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High-definition Television
High-definition television (HDTV) describes a television or video system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since at least 1933; in more recent times, it refers to the generation following standard-definition television (SDTV). It is the standard video format used in most broadcasts: Terrestrial television, terrestrial broadcast television, cable television, satellite television. Formats HDTV may be transmitted in various formats: * 720p (): 921,600 pixels * 1080i () interlaced scan: 1,036,800 pixels (≈1.04Mpx). * 1080p () progressive scan: 2,073,600 pixels (≈2.07Mpx). ** Some countries also use a non-standard CTA resolution, such as : 777,600 pixels (≈0.78Mpx) per field or 1,555,200 pixels (≈1.56Mpx) per frame When transmitted at two megapixels per frame, HDTV provides about five times as many pixels as SD (standard-definition television). The increased resolution provides for a cl ...
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Television
Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers. Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was ...
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Digital Multimedia Broadcasting
Digital multimedia broadcasting (DMB) is a digital radio transmission technology developed in South Korea as part of the national information technology, IT project for sending multimedia such as TV, radio and datacasting to mobile devices such as mobile phones, laptops and GPS navigation systems. This technology, sometimes known as Mobile tv, mobile TV, should not be confused with Digital Audio Broadcasting (DAB) which was developed as a research project for the European Union. DMB was developed in South Korea as the next generation digital technology to replace FM radio, but the technological foundations were laid by Prof. Dr. Gert Siegle and Dr. Hamed Amor at Robert Bosch GmbH, Bosch in Germany. The world's first official mobile TV service started in South Korea in May 2005, although trials were available much earlier. It can operate via communications satellite, satellite (S-DMB) or terrestrial (T-DMB) transmission. DMB has also some similarities with its former competin ...
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PAL-M
PAL-M was the analog color TV system used in Brazil since early 1972, making it the first South American country to broadcast in color. It is unique among analog TV systems in that it combines the 525-line 30 frames-per-second System M with the PAL color encoding system (using very nearly the NTSC color subcarrier frequency), unlike all other countries which pair PAL with 625-line systems and NTSC with 525-line systems. Color broadcasts began on 19 February 1972, when a TV station in Caxias do Sul, TV Difusora, transmitted the Caxias do Sul Grape Festival in collaboration with TV Rio. Transition from black and white to color on most programs was not complete until 1978, and only became commonplace nationwide by 1980. Origins NTSC being the "natural" choice for countries with monochrome standard M, the choice of a different color system poses problems of incompatibility with available hardware and the need to develop new television sets and production hardware. ...
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SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''sequential colour memory''), is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second (except SECAM-M). However, due to the way SECAM processes color information, it is not compatible with the PAL video format standard. SECAM video is composite video; the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM have either converted to DVB, Digital Video Broadcasting (DVB), the new pan-European standard for digital television, or are currently in the Digital television transition, process of conversion. S ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ...
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Interlaced Video
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra Bandwidth (signal processing), bandwidth. The interlaced signal contains two field (video), fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker (screen), flicker by taking advantage of the characteristics of the human visual system. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. cathode-ray tube, CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive video, progressive scan) by sc ...
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819 Line
819-line was an analog monochrome TV system developed and used in France as television broadcast resumed after World War II. Transmissions started in 1949 and were active up to 1985, although limited to France, Belgium and Luxembourg. It is associated with CCIR System E and F. History When Europe resumed TV transmissions after World War II (i.e. in the late 1940s and early 1950s) most countries standardized on 625-line television systems. The two exceptions were the British 405-line system, which had already been introduced in 1936, and the French 819-line system. During the 1940s René Barthélemy had already reached 1,015 lines and even 1,042 lines. On November 20, 1948, François Mitterrand, the then Secretary of State for Information, decreed a broadcast standard of 819 lines developed by Henri de France; broadcasting began at the end of 1949 in this higher definition format. It was used in France by TF1, and in Monaco by Tele Monte Carlo. Some 819-line TV sets ...
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NTSC
NTSC (from National Television System Committee) is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. ''NTSC color'' is usually associated with the System M; this combination is sometimes called NTSC II. The only other broadcast television system to use NTSC color was the System J. Brazil used System M with PAL color. Vietnam, Cambodia and Laos used System M with SECAM color – Vietnam later started using PAL in the early 1990s. The NTSC/System M standard was used in most of the Americas (except Argentina, Brazil, Paraguay, and Uruguay), Myanmar, South Korea, Taiwan, Philippines, Japan, and some Pacific Isl ...
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441-line Television System
441-line is the number of scan lines in some early electronic monochrome analog television systems. Systems with this number of lines were used with 25 interlaced frames per second in France from 1937 to 1956, Germany from 1939 to 1943, Italy from 1939 to 1940, Japan in 1939, as well as by RCA in the United States with 30 interlaced frames per second from 1938 to 1941. Broadcasts were planned in Finland for 1940, but eventually cancelled due to World War II. Some experiments with a similar system were carried out on the USSR in the 1930s. Germany After trials with a 375-line system during the Berlin Olympic Games of 1936, by 1937 Germany had introduced a 441-line with 50 interlaced fields per second television system that replaced the previous 180 lines network relayed by a special Reichspost (National Post Office) cable network in the country's main cities (Berlin, Hamburg, Munich, Bayreuth, Nuremberg). The system's line frequency was 11.025 kHz and the broadcast freq ...
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405 Line
The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting. The number of television lines influences the image resolution, or quality of the picture. It was introduced with the BBC Television Service in 1936, suspended for the duration of World War II, and remained in operation in the UK until 1985. It was also used between 1961 and 1982 in Ireland, as well as from 1957 to 1973 for the Rediffusion Television cable service in Hong Kong. 405-line was approved as System A in the CCIR assignment of broadcast systems. Sometimes called the Marconi-EMI system, it was developed in 1934 by the EMI Research Team led by Isaac Shoenberg. The figure of 405 lines had been chosen following discussions over Sunday lunch at the home of Alan Blumlein. The system used interlacing; EMI had been experimenting with a 243-line all-electronic interlaced system since 1933. In the 405 system the scanning ...
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8K Resolution
8K resolution refers to an image or display resolution with a width of approximately 8,000 pixels. 8K UHD () is the highest resolution defined in the Rec. 2020 ( UHDTV) standard. 8K display resolution is the successor to 4K resolution. TV manufacturers pushed to make 4K a new standard by 2017. At CES 2012, the first prototype 8K TVs were unveiled by Japanese electronics corporation Sharp. The feasibility of a fast transition to this new standard is questionable in view of the absence of broadcasting resources. In 2018, Strategy Analytics predicted that 8K-ready devices will still only account for 3% of UHD TVs by 2023 with global sales of 11 million units a year. However, TV manufacturers remain optimistic as the 4K market grew much faster than expected, with actual sales exceeding projections nearly six-fold in 2016. In 2013, a transmission network's capability to carry HDTV resolution was limited by internet speeds and relied on satellite broadcast to transmit the high ...
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5K Resolution
5K resolution refers to display formats with a horizontal resolution of around 5,000 pixels. The most common 5K resolution is , which has an aspect ratio of with around 14.7 million pixels (just over seven times as many pixels as 1080p Full HD), with exactly twice the linear resolution of 1440p and four times that of 720p. This resolution is typically used in computer monitors to achieve a higher pixel density, and is not a standard format in digital television and digital cinematography, which feature 4K resolutions and 8K resolutions. In comparison to 4K UHD (), the 5K resolution of offers 1280 extra columns and 720 extra lines of display area, an increase of 33.% in each dimension. This additional display area can allow 4K content to be displayed at native resolution without filling the entire screen, which means that additional software such as video editing suite toolbars will be available without having to downscale the content previews. As of 2016, the world uses ...
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