Work song
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A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song.


Definitions and categories

Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral,
sea shanties A sea shanty, chantey, or chanty () is a genre of traditional folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large merchant sailing vessels. The term ''shanty'' most accurately refers to a specific ...
, African-American work songs, songs and chants of direction, and
street cries Street cries are the short lyrical calls of merchants hawking their products and services in open-air markets. The custom of hawking led many vendors to create custom melodic phrases to attract attention. At a time when a large proportion of the p ...
. Ted Gioia further divided agricultural and pastoral songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of cloth workers (see Waulking song),
factory worker A factory, manufacturing plant or a production plant is an industrial facility, often a complex consisting of several buildings filled with machinery, where workers manufacture items or operate machines which process each item into another. Th ...
s, seamen, lumberjacks,
cowboy A cowboy is an animal herder who tends cattle on ranches in North America, traditionally on horseback, and often performs a multitude of other ranch-related tasks. The historic American cowboy of the late 19th century arose from the '' vaqu ...
s and miners. He also added
prisoner A prisoner (also known as an inmate or detainee) is a person who is deprived of liberty against their will. This can be by confinement, captivity, or forcible restraint. The term applies particularly to serving a prison sentence in a prison. ...
songs and modern work songs.E. Gioia, ''Work Songs'' (Duke University Press, 2006).


Hunting and pastoral songs

In societies without mechanical time keeping, songs of mobilisation, calling members of a community together for a collective task, were extremely important. Both hunting and the keeping of livestock tended to involve small groups or individuals, usually boys and young men, away from the centres of settlement and with long hours to pass. As a result, these activities have tended to produce long narrative songs, often sung individually, which might dwell on the themes of pastoral activity or animals, designed to pass the time in the tedium of work. Hunting songs, like those of the Mbuti of the Congo, often incorporated distinctive whistles and yodels so that hunters could identify each other's locations and those of their prey.


Agricultural work songs

Most agricultural work songs were
rhythm Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular re ...
ic
a cappella ''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Ren ...
song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetiti ...
s intended to increase productivity while reducing feelings of boredom.P. M. Peek and K. Yankah, ''African Folklore: An Encyclopedia'' (London: Taylor & Francis, 2004), p. 520. Rhythms of work songs, similar to an African drum beat, served to synchronize physical movement in groups, coordinating sowing, hoeing, and harvesting. The usage of verses in work songs were sometimes improvised and sung differently each time. Improvisation provided singers with a subversive form of expression. Slaves sang improvised verses to mock their overseers, express frustrations, and share dreams of escaping. Many work songs served to create connection and familiarity between workers. Yankee Doodle is thought to have started out as a harvest song, its words possibly originating from farmers in 15th century
Holland Holland is a geographical regionG. Geerts & H. Heestermans, 1981, ''Groot Woordenboek der Nederlandse Taal. Deel I'', Van Dale Lexicografie, Utrecht, p 1105 and former Provinces of the Netherlands, province on the western coast of the Netherland ...
. It contained mostly nonsensical and out-of-place words that were presumably sang to a similar—if not the same—tune: "Yanker, didel, doodle down, Diddle, dudel, lanther, Yanke viver, voover vown, ''Botermilk'' und ''tanther''." Farm laborers in Holland at the time received as their wages "as much
buttermilk Buttermilk is a fermented dairy drink. Traditionally, it was the liquid left behind after churning butter out of cultured cream. As most modern butter in western countries is not made with cultured cream but uncultured sweet cream, most m ...
(''Botermilk'') as they could drink, and a tenth (''tanther'') of the grain".


African-American work songs

African-American work songs originally developed in the era of slavery, between the seventeenth and nineteenth centuries. Because they were part of an almost entirely oral culture, they had no fixed form and only began to be recorded as the era of slavery came to an end after 1865.
Slave Songs of the United States ''Slave Songs of the United States'' was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, collection of spirituals to be published. The collectors of the songs were Nor ...
was the first collection of African-American "slave songs." It was published in 1867 by
William Francis Allen William Francis Allen (September 5, 1830December 9, 1889) was an American classical scholar and an editor of the first book of American slave songs, ''Slave Songs of the United States.'' Allen was born in Northborough, Massachusetts in 1830, the ...
, Charles Pickard Ware, and Lucy McKim Garrison. Though this text included many songs by slaves, other texts have also been published that include work songs. Many songs sung by slaves have their origins in African song traditions, and may have been sung to remind the Africans of home, while others were instituted by the captors to raise morale and keep Africans working in rhythm. They have also been seen as a means of withstanding hardship and expressing anger and frustration through creativity or covert verbal opposition. Similarly, work songs have been used as a form of rebellion and resistance. Specifically, African-American women work songs have a particular history and center around resistance and self-care.Hill Collins, Patricia. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. New York: Routledge, 2000. Work songs helped to pass down information about the lived experience of enslaved people to their communities and families. A common feature of African American songs was the '' call-and-response'' format, where a leader would sing a verse or verses and the others would respond with a chorus. This came from African traditions of agricultural work song and found its way into the spirituals that developed once Africans in bondage began to convert to
Christianity Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global popula ...
and from there to both
gospel music Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is co ...
and the
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the ...
. The call and response format showcases the ways in which work songs foster dialogue. The importance of dialogue is illuminated in many African American traditions and continues on to the present day. Particular to the African call and response tradition is the overlapping of the call and response.Brooks, Tilford, America’s Black Musical Heritage. New Jersey: Prentice-Hall, Inc., 1984. The leader's part might overlap with the response, thus creating a unique collaborative sound. Similarly, African-American folk and traditional music focuses on
polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, ...
rather than a melody with a harmony. Often, there will be multiple rhythmic patterns used in the same song "resulting in a counterpoint of rhythms." The focus on polyphony also allows for improvisation, a component that is crucial to African-American work songs. As scholar Tilford Brooks writes, "improvisation is utilized extensively in Black folk songs, and it is an essential element especially in songs that employ the call-and-response pattern." Brooks also notes that often in a work song, "the leader has license to improvise on the melody in heircall, while the response usually repeats its basic melody line without change." Also evident were
field hollers The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to communi ...
, shouts, and moans, which may have been originally designed for different bands or individuals to locate each other and narrative songs that used folk tales and folk motifs, often making use of homemade instruments. In early African captivity drums were used to provide rhythm, but they were banned in later years because of the fear that Africans would use them to communicate in a rebellion; nevertheless, Africans managed to generate percussion and percussive sounds, using other instruments or their own bodies. In the 1950s, perhaps surprisingly, there are very few examples of work songs linked to cotton picking. Corn, however, was a very common subject of work songs on a typical plantation. Because the crop was the main component of most Africans' diet, they would often sing about it regardless of whether it was being harvested. Often, communities in the south would hold "corn-shucking jubilees," during which an entire community of planters would gather on one plantation. The planters would bring their harvests, as well as their enslaved workers, and work such as shucking corn, rolling logs, or threshing rice would be done, accompanied by the singing of Africans doing work. The following is an example of a song Africans would sing as they approached one of these festivals. It is from ex bonded African
William Wells Brown William Wells Brown (c. 1814 – November 6, 1884) was a prominent abolitionist lecturer, novelist, playwright, and historian in the United States. Born into slavery in Montgomery County, Kentucky, near the town of Mount Sterling, Brown escap ...
's memoir " My Southern Home." Work songs were used by African American railroad work crews in the southern United States before modern machinery became available in the 1960s. Anne Kimzey of the Alabama Center For Traditional Culture writes: "All-black
gandy dancer Gandy dancer is a slang term used for early Rail transport, railroad workers in the United States, more formally referred to as "section hands", who laid and maintained Track (rail transport), railroad tracks in the years before the work was don ...
crews used songs and chants as tools to help accomplish specific tasks and to send coded messages to each other so as not to be understood by the foreman and others. The lead singer, or caller, would chant to his crew, for example, to realign a rail to a certain position. His purpose was to uplift his crew, both physically and emotionally, while seeing to the coordination of the work at hand. It took a skilled, sensitive caller to raise the right chant to fit the task at hand and the mood of the men. Using tonal boundaries and melodic style typical of the blues, each caller had his own signature. The effectiveness of a caller to move his men has been likened to how a preacher can move a congregation." Another common type of African American work song was the "boat song." Sung by slaves who had the job of rowing, this type of work song is characterized by "plaintive, melancholy singing." These songs were not somber because the work was more troublesome than the work of harvesting crops. Rather, they were low-spirited so that they could maintain the slow, steady tempo needed for rowing. In this way, work songs followed the African tradition, emphasizing the importance of activities being accompanied by the appropriate song. The historian
Sylviane Diouf Sylviane Anna Diouf is a historian and curator of the African diaspora. She is a visiting scholar at the Center for the Study of Slavery and Justice, Brown University and a member of the Scientific Committee of the International Coalition of Si ...
and ethnomusicologist
Gerhard Kubik Gerhard Kubik (born 10 December 1934) is an Austrian music ethnologist from Vienna. He studied ethnology, musicology and African languages at the University of Vienna. He published his doctoral dissertation in 1971 and achieved habilitation in ...
identify
Islamic music Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, W ...
as an influence on field holler music. Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century
field holler The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to commun ...
music, noting that both have similar lyrics praising God, melody, note changes, "words that seem to quiver and shake" in the vocal chords, dramatic changes in
musical scale In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the ...
s, and nasal intonation. She attributes the origins of field holler music to African Muslim slaves who accounted for an estimated 30% of African slaves in America. According to Kubik, "the vocal style of many blues singers using
melisma Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is refer ...
, wavy intonation, and so forth is a heritage of that large region of
West Africa West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Maurit ...
that had been in contact with the
Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C ...
- Islamic world of the
Maghreb The Maghreb (; ar, الْمَغْرِب, al-Maghrib, lit=the west), also known as the Arab Maghreb ( ar, المغرب العربي) and Northwest Africa, is the western part of North Africa and the Arab world. The region includes Algeria, ...
since the seventh and eighth centuries." There was particularly a significant trans-Saharan cross-fertilization between the musical traditions of the Maghreb and the
Sahel The Sahel (; ar, ساحل ' , "coast, shore") is a region in North Africa. It is defined as the ecoclimatic and biogeographic realm of transition between the Sahara to the north and the Sudanian savanna to the south. Having a hot semi-arid c ...
.


Sea shanties

Work songs sung by sailors between the eighteenth and twentieth centuries are known as sea shanties. These songs were typically performed while adjusting the rigging, raising anchor, and other tasks where men would need to pull in rhythm. These songs usually have a very punctuated rhythm precisely for this reason, along with a ''call-and-answer'' format. Well before the nineteenth century, sea songs were common on rowing vessels. Such songs were also very rhythmic in order to keep the rowers together. Because many cultures used slaves to row, some of these songs might also be considered slave songs. Improvised verses sung by sailors spoke of ills with work conditions and captains. These songs were performed with and without the aid of a drum.


Cowboy songs

Western music was directly influenced by the folk music traditions of
immigrants Immigration is the international movement of people to a destination country of which they are not natives or where they do not possess citizenship in order to settle as permanent residents or naturalized citizens. Commuters, tourists, a ...
in the nineteenth century as they moved west. They reflected the realities of the range and ranch houses where the music originated, played a major part in combating the
loneliness Loneliness is an unpleasant emotional response to perceived isolation. Loneliness is also described as social paina psychological mechanism which motivates individuals to seek social connections. It is often associated with a perceived lack ...
and
boredom In conventional usage, boredom, ennui, or tedium is an emotional and occasionally psychological state experienced when an individual is left without anything in particular to do, is listlessness and dissatisfaction arising from a lack of occup ...
that characterised
cowboy A cowboy is an animal herder who tends cattle on ranches in North America, traditionally on horseback, and often performs a multitude of other ranch-related tasks. The historic American cowboy of the late 19th century arose from the '' vaqu ...
life and
western Western may refer to: Places *Western, Nebraska, a village in the US *Western, New York, a town in the US *Western Creek, Tasmania, a locality in Australia *Western Junction, Tasmania, a locality in Australia *Western world, countries that id ...
life in general. Such songs were often accompanied on portable instruments of
guitars The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ...
,
fiddles A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, ...
,
concertina A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The ...
and
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica inclu ...
. In the nineteenth century cowboy bands developed and cowboy songs began to be collected and published from the early twentieth century with books like
John Lomax John Avery Lomax (September 23, 1867 – January 26, 1948) was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax, John Lomax Jr. and Bess Lo ...
's ''Cowboy Songs and Other Frontier Ballads'' (1910). As cowboys were romanticised in the mid-twentieth century they became extremely popular and played a part in the development of
country and western music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old- ...
.V. Bogdanov, C. Woodstra and S. T. Erlewine. ''All Music Guide to Country: The Definitive Guide to Country Music'' (Backbeat Books, 2003), p. 901.


Industrial folk song

Industrial folk song emerged in Britain in the eighteenth century, as workers took the forms of music with which they were familiar, including
ballads A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or '' ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
and agricultural work songs, and adapted them to their new experiences and circumstances.A. L. Lloyd, ''Folk song in England'' (London: Lawrence and Wishart, 1967), p. 323-28. Unlike agricultural work songs, it was often unnecessary to use music to synchronise actions between workers, as the pace would be increasingly determined by water, steam, chemical and eventually electric power, and frequently impossible because of the noise of early industry. As a result, industrial folk songs tended to be descriptive of work, circumstances, or political in nature, making them amongst the earliest protest songs and were sung between work shifts or in leisure hours, rather than during work. This pattern can be seen in textile production, mining and eventually steel, shipbuilding, rail working and other industries. As other nations industrialised their folk song underwent a similar process of change, as can be seen for example in France, where Saint-Simon noted the rise of 'Chansons Industriale' among cloth workers in the early nineteenth century, and in the USA where industrialisation expanded rapidly after the
Civil War A civil war or intrastate war is a war between organized groups within the same state (or country). The aim of one side may be to take control of the country or a region, to achieve independence for a region, or to change government policies ...
.
A.L. Lloyd Albert Lancaster Lloyd (29 February 1908 – 29 September 1982),Eder, Bruce. (29 September 1982A. L. Lloyd - Music Biography, Credits and Discography AllMusic. Retrieved on 2013-02-24. usually known as A. L. Lloyd or Bert Lloyd, was an English fo ...
defined the industrial work song as 'the kind of vernacular songs made by workers themselves directly out of their own experiences, expressing their own interest and aspirations...'. Lloyd also pointed to various types of song, including chants of labour, love and erotic occupational songs and industrial protest songs, which included narratives of disasters (particularly among miners), laments for conditions, as well as overtly political strike ballads. He also noted the existence of songs about heroic and mythical figures of industrial work, like the coal miners the 'Big Hewer' or 'Big Isaac' Lewis. This tendency was even more marked in early American industrial songs, where representative heroes like
Casey Jones John Luther "Casey" Jones (March 14, 1863 – April 30, 1900) was an American railroader who was killed when his passenger train collided with a stalled freight train at Vaughan, Mississippi. Jones was a locomotive engineer for the Illinois C ...
and John Henry were eulogised in blues ballads from the nineteenth century.


Folk revival

In the 1930s, Lead Belly (Huddie Ledbetter) was recorded in prison by the folklorist Alan Lomax. Leadbelly knew hundreds of work hollers and traditional songs from the cotton fields, railroads and prison gangs. In the 1940s he toured widely on college campuses and folk music venues, popularising songs including "Take This Hammer", "John Henry" "Boll Weevil" and "Midnight Special". His repertoire was a major influence on the Folk Revival of the 1950s and 1960s. Mining songs written in the late 1940s by country artists Merle Travis ("Sixteen Tons" and " Dark as a Dungeon") and
Billy Edd Wheeler Billy Edward "Edd" Wheeler (born December 9, 1932, Boone County, West Virginia, United States) is an American songwriter, performer, writer, and visual artist. His songs include " Jackson" (Grammy award winner for Johnny Cash and June Carter ...
("Coal Tattoo") also became fireside standards. The working class was glorified in Marxist theory and practice, and a strong link between work songs and activism developed in the USA and elsewhere. The "dustbowl balladeer"
Woody Guthrie Woodrow Wilson Guthrie (; July 14, 1912 – October 3, 1967) was an American singer-songwriter, one of the most significant figures in American folk music. His work focused on themes of American socialism and anti-fascism. He has inspired ...
wrote and performed work-related songs such as " Deportee" and "Talking Hard Work" in the 1940s and 1950s. Guthrie and other politically active performers, especially
the Weavers The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs fro ...
with
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably ...
, continued the Union Songs movement that had begun with Joe Hill in the early 1900s. From that time, most topical and activist singers including
Joan Baez Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more ...
,
Bob Dylan Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career sp ...
and Phil Ochs performed work-related songs. Rock performers with working-class leanings such as
Bruce Springsteen Bruce Frederick Joseph Springsteen (born September 23, 1949) is an American singer and songwriter. He has released 21 studio albums, most of which feature his backing band, the E Street Band. Originally from the Jersey Shore, he is an originat ...
have also been influenced by the genre. In Britain,
Ewan MacColl James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the ...
and
Peggy Seeger Margaret "Peggy" Seeger (born June 17, 1935) is an American folk singer. She has lived in Britain for more than 60 years, and was married to the singer and songwriter Ewan MacColl until his death in 1989. First American period Seeger's father ...
produced hundreds of albums of political and traditional songs, writing many songs referring to industrial and working conditions.M. Brocken, ''The British Folk Revival 1944-2002'' (Ashgate, Aldershot, 2003), p. 64. Folk or folk-rock performers including Steeleye Span, Fairport Convention,
The Watersons The Watersons were an English folk group from Hull, Yorkshire. They performed mainly traditional songs with little or no accompaniment. Their distinctive sound came from their closely woven harmonies. They have been called the "most famous fam ...
,
Dick Gaughan Richard Peter Gaughan (born 17 May 1948) is a Scottish musician, singer and songwriter, particularly of folk and social protest songs. He is regarded as one of Scotland's leading singer-songwriters. Early years Gaughan was born in Glasgow's Roy ...
, Capercaillie, Billy Bragg, James Fagan and
Nancy Kerr Nancy Kerr (born 1975) is an English folk musician and songwriter, specialising in the fiddle and singing. She is a Principal Lecturer in Folk Music at Leeds Conservatoire and Newcastle University. She was the 2015 BBC Radio 2 Folk Awards "Folk ...
have featured work songs in their performances. In Australia, shearing songs and droving songs featured strongly in the first traditional songs to be collected in the field in the 1950s. Merv Lilley and Dorothy Hewett wrote work poems that were set to music during the early 1960s folk revival and became standards, such as the call-and-reply canecutting song "Cane Killed Abel" and one of the first songs about the social and environmental damage caused by industrialisation, "Weevils in the Flour". Alternative rock bands like Midnight Oil and
Goanna A goanna is any one of several species of lizards of the genus '' Varanus'' found in Australia and Southeast Asia. Around 70 species of ''Varanus'' are known, 25 of which are found in Australia. This varied group of carnivorous reptiles ranges ...
passed the tradition to a broader audience. With the end of the folk boom in the 1970s and the rise of the introspective singer-songwriter, the genre lost its wide public appeal, but work songs have continued to be very popular throughout the folk scene, at protest gatherings and with union choirs.


Women's work songs

Waulking songs from Scotland are a traditional genre performed while women communally beat and felted cloth. Women have only recently joined the workforce in large numbers and most women's work songs have been created within modern genres.
Dolly Parton Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, actress, philanthropist, and businesswoman, known primarily for her work in country music. After achieving success as a songwriter for others, Parton made her album d ...
's "Nine to Five" is pop country,
Cher Cher (; born Cherilyn Sarkisian; May 20, 1946) is an American singer, actress and television personality. Often referred to by the media as the Honorific nicknames in popular music, "Goddess of Pop", she has been described as embodying female ...
's "Working Girl" is also an office work anthem.
Donna Summer LaDonna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the " Queen of Disco", while her mus ...
's "She Works Hard for the Money" is disco/techno and refers to "the oldest profession" (
prostitution Prostitution is the business or practice of engaging in Sex work, sexual activity in exchange for payment. The definition of "sexual activity" varies, and is often defined as an activity requiring physical contact (e.g., sexual intercourse, n ...
).


See also

*
Military cadence In the United States armed services, a military cadence or cadence call is a traditional call-and-response work song sung by military personnel while running or marching. In the United States, these cadences are sometimes called jody calls or jo ...
* Waulking song *
The Volga Boatmen's Song The "Song of the Volga Boatmen" (known in Russian as Эй, ухнем! y, ukhnem!, "Yo, heave-ho!" after the refrain) is a well-known traditional Russian song collected by Mily Balakirev and published in his book of folk songs in 1866. It was s ...
*
Gandydancer Gandy dancer is a slang term used for early Rail transport, railroad workers in the United States, more formally referred to as "section hands", who laid and maintained Track (rail transport), railroad tracks in the years before the work was don ...


References

{{Authority control Work music