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Ugetsu Monogatari
is a collection of nine supernatural tales first published in 1776. It is the best known work of Japanese author Ueda Akinari. Largely adapted from traditional Japanese and Chinese ghost stories, the collection is among the most important works of Edo period (1603–1867) and literature, and is considered a predecessor of the genre. Kenji Mizoguchi's award-winning film (1953), credited with helping popularize Japanese cinema in the West, was adapted from two of the collection's stories. Title The word is a compound word; means "rain", while translates to "moon". It derives from a passage in the book's preface describing "a night with a misty moon after the rains", and references a Noh play, also called , which also employs the common contemporary symbols of rain and moon. These images evoked the supernatural and mysterious in East Asian literature; Qu You's (; a story from , one of Ueda's major sources), indicates that a rainy night or a morning moon may presage the comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tales Of Moonlight And Rain Cover
Tales may refer to: Arts and entertainment *Tales (album), ''Tales'' (album), a 1995 album by Marcus Miller *Tales (film), ''Tales'' (film), a 2014 Iranian film *Tales (TV series), ''Tales'' (TV series), an American television series *Tales (video game), ''Tales'' (video game), a 2016 point-and-click adventure game *Tales (video game series), ''Tales'' (video game series), a series of role-playing games *"Tales", or "Tales from the Forest of Gnomes", a song by Wolfmother from ''Wolfmother (album), Wolfmother'' *"Tales", a song by Schoolboy Q from ''Crash Talk'' Geography *Tales, Castellón, a municipality in Spain *Täles Railway (other), two railway lines in Baden-Württemberg in Germany People *Rémi Tales (born 1984), French rugby union player *Tales Schütz, Brazilian footballer See also *Tale (other) {{disambig, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokugaku
''Kokugaku'' ( ja, 國學, label=Kyūjitai, ja, 国学, label=Shinjitai; literally "national study") was an academic movement, a school of Japanese philology and philosophy originating during the Tokugawa period. Kokugaku scholars worked to refocus Japanese scholarship away from the then-dominant study of Chinese, Confucian, and Buddhist texts in favor of research into the early Japanese classics. History What later became known as the ''kokugaku'' tradition began in the 17th and 18th centuries as ''kogaku'' ("ancient studies"), ''wagaku'' ("Japanese studies") or ''inishie manabi'', a term favored by Motoori Norinaga and his school. Drawing heavily from Shinto and Japan's ancient literature, the school looked back to a golden age of culture and society. They drew upon ancient Japanese poetry, predating the rise of medieval Japan's feudal orders in the mid-twelfth century, and other cultural achievements to show the emotion of Japan. One famous emotion appealed to by the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murasaki Shikibu
was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of '' The Tale of Genji,'' widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been , who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to late twenties and gave birth to a daughter before her husband died, two years after they were married. It is uncertain when she began to write ''The Tale of Genji'', but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-wait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luo Guanzhong
Luo Ben (c. 1330–1400, or c.1280–1360), better known by his courtesy name Guanzhong (Mandarin pronunciation: ), was a Chinese writer who lived during the Ming dynasty. He was also known by his pseudonym Huhai Sanren (). Luo was attributed with writing ''Romance of the Three Kingdoms'', one of the Four Great Classical Novels of Chinese literature. Identity The location and date of Luo's birth are controversial. One possibility was that he was from Taiyuan, and lived in the late Yuan dynasty and early Ming dynasty by the record of his contemporary, the playwright Jia Zhongming (賈仲明), who said that he had met him in 1364. Another possibility was that he was born in Dongping County, Dongyuan, the province of Shandong, in about 1280 – 1360. Literary historians suggest other possibilities for his home, also including Hangzhou and Jiangnan. According to Meng Fanren (孟繁仁), Luo can be identified in the pedigree of the Luo family, and Taiyuan is most likely his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzuki Shōsan
was a Japanese samurai who served under the ''shōgun'' Tokugawa Ieyasu. Shōsan was born in modern-day Aichi Prefecture of Japan. He participated in the Battle of Sekigahara and the Battle of Osaka before renouncing life as a warrior and becoming a Zen Buddhist monk in 1621. Zen training Shōsan traveled throughout Japan seeking out Zen masters and trained in several hermitages and temples, most notably at Myōshin-ji in Kyoto training under Gudō Toshoku (1577–1661). In 1636 Shōsan created a Zen booklet entitled ''Fumoto no Kusawake'' (or, ''Parting the Grasses at the Foot of the Mountain''). Shōsan trained under a little-known Zen master, Daigu Sochiku, who allowed Shōsan to keep his original name. Shōsan never actually received '' inka'' but was one of many in the Tokugawa period to claim '' jigo-jishō'' or "self-enlightenment without a teacher". He was a Zen Master who amassed a large following. In 1642, Shōsan, along with his brother, built 32 Buddhist temples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sengoku Period
The was a period in History of Japan, Japanese history of near-constant civil war and social upheaval from 1467 to 1615. The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the Feudalism, feudal system of Japan under the Ashikaga shogunate. Various samurai warlords and Japanese clans, clans fought for control over Japan in the power vacuum, while the emerged to fight against samurai rule. The Nanban trade, arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a Tributary system of China, tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea (159 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaidan
is a Japanese word consisting of two kanji: 怪 (''kai'') meaning "strange, mysterious, rare, or bewitching apparition" and 談 (''dan'') meaning "talk" or "recited narrative". Overall meaning and usage In its broadest sense, ''kaidan'' refers to any ghost story or horror story, but it has an old-fashioned ring to it that carries the connotation of Edo period Japanese folktales. The term is no longer as widely used in Japanese as it once was: Japanese horror books and films such as '' Ju-on'' and ''Ring'' would more likely be labeled by the ''katakana'' . ''Kaidan'' is only used if the author/director wishes to specifically bring an old-fashioned air into the story. Examples of ''kaidan'' *''Banchō Sarayashiki'' (''The Story of Okiku'') by Okamoto Kido *''Yotsuya Kaidan'' (''Ghost Story of Tōkaidō Yotsuya'') by Tsuruya Nanboku IV (1755–1829) *''Botan Dōrō'' (''The Peony Lantern'') by Asai Ryoi *'' Mimi-nashi Hōichi'' (''Hōichi the Earless'') ''Hyakumonogatari Kaidan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, to the samurai sword art of kenjutsu, to the bamboo sword training art of kendō, and to other martial arts, to dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Monogatarishū
, also known as the , is a Japanese collection of over one thousand tales written during the late Heian period (794–1185). The entire collection was originally contained in 31 volumes, of which 28 remain today. The volumes cover various tales from India, China and Japan. Detailed evidence of lost ''monogatari'' exist in the form of literary critique, which can be studied to reconstruct the objects of their critique to some extent. Title Each tale in the ''Konjaku Monogatarishū'' starts with the phrase (lit. now long ago), which in its Japanese reading is pronounced ''ima wa mukashi''. The Sino-Japanese reading of this phrase is ''konjaku'', and it is from the Chinese-style reading that the collection is named. The ''Konjaku Monogatarishū'' is commonly known by the shorter name "''Konjaku Monogatari''". Since it is an anthology rather than a single tale, however, the longer title is more accurate. Structure The ''Konjaku Monogatarishū'' is divided according to the region of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihon Ryōiki
The is an early Heian period setsuwa collection. Written by Kyōkai between 787 and 824, it is Japan's oldest collection of Buddhist setsuwa. It is three volumes in length. Title Commonly abbreviated as ''Nihon Ryōiki'', which means "Record of Miraculous Events in Japan," the full title is . It may also be read as ''Nihon Reiiki''. The book has been translation, translated into English under the title ''Miraculous Stories from the Japanese Buddhist Tradition'', but this does not represent a literal translation of the Japanese title. Contents The work is composed of three parts contained within three volumes. Each volume begins with a preface, and the final volume contains an epilogue. There are a total of 116 tales all dealing with Buddhist elements. There are also a total of nine poems. Manuscripts There are five existing manuscripts, two of which are designated National Treasures: * Kōfuku-ji, 904 (List of National Treasures of Japan (writings: Japanese books), National Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Ise
is a Japanese ''uta monogatari'', or collection of ''waka'' poems and associated narratives, dating from the Heian period. The current version collects 125 sections, with each combining poems and prose, giving a total of 209 poems in most versions. Concerning the exact date of composition and authorship there is only unresolved speculation. The identity of the nameless, idealised central character is unclear, though it is suggested to be Ariwara no Narihira (825–880). Thirty of the poems from ''The Tales of Ise'' appear in the ''Kokin Wakashū'' (905), with similar headnotes, all attributed to Narihira. The combination of these poems, and the similarity of some events in the tales to Narihira's life, have led to the additional suggestion that Narihira actually composed the work; however, the inclusion of material and events dating after 880 suggests otherwise. Title The late-eleventh centuryKeene 1999 : 518–519. work known as '' The Tale of Sagoromo'' refers to ''Ise'' by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asai Ryōi
was a Japanese writer in the early Edo period. A Shin Buddhist priest who was at one time head of a Kyoto temple, he is held to be one of the finest writers of Kanazōshi. Kanazōshi was a form of popular literature that was written with little or no kanji, thus accessible to many. Though it spanned many genres, a common theme in Kanazōshi works was the celebration of contemporary urban life. Asai Ryōi's work in particular turned traditional Buddhist teaching on its head in an expression of urban ideals. ''Ukiyo Monogatari'' is widely considered the first work to revel in the difference between Buddhist ''ukiyo'' and Edo period ''ukiyo''. ''Ukiyo'' was the concept that life is transitory and nothing worldly lasts forever. While the earlier Buddhist teaching concluded that one must therefore put one's energy into lasting spiritual matters that would continue to benefit one in the next life, urban Edo period ideals were more epicurean, and encouraged one to enjoy the plea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
