beautiful Miss Baker's vehicle becomes a hearse."[63] The play was also performed at the Tappan Zee Playhouse in Nyack, New York
Nyack, New York
in June 1966.[64] 1967–1975: European films[edit] Baker separated from her second husband, Jack Garfein, in 1967, and moved to Europe with her two children to pursue a career there after struggling to find work in Hollywood.[12][65] Eventually settling in Rome, Italy, Baker became fluent in Italian[5] and spent the next several years starring in hard-edged Italian thrillers, exploitation, and horror films. In 1966, Baker had been invited to the Venice International Film Festival, where she met director Marco Ferreri,[66] who asked her to play the lead role in Her Harem
Her Harem
(1967). This was followed with the horror films The Sweet Body of Deborah
The Sweet Body of Deborah
(1968) and The Devil Has Seven Faces
The Devil Has Seven Faces
(1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill
A Quiet Place to Kill
(1970), and Il coltello di ghiaccio (Knife of Ice) (1972), all horror films directed by Italian filmmaker Umberto Lenzi.

Baker as the titular tormented bride in The Sweet Body of Deborah (1968)

Many of these films feature her in roles as distressed women, and often showed Baker in nude scenes, which few major Hollywood actors were willing to do at the time.[67] Baker became a favorite of Umberto Lenzi, with her best-known role being in the aforementioned Paranoia, where she played a wealthy widow tormented by two sadistic siblings. In his review of Paranoia, Roger Ebert
Roger Ebert
said: "Carroll Baker, who was a Hollywood sex symbol (for some, it is said) until she sued Joe Levine and got blacklisted, has been around. She may not be an actress, but she can act. In The Carpetbaggers, there was a nice wholesome vulgarity to her performance. She is not intrinsically as bad as she appears in Paranoia. I think maybe she was saying the hell with it and having a good time."[68] As with Paranoia, the majority of the films she made in Italy received poor critical reception in the United States,[69] though they afforded Baker—who had left Hollywood in debt and with two children to support— an income, as well as fame abroad. In retrospect, Baker commented on her career in Italy and on her exploitation film roles, saying: "I think I made more films [there] than I made in Hollywood, but the mentality is different. What they think is wonderful is not what we might ... it was marvelous for me because it really brought me back to life, and it gave me a whole new outlook. It's wonderful to know about a different world."[70] She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funès and George Eastman. TV Guide
TV Guide
referred to the film as an "exceptionally handsome example of 1970s Italian pop-exploitation filmmaking sweetened by Piero Umilani's lounge-jazz score," and praised Baker's performance, but noted that she was "physically wrong for the role; her elaborate lace-and-beribboned costumes sometimes make her look more like a fleshy Miss Havisham
Miss Havisham
than a sleekly predatory sorceress".[71] 1976–1987: Return to American films; theater[edit] Baker's first American film in over 10 years came in the Andy Warhol–produced black comedy Bad (1977), in which she plays the lead role of a Queens beauty salon owner who provides hitmen with jobs, starring alongside Susan Tyrrell
Susan Tyrrell
and Perry King. "You can hardly call making an Andy Warhol
Andy Warhol
movie a 'comeback'," said Baker. "It's more like going to the moon! The subject is totally unique."[72] She followed Bad with a part in the low-budget surrealist thriller The Sky Is Falling (1979) with Dennis Hopper, playing a washed-up actress living among expatriates in a Spanish village. The 1970 also had a return to the stage for Baker, where she appeared in British theater productions of Bell, Book, and Candle; Rain, an adaptation of a story by W. Somerset Maugham; Lucy Crown, an adaptation of the novel by Irwin Shaw; and Motive. In 1978, while touring England and Ireland in productions of Motive, Baker met stage actor Donald Burton, who became her third husband.[5] She also appeared in American stage productions of Georges Feydeau's 13 Rue de l'Amour, Forty Carats, and Goodbye Charlie.[15] By the '80s, Baker had largely become a character actor, and was based in London. She starred in a supporting role in the 1980 Walt Disney-produced horror film, The Watcher in the Woods, alongside Bette Davis, after having been asked by British director John Hough, a longtime admirer of her work.[73] After an appearance in the British television film Red Monarch (1983), she played the mother of murdered Playboy
model Dorothy Stratten
Dorothy Stratten
(played by Mariel Hemingway) in the biopic Star 80
Star 80
(1983). She also appeared as the mother of Sigmund Freud in the comedy The Secret Diary of Sigmund Freud
Sigmund Freud
(1984) with Carol Kane
Carol Kane
and Klaus Kinski.[74] Baker featured in Jim Goddard's Hitler's SS: Portrait in Evil (1985), a coming-of-age drama set against Nazi
Germany, as well as in the drama Native Son
Native Son
(1986), based on the novel by Richard Wright, which also featured Matt Dillon, Geraldine Page, and a young Oprah Winfrey. In it, Baker plays a 1930s Chicago housewife and mother of a teenaged girl who is accidentally killed by an African American chauffeur, who attempts to cover up the accident. Critic Roger Ebert
Roger Ebert
praised Baker's performance in the film, noting her "powerful" scene with Winfrey during the film's finale.[75] Following Native Son, Baker had a critically acclaimed lead role as the wife of a schizophrenic drifter (played by Jack Nicholson) in Ironweed (1987), alongside Meryl Streep. Her performance in the film was again praised by Roger Ebert, who said: "Nicholson's homecoming [in the film] is all the more effective because Carroll Baker
Carroll Baker
is so good as his wife ... she finds a whole new range. It may seem surprising to say that Baker holds the screen against Jack Nicholson, and yet she does".[76] 1988–2003: Later roles and retirement[edit] In 1990, Baker played the role of Eleanor Crisp—described by Roger Ebert as "an effective bitch on wheels"[77]— in Ivan Reitman's comedy Kindergarten Cop, starring Arnold Schwarzenegger, which she filmed in Astoria, Oregon, in the summer of 1990. The film was a huge financial success, grossing over $200 million worldwide.[78] Her film and television work continued throughout the '90s, and she acted in many made-for-television movies, including the true-crime story Judgment Day: The John List Story (1993), Witness Run (1996), and Dalva
(1996) with Farrah Fawcett.[74] In 1997, Baker was cast in a supporting role in David Fincher's thriller The Game, in which she plays a housekeeper to a billionaire San Franscisco banker (played by Michael Douglas) who becomes embroiled in a sadistic game by his antagonistic brother, played by Sean Penn. In an interview with The New York Post
The New York Post
following the film's release, Baker commented on her role, saying: "It's an important movie and I'm honored to be in it. Of course, I'd like to be the romantic lead, and I'm actually closer to Michael's [Douglas] age than Deborah Kara Unger is, [but] I think it's always worked that way in Hollywood. When I was in my 20s, I played opposite Jimmy Stewart, Robert Mitchum, and Clark Gable, all of whom were old enough to be my father."[79] The Game proved to be a major success among Baker's later films, performing successfully at the box office and garnering widespread critical acclaim.[80] In addition to her work in big-budget productions, Baker also appeared in small, independent films, such as Just Your Luck (1996) and Nowhere to Go (1997). The '90s also had Baker more frequently appearing on television series, including episodes of Grand (1990), Tales from the Crypt (1991, opposite Teri Garr
Teri Garr
in a segment directed by Michael J. Fox),[81] Murder, She Wrote
Murder, She Wrote
and L.A. Law
L.A. Law
(both 1993); Chicago Hope (1995), and Roswell (1999).[74] In 2000, she appeared in the Lifetime film Another Woman's Husband.[82] In 2002, Baker appeared in the documentary Cinerama Adventure, and guest-starred on an episode of The Lyon's Den, playing Rob Lowe's mother. Her role on The Lyon's Den
The Lyon's Den
was Baker's last screen appearance before she formally retired from acting in 2003. Her acting career spanned 50 years, and more than 80 roles in film, television, and theater.[74] She has, however, sometimes participated in retrospective documentaries, including an interview for the 2006 DVD release of Baby Doll, which includes a documentary featuring Baker reflecting on the film's impact on her career.[27] Baker has also been featured in documentaries about several of her co-stars, including Clark Gable, Roger Moore, Sal Mineo, and James Dean, including the 1975 James Dean: The First American Teenager,[74] and a 1985 BBC Radio 2 tribute marking the 30th anniversary of the actor's death. Her memories of James Dean
James Dean
at the Actors Studio
Actors Studio
and later in Giant were recalled on BBC Radio 2 in 1982, when she guested on You're Tearing Me Apart, Terence Pettigrew's documentary which commemorated the 25th anniversary of Dean's death in a car accident in 1955. Also on the program were singer-actor Adam Faith and the screenwriter Ray Connolly. Writing[edit] In 1983, Baker published an autobiography titled Baby Doll: An Autobiography, which detailed her life and career as an actress and revealed the issues with Paramount and Warner Bros.
Warner Bros.
that had led her to move to Europe in the 1970s and pursue a career in Italian films. Baker said to Regis Philbin, when he interviewed her for Lifetime Television in 1986, that she "didn't want to write an autobiography ... but I wanted to write, and I knew that would be the easiest thing to get published."[83] She further commented to Philbin on her writing, saying: "I think I always wanted to write, but I was a little self-conscious about it. I never had a formal education, and I've always had such a respect for writing. While I could go out and say, even before I started to act, 'Yes, I'm an actress,' I couldn't really say 'I'm a writer.'"[83] In spite of Baker's misgivings, Baby Doll: An Autobiography was well received. She later wrote two other books, To Africa
with Love (1986), detailing her time spent in Africa, and a novel titled A Roman Tale (1987).[83] Personal life[edit] Baker has been married three times: She first married Louie Ritter in 1953, but the marriage ended within a year, after which she enrolled at the Actors Studio
Actors Studio
in New York City.[84] Baker alleged that Ritter had raped her when she was still a virgin in the early stages of their relationship.[39] Her second was to director Jack Garfein, a Holocaust survivor she met at the Studio and for whom she converted to Judaism (having been raised a Catholic).[85] They had one daughter, Blanche Baker (born 1956),[86] also an actress; and a son, Herschel Garfein (born 1958),[87] who is a composer and faculty member at the Steinhardt School of Music at New York University. Garfein and Baker divorced in 1969. Baker also has six grandchildren. Baker married her third husband, British theater actor Donald Burton, on March 10, 1978,[88] and resided in Hampstead, London, in the 1980s.[5] The couple remained together until Burton's death from emphysema at their home in Cathedral City, California, on December 8, 2007.[88] After leaving Hollywood in the mid-1960s, Baker travelled with Bob Hope's Christmas USO troupe entertaining soldiers in Vietnam
and Southeast Asia, an experience which she described as reformative: "In the hospitals I held the hands of damaged young men, and I realized that my pain was not exclusive: that in this world there was suffering much more terrible than mine."[89] Baker resided mainly in New York City and Los Angeles throughout the 1950s and '60s before relocating to Rome
to pursue her career there.[90] Baker was mainly based in Palm Springs, California, throughout the 1990s and early 2000s. As of 2016, she resides in New York City.[91] In February 2014, she served as maid of honor at longtime friend and former actor Patrick Suraci's wedding to his partner, Tony Perkins, in New York.[92] Legacy[edit]

Baker's star on the Hollywood Walk of Fame
Hollywood Walk of Fame
at 1725 Vine Street

Baker's role in Baby Doll
Baby Doll
was one that would come to be career-defining, and her association with both the film and character remained consistent throughout her career.[39] In a 1983 article by People magazine, "Baby Doll" was referred to as Baker's "middle name."[39] The film, adapted originally from Tennessee Williams' one-act play 27 Wagons Full of Cotton, has been performed on stage into the 21st century: It had its theatrical debut in 2000,[93] and has been performed numerous times since.[94] Baker's performance of the role was credited in Vanity Fair as marking a significant cultural interest in the ingénue in American cinema.[95] In 2011, Baker attended the Tennessee Williams/New Orleans Literary Festival in celebration of Williams' 100th birthday. There, she participated in a panel with Rex Reed, where she discussed her experiences with Williams and performing in Baby Doll.[96] In 2011 and 2012, she was awarded Lifetime Achievement Awards from the Hoboken and Fort Lauderdale International Film Festivals.[97][98] A 1956 photograph by Diane Arbus
Diane Arbus
depicts Baker onscreen in Baby Doll with a passing silhouette during a New York City theater screening of the film.[99] She was also photographed by Andy Warhol
Andy Warhol
in 1975 as part of his Polaroid portrait series,[100] and is mentioned in his published diaries.[101] Baker has a star on the Hollywood Walk of Fame
Hollywood Walk of Fame
at 1725 Vine Street, which was erected on February 8, 1960. In 2001, a Golden Palm Star on the Palm Springs Walk of Stars
Palm Springs Walk of Stars
was also dedicated to her.[102] Filmography and credits[edit] Main article: Carroll Baker
Carroll Baker
credits Select filmography:

Easy to Love (1953) Giant (1956) Baby Doll
Baby Doll
(1956) The Big Country
The Big Country
(1958) But Not For Me (1959) The Miracle (1959) Bridge to the Sun
Bridge to the Sun
(1961) Something Wild (1961) Station Six-Sahara
Station Six-Sahara
(1962) How the West Was Won (1962) The Carpetbaggers (1964) Cheyenne Autumn
Cheyenne Autumn
(1964) The Greatest Story Ever Told
The Greatest Story Ever Told
(1965) Sylvia (1965) Mister Moses
Mister Moses
(1965) Harlow (1965) Her Harem
Her Harem
(1967) Jack of Diamonds (1967) The Sweet Body of Deborah
The Sweet Body of Deborah
(1968) Paranoia (1969) So Sweet...So Perverse
So Sweet...So Perverse
(1969) A Quiet Place to Kill
A Quiet Place to Kill
(1970) Captain Apache
Captain Apache
(1971) The Devil Has Seven Faces
The Devil Has Seven Faces
(1971) Knife of Ice (1972) Baba Yaga (1973) The Flower with the Petals of Steel
The Flower with the Petals of Steel
(1973) Andy Warhol's Bad
Andy Warhol's Bad
(1977) Cyclone (1978) The World Is Full Of Married Men (1979) Star 80
Star 80
(1983) Native Son
Native Son
(1986) Ironweed (1987) Kindergarten Cop
Kindergarten Cop
(1990) Blonde Fist (1991) The Game (1997)

Select television credits:

The Web (1954) Danger (1955) Grand (1990) Tales from the Crypt (1991) Murder, She Wrote
Murder, She Wrote
(1993) L.A. Law
L.A. Law
(1993) Chicago Hope (1995) Roswell (1999)

Select stage credits:[16]

Escapade (1953) All Summer Long (1954) Arms and the Man
Arms and the Man
(1958) Come on Strong (1962) Anna Christie
Anna Christie
(1966) Rain (1977) Lucy Crown
Lucy Crown
(1979) Motive (1980)


Baby Doll: An Autobiography (Arbor House, 1983), ISBN 978-0-87795-558-0 To Africa
with Love (Dutton, 1986), ISBN 978-0-917657-54-2 A Roman Tale (Dutton, 1986), ISBN 978-0-917657-53-5


Baker in the Broadway production of Come on Strong, September 1962


1957: Golden Globe
Golden Globe
Award for New Star of the Year – Actress[103] 1957: Hasty Pudding Theatricals
Hasty Pudding Theatricals
Award for "Woman of the Year"[33] 1965: Golden Laurel for Dramatic Performance, Female, for The Carpetbaggers (2nd place)[104]


1957: Oscar for Best Actress in a Leading Role for Baby Doll[12] 1957: Golden Globe
Golden Globe
for Best Actress in a Motion Picture – Drama, for Baby Doll[103] 1957: BAFTA
Award for Best Foreign Actress (USA), for Baby Doll[105] 1964: Golden Laurel for Top Female Star[8] 1965: Golden Laurel for Female Star


1996: Golden Boot Award for The Big Country, How the West Was Won, and Cheyenne Autumn[106] 1997: Lifetime Achievement Award, Breckenridge (Colorado) Film Festival[33] 2009: The National Arts Club's Medal of Honor[107] 2011: Lifetime Achievement Award, Hoboken International Film Festival[97] 2012: Lifetime Achievement Award, Fort Lauderdale International Film Festival[98]

See also[edit]

List of actors with Academy Award
Academy Award
nominations List of actors with Hollywood Walk of Fame
Hollywood Walk of Fame
motion picture stars


^ Dating as far back as April 2006, the Internet Movie Database
Internet Movie Database
has listed Baker's alleged birth name as Karolina Piekarski.[4] ^ Mentions of Baker having been born Karolina Piekarski date back to at least 2006 when the name appeared on the Internet Movie Database, and the claim has been republished in works such as Guia de Cine Clásico (2006; ISBN 978-8-498-21388-1), and Hollywood Winners & Losers A to Z (2008; ISBN 978-0-879-10351-4). Aside from these publications, however, no historical or census documentation corroborates the claim, and Baker herself has not publicly addressed it.


^ "Carroll Baker". Mt. Vernon Register-News. Mt. Vernon, Illinois: 6. 1957-02-04. She's proud of her five-foot-five, 113-pound dancer's figure, and she figured no part was worth her becoming fat.  ^ a b " Carroll Baker
Carroll Baker
Biography". Yahoo! Movies. Archived from the original on May 22, 2011. Retrieved June 28, 2017.  ^ Pula, James S. (2011). The Polish American Encyclopedia. McFarland. p. 23. ISBN 978-0-786-43308-7.  ^ "Biography for Carroll Baker". Internet Movie Database. Archived from the original on April 9, 2006. Retrieved July 4, 2017.  ^ a b c d e f "The Private Life and Times of Carroll Baker". Glamour Girls of the Silver Screen. Retrieved June 28, 2017.  ^ Baker 1983, pp. 24–5. ^ Baker 1983, p. 23. ^ a b Mitchell, Marilyn. " Carroll Baker
Carroll Baker
Actress, 'Baby Doll,' grandma". Desert Entertainer. Retrieved October 31, 2015.  ^ Brennan, Patricia (January 3, 1987). "'Best Thing I've Had For Ages' : 'baby Doll' Baker Is Catching 'fire' For ABC". The Los Angeles Times. Retrieved April 9, 2015.  ^ a b Slifkin, Irv (May 3, 2015). "The Fabulous Baker: A Consideration of Carroll". MovieFanFare. Archived from the original on February 26, 2015. Retrieved February 26, 2015.  ^ Baker 1983, p. 32. ^ a b c d e f Bubbeo, Daniel (June 20, 2011). "'Baby Doll' Carroll Baker in Huntington". Newsday. Archived from the original on June 26, 2017. Retrieved June 28, 2017.  ^ a b Carroll Baker
Carroll Baker
on working with James Dean
James Dean
on YouTube. Media Funhouse (2000). Retrieved June 28, 2017. ^ Baker 1983, p. 73. ^ a b " Carroll Baker
Carroll Baker
Biography (1931–)". Film Reference. Retrieved June 28, 2017.  ^ a b c " Carroll Baker
Carroll Baker
– Broadway Theater
Credits". Playbill Vault. Retrieved June 28, 2017.  ^ Mell 2005, p. 187. ^ Rathgeb 2004, p. 63. ^ Fitzgerald, Mike. " Carroll Baker
Carroll Baker
Interview". Western Clippings. Retrieved February 27, 2015.  ^ Baker 1983, pp. 23–30. ^ DiLeo 2010, p. 62. ^ a b Baker 1983, p. 175. ^ Murphy 1992, p. 131. ^ Vickers 2008, p. 75. ^ Haberski 2007, pp. 61; 89. ^ Vickers 2008, pp. 75–76. ^ a b Hoberman, J. (December 17, 2012). "Catch Baby Doll
Baby Doll
with Carroll Baker and Eli Wallach". The Village Voice. Archived from the original on May 30, 2016. Retrieved June 28, 2017.  ^ Haberski 2007, p. 79. ^ Harding 2012, p. 20. ^ Variety Staff (December 31, 1956). "Review: 'Baby Doll'". Retrieved March 2, 2015.  ^ Crowther, Bosley (December 19, 1956). " Baby Doll
Baby Doll
(1956) Screen: Streetcar on Tobacco Road; Williams-Kazan 'Baby Doll' Is at Victoria". The New York Times. Retrieved March 2, 2015.  ^ TV Guide
TV Guide
Staff. " Baby Doll
Baby Doll
Review". TV Guide. Retrieved March 2, 2015.  ^ a b c "Overview for Carroll Baker". Turner Classic Movies. Retrieved February 2, 2015.  ^ "A bright star rising". Life. 40 (24). June 11, 1956 – via Google Books.  ^ Carroll Baker
Carroll Baker
Becomes Star in Quick Order Schallert, Edwin. Los Angeles Times (1923–Current File) [Los Angeles, Calif] 17 Feb 1957: E1. ^ WARNERS TO HOLD ACTRESS TO PACT: Studio Halts Deal Between Carroll Baker and M-G-M for 'Karamazov' Movie Maria Schell Sought By THOMAS M. PRYOR Special
to The New York Times.. New York Times (1923–Current file) [New York, N.Y] 03 May 1957: 20. ^ a b c d "Bridge to the Sun". Turner Classic Movies. Retrieved February 26, 2015.  ^ TOWER TICKER Lyon, Herb. Chicago Daily Tribune (1923–1963) [Chicago, Ill] 1 July 1957: b11. ^ a b c d Jones, Jerene (November 7, 1983). "For Baby Doll
Baby Doll
Carroll Baker, Life Has Been No Nursery Rhyme". People. Retrieved October 31, 2015.  ^ a b Mateas, Lisa. "Something Wild". Turner Classic Movies. Film Article. Retrieved April 14, 2015.  ^ Parsons, Louella (July 22, 1957). " Carroll Baker
Carroll Baker
Unleashed by Warner." The Washington Post and Times Herald (1954–1959) [Washington, D.C]: A10. ^ Cantarini & Spicer 2010, p. 146. ^ Crowther, Bosley (October 3, 1959). "Age Before Beauty; Gable, Carroll Baker
Carroll Baker
Appear in Comedy But Not For Me' Opens at the Capitol". The New York Times. Retrieved April 13, 2015.  ^ Baker 1983, pp. 197–198. ^ "Practice for an Actress". LIFE. November 28, 1960. pp. 41–2 – via Google Books.  ^ Horak 2014, p. 244. ^ Baker 1983, p. 210. ^ Baker 1983, pp. 222–23. ^ Kovznski, Gerald (August 7, 1964). "Letters to the Editor". LIFE: 18 – via Google Books.  ^ Crowther, Bosley (December 24, 1964). " Cheyenne Autumn
Cheyenne Autumn
(1964) Screen: John Ford Mounts Huge Frontier Western: Cheyenne Autumn' Bows at Capitol 3 Other Films Open at Local Cinemas". The New York Times. ... a strong film, grandly directed and expertly played by a large cast, which includes ... Carroll Baker
Carroll Baker
as a Quaker schoolteacher who accompanies the displaced people on their desperate homeward trek.  ^ a b Crowther, Bosley (July 2, 1964). "Screen: 'The Carpetbaggers' Opens:Adaptation of Book by Robbins in Debut". The New York Times. Retrieved February 2, 2015.  ^ Steinberg 1980, p. 23. ^ Lisanti 2001, p. 12. ^ "The Jean Harlow
Jean Harlow
Look: Carroll Baker
Carroll Baker
Grows from Baby Doll
Baby Doll
to Screen Siren". The Saturday Evening Post. November 2, 1963.  ^ "Isn't that Carroll Baker
Carroll Baker
behind those Foster Grants?". Life: 104. June 11, 1965. Retrieved July 1, 2015 – via Google Books.  ^ Vesilind, Emili (March 18, 2012). "Raquel Welch revives her '60s-era role as a Foster Grants sunglasses girl". The Los Angeles Times. Retrieved July 1, 2015.  ^ Baker 1983, p. 248. ^ Variety Staff (December 31, 1964). "Review: 'Harlow'". Variety. Retrieved March 2, 2015.  ^ Lyons, Leonard (August 14, 1965). "Carroll Baker-Levine Rift Is Indicated By Film Star". The Toledo Blade. p. 9 – via Google News.  ^ Ebert, Roger (August 20, 1969). "Paranoia Movie Review". Chicago Sun-Times. Retrieved February 2, 2015.  ^ Hamblett 1969, p. 156. ^ "Looking at Hollywood". Colorado Springs Gazette-Telegraph. May 14, 1966. p. 4 – via Newspapers.com.  ^ Smith, Cecil (May 3, 1966). "Review: Anna Christie". The Los Angeles Times.  ^ Baker, Carroll; Newman, Phyllis; Randall, Tony (June 26, 1966). "Mystery Guest: Carroll Baker". What's My Line?. Season 17. Episode 819. CBS.  ^ Baker 1983, p. 296. ^ Baker 1983, pp. 284, 289. ^ Shipka 2011, p. 80. ^ Ebert, Roger (August 20, 1969). "Paranoia Movie Review". Chicago Sun-Times. Retrieved April 5, 2015.  ^ "The Sweet Body of Deborah: Critique". FilmFacts. Division of Cinema of the University of Southern California. 12: 175. 1969. The critics were extremely unkind to The Sweet Body of Deborah, with Carroll Baker taking the severest beating.  ^ Brennan, Patricia (January 3, 1987). "Carroll Baker". The Los Angeles Times. Hollywood Star Walk. Retrieved February 3, 2015.  ^ McDonagh, Maitland. "Baba Yaga Review". TV Guide. Retrieved June 28, 2017.  ^ Movies: Andy Warhol
Andy Warhol
in Mainstream With 'Bad' Taylor, Clarke. Los Angeles Times (1923-Current File); Los Angeles, Calif. [Los Angeles, Calif]01 Aug 1976: k38. ^ Hough, John. The Watcher in the Woods
The Watcher in the Woods
Commentary [DVD]. Anchor Bay Home Entertainment. 2002. ^ a b c d e Monush 2003, p. 33. ^ Ebert, Roger (December 25, 1986). " Native Son
Native Son
Movie Review". Chicago Sun-Times. Retrieved June 28, 2017.  ^ Ebert, Roger (February 12, 1988). "Ironweed Movie Review & Film Summary". Chicago Sun-Times. Retrieved February 2, 2015.  ^ Ebert, Roger (December 21, 1990). " Kindergarten Cop
Kindergarten Cop
Movie Review". Chicago Sun-Times. Retrieved February 2, 2015.  ^ Broeske, Pat H. (January 8, 1991). "WEEKEND BOX OFFICE : Moviegoers Go for the Laughs". The Los Angeles Times. Retrieved June 28, 2017.  ^ "Carroll Baker". New York Post. September 9, 1997. ['The Game' is] an important movie and I'm honored to be in it. Of course, I'd like to be the romantic lead. And I'm actually closer to Michael's [Douglas] age than Deborah Kara Unger
Deborah Kara Unger
is [Baker is 66, Douglas is 53 and Unger is 31]. I think it's always worked that way in Hollywood. When I was in my 20s, I played opposite Jimmy Stewart, Robert Mitchum
Robert Mitchum
and Clark Gable, all of whom were old enough to be my father.  ^ "The Game". Box Office Mojo. Retrieved April 5, 2015.  ^ Ripoli, Patrick (March 15, 2011). "Exhumed: Tales from the Crypt - Episode 3.3 "The Trap"". CHUD. Retrieved July 5, 2017.  ^ "Another Woman's Husband". My Lifetime. Archived from the original on September 5, 2015. Retrieved October 31, 2015.  ^ a b c Baker, Carroll (1986). "An Interview with Carroll Baker". Lifestyles (Interview). Interview with Regis Philbin. New York: Lifetime.  ^ Monush 2003, p. 36. ^ "Carroll Baker". St. Petersburg Times. January 23, 1957. Retrieved June 28, 2017.  ^ Baker 1983, p. 180. ^ Baker 1983, p. 192. ^ a b "British actor Donald Burton, husband Carroll Baker, dies at 73". San Jose Mercury News. January 11, 2008.  ^ Baker 1983, p. 282. ^ Baker 1983, p. 294. ^ Baker, Carroll (2016). "Interview with Carroll Baker, 2016". Something Wild (Blu-ray)format= requires url= (help) (Interview). The Criterion Collection.  ^ Laskey, Margaux (March 7, 2014). "When May Catches Up to December". The New York Times. Retrieved March 4, 2015.  ^ Morley, Sheridan (March 15, 2000). "Tennessee Williams's Play Makes a Stage Debut : 'Baby Doll,' Beyond Film". The New York Times. Retrieved June 27, 2017.  ^ Boehm, Mike (April 8, 2011). "'Baby Doll' joins the cavalcade of L.A. productions marking Tennessee Williams' centennial". Los Angeles Times. Culture Monster. Retrieved June 27, 2017.  ^ "Jena Malone, Thora Birch, and Erika Christensen". Vanity Fair. Condé Nast Publications. 65: 345. Ever since Carroll Baker
Carroll Baker
exploded on-screen in Tennessee Williams's Baby Doll
Baby Doll
in 1956, ingenues have fascinated the cinematic world. This past year they seemed to be getting the most interesting parts as well, and we are not talking about ...  ^ Dalton-Beninato, Karen (March 26, 2011). "Tennessee Williams Actresses Honor His 100th Birthday". Huffington Post. Archived from the original on March 4, 2016. Retrieved February 2, 2015.  ^ a b Robb, Adam (June 15, 2011). " Carroll Baker
Carroll Baker
named Lifetime Achievement Award winner at Hoboken International Film Festival". NJ.com. Archived from the original on September 6, 2017. Retrieved February 2, 2015.  ^ a b Crandell, Ben (September 24, 2012). "Fort Lauderdale International Film Festival to honor Oscar-nominated "Baby Doll" star Carroll Baker". Sun-Sentinel. Retrieved February 28, 2015.  ^ " Carroll Baker
Carroll Baker
on Screen in "Baby Doll" with Passing Silhouette, N.Y.C., 1956". Christie's. Archived from the original on June 29, 2015. Retrieved March 5, 2015.  ^ "Untitled (Carroll Baker) sold by Fineart, Milano, May 15, 2007". Art Value. Archived from the original on June 30, 2015. Retrieved April 10, 2015.  ^ Warhol 2014, p. 23. ^ " Palm Springs Walk of Stars
Palm Springs Walk of Stars
by date dedicated" (PDF). City of Palm Springs, California. Archived from the original (PDF) on October 13, 2012. Retrieved June 28, 2017.  ^ a b "Carroll Baker". GoldenGlobes.com. Archived from the original on December 22, 2015.  ^ The Carpetbaggers (DVD video, 2003). Catalogue data at WorldCat. OCLC 051882438. Retrieved July 4, 2017.  ^ "Foreign Actress in 1957". BAFTA. Retrieved November 1, 2015.  ^ "Givin' 'Em the Boot". American Cowboy (Nov–Dec. 1996). p. 65 – via Google Books.  ^ Gans, Andrew (June 11, 2009). "Stritch, Jackson, Seldes, Reed and Wallach Will Salute Baker June 15". Playbill. Retrieved March 5, 2015. 

Works cited[edit]

Baker, Carroll (1983). Baby Doll: An Autobiography. Arbor House. ISBN 978-0-87795-558-0.  Cantarini, Martha Crawford; Spicer, Chrystopher J. (2010). Fall Girl: My Life as a Western Stunt Double. McFarland. ISBN 978-0-7864-4753-4.  DiLeo, John (2010). Tennessee Williams
Tennessee Williams
and Company: His Essential Screen Actors. Hansen Publishing Group LLC. ISBN 978-1-601-82425-7.  Haberski, Raymond (2007). Freedom to Offend: How New York Remade Movie Culture. The University Press of Kentucky. ISBN 978-0-8131-2429-2.  Hamblett, Charles (1969). " Carroll Baker
Carroll Baker
Fights the System". The Hollywood Cage. Hart Pub. Co. pp. 155–61.  Harding, Les (2012). They Knew Marilyn Monroe: Famous Persons in the Life of the Hollywood Icon. McFarland. ISBN 978-0-786-49014-1.  Horak, Jan-Christopher (2014). Saul Bass: Anatomy of Film Design. Screen Classics. The University Press of Kentucky. ISBN 978-0-8131-4718-5.  Lisanti, Tom (2001). Fantasy Femmes of 60's Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies. McFarland. ISBN 978-0-7864-0868-9.  Mell, Eila (2005). Casting Might-Have-Beens: A Film by Film Directory of Actors Considered for Roles Given to Others. McFarland. ISBN 978-0-7864-2017-9.  Monush, Barry (2003). Encyclopedia of Hollywood Film Actors, Vol. 1: From the Silent Era to 1965. Applause. ISBN 978-1-55783-551-2.  Murphy, Brenda (1992). Tennessee Williams
Tennessee Williams
and Elia Kazan: A Collaboration in the Theatre. Cambridge University Press. ISBN 978-0-521-40095-4.  Rathgeb, Douglas L. (2004). The Making of Rebel Without a Cause. McFarland. ISBN 978-0-7864-1976-0.  Shipka, Danny (2011). Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960–1980. McFarland. ISBN 978-0-7864-4888-3.  Steinberg, Cobbett (1980). Film Facts. New York: Facts on File, Inc. ISBN 0-87196-313-2.  Vickers, Graham (2008). Chasing Lolita: How Popular Culture Corrupted Nabokov's Little Girl All Over Again. Chicago Review Press. ISBN 978-1-55652-682-4.  Warhol, Andy (2014) [1989]. Hackett, Pat, ed. The Andy Warhol
Andy Warhol
Diaries. Grand Central Publishing. ISBN 978-0-446-39138-2. 

External links[edit]

Find more aboutCarroll Bakerat's sister projects

Media from Wikimedia Commons Quotations from Wikiquote

Carroll Baker
Carroll Baker
on IMDb Carroll Baker
Carroll Baker
at the Internet Broadway Database
Internet Broadway Database
Carroll Baker
Carroll Baker
at AllMovie

Awards for Carroll Baker

v t e

Golden Globe
Golden Globe
Award for New Star of the Year – Actress

Lois Maxwell
Lois Maxwell
(1948) Mercedes McCambridge
Mercedes McCambridge
(1950) Pier Angeli
Pier Angeli
(1952) Colette Marchand (1953) Pat Crowley, Bella Darvi, Barbara Rush
Barbara Rush
(1954) Karen Sharpe, Kim Novak, Shirley MacLaine
Shirley MacLaine
(1955) Anita Ekberg, Victoria Shaw, Dana Wynter
Dana Wynter
(1956) Carroll Baker, Jayne Mansfield, Natalie Wood
Natalie Wood
(1957) Carolyn Jones, Diane Varsi, Sandra Dee
Sandra Dee
(1958) Linda Cristal, Susan Kohner, Tina Louise
Tina Louise
(1959) Janet Munro, Tuesday Weld, Angie Dickinson, Stella Stevens
Stella Stevens
(1960) Ina Balin, Hayley Mills, Nancy Kwan
Nancy Kwan
(1961) Ann-Margret, Jane Fonda, Christine Kaufmann
Christine Kaufmann
(1962) Sue Lyon, Patty Duke, Rita Tushingham
Rita Tushingham
(1963) Tippi Hedren, Elke Sommer, Ursula Andress
Ursula Andress
(1964) Mia Farrow, Mary Ann Mobley, Celia Kaye
Celia Kaye
(1965) Elizabeth Hartman
Elizabeth Hartman
(1966) Jessica Walter
Jessica Walter
(1967) Katharine Ross
Katharine Ross
(1968) Olivia Hussey, Marianne McAndrew
Marianne McAndrew
(1969) Ali MacGraw
Ali MacGraw
(1970) Carrie Snodgress (1971) Twiggy
(1972) Diana Ross
Diana Ross
(1973) Tatum O'Neal
Tatum O'Neal
(1974) Susan Flannery
Susan Flannery
(1975) Marilyn Hassett (1976) Jessica Lange
Jessica Lange
(1977) Irene Miracle (1979) Bette Midler
Bette Midler
(1980) Nastassja Kinski
Nastassja Kinski
(1981) Pia Zadora
Pia Zadora
(1982) Sandahl Bergman
Sandahl Bergman

v t e

Hasty Pudding Woman of the Year


Gertrude Lawrence
Gertrude Lawrence
(1951) Barbara Bel Geddes
Barbara Bel Geddes
(1952) Mamie Eisenhower
Mamie Eisenhower
(1953) Shirley Booth
Shirley Booth
(1954) Debbie Reynolds
Debbie Reynolds
(1955) Peggy Ann Garner
Peggy Ann Garner
(1956) Carroll Baker
Carroll Baker
(1957) Katharine Hepburn
Katharine Hepburn
(1958) Joanne Woodward
Joanne Woodward
(1959) Carol Lawrence
Carol Lawrence
(1960) Jane Fonda
Jane Fonda
(1961) Piper Laurie
Piper Laurie
(1962) Shirley MacLaine
Shirley MacLaine
(1963) Rosalind Russell
Rosalind Russell
(1964) Lee Remick
Lee Remick
(1965) Ethel Merman
Ethel Merman
(1966) Lauren Bacall
Lauren Bacall
(1967) Angela Lansbury
Angela Lansbury
(1968) Carol Burnett
Carol Burnett
(1969) Dionne Warwick
Dionne Warwick
(1970) Carol Channing
Carol Channing
(1971) Ruby Keeler
Ruby Keeler
(1972) Liza Minnelli
Liza Minnelli
(1973) Faye Dunaway
Faye Dunaway
(1974) Valerie Harper
Valerie Harper


Bette Midler
Bette Midler
(1976) Elizabeth Taylor
Elizabeth Taylor
(1977) Beverly Sills
Beverly Sills
(1978) Candice Bergen
Candice Bergen
(1979) Meryl Streep
Meryl Streep
(1980) Mary Tyler Moore
Mary Tyler Moore
(1981) Ella Fitzgerald
Ella Fitzgerald
(1982) Julie Andrews
Julie Andrews
(1983) Joan Rivers
Joan Rivers
(1984) Cher
(1985) Sally Field
Sally Field
(1986) Bernadette Peters
Bernadette Peters
(1987) Lucille Ball
Lucille Ball
(1988) Kathleen Turner
Kathleen Turner
(1989) Glenn Close
Glenn Close
(1990) Diane Keaton
Diane Keaton
(1991) Jodie Foster
Jodie Foster
(1992) Whoopi Goldberg
Whoopi Goldberg
(1993) Meg Ryan
Meg Ryan
(1994) Michelle Pfeiffer
Michelle Pfeiffer
(1995) Susan Sarandon
Susan Sarandon
(1996) Julia Roberts
Julia Roberts
(1997) Sigourney Weaver
Sigourney Weaver
(1998) Goldie Hawn
Goldie Hawn
(1999) Jamie Lee Curtis
Jamie Lee Curtis


Drew Barrymore
Drew Barrymore
(2001) Sarah Jessica Parker
Sarah Jessica Parker
(2002) Anjelica Huston
Anjelica Huston
(2003) Sandra Bullock
Sandra Bullock
(2004) Catherine Zeta-Jones
Catherine Zeta-Jones
(2005) Halle Berry
Halle Berry
(2006) Scarlett Johansson
Scarlett Johansson
(2007) Charlize Theron
Charlize Theron
(2008) Renée Zellweger
Renée Zellweger
(2009) Anne Hathaway
Anne Hathaway
(2010) Julianne Moore
Julianne Moore
(2011) Claire Danes
Claire Danes
(2012) Marion Cotillard
Marion Cotillard
(2013) Helen Mirren
Helen Mirren
(2014) Amy Poehler
Amy Poehler
(2015) Kerry Washington
Kerry Washington
(2016) Octavia Spencer
Octavia Spencer
(2017) Mila Kunis
Mila Kunis

Authority control

Identities VIAF: 22402657 LCCN: n83159489 ISNI: 0000 0001 2123 9764 GND: 131425285 SUDOC: 060393262 BNF: cb14659613z (data) BIBSYS: 4006448 BNE: XX1141344 SN