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Cinderella Or The Glass Slipper
''Cinderella or the Glass Slipper'' (french: Cendrillon ou la Pantoufle merveilleuse) is a 1913 French silent film directed by Georges Méliès, based on the fairy tale by Charles Perrault. Production Méliès had previously adapted ''Cinderella'' thirteen years earlier, in an 1899 film which had been his first big success. The 1913 ''Cinderella'' can be considered a remake of the earlier film, but both are derived from the original Perrault tale. The film was made in the summer and autumn of 1912. Méliès himself plays the Prince's messenger who searches for the owner of the glass slipper. His daughter, Georgette Méliès, was likely one of the two camera operators (each of Méliès's films from 1902 onward was shot with two cameras simultaneously for international distribution). Louise Lagrange, who would later appear in many French and Hollywood films, plays one of Cinderella's sisters. In a conversation with the writers of a Centre national du cinéma publication, ''Essai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback. Creation of effect In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the video ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Silent Short Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Camera Negative
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One hundred or 400 foot rolls are common in 16mm, while 400 or 1,000 foot (ft) rolls are used in 35mm work. While these are the most common sizes, other lengths such as 200, 800, or 1,200 ft may be commercially available from film stock manufacturers, usually by special order. Rolls of 100 and 200 ft are generally wound on spools for daylight-loading, while longer lengths are only wound around a plastic core. Core-wound stock has no exposure protection outside its packaging, and therefore must be loaded into a camera magazine within a darkroom or changing bag/tent in order to prevent the film being fogged. Value Original camera negative is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Zipes
Jack David Zipes (born June 7, 1937) is a professor emeritus of German, comparative literature, and cultural studies, who has published and lectured on German literature, critical theory, German Jewish culture, children's literature, and folklore. In the latter part of his career he translated two major editions of the tales of the Brothers Grimm and focused on fairy tales, their evolution, and their social and political role in civilizing processes. According to Zipes, fairy tales "serve a meaningful social function, not just for compensation but for revelation: the worlds projected by the best of our fairy tales reveal the gaps between truth and falsehood in our immediate society". His arguments are avowedly based on the critical theory of the Frankfurt School and more recently theories of cultural evolution. Education and positions Jack David Zipes was born on June 7, 1937, in New York City, to Celia (Rifkin) and Phillip P. Zipes. He received a BA in political science from Dart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Féerie
''Féerie'', sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehanne D'Alcy
Charlotte Lucie Marie Adèle Stephanie Adrienne Faës (20 March 1865 – 14 October 1956), known by her stage name Jeanne d'Alcy or Jehanne d'Alcy, was a French film actress. Biography D'Alcy had achieved success in theatrical productions by 1896, but left the stage to devote herself to film, becoming one of the first performers to do so. Born in Vaujours, Seine-Saint-Denis, she appeared in '' Le Manoir du diable'' (1896), ''Jeanne d'Arc'' (1900) and ''Le Voyage dans la lune'' (1902). She died in Versailles at age 91. She was portrayed by actress Helen McCrory in Martin Scorsese's 2011 film ''Hugo''. She was the wife of French cinema pioneer Georges Méliès from 1925 until his death in 1938. D'Alcy died at the age of 91 in 1956. She is buried with her husband in the Père-Lachaise cemetery. Selected filmography *'' Le Manoir du diable'' (1896) *''Escamotage d'une dame au théâtre Robert Houdin'' (1896) – Woman *''Après le bal'' (1897) – Woman *''Jeanne d'Arc'' (1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Shot
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. Use Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium shots are also used when the subject in the shot is delivering information, such as news presenters. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. A normal lens that sees what the human eye see, is usually used for medium shots. Definition The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. In some standard texts and professiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them. Suspense may be added by cross-cutting. It is built through the expectations that it creates and in the hopes that it will be explained with time. Cross-cutting also forms parallels; it illustrates a narrative action that happens in several places at approximately the same time. For instance, in D. W. Griffith's ''A Corner in Wheat'' (1909), the film cross-cuts between the activities of rich businessmen and poor people waiting in line for bread. This creates a sharp dichotomy between the two actions, and encourages the viewer to compare the two shots. Often, this contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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