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Ko-Ko
"Ko-Ko" (also spelled "Ko Ko" or "Koko") is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko": Dizzy Gillespie also confirms that he played trumpet on "Ko Ko" in an interview with Stanley Crouch in 1986, and that the trumpet intr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mikado
''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.The longest-running piece of musical theatre was the operetta ''Les Cloches de Corneville'', which held the title until ''Dorothy (opera), Dorothy'' opened in 1886, which pushed ''The Mikado'' down to third place. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.H. L. Mencken, Mencken, H. L.]Article on ''The Mikado'', ''Baltimore Evening Sun'', 29 November 1910 ''The Mikado'' is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Charlie Parker Story
''The Charlie Parker Story'' is an LP record by Charlie Parker, released posthumously by Savoy Records. While many of the tracks on this album had been previously released on other formats (78 rpm records, 7-inch EPs and singles, and 10- and 12-inch LPs), this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks. Background According to the booklet accompanying ''Charlie Parker: The Complete Savoy Sessions'' (which consults "documents from the Savoy files and the recollections of Teddy Reig, who produced this session") this was to be "a standard three hours/four side session hatwas scheduled for November 26, 1945, at the WOR studios in New York for which Parker would supply original compositions. A Union contract was arra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Recording Registry
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording Preservation Board, whose members are appointed by the Librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress. The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage. The Act created the National Recording Registry, The National Recording Preservation Board and a fund-raising foundation. The purpose of the Registry is to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherokee (Ray Noble Song)
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Structure The composition has a 64-bar AABA construction. The A-section harmony is straightforward by the standards of 1930s songs, but the B-section is more sophisticated. This is because "it cadences (via ii-7–V7–I progressions) into the keys of B Major, A Major and G Major before moving toward the B tonic." Recordings "Cherokee" has been recorded over the years by many jazz musicians and singers. Charlie Barnet and His Orchestra's 1939 version reached No. 15 on the pop charts; he later re-recorded it in Hi Fi stereo for Everest Records in 1958. It was later recorded by Charlie Parker, the Count Basie Orchestra, Duke Ellington, Sarah Vaughan (1955), Dakota Staton (1958), Art Tatum and Keely Smit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Federation Of Musicians
The American Federation of Musicians of the United States and Canada (AFM/AFofM) is a 501(c)(5) labor union representing professional instrumental musicians in the United States and Canada. The AFM, which has its headquarters in New York City, is led by president Raymond M. Hair Jr. Founded in Cincinnati in 1896 as the successor to the National League of Musicians, the AFM is the largest organization in the world to represent professional musicians. It negotiates fair agreements, protects ownership of recorded music, secures benefits such as healthcare and pension, and lobbies legislators. In the U.S., it is known as the American Federation of Musicians (AFM), and in Canada, it is known as the Canadian Federation of Musicians/Fédération Canadienne des Musiciens (CFM/FCM). The AFM is affiliated with AFL–CIO, the largest federation of unions in the United States and the Canadian Labour Congress, the federation of unions in Canada. Among the best known AFM actions was the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thriving On A Riff
"Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. Parker stated in 1949 that Gillespie had played no part in its writing, and that others had added the trumpeter as co-composer. It is a contrafact, being based on the harmony of "I Got Rhythm". The first recording of the composition, then known as "Thriving from a Riff", was made on November 26, 1945, by an ensemble led by Parker. The other musicians were trumpeter Miles Davis, pianist Argonne Thornton, bassist Curley Russell, and drummer Max Roach. See also * List of jazz contrafacts A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be re ... * List of 1940s jazz standards * Charlie Parker's Savoy and Dial Sessions Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie's Bounce
"Billie's Bounce" (also known as "Bill's Bounce") is a jazz composition written in 1945 by Charlie Parker in the form of a 12 bar F blues. Some sources claim that the song was dedicated to Dizzy Gillespie's agent, Billy Shaw, although according to Ross Russell, Shaw's "name was misspelled" accidentally. However, others claim that the song was in fact dedicated to Shaw's secretary, who was called Billie. The original recording by Charlie Parker and His Re-Boppers was inducted into the Grammy Hall of Fame in 2002. Originally an instrumental, lyrics were added later by Jon Hendricks and by Eddie Jefferson. Billie's Bounce a jazzstandards.com - retrieved on 28 April 2009 Personnel |
Curly Russell
Curly is a surname, given name, nickname or stage name. It may refer to: First name, nickname or stage name * Crazy Horse (1840–1877), Oglala Sioux war chief nicknamed "Curly" * Curly (scout), nickname of Ashishishe (c. 1856–1923), Crow Indian scout for General Custer * Paul Carlyle Curly Armstrong (1918-1983), American basketball player * Curly Bill Brocius, nickname of William Brocius (c. 1845-1882), American Old West gunman and outlaw * Charles Roy Curly Brown (1888-1968), American Major League Baseball pitcher * Harold Lee Curly Chalker (1931-1998), American country and jazz musician * Robert F. Curly Clement (1919 – 2006), American baseball umpire * Curly Ray Cline (1923-1997), American bluegrass fiddler * Curly, nickname of George Andrew Davis Jr. (1920-1952), American World War II and Korean War flying ace * Curly Joe DeRita, Three Stooges persona of Joseph Wardell, whose stage name was Joe DeRita (1909 – 1993), American actor and comedian * Clarence T. "Curly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
