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Ottone In Villa
''Ottone in villa'' (''Otho at his villa'', RV 729) is an opera in three acts by Antonio Vivaldi to an Italian libretto by Domenico Lalli (the pseudonym of Sebastiano Biancardi). It was Vivaldi's first opera and premiered on 17 May 1713 at the in Vicenza.. Note that while most sources give the premiere venue as the Teatro delle Grazie, gives it as the Teatro Nuovo di Piazza. There is considerable confusion in the names of the theatres in Vicenza. Initially, the Teatro delle Grazie was called the Nuovo Teatro delle Grazie and co-existed with the Teatro di Piazza. According to , the Teatro delle Grazie was built on the site of the Teatro delle Garzerie which burnt down in 1683. Lalli's pastoral drama is set in ancient Rome and was a condensed adaptation of Francesco Maria Piccioli's satirical libretto for Carlo Pallavicino's opera ''Messalina'' (1679). However, Lalli changed several of the characters in Piccioli's libretto. Messalina became an invented character, Cleonilla. Emper ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Sophie Daneman
Sophie Daneman is a British soprano specializing in the baroque repertoire. Biography Sophie Daneman, a daughter of the actor Paul Daneman, studied at the Guildhall School of Music and Drama in London. She became known during the 1990s with the baroque music ensemble Les Arts Florissants, spearhead of the movement led by William Christie, with whom she interpreted mainly great names of the French baroque such as Montéclair, Rameau, Charpentier, Mondonville and Couperin. In addition to William Christie, Daneman worked under the direction of numerous choir directors, such as Christopher Hogwood, Robert King, Gérard Lesne, Jean-Claude Malgoire, Neville Marriner, Philippe Herreweghe, and Nicholas McGegan. Selected discography Daneman has recorded for the labels Erato, Harmonia Mundi, EMI Classics and Virgin Records. With Les Arts Florissants * 1992: ''Jephté'' by Michel Pignolet de Montéclair * 1993: ''Castor et Pollux'' by Jean-Philippe Rameau (a sequel to Hébé/ ...
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Nancy Argenta
Nancy Argenta is a Canadian soprano singer, best known for performing music from the pre-classical era. She has won international acclaim, and is considered one of the leading Handel sopranos of her time. Life She was born in Nelson, British Columbia, Canada. She spent her early years in the settlement of Argenta, from which she later took her professional name (to avoid being mistaken for another Canadian soprano, Nancy Hermiston.) At the age of 11 she started formal voice lessons with Dr. Amy Ferguson of Nelson, and sang with one of the school choirs at L.V. Rogers High School in Nelson. By that time, she was frequently making trips to Vancouver, British Columbia, so she could hear musical events and have additional singing lessons. After graduation from high school in 1975, she was a student of Jacob Hamm in Vancouver and of Martin Chambers at the University of Western Ontario, graduating in 1980. The same year she won 1st prize in the Sophie Carmen Eckhardt-Gramatté Comp ...
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Monica Groop
Gerd Monica Groop née Riska (born 14 April 1958 in Helsinki) is a Finnish operatic mezzo-soprano. After graduating from the Sibelius Academy, she joined the Finnish National Opera in 1986 where she remains a member. She has sung leading roles as a guest artist with several important theatres internationally, including the Los Angeles Opera, the Palais Garnier, the Royal Opera, London, and the Salzburg Festival to name just a few. She has also recorded the complete songs of Edvard Grieg on BIS Records BIS Records is a record label founded in 1973 by Robert von Bahr. It is located in Åkersberga, Sweden. BIS focuses on classical music, both contemporary and early, especially works that are not already well represented by existing recordings. .... References 1958 births Singers from Helsinki Living people Finnish operatic mezzo-sopranos 20th-century Finnish women opera singers 21st-century Finnish women opera singers {{Finland-opera-singer-stub ...
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Susan Gritton
Susan Gritton (born 31 August 1965) is an English operatic soprano. She was the 1994 winner of the Kathleen Ferrier Award and has sung leading roles in a wide-ranging repertoire from Handel and Mozart to Britten, Janáček and Strauss. Life and career Gritton was born in Reigate, Surrey. She was educated at the University of Oxford and the University of London, where she studied Botany. On the operatic stage, her roles include Ellen Orford ''Peter Grimes'' (La Scala, Sydney & Tokyo); Blanche ''Dialogues des Carmélites'' (Bayerische Staatsoper); Countess Madeleine ''Capriccio'' and Tatyana ''Eugene Onegin'' (Grange Park); Micaela ''Carmen'' and Liù ''Turandot'' (Covent Garden); Donna Anna ''Don Giovanni'' (Bolshoi & Opera de Montreal & Scottish Opera); Elettra ''Idomeneo'' (Netherlands Opera) and Konstanze ''Die Entführung aus dem Serail'' (Deutsche Staatsoper & Bayerische Staatsoper). Title roles include Theodora (Glyndebourne); Rodelinda (Bayerische Staatsoper); The Bart ...
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Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ...
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Sopranist
A sopranist (also, sopranista or male soprano) is a male singer who is able to sing in the vocal tessitura of a soprano usually through the use of falsetto or head voice vocal production. This voice type is a specific kind of countertenor. In rare cases an adult man may be able to sing in the soprano range using his normal or modal voice (high chest voice) and not falsetto due to endocrinological reasons, like Radu Marian, or as a result of a larynx that has not completely developed as is allegedly the case of Michael Maniaci. Voice A sopranist is able to sing in the soprano vocal range which is approximately between C4 and C6, though at times may expand somewhat higher or lower. Men of all voice types can possess the wide-ranged and effective falsetto or head voice needed to produce the contralto, mezzo-soprano and soprano vocal ranges. Some countertenors can sing up into the female vocal tessituras using the modal register (normal singing production) and need not employ ...
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Aris Christofellis
Aris Christofellis ( el, Άρης Χριστοφέλλης; born 5 February 1960) is a Greek sopranist (male soprano singer) and musicologist. Life and career Aris Christofellis was born in Athens. After studying piano in Athens and Paris with several teachers including the famous pianist France Clidat, he decided to concentrate on developing his male soprano singing voice, studying with Fofi Sarandopoulo. He made his debut in Bordeaux in 1984. In 1985 he sang Wolfgang Amadeus Mozart's ''Exsultate, jubilate'' at Cannes Midem Classique inauguration concert. His repertoire extends from Renaissance to contemporary music, but he focuses on the Italian baroque opera of the 18th and early 19th century. As a musicologist, he has brought to light many works of this period and has dealt in particular with the ornamentation of the vocal music of the 18th and 19th centuries. As a performer, in addition to lieder and folk songs he concentrates on Baroque opera, and he is known for singing ro ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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