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Vincenzo Capirola (1474 – after 1548) was an Italian composer,
lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can ref ...
nist and nobleman of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
. His music is preserved in an illuminated manuscript called the Capirola Lutebook, which is considered to be one of the most important sources of lute music of the early 16th century.


Life and music

He was probably from
Brescia Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo ...
, and is known to have lived in that city for several periods of his life, although he was in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
in 1517 and for some time after that, the period during which the illuminated manuscript was prepared. It is possible that Capirola is the famous Brescian lutenist who visited the court of
Henry VIII of England Henry VIII (28 June 149128 January 1547) was King of England from 22 April 1509 until his death in 1547. Henry is best known for his six marriages, and for his efforts to have his first marriage (to Catherine of Aragon) annulled. His disa ...
, although his name was not recorded (no other virtuoso lutenists of the period, from Brescia, who were also noblemen, are known). The Lutebook contains the earliest known examples of
legato In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note wit ...
and non-legato indications, as well as the earliest known
dynamic Dynamics (from Greek δυναμικός ''dynamikos'' "powerful", from δύναμις ''dynamis'' "power") or dynamic may refer to: Physics and engineering * Dynamics (mechanics) ** Aerodynamics, the study of the motion of air ** Analytical dyna ...
indications. The pieces vary from simple studies suitable for beginners on the instrument, to immensely demanding virtuoso pieces. There are also 13
ricercar A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial funct ...
s in the book, which alternate passages in brilliant
toccata Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtu ...
style with passages in three-part
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
similar to that of the vocal music of contemporary composers such as
Jacob Obrecht Jacob Obrecht (also Hobrecht; 1457/8
. In addition to music by Capirola (and others — Capirola evidently transcribed several pieces by other composers for the book), the Lutebook contains a preface which is one of the most important primary sources on early 16th century lute-playing. It includes information on how to play legato and
tenuto In musical notation, ''tenuto'' ( Italian, past participle of ''tenere'', "to hold"), denoted as a horizontal bar adjacent to a note, is a direction for the performer to hold or sustain a note for its full length. Its precise interpretation can ...
, and how to perform ornaments of various types, how to choose the best fingering for passagework. It also includes very practical details such as how to string and tune the instrument.


Notes

# Reese, p. 521.


References and further reading

*
Gustave Reese Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) ...
, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. *Arthur J. Ness: "Vincenzo Capirola", Grove Music Online ed. L. Macy (Accessed October 27, 2005)
(subscription access)
*O. Gombosi, ''Compositione di Meser Vincenzo Capirola: Lute-book (circa 1517)''. Neuilly-sur-Seine, 1955. {{DEFAULTSORT:Capirola, Vincenzo 1474 births 16th-century deaths Composers for lute Italian lutenists Renaissance composers Male classical composers