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Surya Majapahit
Surya Majapahit ( Kawi: ꦯꦸꦂꦪꦩꦗꦥꦲꦶꦠ꧀, Sanskrit: मजपहितस्य सूर्य) (Surya of the Majapahit) is the emblem commonly found in ruins dated from the Majapahit era. The emblem commonly took the form of an eight-pointed sun ray with the rounded part in the center depicting Hindu deities. The emblem might have taken the form of a cosmological diagram haloed by typical sun rays, or a simple circle with typical sun rays. Because of the popularity of the Surya emblem during the Majapahit era, it has been suggested that may have served as the imperial symbol of the Majapahit empire. Hindu deities The most common depiction of Surya Majapahit consists of the images of nine deities and eight sun rays. The round center of the sun depicting nine Hindu Gods called '' Dewata Nawa Sanga''. The major gods in the center is arranged in eight cardinal points around Shiva in the center. The arrangements are: *Center: Shiva *East: Isvara *West: Mahadeva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya Majapahit
Surya Majapahit ( Kawi: ꦯꦸꦂꦪꦩꦗꦥꦲꦶꦠ꧀, Sanskrit: मजपहितस्य सूर्य) (Surya of the Majapahit) is the emblem commonly found in ruins dated from the Majapahit era. The emblem commonly took the form of an eight-pointed sun ray with the rounded part in the center depicting Hindu deities. The emblem might have taken the form of a cosmological diagram haloed by typical sun rays, or a simple circle with typical sun rays. Because of the popularity of the Surya emblem during the Majapahit era, it has been suggested that may have served as the imperial symbol of the Majapahit empire. Hindu deities The most common depiction of Surya Majapahit consists of the images of nine deities and eight sun rays. The round center of the sun depicting nine Hindu Gods called '' Dewata Nawa Sanga''. The major gods in the center is arranged in eight cardinal points around Shiva in the center. The arrangements are: *Center: Shiva *East: Isvara *West: Mahadeva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kubera
Kubera ( sa, कुबेर, translit=Kuberā) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as the regent of the north (''Dikpala''), and a protector of the world ('' Lokapala''). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Vedic-era texts, Kubera acquired the status of a ''deva'' (god) only in the ''Purana''s and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. Kubera has also been assimilated into the Buddhist and Jain pantheons. In Buddhis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aura (paranormal)
According to spiritual beliefs, an aura or energy field is a colored emanation said to enclose a human body or any animal or object. In some esoteric positions, the aura is described as a subtle body. Psychics and holistic medicine practitioners often claim to have the ability to see the size, color and type of vibration of an aura. In spiritual alternative medicine, the human being aura is seen as part of a hidden anatomy that reflects the state of being and health of a client, often understood to even comprise centers of vital force called chakras. Such claims are not supported by scientific evidence and are thus pseudoscience. When tested under scientific controlled experiments, the ability to see auras has not been proven to exist. Etymology In Latin and Ancient Greek, ''aura'' means wind, breeze or breath. It was used in Middle English to mean "gentle breeze". By the end of the 19th century, the word was used in some spiritualist circles to describe a speculated subtle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the '' murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' ('' pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandala
A mandala ( sa, मण्डल, maṇḍala, circle, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. A mandala generally represents the spiritual journey, starting from outside to the inner core, through layers. Hinduism In Hinduism, a basic mandala, also called a ''yantra'', takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. Mandalas often have radial balance. A ''yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candi Penataran
Penataran or Panataran ( id, Candi Penataran) is one of the largest Hindu temple ruins complex in East Java, Indonesia. It is located roughly 12 km northeast of Blitar, with the closest airport being farther away at Malang. Believed to have been constructed between the 12th century to the 15th century, the temple played a significant role in the Majapahit Kingdom, especially under King Hayam Wuruk. He considered his favorite sanctuary. Penataran dates from the Kediri era. Candi Panataran is a Shiva (Siwa) temple. It is notable for including one of the largest Indonesian collection of reliefs showing life stories of Hindu god Vishnu in different avatar. In particular, the temple site include the Rama story in the Javanese version of the epic '' Ramayana'', as well Krishna story as depicted Triguna's ''Krishnayana'' epic poem. Comparative studies of reliefs related to Hindu epics at Penataran and Prambanan temple (Yogyakarta) complexes have attracted the attention of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya Majapahit 2
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirṛti
(निर्ऋति, sometimes spelled Nirruti or Nirriti) is a Hindu deity, personifying death, decay and sorrows. In early Hindu scriptures, Nirṛti is a goddess who is lives in the kingdom of the dead. In later Hinduism, Nirṛti and Nirṛta is also a male god, who is regarded as a dikapala ("guardian of the directions") of the southwest. Etymology The Sanskrit word ''Nirṛti'' means 'decay' and is derived from ''nirṛ'' (lit. 'to separate'). It can be interpreted as meaning "devoid of '' ṛta/i''", a state of disorder or chaos.Witzel, Michael. “Macrocosm, Mesocosm, and Microcosm: The Persistent Nature of 'Hindu' Beliefs and Symbolic Forms.” International Journal of Hindu Studies, vol. 1, no. 3, 1997, pp. 501–539. JSTOR, www.jstor.org/stable/20106493. Accessed 10 Mar. 2020. The name ' has the meaning of "absence of ṛta", meaning 'disorder', or 'lawlessness', specifically the guardian to the absence of divine or cosmic disorder. This term was used in Ved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni
Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu temples. In the classical cosmology of the Indian religions, Agni as fire is one of the five inert impermanent elements ('' pañcabhūtá'') along with space (''ākāśa''), water (''ap''), air (''vāyu'') and earth (''pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In Vedic literature, Agni is a major and oft-invoked god along with Indra and Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a '' homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords him as the messenger between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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