When I Hear Music
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"When I Hear Music" is a freestyle song produced by "Pretty" Tony Butler and sung and performed by
Debbie Deb Deborah Claire Wesoff-Kowalski (born March 10, 1966), known professionally as Debbie Deb, is an American singer and songwriter best known for her 1980s freestyle music, freestyle dance singles "Lookout Weekend" and "When I Hear Music". Biograph ...
.


Production


Background

"Pretty" Tony Butler learned music by studying electronics and fixing stereos and televisions an DJing. Butler recollected in 1985 that his parents "kept me enrolled in electronics classes, didn't let me out of the house when the guys wanted to go out. I was a nerd." He was in high school when he started DJing playing music at a large skating rink called the Superstar Rollerteque with music like
Planet Patrol Planet Patrol is an American electro group originating in the 1980s. The members were Arthur Baker, John Robie, and a quintet of vocalists led by Herbert J. Jackson (lead singer), Joseph Lites, Rodney Butler, Michael Anthony Jones, and Melvin ...
,
Kraftwerk Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the ...
and
Soulsonic Force Soulsonic Force (also referred to as Afrika Bambaataa & Soulsonic Force) is an American electro-funk and hip hop ensemble led by Afrika Bambaataa who helped establish hip-hop in the early 1980s with songs such as " Planet Rock." They were also ...
. Butler explained that
Atlantic Records Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over its first 20 years of operation, Atlantic earned a reputation as one of the most i ...
had been sending him records to test with audiences before they were officially released and Butler was able to predict which ones with a would become hits with great accuracy. Through these connections, he was asked by the label to if he could make a hit record and set own studio that was set up like a DJ booth. Among the early tracks Butler made with this set up that included a
Roland TR-808 The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patte ...
and
Roland Juno-60 The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally control ...
was "Fix It in the Mix" and "Jam the Box" which by then he had purchased a
Prophet-5 The Prophet-5 is an analog synthesizer manufactured by the American company Sequential (company), Sequential. It was designed by Dave Smith (engineer), Dave Smith and John S. Bowen (sound designer), John Bowen in 1977, who used Microprocessor, m ...
emulator. Butler met Debbie Wesoff Lopez (later known as Debbie Deb) when he was promoting concerts and heard her voice at a record store called Peaches Records. Lopez worked grew up in
North Miami North Miami is a suburban city located in northeast Miami-Dade County, Florida, United States, about north of Miami. The city lies on Biscayne Bay and hosts the Biscayne Bay Campus of Florida International University, and the North Miami campu ...
and struggling in school she was put in a work program in her senior year in high school which got her a job at Peaches Records where she focused on the R&B and Rap sections of the store. He approached her asking if she would like work on the record despite Lopez stating she did not sing and was not certain about making a record.


Production

Butler gave Lopez the address to his studio in Liberty City where she arrived that night. Lopez described the recording studio as having "a lot of drug money put into t It was in a warehouse with no windows or anything and only one door to get in and there were security cameras outside." Butler played her the music for "When I Hear Music" and two days later she went back to studio to record it. Butler described Lopez's vocals, noting that about "75% of her vocals were off" but that "tone is what people like." Butler recorded her vocals two a two-track which had a variable speed knob and turned the pitch of her vocals up when she was flat.


Music

In the ''
Spin Alternative Record Guide The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-i ...
'', the song was described as taking the bassline from " Planet Rock" by
Afrika Bambaataa Lance Taylor (born on April 17, 1957), also known as Afrika Bambaataa (), is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenc ...
& the Soul Sonic Force and added simple video game sounding effects while adding a "toylike melody" from sound effects from chimes. Vocals were described as having a "fragile anticipation" with "When I hear music, it makes me dance / You Got the music...here's my chance!"
Florida International University Florida International University (FIU) is a public university, public research university with its main campus in Miami-Dade County. Founded in 1965, the school opened its doors to students in 1972. FIU has grown to become the third-largest uni ...
's DJ Mamey Disco commented that Butler's style was not typical of freestyle duets, "more like booty electro ..Pretty Tony was more about beats. He had a black freestyle sound mixed with Latin tropical flavor."


Release

At the time of release "Fix It in the Mix" and "Jam the Box" were still in the charts which led to Butler realizing that he "was cutting records too fast to actually make money because I didn’t understand how it went. My records were actually competing against each other. But then they taught me at the radio station that only a certain amount of records from a label can be played at one time. I go, “I got four records.” A lightbulb went off in my head, and I go, "Wait, I need more labels." Every record I did was on a different label, so now all of them could be played on the radio at one time." Butler continued that "I really didn’t make a bunch of money. I didn’t know what I was doing. I’m not embarrassed to say it. You can have a hit record and it will put you out of business chasing it." and "You’ve got to figure the whole thing out. The guys in the radio station taught me a lot about the radio side. But I had nobody teach me about the publishing, writing, marketing, licensing and all that stuff. I own all my masters and publishing. I knew enough to do that." Lopez stated she was not looking into becoming a singer, feeling uncomfortable with her weight and had low self-esteem. Lopez was unaware the song was even released until she was driving home at about late at night and heard "When I Hear Music" on the radio, which led her to pull her car over as she "couldn't believe it was actually on the radio. It was an insane feeling." Lopez stated she felt a bit of injustice as she had just started beauty school and found the song became a big hit with Lopez finding that "Thousands of dollars are coming in to somebody, but not to me. I didn't know; I was young and inexperienced. I was given an artist-for-hire piece of paper and $75 to sing it." Lopez performed the song a few times but felt they were "disasters" as she "didn't know what hewas doing." A blonde woman named Anne would then perform as Debbie Deb under her name who would perform later on the track "I'm Searching" which despite being labeled a Pretty Tony record, Butler had no involvement in the track. Lopez spoke about her involvement with Butler in 2010, stating Butler "knows what he did to me; he took advantage of me being a minor ..He didn't do it to hurt me, he was just making business decisions that benefited him. But he is a genius. I do owe him some credit for finding me and exposing me. Without him, I wouldn't be here talking to you. Was it worth getting ripped off? Yes."


Track listing

12" single (JPI-101) # "When I Hear Music" 7:10 # "When I Hear Music (Inst.)" 7:30


Charts


References


Sources

* * * * * * * {{cite book , title=
Spin Alternative Record Guide The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-i ...
, edition=1, editor1-last=Weisbard, editor1-first=Eric, editor2-last=Marks, editor2-first=Craig, publisher=Vintage Books, date=October 1995 , isbn=0-679-75574-8 , editor-link1=Eric Weisbard 1980s songs 1980s debut singles Debbie Deb songs