Zan Ganassa

Zan Ganassa (, ; – c. 1584) was the stage name of an early actor-manager of Commedia dell'arte, whose company was one of the first to tour outside Italy.Senelick 1995a, p. 409. Ganassa's real name was probably Alberto NaseliHartnoll 1983, "Ganassa, Zan" pp. 313–314. (also spelled Naselli).

He was known for playing ''zanni'', comic servant roles, hence his stage name, and is one of the first actors believed to have played the ''zanni'' subtype known as Harlequin (''Arlecchino'' in Italian), which subsequently became one of the most important leading roles in Commedia dell'arte plays.

Ganassa is first mentioned in 1568 as the leader of a troupe in Mantua. After his troupe had performed in Paris in 1571, they were invited by Charles IX of France to take part of the festivities surrounding the marriage of the King of Navarre (later Henry IV) to Charles's sister Marguerite de Valois in August 1572.Baschet 1882
pp. 24–26

From 1574 to 1584 Ganassa performed in Spain during the reign of Philip II, where he exerted considerable influence on early Spanish professional theatre. He was so popular that the authorities in Seville withdrew the troupe's license: workers were neglecting their jobs in order to see the plays. Ganassa is mentioned numerous times by Lope de Vega, who may have based his comic servant ''gracioso'' on Commedia dell'arte types. The ''gracioso'' later became a stock character of Spanish comedia.

During this period, it was common for theatre companies to set up their stages right before a performance and take down everything immediately after. Ganassa recognized what a burden this would be and donated to the city of Madrid to create a theatre known as ''Corral de la Pacheca'', which is the first ever permanent theatre in Madrid. Ganassa guaranteed himself tenancy in this theatre by a 9–10-year lease from its owner, Isabel Pacheco, by persuading the ''Cofrades.'' Ganassa also donated again to the Cofrades in 1582 to help build the second permanent theatre space of Madrid, the ''Corral del Príncipe.''

References

Notes

Sources
* Banham, Martin, editor (1995). ''The Cambridge Guide to the Theatre'' (new edition). Cambridge: Cambridge University Press. .
* Baschet, Armand (1882). ''Les comédiens italiens à la cour de France sous Charles IX, Henri III, Henri IV et Louis XIII''. Paris: Plon
View
at Google Books.
* Hartnoll, Phyllis, editor (1983). ''The Oxford Companion to the Theatre'' (fourth edition). Oxford: Oxford University Press. .
*
* Senelick, Laurence (1995a). "Ganassa an Ganassa; Alberto Naseli or Naselli in Banham 1995, p. 409.
* Senelick, Laurence (1995b). "Harlequin" in Banham 1995, p. 472.
* Shergold, N. (1956). Ganassa and the "Commedia dell'arte" in Sixteenth-Century Spain. ''The Modern Language Review,'' ''51''(3), 359-368. doi:10.2307/3718388

External links

"The Commedia dell'Arte: Its Origins, Development & Influence on the Ballet"
by Marino Palleschi (5 December 2005) at the "In the name of August Vestris" website.

{{DEFAULTSORT:Ganassa, Zan
Commedia dell'arte
Year of birth uncertain
Year of death uncertain
1580s deaths
16th-century Italian male actors
16th-century theatre managers
Harlequin