32 bar song form
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The 32-
bar Bar or BAR may refer to: Food and drink * Bar (establishment), selling alcoholic beverages * Candy bar * Chocolate bar Science and technology * Bar (river morphology), a deposit of sediment * Bar (tropical cyclone), a layer of cloud * Bar (u ...
form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in
Tin Pan Alley Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. It originally referred to a specific place: West 28th Street ...
songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "
I Got Rhythm "I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the " rhythm changes", is the foundation for many other popular jazz tunes suc ...
", "
What'll I Do "What'll I Do" is a song written by Irving Berlin in 1923. It was introduced by singers Grace Moore and John Steel late in the run of Berlin's third '' Music Box Revue'' and was also included in the following year's edition."American Classics - ...
", "
Make You Feel My Love "Make You Feel My Love", also known as "To Make You Feel My Love" is a song written by Bob Dylan for his album '' Time Out of Mind'', released in September 1997. It was first released commercially in August 1997 by Billy Joel for his compilation ...
", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms.


Basic song form

At its core, the basic AABA 32-bar song form consists of four sections, each section being 8 bars in length, totaling 32 bars. Each of these 8-bar sections is assigned a letter name ("A" or "B"), based on its melodic and harmonic content. The A sections all share the same melody (possibly with slight variations), and the recurring title lyric typically falls on either the first or last line of each A section. The "B" section musically and lyrically contrasts the A sections, and may or may not contain the title lyric. The "B" section may use a different harmony that contrasts with the harmony of the A sections. For example in the song "I've Got Rhythm", the A sections are in the key of B, but the B section involves a
circle of fifths In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval of ...
series of
dominant seventh In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad t ...
chords going from D7, G7, C7, to F7. Song form terminology is not standardized, and the B section is also referred to as the "
middle eight The 32- bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. ...
", "
bridge A bridge is a structure built to span a physical obstacle (such as a body of water, valley, road, or rail) without blocking the way underneath. It is constructed for the purpose of providing passage over the obstacle, which is usually somethi ...
", or "primary bridge". The song form of "What'll I Do" by Irving Berlin is as follows: :


Terminology


Sectional verse

Some
Tin Pan Alley Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. It originally referred to a specific place: West 28th Street ...
songs composed as numbers for musicals precede the main tune with what was called a " sectional verse" or "introductory verse" in the terminology of the early 20th century. This introductory section is usually 16 bars long and establishes the background and mood of the number, and is musically undistinguished, with a free musical structure, speech-like rhythms, and rubato delivery, in order to highlight the attractions of the main tune. The sectional verse is often omitted from modern performances. It is not assigned a letter in the "AABA" naming scheme. The introductory verse from "
What'll I Do "What'll I Do" is a song written by Irving Berlin in 1923. It was introduced by singers Grace Moore and John Steel late in the run of Berlin's third '' Music Box Revue'' and was also included in the following year's edition."American Classics - ...
" by Irving Berlin is as follows:
Gone is the romance that was so divine,
'tis broken and cannot be mended
You must go your way, and I must go mine,
but now that our love dreams have ended...


Bridge

In music theory, the middle eight or bridge is the B section of a 32-bar form.. This section has a significantly different melody from the rest of the song and usually occurs after the second "A" section in the AABA song form. It is also called a middle eight because it happens in the middle of the song and the length is generally eight bars.


Terminological confusion

In early-20th-century terminology, the main 32-bar AABA section, in its entirety, was called the " refrain" or "chorus". This is in contrast to the modern usage of the term "chorus", which refers to a repeating musical and lyrical section in
verse–chorus form Verse–chorus form is a musical form going back to the 1840s, in such songs as " Oh! Susanna", " The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the AABA (with verse) form in the T ...
. Additionally, "verse," "chorus", and "refrain" all have different meanings in modern musical terminology. See the below chart for clarification:


History

Though the 32-bar form resembles the
ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...
of the
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
tic
da capo aria The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orato ...
, it did not become common until the late 1910s. It became "the principal form" of American popular song around 1925–1926,. with the AABA form consisting of the chorus or the entirety of many songs in the early 20th century. It was commonly used by composers
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...
, Cole Porter, and
Jerome Kern Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in ove ...
, and it dominated American popular music into the 1950s. The 32-bar form was often used in rock in the 1950s and '60s, after which
verse–chorus form Verse–chorus form is a musical form going back to the 1840s, in such songs as " Oh! Susanna", " The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the AABA (with verse) form in the T ...
became more prevalent. Examples include: *
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...
"
I Got Rhythm "I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the " rhythm changes", is the foundation for many other popular jazz tunes suc ...
" (1930) *
Jerry Lee Lewis Jerry Lee Lewis (September 29, 1935October 28, 2022) was an American singer, songwriter and pianist. Nicknamed "The Killer", he was described as " rock & roll's first great wild man". A pioneer of rock and roll and rockabilly music, Lewis ma ...
' "
Great Balls of Fire "Great Balls of Fire" is a 1957 popular song recorded by American rock and roll musician Jerry Lee Lewis on Sun Records and featured in the 1957 movie '' Jamboree''. It was written by Otis Blackwell and Jack Hammer. The Jerry Lee Lewis 1957 rec ...
" (1957) *
The Everly Brothers The Everly Brothers were an American rock duo, known for steel-string acoustic guitar playing and close harmony singing. Consisting of Isaac Donald "Don" Everly (February 1, 1937 – August 21, 2021) and Phillip "Phil" Everly (January 19, 193 ...
' "
All I Have to Do Is Dream "All I Have to Do Is Dream" is a song made famous by the Everly Brothers, written by Boudleaux Bryant of the husband-and-wife songwriting team Felice and Boudleaux Bryant, and published in 1958. The song is ranked No. 141 on the ''Rolling Stone ...
" (1958) *
The Shirelles The Shirelles were an American girl group formed in Passaic, New Jersey in 1957. They consisted of schoolmates Shirley Owens (later Shirley Alston Reeves), Doris Coley (later Doris Kenner-Jackson), Addie "Micki" Harris (later Addie Harris McFad ...
' "
Will You Love Me Tomorrow "Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit n ...
" (1960) *
The Beach Boys The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by the ...
' " Surfer Girl" (1963) Though more prevalent in the first half of the 20th century, many contemporary songs show similarity to the form, such as "
Memory Memory is the faculty of the mind by which data or information is encoded, stored, and retrieved when needed. It is the retention of information over time for the purpose of influencing future action. If past events could not be remembered ...
", from '' Cats'', which features expanded form through the B and A sections repeated in new keys.Benward & Saker (2003), p. 318. Songwriters such as
Lennon–McCartney Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney (born 1942) of the Beatles. It is the best-known and most successful musical collaboration ever by records sold, with the ...
and those working in the
Brill Building The Brill Building is an office building at 1619 Broadway on 49th Street in the New York City borough of Manhattan, just north of Times Square and further uptown from the historic musical Tin Pan Alley neighborhood. It was built in 1931 as t ...
also used modified or extended 32-bar forms, often modifying the number of measures in individual or all sections.
The Beatles The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the developmen ...
("
From Me to You "From Me to You" is a song by the English rock band the Beatles that was released in April 1963 as their third single. It was written by Paul McCartney and John Lennon. The song was the Beatles' first number 1 hit on what became the official U ...
" (1963) and "
I Want to Hold Your Hand "I Want to Hold Your Hand" is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment. With advance orders ...
" (1963)), like many others, would extend the form with an instrumental section, second bridge, break or reprise of the introduction, etc., and another return to the main theme. Introductions and codas also extended the form. In "
Down Mexico Way ''Down Mexico Way'' is a 1941 American Western film directed by Joseph Santley and starring Gene Autry, Smiley Burnette, and Fay McKenzie. Based on a story by Dorrell and Stuart E. McGowan, the film is about a singing cowboy who comes to the a ...
" "the A sections… are doubled in length, to sixteen bars—but this affects the overall scheme only marginally".. The theme tune of the long-running British TV series '' Doctor Who'' has, in some incarnations, followed 32 bar form.


See also

*
Bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the ...
(AAB) *
Ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...
(ABA)


References


Further reading

* Appen, Ralf von / Frei-Hauenschild, Marku
"AABA, Refrain, Chorus, Bridge, Prechorus — Song Forms and their Historical Development"
In: ''Samples. Online Publikationen der Gesellschaft für Popularmusikforschung/German Society for Popular Music Studies e.V.'' Ed. by Ralf von Appen,
André Doehring André Doehring (born in 1973) is a German musicologist, who is active in pop music and jazz research. Work Born in Uelzen, Doehring studied musicology and sociology. Since 2005 he worked as a research assistant at the Institute for Musicology a ...
and
Thomas Phleps Thomas Phleps (2 September 1955 – 5 June 2017) was a German guitarist and musicologist. Life Born in Bad Hersfeld, Phleps studieded at the Philipps-Universität Marburg and the University of Kassel and completed his studies in 1981 and 1983 re ...
. Vol. 13 (2015). {{DEFAULTSORT:Thirty-Two-Bar Form Song forms Musical terminology Jazz terminology