Vivaldi – The Four Seasons

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music.

Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic priest for 18 months and was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.

After almost two centuries of decline, Vivaldi's musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of Vivaldi's compositions, once thought lost, have been rediscovered – in one case as recently as 2006. His music remains widely popular in the present day and is regularly played all over the world.

Early life

Birth and background

Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Republic of Venice. He was son of Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.

He was baptized immediately after his birth at his home by the midwife, the reason for which has led to speculation. Most likely it was done due either to his poor health or to an earthquake that supposedly struck the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood. However, there was no earthquake on the day Vivaldi was born, and this rumour may originate from an earthquake that struck Venice on April 17, 1688. The ceremonies which had been omitted were supplied two months later.

Vivaldi had five known siblings: Bonaventura Tomaso, Margarita Gabriela, Cecilia Maria, Francesco Gaetano, and Zanetta Anna. Vivaldi's health was problematic. One of his symptoms, ''strettezza di petto'' ("tightness of the chest"), has been interpreted as a form of asthma. This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it did stop him from playing wind instruments.

Youth

His father, Giovanni Battista, was a barber before becoming a professional violinist and was one of the founders of the ''Sovvegno dei musicisti di Santa Cecilia'', an association of musicians. He taught Antonio to play the violin and then toured Venice, playing the violin with his young son. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the Ospedale della Pietà.

The president of the ''Sovvegno'' was Giovanni Legrenzi, an early Baroque composer and the ''maestro di cappella'' at St Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. Vivaldi's father may have been a composer himself: in 1689, an opera titled ''La Fedeltà sfortunata'' was composed by a Giovanni Battista Rossi—the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia. Vivaldi's early liturgical work '' Laetatus sum'' ( RV Anh 31) was written in 1691 at the age of thirteen.

In 1693, at the age of fifteen, he began studying to become a priest. He was ordained in 1703, aged 25, and was soon nicknamed ''il Prete Rosso'', "The Red Priest" ('' Rosso'' is Italian for "red" and would have referred to the color of his hair, a family trait.).

Career

Ospedale della Pietà

While Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist" and said that "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy n improvised cadenzawhich absolutely astounded me, for it is hardly possible that anyone has ever played, or ever will play, in such a fashion." In September 1703, Vivaldi (24) became ''maestro di violino'' (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice; although it was his talents as a violinist which probably secured him the job, he soon became a successful teacher of music there.

Over the next thirty years he composed most of his major works while working at the Ospedale. There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic. The boys learned a trade and had to leave when they reached the age of fifteen. The girls received a musical education, and the most talented among them stayed and became members of the Ospedale's renowned orchestra and choir.

Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them. These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra. In 1704, the position of teacher of '' viola all'inglese'' was added to his duties as violin instructor. The position of ''maestro di coro'', which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.

His relationship with the board of directors of the Ospedale was often strained. The board had to vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous and went 7 to 6 against him in 1709. After a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote in 1711; clearly during his year's absence the board had realized the importance of his role. He became responsible for all of the musical activity of the institution when he was promoted to ''maestro de' concerti'' (music director) in 1716.

In 1705, the first collection (''Connor Cassara'') of his works was published by Giuseppe Sala: his Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style. In 1709, a second collection of 12 sonatas for violin and basso continuo appeared—Opus 2. A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, ''L'estro armonico'' (Opus 3), which was published in Amsterdam in 1711 by Estienne Roger, dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians including Alessandro Scarlatti and George Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice. ''L'estro armonico'' was a resounding success all over Europe. It was followed in 1714 by '' La stravaganza'' (Opus 4), a collection of concerti for solo violin and strings, dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.

In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater ( RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is considered to be one of his early masterpieces.

Despite his frequent travels from 1718, the Ospedale paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The orphanage's records show that he was paid for 140 concerti between 1723 and 1733.

Opera impresario

In early 18th-century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, ''Ottone in villa'' (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713. The following year, Vivaldi became the impresario of the Teatro San Angelo in Venice, where his opera ''Orlando finto pazzo'' (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.

In 1715, he presented ''Nerone fatto Cesare

HOME


Content is Copyleft
Website design, code, and AI is Copyrighted (c) 2014-2017 by Stephen Payne


Consider donating to Wikimedia



As an Amazon Associate I earn from qualifying purchases