Werther (Westf
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''Werther'' is an opera (''drame lyrique'') in four acts by
Jules Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther' ...
to a French
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by
Édouard Blau Édouard Blau (30 May 1836 – 7 January 1906) was a French dramatist and opera librettist. He was a cousin of Alfred Blau, another librettist of the same period.Smith C. Édouard Blau. In: ''The New Grove Dictionary of Opera''. Macmillan, Londo ...
,
Paul Milliet Paul Milliet (14 February 1848 – 21 November 1924) was a French playwright and librettist of the Parisian Belle Époque. His opera librettos include Jules Massenet's ''Hérodiade'' (1881) and ''Werther'' (1892), Alfred Bruneau's ''Kérim'' ...
and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel '' The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997.


Performance history

Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially '' Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the success of ''
Manon ''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first ...
'', asked the composer for a new work. ''Werther'' received its premiere on 16 February 1892 (in a German version translated by Max Kalbeck) at the Imperial Theatre
Hofoper Hofoper is German for a court opera house or company, particularly for imperial, royal, electoral, or princely courts. Many of these have since been renamed ''Staatsoper'' ("State Opera") or ''Städtische Oper'' ("Municipal Opera") as the courts wen ...
in Vienna. The French-language premiere followed in Geneva on 27 December 1892.'' Grove's Dictionary of Music and Musicians'', 5th ed., 1954 The first performance in France was given by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris on 16 January 1893, with
Marie Delna Marie Delna (Paris, 3 April 1875 - Paris, 24 July 1932) was a French contralto. A major singer in Paris, particularly at the Opéra-Comique, she enjoyed an international career in the 1890s through to the 1910s and left several recordings. Lif ...
as Charlotte and
Guillaume Ibos Guillaume Ibos (10 July 1860 â€“ 22 September 1952) was a French opera singer. Career Born in Muret (Haute-Garonne), Ibos continued his musical studies at the Conservatoire de Paris, where he won first prize. He was immediately hired at th ...
in the title role, conducted by
Jules Danbé Jules Danbé (16 November 1840 – 30 October 1905) was a French violinist, composer and conductor, mainly of opera. Biography Danbé was born in Caen, Calvados. Trained as a violinist, he was a pupil of Narcisse Girard and Marie Gabriel Augu ...
, but was not immediately successful. ''Werther'' entered the repertoire at the Opéra-Comique in 1903 in a production supervised by
Albert Carré Albert Carré (born Strasbourg 22 June 1852, died Paris 12 December 1938) was a French theatre director, opera director, actor and librettist. He was the nephew of librettist Michel Carré (1821–1872) and cousin of cinema director Michel Carré ( ...
, and over the next half-century the opera was performed over 1,100 times there, Léon Beyle becoming a distinguished interpreter of Werther. The United States premiere with the Metropolitan Opera took place in Chicago on 29 March 1894 and then in the company's main house in New York City three weeks later. The UK premiere was a one-off performance at
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
, London, on 11 June 1894 with
Emma Eames Emma Eames (August 13, 1865 – June 13, 1952) was an American first dramatic soprano, later lyric soprano renowned for the beauty of her voice. She sang major lyric and lyric-dramatic roles in opera and had an important career in New York ...
as Charlotte,
Sigrid Arnoldson Sigrid Arnoldson (20 March 1861 – 7 February 1943) was a Swedish opera singer with an active international career at the end of the 19th century and into the 20th. Possessing a fine dramatic coloratura soprano voice with a range of three octave ...
as Sophie, and Jean de Reszke in the title role. ''Werther'' is still regularly performed around the world and has been recorded many times. Although the role of Werther was written for a tenor, Massenet adjusted it for a
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
, when
Mattia Battistini Mattia Battistini (27 February 1856 – 7 November 1928) was an Italian operatic baritone, referred to as the "King of Baritones" in multiple publications.Steane, J.B., 1998. Singers of the Century, vol. 2. Amadeus Press, Portland, pp.&nbs ...
sang it in Saint Petersburg in 1902. It is very occasionally performed in this version, in which the changes affect only the vocal line for the title character. There are no other changes to the words, to the lines for other characters, or to the orchestration.


Roles


Instrumentation

2 flutes (2nd doubling
piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...
), 2 oboes (doubling
English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...
s), 2
clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...
s in B-flat and A,
alto saxophone The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor ...
, 2
bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...
s, 4 horns in F, 2
cornet The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a sopr ...
s in B-flat and A, 3 trombones, tuba, timpani, percussion (1) (
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...
, triangle),
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...
,
strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...
.


Synopsis

:Time: Within the period July to December, in an undefined year in the 1780s. :Place: Wetzlar in Germany.


Act 1

In July, the widowed Bailiff (a Magistrate, rather than one who comes to seize property), is teaching his six youngest children a Christmas carol ("Noël! Jésus vient de naître"). His drinking companions, Johann and Schmidt, arrive as Charlotte, the eldest daughter, dresses for a ball. Since her fiancé Albert is away, she is to be escorted by Werther, whom the Bailiff and his companions find gloomy. Werther arrives ("O Nature, pleine de grâce"), and watches as Charlotte prepares her young siblings' supper, just as her mother had before she died. He greets her and they leave for the ball. Albert returns unexpectedly after a six-month trip. He is unsure of Charlotte's intentions and disappointed not to find her at home, but is reassured and consoled by Charlotte's younger sister Sophie. He leaves after promising to return in the morning. After an orchestral interlude, Werther and Charlotte return very late; he is already enamoured of her. His declaration of love is interrupted by the announcement of Albert's return. Charlotte recalls how she promised her dying mother she would marry Albert. Werther is in despair.


Act 2

It is three months later, and Charlotte and Albert are now married. They walk happily to church to celebrate the minister's 50th wedding anniversary, followed by the disconsolate Werther ("Un autre est son époux!"). First Albert and then Sophie ("Du gai soleil, plein de flamme") try to cheer him up. When Charlotte exits the church, he speaks to her of their first meeting. Charlotte begs Werther to leave her, though she indicates that she would be willing to receive him again on Christmas Day. Werther contemplates suicide ("Lorsque l'enfant revient d'un voyage"). He encounters Sophie but the tearful girl does not understand his distressing behavior. Albert now realizes that Werther loves Charlotte.


Act 3

Charlotte is at home alone on Christmas Eve. She spends time rereading the letters that she has received from Werther ("Werther! Qui m'aurait dit ... Ces lettres!"), wondering how the young poet is and how she had the strength to send him away. Sophie comes in and tries to cheer up her older sister ("Ah! le rire est béni"), though Charlotte is not to be consoled ("Va! laisse couler mes larmes"). Suddenly Werther appears, and while he reads to her some poetry of
Ossian Ossian (; Irish Gaelic/Scottish Gaelic: ''Oisean'') is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson, originally as ''Fingal'' (1761) and ''Temora'' (1763), and later combined under t ...
("Pourquoi me réveiller?"), he realizes that she does indeed return his love. They embrace for a moment, but she quickly bids him farewell. He leaves with thoughts of suicide. Albert returns home to find his wife distraught. Werther sends a messenger to Albert, requesting to borrow his pistols, explaining he is going on an extended trip. After the servant has taken them, Charlotte has a terrible premonition and hurries to find Werther. An orchestral intermezzo ("La nuit de Noël") leads without a break into the final Act.


Act 4

"The death of Werther": At Werther's apartment, Charlotte has arrived too late to stop him from shooting himself; he is dying. She consoles him by declaring her love. He asks for forgiveness. After he dies, Charlotte faints. Outside children are heard singing the Christmas carol.


Noted arias

Act 1 :Werther: "O Nature, pleine de grâce" Act 2 :Werther: "Un autre est son époux!" :Sophie: "Du gai soleil, plein de flamme" :Werther: "Lorsque l'enfant revient d'un voyage" Act 3 :Charlotte: "Werther! Qui m'aurait dit /Ces lettres!" (Letter Scene) :Charlotte: "Va! laisse couler mes larmes" :Werther: "Pourquoi me réveiller?"


Recordings

A well-regarded recording of the complete opera was made in January 1931 by French Columbia with a French cast and the orchestra and chorus of the Opéra-Comique under the direction of Élie Cohen. Henry Fogel of ''
Fanfare A fanfare (or fanfarade or flourish) is a short musical flourish which is typically played by trumpets, French horns or other brass instruments, often accompanied by percussion. It is a "brief improvised introduction to an instrumental perfo ...
'' magazine, writing in 1992, counted 14 complete recordings and considered it the finest of the lot. His colleague, James Camner, reviewing the Opera d'Oro reissue in 2003, called it "one of the treasures of recorded opera. ... Unfortunately, the transfer is over filtered. The high frequencies are lost, giving the performance an unwarranted flatness. Happily, Naxos offers the same recording expertly transferred by
Ward Marston Henry Ward Marston IV (born 22 May 1952) is an American audio transfer engineer and producer, known for the conservation and reissue of historical recordings. Early life Henry Ward Marston IV, was born in Philadelphia. Blind from birth he began ...
, and acquiring it is a must." Alan Blyth, while giving a very positive review of the reissue of the recording with Albert Lance as Werther and
Rita Gorr Rita Gorr (18 February 1926 – 22 January 2012) was a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (''Lohengrin'') and Amneris (''Aida'') ...
as Charlotte in 2004, nevertheless pointed out that "neither quite has the ideal subtlety of the best Massenet singers, such as Vallin and Thill on the classic, pre-war set, now on Naxos". Blyth, Alan (March 2004)
"''Werther''s Return".
''
Gramophone A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogu ...
'', p. 83]. Accessed November 16, 2010.
In addition, many of the greatest French and Italian singers of the past century or more have recorded individual arias from Massenet's masterwork.


References

Notes


Further reading

* * *


External links

*
''Werther'': Full orchestral score
indiana.edu
Werther : drame lyrique en quatre actes et cinq tableaux (d'apres Goethe)
1893 publication, French, digitization by Brigham Young University, BYU on archive.org {{Authority control Operas based on works by Johann Wolfgang von Goethe Operas by Jules Massenet French-language operas 1892 operas Operas Operas set in Germany Operas based on novels Works based on The Sorrows of Young Werther