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Cherokee (Ray Noble Song)
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Structure The composition has a 64-bar AABA construction. The A-section harmony is straightforward by the standards of 1930s songs, but the B-section is more sophisticated. This is because "it cadences (via ii-7–V7–I progressions) into the keys of B Major, A Major and G Major before moving toward the B tonic." Recordings "Cherokee" has been recorded over the years by many jazz musicians and singers. Charlie Barnet and His Orchestra's 1939 version reached No. 15 on the pop charts; he later re-recorded it in Hi Fi stereo for Everest Records in 1958. It was later recorded by Charlie Parker, the Count Basie Orchestra, Duke Ellington, Sarah Vaughan (1955), Dakota Staton (1958), Art Tatum and Keely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single " The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jasper In A Jam
''Jasper in a Jam'' is a 1946 short film in the ''Puppetoons'' series produced and originated by George Pal. It starred the voice of singer Peggy Lee, and was directed by Duke Goldstone and released by Paramount Pictures. It is included in ''The Puppetoon Movie''. Plot summary The story takes place in a pawnshop where a young African-American boy named Jasper visits in the city. Every night at midnight, all the musical instruments in the pawnshop come to life and play. The music of Charlie Barnet and his Orchestra are featured playing the songs "Pompton Turnpike" and "Redskin Rhumba" and Lee (as a singing harp) sings "Old Man Mose is Dead". Meanwhile, Jasper after playing a clarinet and jamming with a magic trumpet he is then trapped by a totem pole which plays the saxophone. while being stalked by a clay Indian who throws axe An axe ( sometimes ax in American English; see spelling differences) is an implement that has been used for millennia to shape, split and cut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session (1944 Film)
''Jam Session'' is a 1944 American musical film starring Ann Miller. Plot Terry Baxter is a dancer from small town Kansas, trying desperately to break into movies after traveling to Hollywood. She does everything from sneaking onto sound stages and disguising herself but she doesn’t have any luck. She then meets a screenwriter who is also new to Hollywood, and she poses as his private secretary, all in an act to have access to the studio and try and see studio mogul Raymond Stuart. All her breathless attempts to see the guy get her nowhere, but when she suddenly stops two men by tap dancing for them, they try giving her a screen test, but she walks out on them because she thinks they are making fun of her. She then gets arrested after trying to break into Raymond Stuart’s home. Everything is in a mess until she is freed by Raymond Stuart himself and becomes a big star. Cast * Ann Miller as Terry Baxter * Jess Barker as George Carter Haven * Charles D. Brown as Raymond Stuar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeFranco
Boniface Ferdinand Leonard "Buddy" DeFranco (February 17, 1923 – December 24, 2014) was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s. Biography Born in Camden, New Jersey, United States, DeFranco was raised in South Philadelphia. He was playing the clarinet by the time he was nine years old and within five years had won a national Tommy Dorsey swing contest. He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists. In 1950, DeFranco spent a year with Count Basie's septet. He then led a small combo in the early 1950s which included pianist Sonny Clark and guitarist Tal Farlow. In this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Chord
In music, extended chords are certain chords (built from thirds) or triads with notes ''extended'', or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. The thirteenth is the farthest extension diatonically possible as, by that point, all seven tonal degrees are represented within the chord (the next extension, the fifteenth, is the same as the root of the chord). In practice however, extended chords do not typically use all the chord members; when it is not altered, the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is often omitted in an eleventh chord; the ninth and eleventh are usually omitted in a thirteenth chord), unless they are altered to give a special texture. Chords extended beyond the seventh are rarely seen in the Baroque era, and are used more frequently in the Classical era. The Romantic era saw greatly increased use of extended harmony. Extended harmony prior to the 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ko-Ko
"Ko-Ko" (also spelled "Ko Ko" or "Koko") is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko": Dizzy Gillespie also confirms that he played trumpet on "Ko Ko" in an interview with Stanley Crouch in 1986, and that the trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonlight In Vermont (album)
''Moonlight in Vermont'' is a 1956 compilation album by jazz guitarist Johnny Smith, featuring tenor saxophonist Stan Getz. The material on the album was recorded between 1952 and 1953, and was drawn from two 10-inch LPs, both titled "Jazz at NBC", which were previously issued by the Royal Roost label. Titled for Smith's breakthrough hit song, its single was '' DownBeat'' readers' second favorite jazz record of the year. It was popularly and critically well received and has come to be regarded as an important album in Smith's discography, in the cool jazz genre and in the evolution of jazz guitar. Songs on the album, which reveal the influence of Smith's experiences with the NBC Studio Orchestra, and as a multi-instrument musician, include the title track and the original composition "Jaguar". The title track, singled out for its virtuosity, was a highly influential rendition of a jazz standard that secured Smith's position in the public eye. Originally released on Roost Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Smith
Johnny Henry Smith II (June 25, 1922 – June 11, 2013) was an American cool jazz and mainstream jazz guitarist. He wrote "Walk, Don't Run" in 1954. In 1984, Smith was inducted into the Alabama Jazz Hall of Fame. Early life During the Great Depression, Smith's family moved from Birmingham, Alabama, where Smith was born, through several cities, ending up in Portland, Maine. Smith taught himself to play guitar in pawnshops, which let him play in exchange for keeping the guitars in tune. At thirteen years of age he was teaching others to play the guitar. One of Smith's students bought a new guitar and gave him his old guitar, which became the first guitar Smith owned. Smith joined Uncle Lem and the Mountain Boys, a local hillbilly band that travelled around Maine, performing at dances, fairs, and similar venues. Smith earned four dollars a night. He dropped out of high school to accommodate this enterprise. Having become increasingly interested in the jazz bands that he heard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Epic (album)
''The Epic'' is the third studio album by American jazz saxophonist Kamasi Washington and his first on a major-label. It was released on May 5, 2015, by the Brainfeeder record label. Critical reception Upon its release, ''The Epic'' received positive reviews from music critics. At ''Metacritic'', which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 83, which indicates "universal acclaim", based on 7 reviews. the ''AllMusic'' critic Thom Jurek described the album as "21st century jazz as accessible as it is virtuosic -- feel matters to Washington", and further wrote, "Holistic in breadth and deep in vision, it provides a way into this music for many, and challenges the cultural conversation about jazz without compromising or pandering." Russell Warfield of '' Drowned in Sound'' described the album as "wonderful stuff" and that the record "deserves a high score by any standards of evaluation". ''The Guardian'' critic, John For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamasi Washington
Kamasi Washington (born February 18, 1981) is an American jazz saxophonist, usually playing tenor saxophone. Archived July 9, 2015. Career Washington was born in 1981 and raised in Los Angeles, California. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA's Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Gerald Wilson, and Billy Higgins, who mentored a quartet with Washington, pianist Cameron Graves, and the brothers Stephen ("Thundercat") and Ronald Bruner. They released their debut album ''Young Jazz Giants'' in 2004 on Birdman Records. Washington joined the Gerald Wilson Orchestra for its 2005 album '' In My Time''.Blanco, Edward"Gerald Wilson Orchestra: In My Time."''Allaboutjazz.com'', January 4, 2006. Washington played saxophone on Kendrick Lamar's '' To Pimp a Butterfly.'' His debut solo recording, '' The Epic'', was released in Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Atkins
Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
