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Parterre
A ''parterre'' is a part of a formal garden constructed on a level substrate, consisting of symmetrical patterns, made up by plant beds, low hedges or coloured gravels, which are separated and connected by paths. Typically it was the part of the garden nearest the house, perhaps after a terrace. The view of it from inside the house, especially from the upper floors, was a major consideration in its design. The word "parterre" was and is used both for the whole part of the garden containing parterres and for each individual section between the "alleys". The pattern or the borders of the beds may be marked by low, tightly pruned, evergreen hedging, and their interiors may be planted with flowers or other plants or filled with mulch or gravel. Parterres need not have any flowers at all, and the originals from the 17th and 18th centuries had far fewer than modern survivals or reconstructions. Statues or small evergreen trees, clipped as pyramids or other shapes, often marked ...
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French Formal Garden
The French formal garden, also called the (), is a style of garden based on symmetry and the principle of imposing order on nature. Its epitome is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts. Éric Mension-Rigau, "Les jardins témoins de leur temps" in '' Historia'', n° 7/8 (2000). History Renaissance influence The ''jardin à la française'' evolved from the French Renaissance garden, a style which was inspired by the Italian Renaissance garden at the beginning of the 16th century. The Italian Renaissance garden, typified by the Boboli Gardens in Florence and the Villa Medici in Fiesole, was characterized by planting beds, or parterres, created in geometric shapes, and laid out symmetrical patterns; the use of fountains and cascades to animate the garden; stairways and ramps to unite different levels of the garden; grottos, ...
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Baroque Garden
The Baroque garden was a style of garden based upon symmetry and the principle of imposing order on nature. The style originated in the late-16th century in Italy, in the gardens of the Vatican and the Villa Borghese gardens in Rome and in the gardens of the Villa d'Este in Tivoli, and then spread to France, where it became known as the ''jardin à la française'' or French formal garden. The grandest example is found in the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV. In the 18th century, in imitation of Versailles, very ornate Baroque gardens were built in other parts of Europe, including Germany, Austria, Spain, and in Saint-Petersburg, Russia. In the mid-18th century the style was replaced by the less geometric and more natural English landscape garden. Characteristics Baroque gardens were intended to illustrate the mastery of man over nature. They were often designed to be seen from above and from a ...
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Jacques Boyceau
Jacques Boyceau, sieur de la Barauderie (ca. 1560 – 1633) was a French garden designer, the superintendent of royal gardens under Louis XIII of France, Louis XIII, whose posthumously produced ''Traité du iardinage selon les raisons de la nature et de l'art. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements'' was published in 1638. Its sixty engravings after Boyceau's designs make it one of the milestones in tracing the history of the Garden à la française (French formal garden). His nephew Jacques de Menours, who produced the volume, included an engraved frontispiece with the portrait of Boyceau. A few of the plates show formally planted ''bosquets'', but the majority are of designs for parterres. The accompanying text asserts that some of these designs have been used at royal residences: the Palais du Luxembourg, where the two axes at right angles survive from Boyceau's original plan, the Jardin des Tuileries, the newly built château of Sain ...
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Palace Of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thoma ...
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Gardens Of The French Renaissance
Gardens of the French Renaissance were initially inspired by the Italian Renaissance garden, which evolved later into the grander and more formal ''jardin à la française'' during the reign of Louis XIV, by the middle of the 17th century. In 1495, King Charles VIII and his nobles brought the Renaissance style back to France after their war campaign in Italy. They reached their peak in the gardens of the royal Château de Fontainebleau, Château d'Amboise, Château de Blois, and Château de Chenonceau. French Renaissance gardens were characterized by symmetrical and geometric planting beds or parterres, plants in pots, paths of gravel and sand, terraces, stairways and ramps, moving water in the form of canals, cascades and monumental fountains, and extensive use of artificial grottoes, labyrinths, and statues of mythological figures. They became an extension of the châteaux that they surrounded, and were designed to illustrate the Renaissance ideals of measure and proportion, ...
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Château De Saint-Germain-en-Laye
The Château de Saint-Germain-en-Laye () is a former royal palace in the commune of Saint-Germain-en-Laye, in the ''département'' of Yvelines, about 19 km west of Paris, France. Today, it houses the '' musée d'Archéologie nationale'' (National Museum of Archaeology). History 12th–13th centuries The first castle, named the ''Grand Châtelet'', was built on the site by Louis VI in 1124. The castle was expanded by Louis IX in the 1230s. Louis IX's chapelle Saint Louis at the castle belongs to the Rayonnant phase of French Gothic architecture. A 1238 charter of Louis IX instituting a regular religious service at the chapel is the first mention of a chapel having been built at the royal castle. This was a ''Sainte Chapelle'', to house a relic of the Crown of Thorns or the True Cross. Its plan and architecture prefigure the major Sainte-Chapelle which Saint Louis built within the Palais de la Cité at Paris between 1240 and 1248. Both buildings were built by Lou ...
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Gardens Of Versailles
The Gardens of Versailles (french: Jardins du château de Versailles ) occupy part of what was once the ''Domaine royal de Versailles'', the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre. Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain (a protected wildlife preserve) to the west, and by the Satory Forest to the south. Administered by the Public Establishment of the Palace, Museum and National Estate of Versailles, an autonomous public entity operating under the aegis of the French Ministry of Culture, the gardens are now one of the most visited public sites in France, receiving more than six million visitors a year. In ...
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Château D'Anet
The Château d'Anet is a château near Dreux, in the Eure-et-Loir department in northern France, built by Philibert de l'Orme from 1547 to 1552 for Diane de Poitiers, the mistress of Henry II of France. It was built on the former château at the center of the domains of Diane's deceased husband, Louis de Brézé, seigneur d'Anet, Marshal of Normandy and Master of the Hunt. The château is especially noted for its exterior, notably the '' Fountain of Diana'', a statue of Diane de Poitiers as Diana, goddess of the hunt, and the '' Nymph of Anet'', a relief by Benvenuto Cellini over the portal. Anet was the site of one of the first Italianate parterre gardens centered on the building's façade in France; the garden designer in charge was Jacques Mollet, who trained his son at Anet, Claude Mollet, destined to become royal gardener to three French kings. History Era of Diane de Poitiers and her descendants The château, which faced the south, was built partly upon the foundations an ...
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Knot Garden
A knot garden is a garden of formal design in a square frame, consisting of a variety of aromatic plants and culinary herbs including germander, marjoram, thyme, southernwood ''Artemisia abrotanum'', the southernwood, lad's love, or southern wormwood, is a species of flowering plant in the sunflower family. It is native to Eurasia and Africa but naturalized in scattered locations in North America. Other common name ..., lemon balm, hyssop, Tanacetum balsamita, costmary, Acanthus (genus), acanthus, Malva, mallow, chamomile, rosemary, ''Calendula'', ''Viola (plant), Viola'' and ''Santolina''. Most knot gardens now have edges made from Buxus, box (''Buxus sempervirens''), which is easily cut into desired shapes, like dense miniature hedges, and stays green during winters when not all of the "filling" plants are visible or attractive. The paths in between are usually laid with fine gravel. However, the original designs of knot gardens did not have the low box hedges, and knot ga ...
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Claude Mollet
Claude Mollet (ca. 1564 – shortly before 1649), ''premier jardinier du Roy'' — first gardener to three French kings, Henri IV, Louis XIII and the young Louis XIV — was a member of the Mollet dynasty of French garden designers in the seventeenth century. His father was Jacques Mollet, gardener at the château d'Anet, where Italian formal gardening was introduced to France and where Claude apprenticed, and his son was André Mollet, who took the French style to Holland, Sweden and England. In the woodcuts in Olivier de Serres' work dedicated to Henri IV, ' (Paris 1600), the plans laid out in royal gardens are by Claude Mollet, who was a friend of the author, who praises Mollet's designs for the herbs and shrubs speaking in letters, devices, cyphers, coats-of-arms, frames, ships and other things, imitated with marvelous industry and patience. As de Serres did, Mollet maintained two tree nurseries, in the outskirts of the Faubourg Saint-Honoré, west of Paris. He c ...
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Wrest Park Apprentice Gardeners Creating A Parterre
Wrest Park is a country estate located in Silsoe, Bedfordshire, England. It comprises Wrest Park, a Grade I listed country house, and Wrest Park Gardens, also Grade I listed, formal gardens surrounding the mansion. History Thomas Carew (1595–1640) wrote his country house poem "To My Friend G.N. from Wrest" in 1639 that described the old house which was demolished between 1834 and 1840. The present house was built in 1834–39, to designs by its owner Thomas de Grey, 2nd Earl de Grey (1781–1859), an amateur architect and the first president of the Royal Institute of British Architects, who was inspired by buildings he had seen on trips to Paris. He based his house on designs published in French architectural books such as Jacques-François Blondel's ''Architecture Française'' (1752). The works were superintended as clerk of works on site by James Clephan, who had been clerk of the works at the Liddell seat, Ravensworth Castle in County Durham, and had recently served ...
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Tommaso Francini
__NOTOC__ Tommaso Francini (1571–1651) and his younger brother Alessandro Francini (or Thomas Francine and Alexandre Francine in France) were Florence, Florentine Hydraulics, hydraulics engineers and garden designers. They worked for Francesco I de' Medici, Grand Duke of Tuscany, above all at the Villa Medicea di Pratolino, whose water features Francesco de Vieri described thus in 1586: "the statues there turn about, play music, jet streams of water, are so many and such stupendous artworks in hidden places, that one who saw them all together would be in ecstasies over them." Francesco de' Medici's heir, his brother Ferdinando I de' Medici, Grand Duke of Tuscany, Ferdinando, was persuaded to part with the Francini brothers in 1597 by his niece Marie de' Medici, Maria, married to Henry IV of France, Henri IV of France. Their first project, begun in 1598, was to provide fountains, grottoes, waterworks and, above all, water-driven automaton, automata for the series of garden te ...
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