Vittoria Tarquini
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Vittoria Tarquini, (3 March 1670 – 1746) also known as La Bombace and Bambagia, was an Italian soprano singer of the
Baroque era The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including th ...
. She was one of the most celebrated singers of her time and was considered one of the best, if not the greatest, tragic opera singer.


Career

Born in the parish of
San Pantalon The Chiesa di San Pantaleone Martire, known as San Pantalon in the Venetian dialect, is a church in the Dorsoduro ''sestiere'' of Venice, Italy. It is located on the Campo San Pantalon (square), and is dedicated to Saint Pantaleon. The 17th-centu ...
in Venice, Tarquini had her first known performance in 1685, aged 14, at the
Teatro San Angelo The Teatro San Angelo (in Venetian dialect) or Teatro Sant' Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatr ...
there. According to Beth Glixon, she was probably the victim of a rape that same year because Vittoria's father brought a charge of rape a few months later before the three chiefs of the
Council of Ten The Council of Ten ( it, Consiglio dei Dieci; vec, Consejo de i Diexe), or simply the Ten, was from 1310 to 1797 one of the major governing bodies of the Republic of Venice. Elections took place annually and the Council of Ten had the power to i ...
; it is not known what ultimately became of the case. In 1688, her career reached a first peak when she sang the role of Giulia in the premiere of the opera ''Orazio'' on 24 January 1688 in Venice at the
Teatro San Giovanni Grisostomo The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...
, which was probably composed by Giuseppe Felice Tosi. Around the same time she met Ferdinando de' Medici (1663–1713), who would later become very important in her life. The music-loving Ferdinando was often a guest at the palace of
Vincenzo Grimani Vincenzo Grimani (15 May 1652 or 26 May 1655 – 26 September 1710) was an Italian cardinal, diplomat, and opera librettist. Biography Grimani was born either in Venice or Mantua. He is best remembered for having supplied the libretto for Ge ...
, and accompanied Tarquini himself at a private concert on
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
or
spinet A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ. Harpsichords When the term ''spinet'' is used to designate a harpsichord, typically what is meant is the ''bentside spinet'', described in this ...
. Already at this time he is said to have shown an inclination for Vittoria, to whom he gave a ring worth 20 (
doubloon The doubloon (from Spanish ''doblón'', or "double", i.e. ''double escudo'') was a two-''escudo'' gold coin worth approximately $4 (four Spanish dollars) or 32 '' reales'', and weighing 6.766 grams (0.218 troy ounce) of 22-karat gold (or 0.917 fi ...
s). However, it is not certain whether Vittoria is also identical with the ''brava cantatrice'' (outstanding singer) to whom Ferdinando gave a diamond worth more than 100
scudi The ''scudo'' (pl. ''scudi'') was the name for a number of coins used in various states in the Italian peninsula until the 19th century. The name, like that of the French écu and the Spanish and Portuguese escudo, was derived from the Latin ''scu ...
after a concert at Grimani. On 14 February 1688, also at San Giovanni Grisostomo, she sang the role of Angelica in
Domenico Gabrielli Domenico Gabrielli (15 April 1651 or 19 October 1659 – 10 July 1690) was an Italian Baroque composer and one of the earliest known virtuoso cello players, as well as a pioneer of cello music writing. Born in Bologna, he worked in the orchestra of ...
's ''Carlo il Grande''. On 30 January 1689 she appeared in the premiere of
Agostino Steffani Agostino Steffani (25 July 165412 February 1728) was an Italian ecclesiastic, diplomat and composer. Biography Steffani was born at Castelfranco Veneto on 25 July 1654. As a boy he was admitted as a chorister at San Marco, Venice. In 1667, ...
's ''
Henrico Leone ''Henrico Leone'' (also ''Enrico Leone'') is an opera (''dramma per musica'') in three acts composed by Agostino Steffani to an Italian libretto by Ortensio Mauro. Based on the life of the powerful German prince Henry the Lion, the opera was f ...
'', together with the tenor Antonio Borosini, Giuseppe Galloni "Nicolini". On 8 January 1689, three weeks before the premiere of ''Henrico Leone'', she married ,
Kapellmeister (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
(or first violinist) of
Ernest Augustus, Elector of Hanover Ernest Augustus (german: Ernst August; 20 November 1629 – 23 January 1698) was ruler of the Principality of Lüneburg from 1658 and of the Principality of Calenberg from 1679 until his death, and father of George I of Great Britain. He was appo ...
, in St. Clement's Basilica, Hanover. She probably stayed in Germany and with her husband for a few more years and also appeared in Steffani's ''La lotta d'Ercole ed Acheloo'' (1689), but this has not yet been proven. Around 1691–92, she gave birth to her only son, Giorgio Luigi Farinelli, possibly already in Venice, having left her husband. In 1693, she was in
Ferrara Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream ...
at the Teatro Bonacossi and sang in a performance of
Bernardo Pasquini Bernardo Pasquini (Massa e Cozzile, 7 December 1637Rome, 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian compose ...
's ''Lisimaco'' alongside the famous castrato called ''il Cortona''; she was announced with the Italianized surname of her husband as Vittoria Farinelli. She was in Florence by March 1698, in the service of Ferdinando de' Medici, whom she had met in Venice ten years previously. During her Florentine years, she also had a very friendly relationship with Cardinal Francesco Maria de' Medici. She sang in Handel's operas ''
Rodrigo Rodrigo is a Spanish, Portuguese and Italian name derived from the Germanic name ''Roderick'' (Gothic ''*Hroþareiks'', via Latinized ''Rodericus'' or ''Rudericus''), given specifically in reference to either King Roderic (d. 712), the last Vis ...
'' (Florence 1707) and '' Agrippina'' (Venice 1709);
John Mainwaring __NOTOC__ John Mainwaring (1724 – 15 April 1807) was an English theologian and the first biographer of the composer Georg Friedrich Händel in any language. He was a Fellow of St. John's College, Cambridge, and parish priest, and later a prof ...
also vaguely but bluntly suggests that she was in love with Handel, and that they may have had an affair, despite the relatively large 15-year age difference (and despite their alleged relationship with Ferdinando de' Medici). After her career, Tarquini lived in Venice in her house in the parish of
Santa Maria Formosa Santa Maria Formosa, formally The Church of the Purification of Mary, is a church in Venice, northern Italy. It was erected in 1492 under the design by Renaissance architect Mauro Codussi. It lies on the site of a previous church dating from the ...
that she had bought in 1705. Her husband Jean Baptiste Farinelli, from whom she was separated for more than 20 years, came to Venice in 1714 and lived with her again until his death in 1725. In 1744, Vittoria Tarquini made her will, making her son Luigi her main heir. She died in Venice in 1746.


References

{{DEFAULTSORT:Tarquini, Vittoria 1670 births 1746 deaths Italian operatic sopranos 18th-century Venetian women Italian Baroque people People from Venice