Zashiki-warashi

, sometimes also called , are spirit-like beings told about mostly in the Iwate Prefecture. They are said to be yokai that live in parlors or storage rooms, and that perform pranks, and that people who see one would be visited with good fortune. There are also legends of how they would bring fortune to families. They are also known from Kunio Yanagita's ''Tōno Monogatari'', ''Ishigami Mondō'', and stories about them appear in the 17th and 18th chapters of the ''Tōno Monogatari'' and the 87th chapter titled "Zashiki-warashi" of the ''Tōno Monogatari Shūi''. In the 17th chapter, it is written "families with whom this spirit dwells become prosperous" (''kono kami no yadoritamafu ihe ha fūki jizai nari to ifu koto nari''). In recent years, television programs and magazines have reported about various Iwate Prefecture ''ryokan'' where it is said to be possible to see a ''zashiki-warashi''.

Concept

Reports have mostly been in the Iwate Prefecture, but there are also some scattered across Aomori Prefecture, Miyagi Prefecture, Akita Prefecture and others in the Tōhoku region.

Generally, the beings have a red face, hair that hangs down, and aged from a minimum of around three years to a maximum of around 15 years. They have a bob haircut or very short cropped hair. Both males and females have been seen. The male ones are said to wear blackish clothes with a kasuri pattern and the females are said to wear a red waistcoat (''chanchanko''), kosode, and sometimes a furisode. It is also said that there are some whose appearance is unclear, making their gender unknown. Sometimes multiple beings would settle in a house at once, such as a boy and a girl. There are also some legends telling of ones that look like a black beast, and others that look like a warrior.

They like causing mischief, so they are said to leave ash or bleaching powder on top of little footprints and at nighttime, they are said to make sounds like that of a revolving spinning wheel, and they would also make sounds in an inner room making sounds like that of a kagura performance. There are also tales told about how when someone in the family is sewing alone, there would be sounds similar to the rustling of papers or someone snorting, and when the wooden door is opened there would be no one there. It is also said that at night, they would do pranks such as riding on top of guest room futons and turning over the pillows in order to not let the person sleep, and when attempts are made to stop it, it would be too strong and powerful for anyone to even affect its actions. Sometimes they also play with children.

In Iwate, there are legends of how the zashiki-warashi of a shrine at Hayachine would follow a shrine visitor who came from afar and follow them into different lands. There are also legends of how the zashiki-warashi would teach the nursery rhyme of Iwate to the children of those lands.

In Gonohe, Aomori Prefecture, there is a legend of how when a new house is built, a zashiki-warashi can be called into it by burying a golden ball under the floors.

There are theories about how they cannot be seen by anyone other than members of the family or how they can only be seen by children but not adults. There are stories about how when adults counted children, there would be one more person than there was originally, but as adults do not understand what zashiki-warashi are, they would not know who the extra person is. Stories like these frequently appear as themes in literature.

Relation to family prosperity

An example of a very characteristic folk belief is that families with a ''zashiki-warashi'' would prosper and families whose ''zashiki-warashi'' have gone away would decline. This aspect shows that ''zashiki-warashi'' are like gods of fortune or protective spirits that rule over a family's prosperity and decline.

In the ''Tōno Monogatari'', there are tales such as one telling about how a family was wiped out by foodborne illness after its ''zashiki-warashi'' left it and another tale about how in the Iide section of the village of Tsuchibuchi, Iwate Prefecture (now part of the city of Tōno), a wealthy family's ''zashiki-warashi'' was shot by a child with a bow and arrow causing it to leave the family, resulting in the family's fortunes decline. There is also the view that the way families would decline after a ''zashiki-warashi'' leaves it and the way families would prosper after a ''binbōgami'' leaves it are related.

There is the theory that a white ''zashiki-warashi'' is a sign of good things to come and the sight of a red one (with a red face, red clothes, and a red bucket in its hands) is a sign that a ''zashiki-warashi'' would leave the family leading to bad things to come. There are also examples where a family that saw a red-clothed one all died from foodborne illness.

Customs

''Zashiki-warashi'' are there in inner guest rooms (''zashiki''), and their existence is said to have an effect on the direction the family goes in, so there are some families that treat them hospitably and offer them meals every day. They are said to like ''azuki meshi'', so there are families that offer some ''azuki meshi'' every day, and if it is not eaten, it is said to be an omen for the family's decline. ''Zashiki-warashi'' generally work the same way as having kitsune or having inugami, but the difference between them and ''zashiki-warashi'' is that for a ''zashiki-warashi'' is never considered a nuisance, and in fact they are even protected as gods, and a family that has a zashiki-warashi is usually treated by other people with respect.

In the area around the city of Ninohe, there is a custom of making up a room with desserts and toys left inside for a child who had died or was killed as an infant (infanticide), and giving worship to this child, a custom that remains to the present day. There is also a custom of making a room that a child would like in order to make a ''zashiki-warashi'' stay at the house in order to bring the family prosperity.

According to the ''Tonō Monogatari'', the house of a certain wealthy family in the town of Tsuchibuchi had a small space that was called the "Zatō room", and it is considered to be the room that would be used to await the Zatō (a kind of member of the builder's guild such as the tōdōza or members of related groups such as the Anma, moxibustion practitioners, and members of the '' biwa hōshi'', among other organizations) every time a banquet was called, but the literary researcher Sukeyuki Miura surmises that perhaps this room was used to give worship to the god's protective spirit.

Kinds

''Zashiki-warashi'' have various regional names such as ''zashiki-warabe'' (), ''zashiki-warashi'' (), ''zashiki-bokko'' (), ''okura-bokko'' (), '' zashiki-kozō'' (), and karako-warashi. The name "zashiki-bokko" is used in the inland regions of Iwate, and this name was also used in the writings of Kenji Miyazawa.

There are also regions and legends where ''zashiki-warashi'' have rankings, and in the '' Jippōan Yūreki Zakki'' (), there are statements about ''zashiki-warashi'' seen in the area of Inase, Esashi, Iwate Prefecture (now Esashi District, Ōshū, and that zashiki-warashi in a home's dirt floor are called ''kometsuki-warashi'', ''notabariko'', ''usutsuriko'', among other names, and the white, most beautiful ''zashiki-warashi'' that is in the inner zashiki is called the ''chōpirako''. Among these, there are some that have no influence on the family's fortunes and instead merely move around the house making noises, and there are not merely a few that have been deemed creepy.

There are also some that have arms that are long and thin like vines, which they use to beckon people as well as warn of disasters like floods and tsunami, and these can be called ''hosode'' (細手, "thin arms") or ''hosode nagate'' (細手長手, "thin arms long arms"). There is a story telling of how "a poor man once threw firewood into the water, was invited into the dragon palace, and received as a gift an ugly-looking but fortune-bringing ''ryūkyū-warashi'' (dragon palace child)". There are also ''zashiki-warashi'' that stay in the dozō, and they are called ''kura-warashi'' or ''kura-bokko'' (child of the storehouse).

According to the essay "Zashiki-warashi no Hanashi" (, "Stories about Zashiki-warashi") by the folklorist Kizen Sasaki, in a certain home in the aforementioned village of Tsuchibuchi, there is a ''kabukire-warashi'' (tree stump child) that lives in the "Mada no Ki" (meaning "Bodhi tree"). It is said to take on the appearance of a child and sneak into the family's ''zashiki'' to perform pranks on the family's daughter, as well as take on an appearance with a red face and play on walnut trees where the tree splits into three. It has also been interpreted to be a spirit of this Mada no Ki.

Despite there being many legends of the ''zashiki-warashi'' in the Tōhoku region, there are fewer in Akita Prefecture; this is said to be because Akita has the '' sankichi oni'', so lower-class yōkai would not enter Akita.

Origins

Kizen Sasaki noted that perhaps they are the spirits of children who were crushed to death and buried at the home. In the Tōhoku region, infanticide was called ''usugoro'' (, or "mortar kill"), and it is said that children who were killed this way to reduce the number of mouths to feed would be killed by being crushed by a stone mortar. Afterwards, burying them in the dirt floor room (''doma'') or in the kitchen was a custom. It is said that the spirits of such children would, on rainy days, walk around outer edges, shaking and frightening the guests, which is said to be seen to resemble deeds similar to that of a ''zashiki-warashi''. The aforementioned ''notabariko'' and ''usu-tsuki warashi'' are seen to be lower ranking among the ''zashiki-warashi'', and the former would peek out from the inner dirt floor (''doma'') room and crawl around while the latter would use a mortar to make a sound. Due to such acts, it is sometimes suggested that these kinds of ''zashiki-warashi'' have a relation to the fact that the location where the infanticide happened is in the dirt floor (''doma'') room or underneath a mortar.

In addition to this relation to infanticide, the fact that the ''zashiki-warashi'' are in both old homes and are often mentioned in relation to legends about how after a visiting Buddhist pilgrim from outside the village was killed, the family of the home came to ruin, it has been suggested that these ''zashiki-warashi'' are signs of the dark undersides of the village's community.

In the by the author Sadako Takahashi, there are also stories about ''zashiki-warashi'' that came about from a curse that resulted from carpenters and tatami makers that were unable to do their construction jobs in comfort, and it is said that there were rituals of taking a doll that had a bit of its wood peeled off and inserting it between the pillars and beams.

There are also many theories that their true identity is that of a kappa, and there are stories of a ''zashiki-warashi'' being a kappa that lived in the depths who would rise up and go into a nearby home to do pranks, as well as stories of zashiki-warashi that were kappa that have settled into a home.

Concerning why ''zashiki-warashi'' look like children, seeing how in Buddhism there are ''gōhō-warashi'' ( wrathful gods that protect Buddhism and take on the appearance of a child), there is the theory that they come from folk beliefs in how children connected gods and humans, as well as the theory that the appearance of a child embodies divinity.

In Kunio Yanagita's view, just as the ''gōhō-warashi'' were called forth from the heavens by high priests, the protective spirits of Buddhism and folk mikos are related to the faith in giving respect to the freshness of the spirits of young leaves, and this is related to the faith in the ''zashiki-warashi'' who became protective spirits of a home in order to will divinity to humans. In folkloristics, after Yanagita also, there has been debate on subjects such as the relation to Okunai-sama and the relation of children that come from another realm such as the '' Ryūgyū-warashi'' (dragon palace warashi).

Also, the folklorist Kazuhiko Komatsu views ''warashi'' (children) from the point of view of cultural anthropology, and regarding the question of the fortune within homes and the movement of wealth within a village, he notes that ''zashiki-warashi'' have almost all their characteristics in common with animal spirit possession such as '' izuna-tsukai'' ("weasel-using"). From an analysis of the supremacy and inferiority within the community of families with a spirit haunting them, he notes that ''zashiki-warashi'' have been used as a basis for explaining changes in fortunes within folk society, especially for old homes and families.

In Ueda Akinari's late Edo-period '' yomihon'' the Ugetsu Monogatari, in the story "Hinpuku-ron" (Theory of Wealth and Poverty), in Mutsu Province (now Aomori Prefecture), in a certain home of a warrior family, a spirit of money appears in the form of an old man going by the name of "Ōgon no Seirei" ("golden spirit") who said "I'm glad you treat money as something important to you, so I came to tell a story", but the doctor of letters Masamichi Abe suggests that perhaps this is an older, more prototypical type of ''zashiki-warashi''.

Legends after the war

To the people of Tōhoku, the ''zashiki-warashi'' was certainly not a legend that came around after the war, and tales of ''zashiki-warashi'' were told even in the times of Meiji, Shōwa, and beyond. According to Kunio Yanagita's ''Yōkai Dangi'' (), it is said that in the year 1910 or Meiji 43 around the month of July, in the village of Tsuchibuchi (now Tōno, Iwate Prefecture) in Kamihei District, Rikuchū, a ''zashiki-warashi'' appeared at a school that was visible only to the first year students and not to the older students and adults.

Certain ryokan that have continued to be managed in the Shōwa and Heisei periods and beyond such as the Ryokufūsō at the Kindaichi Onsen in Iwate Prefecture, the Sugawara Bekkan, and the Warabe both in Tenjin village in Morioka Prefecture are known to be lodges where a ''zashiki-warashi'' dwells; there have been tales of guests who saw ''zashiki-warashi'', heard footsteps, were physically touched. However, unlike in the usual legends of ''zashiki-warashi'', the one at Ryokufūsō is considered to be an ancestor that died from an illness and became a protective spirit.

Close to the Warabe, there is the Hayachine Shrine that was opened more than 1200 years ago, and it is said that since there have been festivals for offering prayers to ''zashiki-warashi'' ever since the establishment of the Warabe, the shrine's ''zashiki-warashi'' goes to the Warabe.

The ''zashiki-warashi'' of the Sugawara Bekkan was originally a god of fire of the Edo period that protected the proprietress's original home from fire, and it is said to have followed this proprietress when she married into the family of this establishment. There have also been tales about how guests to this ryokan have been successful in their marriage and jobs.

Similar tales across Japan

Similar to the ''zashiki-warashi'' are the '' zashiki-bōzu'' of Kadotani, Tōtōmi Province (now Shizuoka Prefecture) and the akashaguma of Tokushima. Near one of the inner temples of the Kotohira-gū in Shikoku, it is said that at nighttime an "akashaguma" appears from a butsudan. "Akashaguma" refers to the fur of a bear that has been stained red, and it is said that a little childlike being wearing this would tickle the old woman owner of this house every night.

In the former Higashiyatsuhiro District in Yamanashi Prefecture, it is said that there is an ''okura-bōzu'' (, "warehouse bonze") that stays within the warehouse, and this is thought to be a type of ''zashiki-warashi''.

In Ishikawa Prefecture, there is the '' makuragaeshi'' and it is said that if one sleeps in the ''zashiki'' of a certain house, especially if one wields two swords, has hair that stands up, wears western clothing, and puts on a haughty face, then one would get dragged into a neighboring room.

The ''zashiki-warashi'' of Shirotori, Ōkawa District, Kagawa Prefecture (now part of Higashikawa), is said to appear as a little girl who is called ''oshobo'' due to the small, slight (''shobo-shobo'' in Japanese) way it hangs, and sometimes it is said to be invisible to the members of the house, while other times it is said to be visible only to the members of this house.

In addition, in Hokkaido there is the '' ainukaisei'' said to attack people in their homes while they sleep, and in the Okinawa Prefecture there is a yōkai called the '' akagantaa'' said to play pranks on people in their homes while they sleep, and sometimes these are interpreted to be the same kind of beings as ''zashiki-warashi''.

The folklorist Shinobu Orikuchi enumerates examples such as the okunai-sama, the ''zashiki-bōzu'', the ''akashaguma'', the '' kijimuna'' of Okinawa, '' gaataro'' of Iki, etc., and sees in them examples of tales of a faithful spirit that came from another land to do work for a certain family whose disappearance would result in the decline of the family.　He notes how ''zashiki-warashi'' do not descend into the garden and suggests that this is related to how performing arts in the past had a division between "garden", "zashiki", and "stage".

Etymology

The name breaks down to ''zashiki'' (Japanese: ), a sitting room or parlor, usually with tatami flooring, and ''warashi'' (Japanese: ), an archaic term for a child, used particularly in the northeast of Japan.

Sightings

By the end of November 2015, a mirrored website offered video footage from a home video camera in Japan. It captured the image of what appears to be a girl wearing a kimono walking in the house. Her body is translucent and can walk through walls. It is believed that she was a ''zashiki-warashi''.

In popular culture

* In the animated series '' Mononoke'', ''zashiki-warashi'' were represented by the spirits of fetuses that were aborted by prostitutes in a brothel.
* In the animated series ''A Centaur's Life'', ''zashiki-warashi'' was represented by a small child that played with Sue Mitama, the younger sister of Manami Mitama.
* In the video game ''Onmyōji'', one of the first Shikigami you can meet is called ''Zashiki'' and represents a ''zashiki-warashi'', being said to bring wealth and good fortune to her host.
* Zashiki-warashi is a prominent secondary character in the manga and anime series '' xxxHolic''.
* In the 18th episode of '' Ninja Sentai Kakuranger'', the Mushroom Child a ''zashiki-warashi'' whom the Kakurangers and the children befriend.
* In the 45th episode of '' Engine Sentai Go-onger'', the Go-ongers and Go-on Wings meet a ''zashiki-warashi'' in a hotel room.
* In the manga ''Interviews with Monster Girls'', a ''zashiki-warashi'' stays at the apartment of college student Yoko Takahashi, who is revealed to be a spirit medium and is the only one that can perceive her in any direct or indirect way. The spirit, a young girl, is named Zashiko.
* In the manga and its later anime adaptation ''Yuuna and the Haunted Hot Springs'', the housekeeper of the inn the protagonist stays in, Ms. Nakai, is a Zashiki-warashi.
* In the video game and anime series '' Yo-Kai Watch'', the ''zashiki-warashi'' is a common yokai of the Heartful tribe who specializes in healing abilities. It has an evolution named Zashiki-warashin. For the English release, they were named Gnomey and High Gnomey.
* In the 2012 Japanese family drama movie ''Home: Itoshi no Zashiki Warashi'' directed by Seiji Izumi, shows the spirit of a little 5 years old girl who is a ''Zashiki Warashi'' living in a rural house where the Takahashi family from Tokyo city moves into. The Takahashi family suffers from internal disputes within the family members and no happiness seems to be among them. The Zashiki Warashi enters into their lives and brings happiness for them, fixing all the broken bonds within the family and the spirit herself becoming a member of their family.
* Miyoi Okunoda, the protagonist of the official Touhou Project manga, Touhou Suichoka ~ Lotus Eaters, is a zashiki-warashi with the ability to manipulate memories.

Notes

References

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External links

On Zashiki-Warashi , 百物語怪談会 Hyakumonogatari Kaidankai
by Mizuki Shigeru at hyakumonogatari.com

''Awa Life'', March 2002

Nanbu Kiri Geta Preservation Society

* ttp://en.gigazine.net/news/20081230_youkai_bronze/ 133 Yokai Statues on Mizuki Shigeru Road scroll down to see 67. Zashiki Warashi (Chamber child)
{{Japanese folklore long

Buddhist folklore
Japanese folklore
Japanese folk religion
Culture in Iwate Prefecture
Mythic humanoids
Domestic and hearth deities
Yōkai