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Gilles Deleuze
Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of ''Capitalism and Schizophrenia'': ''Anti-Oedipus'' (1972) and ''A Thousand Plateaus'' (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise '' Difference and Repetition'' (1968) is considered by many scholars to be his magnum opus. See also: "''Difference and Repetition'' is definitely the most important work published by Deleuze." (Edouard Morot-Sir, from the back cover of the first edition of the English translation), or James Williams' judgment: "It is nothing less than a revolution in philosophy and stands out as one of the great philosophical works of the twentieth century" (James Williams, ''Gilles Deleuze's Difference and Repetition: A Critical Introduction and Guide'' dinburgh UP, 2003 p. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Philosophy
Western philosophy encompasses the philosophical thought and work of the Western world. Historically, the term refers to the philosophical thinking of Western culture, beginning with the ancient Greek philosophy of the pre-Socratics. The word ''philosophy'' itself originated from the Ancient Greek (φιλοσοφία), literally, "the love of wisdom" grc, φιλεῖν , "to love" and σοφία '' sophía'', "wisdom"). History Ancient The scope of ancient Western philosophy included the problems of philosophy as they are understood today; but it also included many other disciplines, such as pure mathematics and natural sciences such as physics, astronomy, and biology (Aristotle, for example, wrote on all of these topics). Pre-Socratics The pre-Socratic philosophers were interested in cosmology; the nature and origin of the universe, while rejecting mythical answers to such questions. They were specifically interested in the (the cause or first principle) of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiring-production
Desiring-production (french: production désirante) is a term coined by the French thinkers Gilles Deleuze and Félix Guattari in their book '' Anti-Oedipus'' (1972). Overview Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a larger "circuit" of various other machines to which it is connected. Meanwhile, the desiring-machine is also producing a flow of desire from itself. Deleuze and Guattari conceptualize a multi-functional universe composed of such machines all connected to each other: "There are no desiring-machines that exist outside the social machines that they form on a large scale; and no social machines without the desiring machines that inhabit them on a small scale." Desiring-p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Without Organs
The body without organs (or BwO; French: or ) is a philosophical concept used in the work of French philosophers Gilles Deleuze and Félix Guattari. The term was first used by French writer Antonin Artaud in his 1947 play ''To Have Done With the Judgment of God'', later adapted by Deleuze in his book '' The Logic of Sense'' as part of a response to psychoanalysis, and ambiguously expanded upon by himself and Guattari in both volumes of '' Capitalism and Schizophrenia''. Stemming from ideas of the body and the unconscious in psychoanalysis, Deleuze and Guattari theorized that since the conscious and unconscious fantasies in psychosis and schizophrenia express potential forms and functions of the body that demand it to be liberated, the homeostatic process of the body is limited by organs. Therefore, the body without organs is the unregulated potential of a body without organizational structures imposed on its constituent parts, operating freely. There are three types of the bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assemblage (philosophy)
Assemblage (from french: agencement, "a collection of things which have been gathered together or assembled") is posthumanist philosophical approach that studies the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives. Also known as a''ssemblage theory'' or ''assemblage thinking,'' this philosophical approach frames social complexity through fluidity, exchangeability, and their connectivity. Its central thesis is that people do not act exclusively by themselves, and instead human action requires complex socio-material interdependencies. There are multiple philosophical approaches that use an assemblage perspective. One version is associated with Manuel Delanda in work on assemblage theory. A second version is associated to the work of Bruno Latour and Michel Callon on Actor-network theory. A third version draws from Gilles Deleuze and Félix Guattari. The similari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arborescent
A rhizome is a concept in post-structuralism describing a nonlinear network that "connects any point to any other point". It appears in the work of French theorists Deleuze and Guattari, who used the term in their book ''A Thousand Plateaus'' to refer to networks that establish "connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences and social struggles" with no apparent order or coherency. A rhizome is purely a network of multiplicities that are not arborescent (tree-like, or hierarchical, e.g. the idea of hypertext in literary theory) with properties similar to lattices. Deleuze referred to it as extending from his concept of an "image of thought" that he had previously discussed in ''Difference and Repetition''. As a mode of knowledge and model for society Deleuze and Guattari use the terms "rhizome" and "rhizomatic" (from Ancient Greek ῥίζωμα, ''rhízōma'', "mass of roots") to describe theory and research that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percept
Perception () is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system.Goldstein (2009) pp. 5–7 Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves. Perception is not only the passive receipt of these signals, but it is also shaped by the recipient's learning, memory, expectation, and attention. Gregory, Richard. "Perception" in Gregory, Zangwill (1987) pp. 598–601. Sensory input is a process that transforms this low-level information to higher-level information (e.g., extracts shapes for object recognition). The process that follows connects a person's concepts and expectations (or knowledge), restorative and selective mechanisms (such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Affect (philosophy)
Affect (from Latin ''affectus'' or ''adfectus'') is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience. The word affect takes on a different meaning in psychology and other fields. For Spinoza, as discussed in Parts Two and Three of his ''Ethics'', affects are states of mind and body that are related to (but not exactly synonymous with) feelings and emotions, of which he says there are three primary kinds: pleasure or joy (''laetitia''),Part III, Proposition 56. pain or sorrow (''tristitia'') and desire (''cupiditas'') or appetite."In truth I cannot recognize any difference between human appetite and desire". Subsequent philosophical usage by Gilles Deleuze, Félix Guattari and their translator Brian Massumi, while derived explicitly from Spinoza, tends to distinguish more sharply than Spinoza does between affect and what are conventionally called emotions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Semiotics
Film semiotics is the study of sign process ( semiosis), or any form of activity, conduct, or any process that involves signs, including the production of meaning, as these signs pertain to moving pictures. Every artform has some hidden symbols in it which are left to the audience to make meanings through it. Early semioticians of film * Ricciotto Canudo – Italian writer working in the 1920s, identified “language-like character of cinema”.Stam, R., Burgoyne, R., & Lewis, S. (1992). New vocabularies in film semiotics: structuralism, post-structuralism, and beyond. London: Routledge. * Louis Delluc – French writer, working in the 1920s, wrote of the ability of film to transcend national language. * Vachel Lindsay – referred to film as “hieroglyphic language”. * Béla Balázs – Hungarian film theorist who wrote about language-like nature of film from the 1920s to the 1940s. Russian formalism (1910s–1930s) Yury Tynyanov was a Russian writer and literary critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychoanalysis
PsychoanalysisFrom Greek: + . is a set of theories and therapeutic techniques"What is psychoanalysis? Of course, one is supposed to answer that it is many things — a theory, a research method, a therapy, a body of knowledge. In what might be considered an unfortunately abbreviated description, Freud said that anyone who recognizes transference and resistance is a psychoanalyst, even if he comes to conclusions other than his own.… I prefer to think of the analytic situation more broadly, as one in which someone seeking help tries to speak as freely as he can to someone who listens as carefully as he can with the aim of articulating what is going on between them and why. David Rapaport (1967a) once defined the analytic situation as carrying the method of interpersonal relationship to its last consequences." Gill, Merton M. 1999.Psychoanalysis, Part 1: Proposals for the Future" ''The Challenge for Psychoanalysis and Psychotherapy: Solutions for the Future''. New York: Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphysics
Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility. It includes questions about the nature of consciousness and the relationship between mind and matter, between substance and attribute, and between potentiality and actuality. The word "metaphysics" comes from two Greek words that, together, literally mean "after or behind or among he study ofthe natural". It has been suggested that the term might have been coined by a first century CE editor who assembled various small selections of Aristotle's works into the treatise we now know by the name ''Metaphysics'' (μετὰ τὰ φυσικά, ''meta ta physika'', 'after the ''Physics'' ', another of Aristotle's works). Metaphysics studies questions related to what it is for something to exist and what types of existence there are. Metaphysics seeks to answer, in an abstract and fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
