Adina Bar-On ( he, עדינה בר-און), born December 19, 1951, in Kibbutz

Kfar Blum Kfar Blum ( he, כְּפַר בְּלוּם, ''lit.'' Blum Village) is a kibbutz in the Hula Valley part of the Upper Galilee in Israel. Located about southeast of the town of Kiryat Shmona, it falls under the jurisdiction of Upper Galilee Regio ...

, Israel, is a pioneer

performance artist Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...

, considered to be the first performance artist in Israel. Active for four decades, Bar-On's work continuously explores the relationship between

identity Identity may refer to: * Identity document * Identity (philosophy) * Identity (social science) * Identity (mathematics) Arts and entertainment Film and television * ''Identity'' (1987 film), an Iranian film * ''Identity'' (2003 film), ...

and presence, and most importantly "conflict of identity and conflicting identities". Her performances consist of unique use of human body and voice expression, close to modern dance and experimental sound techniques. Adina's work emphasizes strong connection of art and non-structural ethics of behavior, and introduces it by activating audience's high levels of attention and consciousness.

Early work

Bar-On began her first performances in the early 1973 as a third year student at the

Bezalel Academy of Art and Design Bezalel Academy of Arts and Design ( he, בצלאל, אקדמיה לאמנות ועיצוב) is a public college of design and art located in Jerusalem. Established in 1906 by Jewish painter and sculptor Boris Schatz, Bezalel is Israel's oldest ...

. Bar-On is now a performance art teacher at Bezalel Academy's Visual Arts Department. Bar-On studied to become a painter, although was deeply involved in

conceptual art Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called insta ...

movement. Her early performances took place when the notion of "performance" as a medium of art expression was not yet known in Israel. Her first performances were still called "shows"and the invitations for these events were only saying her name, time and place of the event. Those days most art critics considered performance to be a junk-art, this genre of art was not understood nor acknowledged by art historians and critics.

Controversy

After the first performance at the courtyard of Bezalel Academy in Jerusalem, Bar-On was asked to stop doing this kind of things and academy professors called a school psychologist to examine the performer and to express professional opinion about the work. After the second performance, "Birds" (June–July 1973), Adina received a warning letter from the directors on te Academy, informing that if she wants to continue to study she has to go back to conventional mediums.

Family Background

Bar-On's parents were

Zionist Zionism ( he, צִיּוֹנוּת ''Tsiyyonut'' after ''Zion'') is a nationalist movement that espouses the establishment of, and support for a homeland for the Jewish people centered in the area roughly corresponding to what is known in Je ...

American Jews who came to Israel at the beginning of this state, to set a country for a free nation to live in their own state (not in a ghetto in other nations' state). They did not come from Europe and did not escape from after-

Holocaust The Holocaust, also known as the Shoah, was the genocide of European Jews during World War II. Between 1941 and 1945, Nazi Germany and its collaborators systematically murdered some six million Jews across German-occupied Europe; a ...

Germany or Eastern Europe, but from free country of USA. Adina Bar-On was born in

kibbutz A kibbutz ( he, קִבּוּץ / , lit. "gathering, clustering"; plural: kibbutzim / ) is an intentional community in Israel that was traditionally based on agriculture. The first kibbutz, established in 1909, was Degania. Today, farming h ...

, and after some years in Israel went to America to go to secondary school. She later conceptualized her identity status in a talk "Is my Performance an Israeli Culture Manifestation?" in 2011 at Dar al- Kalima College of Art,

Bethlehem Bethlehem (; ar, بيت لحم ; he, בֵּית לֶחֶם '' '') is a city in the central West Bank, Palestine, about south of Jerusalem. Its population is approximately 25,000,Amara, 1999p. 18.Brynen, 2000p. 202. and it is the capital o ...

Influences

At the Bezalel Academy (then in the center of Jerusalem, now on the

Mount Scopus Mount Scopus ( he, הַר הַצּוֹפִים ', "Mount of the Watchmen/ Sentinels"; ar, جبل المشارف ', lit. "Mount Lookout", or ' "Mount of the Scene/Burial Site", or ) is a mountain (elevation: above sea level) in northeast Je ...

) Adina was focused on painting and studied

, which was becoming the most important approach in contemporary practice. During the seventies she was interested mostly in new forms of communication art and her work was influenced by American happenings,

Joseph Beuys Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art mov ...

Tadeusz Kantor Tadeusz Kantor (6 April 1915 – 8 December 1990) was a Polish painter, assemblage and Happenings artist, set designer and theatre director. Kantor is renowned for his revolutionary theatrical performances in Poland and abroad. Laureate of ...

Jerzy Grotowski Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzesz ...

, the new theater (as defined by Michael Kirby),

Vito Acconci Vito Acconci (, ; January 24, 1940 – April 27, 2017) was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational p ...

. Bar-On found inspiration for her aesthetics in film, precisely in Giulietta Masina's actors work, as well as in the new manner introduced by Fellini, Antonioni and Godard of seeing film-life (art-life) relationship problem. She studied dance for some time and experimented with mime (an episode in Swiss mime actor and clown Dimitri in 1976 at the Dimitri School of Theatre, Vercio, Switzerland). During these years Adina worked as therapeutist, social worker, gave courses for school art teachers, as well as performed in many different contexts: at the industry for workers, old people's houses, nurseries, private homes. Her work was described as "strong" and "subtle" at the same time (her name, "Adina Bar-On", in Hebrew means "delicate with power") and some people recognized her new aesthetics, exceptional way of creating art as a means of human communication. She was 23 years old when she decided to complete her academic diploma at the Bezalel despite the professors' "advice" to quit making performances, and she prepared a special, highly conceptual photographic work (black and white photographs of her color, post-expressionist paintings hung on the walls of a middle class conservative Israeli living room of her mother's house). This work already signaled some of the subjects she will be exploring later: public and private, black-and-white and color, representation and performance. In 1974 Adina Bar-On married Daniel Davis, a

potter A potter is someone who makes pottery. Potter may also refer to: Places United States *Potter, originally a section on the Alaska Railroad, currently a neighborhood of Anchorage, Alaska, US * Potter, Arkansas *Potter, Nebraska * Potters, New Je ...

and author of Judaica art, with whom she later often worked on some of her performances (ex. A Woman of the Pots), and made her private life a subject of the art work. Their children, Shahar Davis and Yasmin Davis, were also engaged in the preparation of "Woman of the Pots". Bar-On wrote in 2000 about a necessity and ethical motivation of her work: "I felt that art was losing its connection with what characterizes the human being, the ability to connect intellect with emotions".

Selected performances

"Performance", 1973

Adina's first performance took place in the plaza of old Bezalel Academy building, in early May 1973. Going beyond contemporary aesthetics, risking social position and artistic status, extending possibilities of communication - all these interpretations of Adina Bar-On's early performance places it on the border between avant-garde art and post-artistic performance art practice. An incident of being mistaken for a mentally ill by Academy professors (other artists, see: section "Controversy"), showed Bar-On that her performance was indeed touching a deep level of human psyche of the audience and caused an aesthetic shock of a certain kind. At the time, most of the interpretations of art history, even aware of

anti-psychiatric Anti-psychiatry is a movement based on the view that Psychiatry, psychiatric treatment is often more damaging than helpful to patients, highlighting controversies about psychiatry. Objections include the reliability of psychiatric diagnosis, the ...

movement in Europe, psychoanalytical writings about

Antonin Artaud Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (; 4 September 1896 – 4 March 1948), was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as a major figure of the E ...

, experience with

surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...

counterculture A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores.Eric Donald Hirsch. ''The Dictionary of Cultural Literacy''. Hou ...

movement, Beuys's idea of

social sculpture Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and co-founder of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potentia ...

etc., were only taken intellectually, and misunderstood. Adina's experiment was recognized by the audience: "Very, very strong. (...) I am stired by the approach which I think should guide all of us - to touch the truth, and not in all kinds of formal, aesthetic, etc., pseudo-intellectiuallism. I don't know what art is, for I've heard from "professional connoisseurs" that this is not art. ( ... ) And I don't care if it is or it is not if art does touch upon these problems but in a different way that enables distance, form, material, causality, inner logic (formal as well)." (Fragments of a letter Adina Bar-On received after the performance).

"Walking On a Thin Line", 1979

In this performance was prepared in collaboration with Ronit Land (Israeli dancer and choreographer, disciple of

Merce Cunningham Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other discipl ...

and

Anna Halprin Anna Halprin (born Hannah Dorothy Schuman; July 13, 1920 – May 24, 2021) was an American choreographer and dancer. She helped redefine dance in postwar America and pioneer the experimental art form known as postmodern dance and referred to hers ...

) as movement consultant. It was performed at The Israel Museum of Art, Jerusalem, as well as at the Tel-Hai '80, a contemporary art event.

"Salute", 1983

Working in a collaboration with Ronit Land, this time Bar-On prepared a theatrical performance, moving on the edge of modern dance, theatre expression and performance art. Daniel Davis's environmental design was introduced. The premiere took place at Tel Hai, 83, Contemporary Art Event.

"On Getting High", 1986

"Getting high" as a goal of theater and ritual throughout the ages, the idea of inexpressible, were motifs of this six scenes of movement-play performance. Musical part of the performance involved early computer-based composition (using 3 connected synthesiser) composed by Yossi Marchaim and wordless vocalization of Adina and Robert Flantz.

"Woman of the Pots", 1990–1991

One of Bar-On's masterpieces, combining image, movement/dance and voice interplay. Originally performed In 1990 performance was filmed by Naomi Perlov and screened at Israel Museum. Playing with an important Israeli iconographical motive, "Woman of the Pots" was a most important collaboration with Daniel Davis.

Leaving "Acconci dilemma"

At this phase of Bar-On's development an important methodological change was: leaving art as conceptual art, and leading towards contextual art (everyday life questions raised to be subjects of the art). Saying that she left "the Acconci

dilemma" in performance art, Bar-On emphasised the need for new approach in performance art, where strong relations between art and life should be introduced when talking about live-art paradigm.

''Breath'', 1994

Performed in The Tel Aviv Museum of Art

Tel Aviv Museum of Art Tel Aviv Museum of Art ( he, מוזיאון תל אביב לאמנות ''Muzeon Tel Aviv Leomanut'') is an art museum in Tel Aviv, Israel. The museum is dedicated to the preservation and display of modern and contemporary art from Israel and aroun ...

. Video work for the performance was prepared by Alon Eilat.

"Sacrifice", 1991

Based on an experimental voicework (recorded and mastered later in ToTamTo Studios, Warsaw), "Sacrifice" is a turning point in Bar-On's aesthetics and an example of highly sophisticated work using voice, body and image of the body. Voice is a leading creative element of not only expressing, but first of all transforming emotions (like pain) in the work of art. A documentary film was made from the performance in Quimper, France, witnessing Adina's visit at the Festival Mettre en Scene: Quimper. Subtle level of communication is crucial for Bar-On's performances, working with "quantum level" of emotions. Laszlo Beke (director of Research Institute of Art History, Hungarian Academy of Science) wrote on "Sacrifice": "At the beginning after an intensive internal meditation she faced the audience (or one of its members) and waited, doing nothing, until this nothing ("tense nothing") became nearly unendurable. This is a kind of address that prepares the audience mentally and spiritually for the reception of forthcoming events". "I'm engaged in tikkun, not from above, but in a language that everybody understands. Empathy to yourself. If you don't love and it's difficult for you now, at least have empathy."- wrote Bar-On in her autobiographical essay "A Soliloquy". "Sacrificed was performed for ten years in places including the Kuhsthalle, Budapest, Catalyst Arts Gallery: Belfast, Para/Site Art Space: Hong-Kong, Chasama Arts Space: New York.

"Rest", 1999–2005

As Bar-On described it later: "Rest is a paraphrase of a popular and old Israeli lullaby that has become mythological – "Rest For The Weary". In the Shopping Mall, Opera House

Tel Aviv Performing Arts Center The Tel Aviv Performing Arts Center (TAPAC, he, המשכן לאומנויות הבמה, links=no) or The Golda Center for Performing Arts ( he, מרכז גולדה לאומנויות הבמה, links=no) is a performing arts center at King Saul Bo ...

and Central Bus Station suspended in a vertical elevated bed, way above the heads of passers by, I move as if in a state of sleep. As in a dream, out of the subconscious, I create images by my movement and my own vocal adaptation of the old Jewish Pioneer's song. Placing myself in these locations I had become a provocation but more than that an image of a plea or a cry for time-out, for rest, detached from ideological idioms".

"About Love", 2004

In ''About Love'' (close to previous "Vision") the performer was the creator of the image, and at the same time emanating certain "aura", direct communication with the audience, often felt as intervention in an intimate level of viewer's psyche, although he/she was a stranger or a passer-by. This performance was described by Bar-On's biographer, Idit Porat, as "transforming suffering into beauty". In discussing this phase of her performance history, Adina has said: "II want to put questions of emotion on the pyre. I think this is an acute issue. I think it is what is lacking, not alienated discussions." The form of Bar-On's performances always explored delicacy, subtlety of meaning, allusions, conxeptualism, intellectual poetry, intellectual and spiritual signals going beyond symbolic levels of interpretation. In 2005, after a work "Dreamy", As Bar-On described it: "Emotions can be a material, it is my material. What do people usually do with emotions?"

"40x40/Sentenced to Life"

(lacking description)

"Disposition", Performance Series 2001-2010

This site-specific performance is structured to be a journey or a walk through urban space, where Bar-On, dressed in red, is a guide or a leader. Playing with this motif of a woman leadership and multiple meanings of space when observed through artist's eyes, mostly the borders, no-mans land's, areas of former conflicts or places of "hidden history" to be revealed. "Dispositions" were performed in Nachshon, Israel; Hong-Kong; Quimper, France; Helsinki, Finland; Toronto, Canada; Belfast, Northern Ireland, Oswiecim (city of Auschwitz) and Lublin, Poland.

"Sacred", 2011-2012 and "NO MATTER", 2013

After Daniel Davis's death in 2010, the artist sharpened her massage and became more direct in performance art communication process. Making performances for no more than 30 people, she focused on building strong mental contact with each spectator/witness through all channels of human expression, but now transgressing symbolism and conceptual methods. This almost "mystical strategy", apophatic method is now extending

existentialist Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value ...

implications of Bar-On's art and use of pre-expressive level in performance.

New ways of creating engaged art

To create new performances in the mid-2010s, Bar-On merged everyday life situation with social symbolism, religious iconography, dream visions and mass media images. From this time Israeli and Palestinian dialogue is often a subject of the artist's work, as well as is Bar-On's own private life themes which are transported into performance art; ex. widows of the war on both sides of the conflict - Adina Bar-On's husband, Daniel Davis, died of brain tumour caused by military service in the Israeli Army. For five years he was able to express himself only by saying "Lo!" ("No!" in Hebrew). Starting from early performances shown at the time of

Yom Kippur War The Yom Kippur War, also known as the Ramadan War, the October War, the 1973 Arab–Israeli War, or the Fourth Arab–Israeli War, was an armed conflict fought from October 6 to 25, 1973 between Israel and a coalition of Arab states led by Egy ...

in 1973, through 1989 when Bar-On conducted a workshop at "The Peace Frontier. International Symposium for Sculpture and Painting", the performer is active in transporting her main subject of art - "conflict of identity and conflicting identities" - into constant

existential Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and valu ...

practice. Engaged in politics of the body, social role and gender from the very beginnings of her career in the 1970s, give Adina Bar-On a significant (although unconventional) role in

feminist art Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience within their lives. The hopeful gain from this form of art is to bri ...

Relationships and art

Bar-On is a close friend of major performance artists and thinkers: Jan Swidzinski, Zbigniew Warpechowski, Boris Nieslony, Marlyn Arsem, with whom she is often meeting on art festivals and developed an informal group of performance artists who create contextual art in uncompromising way, with no support of the "art world" establishment, yet recognized and respected by its representatives. Her intent on working on a most fundamental level of human communication changed Bar-On's relationships with other artists and non-artists into live-art itself.

Festivals

As a performer Bar-On presented her work on the most important performance art festivals in the world, including Blurr, Biennale of Performance Art: Jaffa/Tel-Aviv (many times under curatorship of Sergio Edelstein), Israel, In the Context of Art/ Differences: Warsaw, Interaction Festival:

Piotrków Trybunalski Piotrków Trybunalski (; also known by #Etymology, alternative names), often simplified to Piotrków, is a city in central Poland with 71,252 inhabitants (2021). It is the second-largest city situated in the Łódź Voivodeship. Previously, it wa ...

, Asiatopia International Performance Festival; Bangkok, Social Art Forum: Paris, Epipederme / Performance Art event, Lisbon, Portugal, Tupada Action and Media Art, 2009/The 6th Tupada International Visual Performance Festival; Manila, Philippines, Asiatopia, International Performance Art Festival; Bangkok, Chiangmai, Thailand, Navinki 2001, Performance-Art Festival: Minsk, Belarus, International Performance Art Festival, "Castle of Imagination": Ustka-Slupsk, Poland, Festival Mettre en Scene: Quimper, France, The 5th Asian Performance Art Series + Shinshu Summer Seminar 2000: Macau, Hong-Kong, and Negoya, Tokyo, Nagano in Japan, and many others.

Later work and educational projects

Early in her career Adina Bar-On started to teach and worked on various art educational projects focused on the language of visual communication and live-art. She has been giving numerous workshops in Israel (including Tel Aviv University, Kalisher Art School, Camera Obscura School of Art, School of Visual Theater Jerusalem, el-Hai College, Omanut La'am Art Education Organization, Holon School For The Education of Technology, Dar al- Kalima College of Art, The Academy od Dance and Music Jerusalem,

, Yasmin Goder Dance Group) as well as around the world as visiting professor: at the Wroclaw Art Academy, Oswiecim Jewish Center (at the

Oświęcim Synagogue The Oświęcim Synagogue, also called the Auschwitz Synagogue, is the only active synagogue in the town of Oświęcim, Poland. The formal, as well as pre-war, name of the synagogue is C''hevre Loymdei Mishnayos'' (English translation: Association ...

, Mobius Artists Group, Performance Art Conference: Essen, Braunschweig University/ Department of Fine Arts, Germany, and workshop leader: Arsenal Gallery in Bialystok, Wei Wei Dance Company, Hong Kong). One of recent major projects, such as "Aesthetics and Bias" involve institutions such as

Bezalel Academy Bezalel Academy of Arts and Design ( he, בצלאל, אקדמיה לאמנות ועיצוב) is a public college of design and art located in Jerusalem. Established in 1906 by Jewish painter and sculptor Boris Schatz, Bezalel is Israel's oldest ...

Eugeniusz Geppert Academy of Fine Arts The Eugeniusz Geppert Academy of Fine Arts in Wrocław ( pl, Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu) is a public institution of higher learning established in 1946 originally as the College of Fine Arts. From 2008 the univ ...

in Wrocław,

University of Fine Arts in Poznań Magdalena Abakanowicz University of the Arts Poznan Poznań (in Polish: ''Uniwersytet Artystyczny im. Magdaleny Abakanowicz w Poznaniu'') is one of the major fine-art academies in Poland. It was founded in 1919 as the State School of Decorative ...

Warsaw Academy Warsaw Academy is a historic school in Warsaw, Wyoming County, New York. It is a two-story cobblestone structure measuring 35 feet by 57 feet in the Greek Revival style. Built as a school in 1846, the building has housed a Masonic temple since 1 ...

Kraków Academy of Fine Arts The Jan Matejko Academy of Fine Arts in Kraków ( pl, Akademia Sztuk Pięknych im. Jana Matejki w Krakowie, usually abbreviated to ''ASP''), is a public institution of higher education located in the centre of Kraków, Poland. It is the oldest Pol ...

, to work together in a process of developing new aesthetics.

Adina Bar-On on film

Starting with the performance based film "A Woman of the Pots", Bar-On prepared a number of films and

video installation Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has ...

which are important for understanding her approach to the art: "Portrait" (1999), "View" (2001) (as an aftermath of a performance under the same name), "Room" and "Motherland" (both in 2001). A relationship between live-art and film/video image was already explored in "Breath" (1994) and possibly this performance leaves a trace of what the artist thinks about film representation of live-art. Bar-On played an important role in

Amos Gitai Amos Gitai ( he, עמוס גיתאי; born 11 October 1950) is an Israeli filmmaker, who was trained as an architect. Gitai's work was presented in several major retrospectives in Pompidou Center in Paris, the Museum of Modern Art (MoMA) and ...

1990 film "Birth of a Golem" (Naissance d'un golem: Carnet de notes), giving an expressive improvised performance in the movie, and appearing on a screen in the moment when the story of a Golem is told. She also helped to direct

Annie Lennox Ann Lennox (born 25 December 1954) is a Scottish singer-songwriter, political activist and philanthropist. After achieving moderate success in the late 1970s as part of the New wave music, new wave band the Tourists, she and fellow musician D ...

in her role as Golem's figure in the cave scene. Adina Bar-On's full documentation of work on film in now hosted by The Art of Action Archives, organization focused on anthropological research and preservation of performance art masterpieces.

Students' work

During the years of teaching about visual communication, Bar-On managed to contact young artists of different sensitivity and working on future aesthetics of a new era. Still not theoretically described nor defined aesthetics of Bar-On is an inspiration for new generation of artists.

Prizes and awards

* The American Israel Cultural Foundation

America Israel Cultural Foundation The America-Israel Cultural Foundation (AICF) is a non-profit American foundation that supports cultural projects in Israel. History The America-Israel Cultural Foundation was established in 1939 to support the growth and development of a Jewish ...

- "A Prize of appreciation on a unique contribution in Art" - 2001. * Prize of The Ministry of Culture and Education of Israel - 1991.

Bibliography

Works on Bar-On

*"Adina Bar-on, Performance Artist, עדינה בר-און, אמנית מופע", by: Idit Porat, Publishers: Hakibbutz Hameuchad Publishing House Ltd, Herzliya Museum of Art 2001. .

Articles and studies

*Yona Fischer, "Performances of Adina Bar-On", Mussag, 1976. *Sara Breitberg, "Adina Bar-On Facing the Audience: An Encounter", Yediot Aharonot, 5 March 1976. *Martin Zet,"Lady in Red", 30 December 2002, FIX02 Belfast.

References

External links

*Adina Bar-On's official website -https://adinabaron.com/ *Adina Bar-On profile on the Art of Action Archive -http://artofactionarchive.wix.com/adinabaron * About "Disposition" in CCCA Toronto -http://ccca.concordia.ca/performance_artists/f/fado/adina/adina_perf1/index.html * Adina Bar-On appearance in a documentary "The Art of Action" - https://www.youtube.com/watch?v=auORCphc_s4 * Interview with Adina Bar-O on art and activism (only in Hebrew) - https://www.youtube.com/watch?v=Jc6PB7m2eTs * "Artists Talk. Adina Bar-On", WRO Art Center - http://vimeo.com/46639510 {{DEFAULTSORT:Bar-On, Adina 1951 births Living people Artists from Tel Aviv Israeli contemporary artists Israeli women artists Israeli conceptual artists Women conceptual artists Academic staff of Bezalel Academy of Arts and Design Jewish artists 21st-century women artists